As I write this, the fields glitter with snow-crystals in the winter noon, and the eye is dazzled with a reflection of the splendor which the sun pours so fully into every nook that by it alone we appear to see everything.

Yet, as the day declines, and the glow of the sunset spreads up to the zenith, there comes out in it the white-shining evening star, which not the light, but the darkness, makes visible; and as the last ruddy twilight fades, not only this neighbor-world, whose light is fed from the sunken sun, but other stars appear, themselves self-shining suns, which were above us all through the day, unseen because of the very light.

As night draws on, we may see the occasional flash of a shooting-star, or perhaps the auroral streamers spreading over the heavens; and remembering that these will fade as the sun rises, and that the nearer they are to it the more completely they will be blotted out, we infer that if the sun were surrounded by a halo of only similar brightness, this would remain forever invisible,—unless, indeed, there were some way of cutting off the light from the sun without obscuring its surroundings. But if we try the experiment of holding up a screen which just conceals the sun, nothing new is seen in its vicinity, for we are also lighted by the neighboring sky, which is so dazzlingly bright with reflected light as effectually to hide anything which may be behind it, so that to get rid of this glare we should need to hang up a screen outside the earth’s atmosphere altogether.

FIG. 29.—LUNAR CONE SHADOW.

Nature hangs such a screen in front of the earth when the moon passes between it and the sun; but as the moon is far too small to screen all the earth completely, and as so limited a portion of its surface is in complete shadow that the chances are much against any given individual’s being on the single spot covered by it, many centuries usually elapse before such a total eclipse occurs at any given point; while yet almost every year there may be a partial eclipse, when, over a great portion of the earth at once, people may be able to look round the moon’s edge and see the sunlight but partly cut off. Nearly every one, then, has seen a partial eclipse of the sun, but comparatively few a total one, which is quite another thing, and worth a journey round the world to behold; for such a nimbus, or glory, as we have suggested the possibility of, does actually exist about the sun, and becomes visible to the naked eye on the rare occasions when it is visible at all, accompanied by phenomena which are unique among celestial wonders.

The “corona,” as this solar crown is called, is seen during a total eclipse to consist of a bright inner light next the invisible sun, which melts into a fainter and immensely extended radiance (the writer has followed the latter to the distance of about ten million miles), and all this inner corona is filled with curious detail. All this is to be distinguished from another remarkable feature seen at the same time; for close to the black body of the moon are prominences of a vivid crimson and scarlet, rising up like mountains from the hidden solar disk, and these, which will be considered later, are quite distinct from the corona, though seen on the background of its pearly light.

To understand what the lunar screen is doing for us, we may imagine ourselves at some station outside the earth, whence we should behold the moon’s shadow somewhat as in Fig. 29, where we must remember that since the lunar orbit is not a circle, but nearly an ellipse, the moon is at some times farther from the earth than at others. Here the extremity of its shadow is represented as just touching the surface of the globe, while it is evident that if the moon were at its greatest distance, its shadow might come to a point before reaching the earth at all. We speak, of course, only of the central cone of shade; for there is an outer one, indicated by the faint dotted lines, within whose much more extended limits the eclipse is partial, but with the latter we have at present nothing to do. The figure however, for want of room, is made to represent the proportions incorrectly, the real ones of the shadow being actually something like those of a sewing-needle,—this very long attenuated shadow sometimes, as we have just said, not reaching the earth at all, and when it does reach it, covering at the most a very small region indeed. Where this point touches, and wherever it rests, we should, in looking down from our celestial station, see that part of the earth in complete shadow, appearing like a minute dark spot, whose lesser diameter is seldom over a hundred and fifty miles.

The eclipse is total only to those inhabitants of the earth within the track of this dark spot, though the spot itself travels across the earth with the speed of the moon in the sky; so that if it could leave a mark, it would in a few hours trace a dark line across the globe, looking like a narrow black tape curving across the side of the world next the sun. In Fig. 30, for instance, is the central track of the eclipse of July 29, 1878, as it would be visible to our celestial observer, beginning in Alaska in the forenoon, and ending in the Gulf of Mexico, which it reached in the afternoon. To those on the earth’s surface within this shadow it covered everything in view, and, for anything those involved in it could see, it was all-embracing and terrible, and worthily described in such lines as Milton’s,—

“As when the sun ...
In dim eclipse, disastrous twilight sheds
On half the nations, and with fear of change
Perplexes monarchs.”

We may enjoy the poet’s vision; but here, while we look down on the whole earth at once, we must admit that the actual area of the “twilight” is very small indeed. Within this area, however, the spectacle is one of which, though the man of science may prosaically state the facts, perhaps only the poet could render the impression.

We can faintly picture, perhaps, how it would seem, from a station near the lunar orbit, to see the moon—a moving world—rush by with a velocity greater than that of the cannon-ball in its swiftest flight; but with equal speed its shadow actually travels along the earth. And now, if we return from our imaginary station to a real one here below, we are better prepared to see why this flying shadow is such a unique spectacle; for, small as it may be when seen in relation to the whole globe, it is immense to the observer, whose entire horizon is filled with it, and who sees the actual velocity of one of the heavenly bodies, as it were, brought down to him.

The reader who has ever ascended to the Superga, at Turin, will recall the magnificent view, and be able to understand the good fortune of an observer (Forbes) who once had the opportunity to witness thence this phenomenon, and under a nearly cloudless sky. “I perceived,” he says, “in the southwest a black shadow like that of a storm about to break, which obscured the Alps. It was the lunar shadow coming toward us.” And he speaks of the “stupefaction”—it is his word—caused by the spectacle. “I confess,” he continues, “it was the most terrifying sight I ever saw. As always happens in the cases of sudden, silent, unexpected movements, the spectator confounds real and relative motion. I felt almost giddy for a moment, as though the massive building under me bowed on the side of the coming eclipse.” Another witness, who had been looking at some bright clouds just before, says: “The bright cloud I saw distinctly put out like a candle. The rapidity of the shadow, and the intensity, produced a feeling that something material was sweeping over the earth at a speed perfectly frightful. I involuntarily listened for the rushing noise of a mighty wind.”

FIG. 30—TRACK OF LUNAR SHADOW.

Each one notes something different from another at such a time; and though the reader will find minute descriptions of the phenomena already in print, it will perhaps be more interesting if, instead of citations from books, I invite him to view them with me, since each can tell best what he has personally seen.

FIG. 31.—INNER CORONA ECLIPSE OF 1869. FROM SHELBYVILLE PHOTOGRAPH. (ROYAL ASTRONOMICAL SOCIETY’S MEMOIRS.)

I have witnessed three total eclipses, but I do not find that repetition dulls the interest. The first was that of 1869, which passed across the United States and was nearly central over Louisville. My station was on the southern border of the eclipse track, not very far from the Mammoth Cave in Kentucky, and I well remember that early experience. The special observations of precision in which I was engaged would not interest the reader; but while trying to give my undivided attention to these, a mental photograph of the whole spectacle seemed to be taking without my volition. First, the black body of the moon advanced slowly on the sun, as we have all seen it do in partial eclipses, without anything noticeable appearing; nor till the sun was very nearly covered did the light of day about us seem much diminished. But when the sun’s face was reduced to a very narrow crescent, the change was sudden and startling, for the light which fell on us not only dwindled rapidly, but became of a kind unknown before, so that a pallid appearance overspread the face of the earth with an ugly livid hue; and as this strange wanness increased, a cold seemed to come with it. The impression was of something unnatural; but there was only a moment to note it, for the sun went out as suddenly as a blown-out gas-jet, and I became as suddenly aware that all around, where it had been, there had been growing into vision a kind of ghostly radiance, composed of separate pearly beams, looking distinct each from each, as though the black circle where the sun once was, bristled with pale streamers, stretching far away from it in a sort of crown.

This was the mysterious corona, only seen during the brief moments while the shadow is flying overhead; but as I am undertaking to recall faithfully the impressions of the instant, I may admit that I was at the time equally struck with a circumstance that may appear trivial in description,—the extraordinary globular appearance of the moon herself. We all know well enough that the moon is a solid sphere, but it commonly looks like a bright, flat circle fastened to the concave of the starry vault; and now, owing to its unwonted illumination, the actual rotundity was seen for the first time, and the result was to show it as it really is,—a monstrous, solid globe, suspended by some invisible support above the earth, with nothing apparent to keep it from tumbling on us, looking at the moment very near, and more than anything else like a gigantic black cannon-ball, hung by some miracle in the air above the neighboring cornfield. But in a few seconds all was over; the sunlight flashed from one point of the moon’s edge and then another, almost simultaneously, like suddenly kindled electric lights, which as instantly flowed into one, and it was day again.

FIG. 32.—SKETCH OF OUTER CORONA, 1869. (U. S. COAST SURVEY REPORT.)

I have spoken of the “unnatural” appearance of the light just before totality. This is not due to excited fancy, for there is something so essentially different from the natural darkness of twilight, that the brute creation shares the feeling with us. Arago, for instance, mentions that in the eclipse of 1842, at Perpignan, where he was stationed, a dog which had been kept from food twenty-four hours was, to test this, thrown some bread just before “totality” began. The dog seized the loaf, began to devour it ravenously, and then, as the appearance already described came on, he dropped it. The darkness lasted some minutes, but not till the sun came forth again did the poor creature return to the food. It is no wonder, then, that men also, whether educated or ignorant, do not escape the impression. A party of the courtiers of Louis XV. is said to have gathered round Cassini to witness an eclipse from the terrace of the Paris observatory, and to have been laughing at the populace, whose cries were heard as the light began to fade; when, as the unnatural gloom came quickly on, a sudden silence fell on them too, the panic terror striking through their laughter. Something common to man and the brute speaks at such times, if never before or again; something which is not altogether physical apprehension, but more like the moral dismay when the shock of an earthquake is felt for the first time, and we first know that startling doubt, superior to reason, whether the solid frame of earth is real, and not “baseless as the fabric of a vision.”

But this is appealing for illustration to an experience which most readers have doubtless been spared,2 and I would rather cite the lighter one of our central party that day, a few miles north of me, at Shelbyville. In this part of Kentucky the colored population was large, and (in those days) ignorant of everything outside the life of the plantation, from which they had only lately been emancipated. On that eventful 8th of August they came in great numbers to view the enclosure and the tents of the observing party, and to inquire the price of the show. On learning that they might see it without charge from the outside, a most unfavorable opinion was created among them as to the probable merits of so cheap a spectacle, and they crowded the trees about the camp, shouting to each other sarcastic comments on the inferior interest of the entertainment. “Those trees there,” said one of the observers to me the next day, “were black with them, and they kept up their noise till near the last, when they suddenly stopped, and all at once, and as ‘totality’ came, we heard a wail and a noise of tumbling, as though the trees had been shaken of their fruit, and then the boldest did not feel safe till he was under his own bed in his own cabin.”

2 This was written before the “Charleston earthquake” occurred.

FIG. 33.—TACCHINI’S DRAWING OF CORONA OF 1870.

(SECCHI’S “LE SOLEIL.”)

It is impossible to give an exact view of what our friends at Shelbyville saw, for no drawings made there appear to have been preserved, and photography at that time could only indicate feebly the portion of the corona near the sun where it is brightest. Fig. 31 is a fac-simile of one of the photographs taken on the occasion, which is interesting perhaps as one of the early attempts in this direction, for comparison with later ones; but as a picture it is very disappointing, for the whole structure of the outer corona we have alluded to is missed altogether, the plate having taken no impression of it.

A drawing (Fig. 32) made by another observer, Mr. M’Leod, at Springfield, represents more of the outer structure; but the reader must remember that all drawings must, in the nature of the case (since there are but two or three minutes to sketch in), be incomplete, whatever the artist’s skill.

FIG. 34.—WATSON’S NAKED-EYE DRAWING OF CORONA OF 1870. (U. S. COAST SURVEY REPORT.)

Up to this time it was still doubtful, not only what the corona was, but where it was; whether it was a something about the sun or moon, or whether, indeed, it might not be in our own atmosphere. The spectroscopic observations of Professors Young and Harkness at this same eclipse of a green line in its spectrum, due to some glowing gas, showed conclusively that it was largely, at any rate, a solar appendage, and partly, at least, self-luminous; and these and other results having awakened general discussion among astronomers in Europe as well as at home, the United States Government sent an expedition, under the direction of the late Professor Pierce, to observe an eclipse which in the next year, on Dec. 8, 1870, was total in the south of Spain. There were three parties; and of the most western of these, which was at Xeres under the charge of Professor Winlock, I was a member.

FIG. 35.—PHOTOGRAPH SHOWING COMMENCEMENT OF OUTER CORONA.

(ROYAL ASTRONOMICAL SOCIETY’S MEMOIRS.)

The duration of totality was known beforehand. It would last two minutes and ten seconds, and to secure what could be seen in this brief interval we crossed the ocean. Our station was in the midst of the sherry district, and a part of the instruments were in an orange-grove, where the ground was covered with the ripe fallen fruit, while the olive and vine about us in December reminded us of the distance we had come to gather the results of so brief an opportunity.

To prepare for it, we had all arrived on the ground some weeks beforehand, and had been assiduously busy in installing the apparatus in the observing camp, which suggested that of a small army, the numerous instruments, some of them of considerable size,—equatorials, photographic apparatus, polariscopes, photometers, and spectroscopes,—being under tents, the fronts of which could be lifted when the time came for action.

To the equatorial telescopes photographic cameras are attached instead of the eye-pieces, in the hope that the corona may be made to impress itself on the plate instead of on the eye. The eye is an admirable instrument itself, no doubt; but behind it is a brain, perhaps overwrought with excitement, and responding too completely to the nervous tension which most of us experience when those critical moments are passing so rapidly. The camera can see far less of the corona than the man, but it has no nerves, and what it sets down we may rely on.

At such a time each observer has some particular task assigned to him, on which, if wise, he has drilled himself for weeks beforehand, so that no hesitation or doubt may arise in the moment of action; and his attention is expected to be devoted to this duty alone, which may keep him from noting any of the features which make the occasion so impressive as a spectacle. Most of my own particular work was again of a kind which would not interest the reader.

Apart from this, I can recall little but the sort of pain of expectation, as the moment approached, till within a minute before totality the hum of voices around ceased, and an utter and most impressive silence succeeded, broken only by a low “Ah!” from the group without the camp, when the moment came. I remember that the clouds, which had hung over the sun while the moon was first advancing on its body, cleared away before the instant of totality, so that the last thing I saw was a range of mountains to the eastward still bright in the light; then, the next moment, the shadow rushed overhead and blotted out the distant hills, almost before I could turn my face to the instrument before me.

FIG. 36.—ECLIPSE OF 1857, DRAWING BY LIAIS. (ROYAL ASTRONOMICAL SOCIETY’S MEMOIRS.)

The corona appeared to me a different thing from what it did the year before. It was apparently confined to a pearly light of a roughly quadrangular shape, close to the limb of the sun, broken by dark rifts (one of which was a conspicuous object); while within, and close to the limb, was what looked like a mountain rising from the hidden sun, of the color of the richest tint we should see in a rose-leaf held up against the light, while others were visible of an orange-scarlet. After a short scrutiny I turned to my task of analyzing the nature of the white light.

The seconds fled, the light broke out again, and so did the hubbub of voices,—it was all over, and what had been missed then could not be recovered. The sense of self-reproach for wasted opportunity is a common enough feeling at this time, though one may have done his best, so little it seems to each he has accomplished; but when all the results had been brought together, we found that the spectroscopes, cameras, and polariscopes had each done their work, and the journey had not been taken in vain. In one point only we all differed, and this was about the direct ocular evidence, for each seemed to have seen a different corona, and the drawings of it were singularly unlike. Here are two (Figs. 33 and 34) taken at this eclipse at the same time, and from neighboring stations, by two most experienced astronomers, Tacchini and Watson. No one could guess that they represented the same object, and a similar discrepancy was common.

FIG. 37.—ENLARGEMENT OF PART OF FIG. 38.

Considering that these were trained experts, whose special task it was, in this case, to draw the corona, which therefore claimed their undivided attention, I hardly know a more striking instance of the fallibility of human testimony. The evidence of several observers, however, pointed to the fact that the light really was more nearly confined to the part next the sun than the year before, so that the corona had probably changed during that interval, and grown smaller, which was remarkable enough. The evidence of the polariscope, on the whole, showed it to be partly due to reflected sunlight, while the spectroscope in the hands of Professor Young confirmed the last year’s observation, that it was also, and largely, self-luminous. Finally, the photographs, taken at very distant stations, showed the same dark rifts in the same place, and thus brought confirmatory evidence that it was not a local phenomenon in our own atmosphere. A photograph of it, taken by Mr. Brothers in Sicily, is the subject of the annexed illustration (Fig. 35), in which the very bright lights which, owing to “photographic irradiation,” seem to indent the moon, are chiefly due to the colored flames I have spoken of, which will be described later.

It may be observed that the photographs taken in the next year (1871) were still more successful, and began to show still more of the structure, whose curious forms, resembling large petals, had already been figured by Liais. His drawing (Fig. 36), made in 1857, was supposed to be rather a fanciful sketch than a trustworthy one; but, as it will be seen, the photograph goes far to justify it.

Figures 37 and 38 are copies published by Mr. Ranyard of the excellent photographs obtained in 1871, which are perhaps as good as anything done since, though even these do not show the outer corona. The first is an enlargement of a small portion of the detail in the second. It is scarcely possible for wood-engraving to reproduce the delicate texture of the original.

FIG. 38.—FAC-SIMILE OF PHOTOGRAPH OF CORONA OF 1871.

(ROYAL ASTRONOMICAL SOCIETY’S MEMOIRS.)

The years brought round the eclipse of 1878, which was again in United States territory, the central track (as Fig. 30 has already shown) running directly over one of the loftiest mountains of the country, Pike’s Peak, in Colorado. Pike’s Peak, though over fourteen thousand feet high, is often ascended by pleasure tourists; but it is one thing to stay there for an hour or two, and another to take up one’s abode there and get acclimated,—for to do the latter we must first pass through the horrors (not too strong a word) of mountain-sickness. This reaches its height usually on the second or third day, and is something like violent sea-sickness, complicated with the sensations a mouse may be supposed to have under the bell of an air-pump. After a week the strong begin to get over it, but none but the very robust should take its chances, as we did, without preparation; for on the night before the eclipse the life of one of our little party was pronounced in danger, and he was carried down in a litter to a cabin at an altitude of about ten thousand feet, where he recovered so speedily as to be able to do good service on the following day. The summit of the “Peak” is covered with great angular bowlders of splintered granite, among which we laid logs brought up for firewood, and on these, sacks of damp hay, then stretching a little tent over all and tying it down with wire to the rocks, we were fain to turn in under damp blankets, and to lie awake with incessant headache, drawing long, struggling breaths in the vain attempt to get air, and wondering how long the tent would last, as the canvas flapped and roared with a noise like that of a loose sail in a gale at sea, with occasional intervals of a dead silence, usually followed by a gust that shoved against the tent with the push of a solid body, and if a sleepers shoulders touched the canvas, shouldered him over in his bed. The stout canvas held, but the snow entered with the wind and lay in a deep drift on the pillow, when I woke after a brief sleep toward morning, and, looking out on the gray dawn, found that the snow had turned to hail, which was rattling sharply on the rocks with an accompaniment of thunder, which seemed to roll from all parts of the horizon. The snow lay thick, and the sheets of hail were like a wall, shutting out the sight of everything a few rods off, and this was in July! I thought of my December station in sunny Andalusia.

FIG. 39.—“SPECTRES.”

Hail, rain, sleet, snow, fog, and every form of bad weather continued for a week on the summit, while it was almost always clear below. It was often a remarkable sight to go to the edge and look down. The expanse of “the plains,” which stretched eastward to a horizon line over a hundred miles distant, would be in bright sunshine beneath, while the hail was all around and above us; and the light coming up instead of down gave singular effects when the clouds parted below, the plains seeming at such times to be opalescent with luminous yellow and green, as though the lower world were translucent, and the sun were beneath it and shining up through. Fig. 39 is a picture of three of us on the mountain-top, who saw a rarer spectacle; for directly opposite the setting sun, and on the mist over the gulf beyond us, was a bright ring, in whose centre were three phantom images of our three selves, which moved as we moved, and then faded as the sun sank. It was “the spectre of the Brocken.” These ghostly presentments were tolerably defined, as in the sketch, but did not seem to be gigantic, as some have described them. We rather thought them close at hand; but before we could determine, the vision faded.

The clouds, to our good fortune, rolled away on the 29th; and a number of pleasure-seekers, who came up to view the eclipse and the unwonted bright sunshine, made a scene which it was hard to identify with the usual one. This time my business was to draw the corona; and the extreme altitude and the clearness of the air, with perhaps some greater extension than usual in the object itself, enabled it to be followed to an unprecedented distance. During totality the sun was surrounded by a narrow ring—hardly more than a line—of vivid light, presenting no structure to the naked eye (but a remarkable one in the telescope); and this faded with great suddenness into a circular nebulous luminosity between two and three diameters of the sun wide, but without such marked plumes, or filaments, as I had seen in 1869. The most extraordinary thing, however, was a beam of light, inclined at an angle of about forty-five degrees, about as wide as the sun, and extending to the distance of nearly six of its diameters on one side and over twelve on the other; on one side alone, that is, to the amazing distance of over ten million miles from its body. Substantially the same observation was made, as it appeared later, by Professor Newcomb, at a lower level. The direction, when more carefully measured, it was interesting to note, coincided closely with that of the Zodiacal light, and a faint central rib added to its resemblance to that body. It is noteworthy, in illustration of what has already been said as to the conflict of ocular testimony, that though I, with the great majority of observers below, saw only this beam, two witnesses whose evidence is unimpeachable, Professors Young and Abbe, saw a pale beam at right angles to it; and that one observer did not see the beam in question at all. Fig. 40 is a sketch made from my own, but necessarily on a scale which can show only its general features.

With the telescope, the whole of the bright inner light close to the sun was found to be made up of filaments, more definite even than those described in a previous chapter as seen in sun-spots, and bristling in all directions from the edge; not concealing each other, as we might expect such things to do, upon a sphere, but fringing the sun’s edge in definite outline, as though it were really but a disk.

FIG. 40.—OUTER CORONA OF 1878. (U. S. NAVAL OBSERVATORY.)

Those who were at leisure to watch the coming shadow of the moon described its curved outline as distinctly visible on the plains. “A rounded ball of darkness with an orange-yellow border,” one called it. Those, again, who looked down on the bright clouds below say the shadow was preceded by a yellow fringe, casting a bright light over the clouds and passing into orange, pink, rose-red, and dark-red, in about twenty seconds. This beautiful effect was noticed by nearly all the amateur observers present, who had their attention at liberty, and was generally unseen by the professional ones, who were shut up in dark tents with photometers, or engaged otherwise than in admiring the glory of the spectacle as a spectacle merely. This strange light, forming a band of color about the shadow as seen from above, must have really covered ten miles or more in width, and have occupied a considerable fraction of a minute in passing over the heads of those below, to whom it probably constituted that lurid light on their landscape I have spoken of as so peculiar and “unnatural.” It seems to be due to the colored flames round the sun, which shine out when its brighter light is extinguished. I should add that on the summit of Pike’s Peak the corona did not entirely disappear at the instant the sun broke forth again, but that its outlying portions first went and then its brighter and inner ones, till our eager gaze, trying to follow it as long as possible, only after the lapse of some minutes saw the last of the wonderful thing disappear and “fade into the light of common day.”

FIG. 41.—SPECTROMETER SLIT AND SOLAR IMAGE. (FROM “THE SUN,” BY YOUNG.)

There have been other eclipses since; but, in spite of all, our knowledge of the corona remains very incomplete, and if the most learned in such matters were asked what it was, he could probably answer truthfully, “I don’t know.”

FIG. 42.—SLIT AND PROMINENCES.

(“THE SUN,” BY YOUNG.)

This will not be wondered at when it is considered that as total eclipses come, about every other year, and continue, one with another, hardly three minutes, an astronomer who should devote thirty years exclusively to the subject, never missing an eclipse in whatever quarter of the globe it occurred, would in that time have secured, in all, something like three-quarters of an hour for observation. Accordingly, what we know best about the corona is how it looks, what it is being still largely conjecture; and it is for this reason that I have thought the space devoted to it would be best used by giving the unscientific reader some idea of the visible phenomena as they present themselves to an eyewitness. Treatises like Lockyer’s “Solar Physics,” Proctor’s “The Sun,” Secchi’s “Le Soleil,” and Young’s “The Sun” (the latter is most recent), will give the reader who desires to learn more of the little that is known, the fuller information which this is not the place for; but it may be said very briefly that it is certain that the corona is at times of enormous extent (the whole length of the longer beam seen on Pike’s Peak must have been over fourteen million miles), that it almost certainly changes in its shape and dimensions from year to year (possibly much oftener, but this we cannot yet know), and that it shines partly by its own and partly by reflected light. When we come to ask whether it is a gas or not, the evidence is conflicting. The appearance of the green coronal line, and other testimony we have not alluded to, would make it seem almost certain that there must be a gas here of extreme tenuity, reaching the height of some hundred thousand miles, at the least; while yet the fact that such light bodies as comets have been known to pass through it, close to the sun, without suffering any visible retardation, such as would come even from a gas far lighter than hydrogen, appears to throw doubt on evidence otherwise strong. It is possible to conceive of the corona, and especially of the outer portion, as very largely made up of minute particles such as form the scattered dust of meteoric trains, and this seems to be the most probable constitution of its outlying parts. It is even possible to conceive that it is in some degree a subjective phenomenon, caused, as Professor Hastings has suggested, by diffraction upon the edge of the moon,—the moon, that is, not merely serving as a screen to the sun to reveal the corona, but partly making the corona by diffracting the light, somewhat as we see that the edge of any very distant object screening the sun is gilded by its beams. This effect may be seen when the sun rises or sets unusually clear, for objects on the horizon partly hiding it are then fringed for a moment with a line of light,—an appearance which has not escaped Shakspeare, where he says,—

“But when from under this terrestrial ball
He fires the tall tops of the eastern pines.”

Still, in admitting the possibility of some such contributory effect on the part of the moon, we must not, of course, be understood as meaning that the corona as a whole does not have a real existence, quite independent of the changes which the presence of the moon may bring; and in leaving the wonderful thing we must remember that it is, after all, a reality, and not a phantasm.

FIG. 43.—TACCHINI’S CHROMOSPHERIC CLOUDS. (“MEMORIE DEGLI SPETTROSCOPISTI ITALIANI.”)
FIG. 44.—TACCHINI’S CHROMOSPHERIC CLOUDS. (“MEMORIE DEGLI SPETTROSCOPISTI ITALIANI.”)

I have already described how, at the eclipse of 1870, I (with others) saw within the corona what seemed like rose and scarlet-colored mountains rising from the sun’s edge, an appearance which had first been particularly studied in the eclipse of 1868, two years before, and which, it might be added, Messrs. Lockyer and Janssen had succeeded in observing without an eclipse by the spectroscope. Besides the corona, it may be said, then, that the sun is surrounded by a thin envelope, rising here and there into prominences of a rose and scarlet color, invisible in the telescope, except at a total eclipse, but always visible through the spectroscope. It is within and quite distinct from the corona, and is usually called the “chromosphere,” being a sort of sphere of colored fire surrounding the sun, but which we can usually see only on the edge. “The appearance,” says Young, “is as if countless jets of heated gas were issuing through vents and spiracles over the whole surface, thus clothing it with flame, which heaves and tosses like the blaze of a conflagration.” Out of this, then, somewhat like greater waves or larger swellings of the colored fires, rise the prominences, whose place, close to the sun’s edge, has been indicated in many of the drawings and photographs just given of the corona, on whose background they are seen during eclipses; but as they can be studied at our leisure with the spectroscope, we have reserved a more particular description of them till now. They are at all times directly before us, as well as the corona; but while both are yet invisible from the overpowering brightness of the sunlight reflected from the earth’s atmosphere in front of them, these red flames are so far brighter than the coronal background, that if we could only weaken this “glare” a little, they at least might become visible, even if the corona were not. The difficulty is evidently to find some contrivance which will weaken the “glare” without enfeebling the prominences too; and this the spectroscope does by diffusing the white sunlight, while it lets the color pass nearly unimpaired. For the full understanding of its action the reader must be referred to such works as those on the sun already mentioned; but a general idea of it may be gathered, if we reflect that white light is composed of every possible variety of colors, and that the spectroscope, which consists essentially of a prism behind a very narrow slit through which the light enters, lets any single color pass freely, without weakening it or altering it in anything but its direction, but gives a different direction to each, and hence sorts out the tints, distributing them side by side, every one in its own place, upon the long colored band called the spectrum. If this distribution has spread the colors along a space a thousand times as wide as the original beam, the average light must be just so much weaker than the white light was, because this originally consisted of a thousand (let us say a thousand, but it is really an infinite number) mingled tints of blue, green, yellow, orange, and red, which have now been thus distributed. If, however, we look through the prism at a rose-leaf, and it has no blue, green, yellow, or orange in it, and nothing but pure red, as each single color passes unchanged, this red will, according to what has been said, be as bright after it has passed as before. All depends, then, on the fact that these prominences do consist mainly of light of one color, like the rose-leaf, so that this monochromatic light will be seen through the spectroscope just as it is, while the luminous veil of glaring white before it will seem to be brushed away.

If a large telescope be directed toward the sun, the glass at the farther end will, if we remove the eye-piece, form a little picture of the sun, as a picture is formed in a camera-obscura; and now, if we also fasten the spectroscope to this eye-end, where the observer’s head would be were he looking through, the edge of the solar image may be made to fall just off the slit, so that only the light from the prominences (and the white glare about them) shall pass in. To see this more clearly, let us turn our backs to the sun and the telescope, and look at the place where the image falls by the spectroscope slit, which in Fig. 41 is drawn of its full size. This is a brass plate, having a minute rectangular window, the “slit,” in it. The width of this slit is regulated by a screw, and any rays falling into the narrow aperture pass through the prism within, and finally fall on the observer’s eye, but not till they have been sorted by the prism in the manner described. Formed on the brass plate, just as it would be formed on a sheet of paper, or anything else held in the focus, we see the bright solar image, a circle of light perhaps an inch and a half in diameter,—a miniature of the sun with its spots. The whole of the sun (the photosphere) then is hidden to an observer who is looking up through the slit from the other side, for, as the sun’s edge does not quite touch the slit, none of its rays can enter it; but if there be also the image here of a prominence, projecting beyond the edge, and really overhanging the slit (though to us invisible on account of the glare about it), these rays will fall into the slit and pass down to the prism, which will dispose of it in the way already stated.

FIG. 45.—VOGEL’S CHROMOSPHERIC FORMS. (“BEOBACHTUNGEN,” DR. H. C. VOGEL.)

And now let us get to the other side, and, looking up through the prism with the aid of a magnifying-glass, see what it has done for us (Fig. 42). The large rectangular opening here is the same as the small one which was visible from the outside, only that it is now magnified, and what was before invisible is seen; the edge of the sun itself is just hidden, but the scarlet flames of the chromosphere have become visible, with a cloudy prominence rising above them. The “flames” are flame-like only in form, for their light is probably due not to any combustion, but to the glow of intensely heated matter; and as its light is not quite pure red, we can, by going to another part of the spectrum, see the same thing repeated in orange, the effect being as though we had a number of long narrow windows, some glazed with red, some with orange, and some with other colors, through which we could look out at the same clouds. I have looked at these prominences often in this way; but I prefer, in the reader’s interest, to borrow from the description by Professor Young, who has made these most interesting and wonderful forms a special study.

Let us premise that the depth of the crimson shell out of which they rise is usually less than five thousand miles, and that though the prominences vary greatly, the majority reach a height of nearly twenty thousand miles, while in exceptional cases this is immensely exceeded. Professor Young has seen one which grew to a height of three hundred and fifty thousand miles in an hour and a half, and in half an hour more had faded away.

These forms fall into two main classes,—that of the quiet and cloud-like, and that of the eruptive,—the first being almost exactly in form like the clouds of our own sky, sometimes appearing to lie on the limb of the sun like a bank of clouds on the horizon, sometimes floating entirely free; while sometimes “the whole under surface is fringed with down-hanging filaments, which remind one of a summer shower hanging from a heavy thunder-cloud.”

Here are some of the typical forms of the quieter ones:—

Fig. 43, by Tacchini, the Director of the Roman Observatory, represents an ordinary prominence, or cloud-group in the chromosphere, whose height is about twenty-five thousand miles. The little spires of flame which rise, thick as grass-blades, everywhere from the surface, are seen on its right and left.