At his death, in 1703, Viviani purchased his property, with the charge of erecting a monument over Galileo's remains and his own. This design was not carried into effect till 1737, at the expense of the family of Nelli, when both their bodies were disinterred, and removed to the site of the splendid monument which now covers them. This monument contains the bust of Galileo, with figures of Geometry and Astronomy. It was designed by Giulio Foggini. Galileo's bust was executed by Giovanni Battista Foggini; the figure of Astronomy by Vincenzio Foggini, his son; and that of Geometry by Girolamo Ticciati.

Galileo's house at Arcetri still remains. In 1821 it belonged to one Signor Alimari, having been preserved in the state in which it was left by Galileo; it stands very near the convent of St. Matthew, and about a mile to the S. E. of Florence. An inscription by Nelli, over the door of the house, still remains.

The character of Galileo, whether we view him as a member of the social circle, or as a man of science, presents many interesting and instructive points of contemplation. Unfortunate, and to a certain extent immoral, in his domestic relations, he did not derive from that hallowed source all the enjoyments which it generally yields; and it was owing to this cause, perhaps, that he was more fond of society than might have been expected from his studious habits. His habitual cheerfulness and gaiety, and his affability and frankness of manner, rendered him an universal favourite among his friends. Without any of the pedantry of exclusive talent, and without any of that ostentation which often marks the man of limited though profound acquirements, Galileo never conversed upon scientific or philosophical subjects except among those who were capable of understanding them. The extent of his general information, indeed, his great literary knowledge, but, above all, his retentive memory, stored with the legends and the poetry of ancient times, saved him from the necessity of drawing upon his own peculiar studies for the topics of his conversation.

Galileo was not less distinguished for his hospitality and benevolence; he was liberal to the poor, and generous in the aid which he administered to men of genius and talent, who often found a comfortable asylum under his roof. In his domestic economy he was frugal without being parsimonious. His hospitable board was ever ready for the reception of his friends; and, though he was himself abstemious in his diet, he seems to have been a lover of good wines, of which he received always the choicest varieties out of the grand duke's cellar. This peculiar taste, together with his attachment to a country life, rendered him fond of agricultural pursuits, and induced him to devote his leisure hours to the cultivation of his vineyards.

In his personal appearance Galileo was about the middle size, and of a square-built, but well-proportioned, frame. His complexion was fair, his eyes penetrating, and his hair of a reddish hue. His expression was cheerful and animated, and though his temper was easily ruffled, yet the excitement was transient, and the cause of it speedily forgotten.

One of the most prominent traits in the character of Galileo was his invincible love of truth, and his abhorrence of that spiritual despotism which had so long brooded over Europe. His views, however, were too liberal, and too far in advance of the age which he adorned; and however much we may admire the noble spirit which he evinced, and the personal sacrifices which he made, in his struggle for truth, we must yet lament the hotness of his zeal and the temerity of his onset. In his contest with the church of Rome, he fell under her victorious banner; and though his cause was that of truth, and hers that of superstition, yet the sympathy of Europe was not roused by his misfortunes. Under the sagacious and peaceful sway of Copernicus, astronomy had effected a glorious triumph over the dogmas of the church; but under the bold and uncompromising sceptre of Galileo all her conquests were irrecoverably lost.

The scientific character of Galileo, and his method of investigating truth, demand our warmest admiration. The number and ingenuity of his inventions; the brilliant discoveries which he made in the heavens, and the depth and beauty of his researches respecting the laws of motion, have gained him the admiration of every succeeding age, and have placed him next to Newton in the lists of original and inventive genius. To this high rank he was doubtless elevated by the inductive processes which he followed in all his inquiries. Under the sure guidance of observation and experiment, he advanced to general laws; and if Bacon had never lived, the student of nature would have found, in the writings and labours of Galileo, not only the boasted principles of the inductive philosophy, but also their practical application to the highest efforts of invention and discovery.


[1]Childe Harold, canto IV. stanza LIV.

[2]Life of Galileo, Library of Useful Knowledge, p. 1.

[3]De Insidentibus in Fluido.

[4]Opere di Galileo. Milano, 1810, vol. IV. p. 248.

[5]Life of Galileo, in Library of Useful Knowledge, p. 9.

[6]Systema Cosmicum, Dial. II. p. 121.

[7]The authenticity of this work has been doubted. It was printed at Rome, in 1656, from a MS. in the library of Somasohi, at Venice. See Opere di Galileo, tom. VII. p. 427.

[8]Incredibili animi jucunditate.—Sid.

[9]Nescio quo fato ductus.

[10]Berlin Ephemeris, 1788.

[11]Edin. Phil. Journ. vol. VI. p. 313.

[12]Life and Correspondence of Dr. Bradley. Oxford, 1832, p. 523.

[13]See page 22.

[14]Edin. Phil. Journ. 1822, vol. VI. p. 317.

[15]Joh. Fabricii Phrysii de Maculis in Sole observatis, et apparente earum cum Sole conversione, Narratio. Wittemb. 1611.

[16]It does not appear from the history of solar observations, at what time, and by whom, coloured glasses were first introduced for permitting the eye to look at the sun with impunity. Fabricius was obviously quite ignorant of the use of coloured glasses. He observed the sun when he was in the horizon, and when his brilliancy was impaired by the interposition of thin clouds and floating vapours; and he advises those who may repeat his observations, to admit at first to the eye a small portion of the sun's light, till it is gradually accustomed to its full splendour. When the sun's altitude became considerable, Fabricius gave up his observations; which he often continued so long, that he was scarcely able, for two days together, to see objects with their usual distinctness.

Scheiner, in his "Apelles post Tabulanti," describes four different ways of viewing the spots: one of which is by the interposition of blue or green glasses. His first method was to observe the sun near the horizon; the second was to view him through a transparent cloud; the third was to look at him through his telescope with a blue or a green glass of a proper thickness, and plane on both sides, or to use a thin blue glass when the sun was covered with a thin vapour or cloud; and the fourth method was to begin and observe the sun at his margin, till the eye gradually reached the middle of his disc.

[17]See Istoria e Demostrazioni, intorna alle macchie solari. Roma, 1613. See Opere di Galileo, vol. V. p. 131-293.

[18]Discorso intorno alle cose che stanno in sa l'acqua, o che in quella si muovono. Opere di Galileo, vol. II. pp. 165-311.

[19]Opere di Galileo, vol. II. pp. 355-367.

[20]Ibid. 367-390.

[21]These three treatises occupy the whole of the third volume of the Opere di Galileo.

[22]It is said that Galileo was cited to appear at Rome on this occasion; and the opinion is not without foundation.

[23]Printed in the Opere di Galileo, vol. VI. pp. 117-191.

[24]Printed in the Opere di Galileo, vol. VI. pp. 191-571.

[25]This work is said to have been dedicated to Urban VIII. himself (Lib. U. Knowledge, Life of Galileo, chap, VII.), but there is no dedication prefixed to the edition we have referred to; and it is, besides, unusual to dedicate a volume to any person when that volume has the form of a letter to another.

[26]A fine painting in gold, and a silver medal, and "a good quantity of agnus dei."

[27]Library of Useful Knowledge, Life of Galileo, chap. VIII.

[28]The communication between Florence and Rome was at this time interrupted by a contagious disease which had broken out in Tuscany.

[29]It has been said, but upon what authority we cannot find, that when Galileo rose from his knees, he stamped on the ground, and said in a whisper to one of his friends, "E pur si muove." "It does move, though."—Life of Galileo, Lib. Use. Knowledge, part II. p. 63.

[30]These phenomena are explained in the volume on "Astronomy."

[31]It is a curious fact, that Morin had about this time proposed to determine the longitude by the moon's distance from a fixed star, and that the commissioners assembled in Paris to examine it, requested Galileo's opinion of its value and practicability. Galileo's opinion was highly unfavourable. He saw clearly, and explained distinctly, the objection to Morin's method, arising from the imperfection of the lunar tables, and the inadequacy of astronomical instruments; but he seemed not to be conscious that the very same objections applied, with even greater force, to his own method, which has since been supplanted by that of the French savant. See life of Galileo, Library of Useful Knowledge, p. 94.




GUICCIARDINI

1482-1540.

Guicciardini was the contemporary and intimate friend of Machiavelli, but their several careers bore small similitude; for worldly prosperity attended the first, while the other was depressed by neglect and penury; and while his intellect struggled with these chains, the nobler parts of his disposition yielded to them. Machiavelli was a republican in principle, of humble for tunes, and dependent on his friends for their favour and encouragement. Guicciardini was a courtier; he was the servant of a prince, not of a state; in birth and position in life he had the advantage of his friend; and these combining circumstances rendered him more confident in himself, while at the same time it inspired him with an avowed dislike for popular governments.

The Guicciardini formed one of the noblest families of Florence: it was of ancient origin, and possessed several magnificent mansions in Florence. One of the streets is named de' Guicciardini, from containing a palace belonging to them; and they had large possessions in the Val di Pesa.

Francesco, the subject of this memoir, was the son of Piero de' Guicciardini, a celebrated advocate, and at one time commissary-general to the Florentine army. Francesco was one of eight children. His mother was Simona, daughter of the cavaliere Bongiani Gianfigliazzi, a noble Florentine. He was born on the 6th of March, 1482.[32] He was educated with care by the best masters, and taught Greek and Latin. He applied himself, as he grew up, to the study of logic and of civil law, as he was destined for the robe. He was sent to Ferrara by his father, not merely for the sake of attending the teachers there, but that his parent might have a place of refuge, where to send his property, in the event of civil disturbance or external attack upon Florence. Large sums of money were remitted to him, and he boasts of the trustworthiness of his conduct on this occasion, despite his extreme youth. It was in agitation at one time to make him a priest, as, through the interest of an uncle, who was rich in benefices, a prosperous career was opened to him in the church. He was himself inclined towards the clerical profession, as one full of honour and dignity; but his father decided against it, and resolved that none of his five sons should enter the priesthood; partly induced by the notion that the papal power was on the decline, and partly from a conscientious feeling of the impropriety of adopting the sacred calling, merely for the sake of temporal advantages. Instead, therefore, of assuming the sacerdotal garb, Francesco took a doctor's degree in law, and at an early age was appointed by the government to read the Institute in the university of Florence. He married the following year. His wife was Maria, daughter of Alamanno di Averardo Salviati, one of the first men of the city. Several law offices were bestowed on him, and he prides himself at this success in early life. But he felt himself still more honoured, when he was sent by the republic as ambassador to Ferdinand, king of Aragon. Italy was then the arena on which the adverse powers of France, Germany, and Spain contended for mastery. Florence adhered to the French party, but the timid gonfaloniere Soderini, desirous of currying favour on all sides, thought it right to preserve a good understanding with Ferdinand. Francesco, feeling his inexperience, shrunk from the responsibility of this mission, and did not accept it, till his father added his commands to those of the state.

He remained two years at Burgos, in attendance on the Spanish court, conducting himself in such a way as to acquire the esteem of Ferdinand, who presented him with a number of silver vessels of great value on his departure. This was no good school for the acquirement of political integrity. The Italians were proverbially treacherous, but Ferdinand emulated them in the arts of deception. It is related of this monarch, that when he heard that Louis XII. complained of having been twice deceived by him, he exclaimed, "The fool lies, I have tricked him above ten times."

Meanwhile the aspect of affairs changed at Florence. The French were driven from Italy, and the republic paid the penalty of the weak and disarmed neutrality which it had preserved, by being forced by the allied armies to receive back the exiled Medici. The consequence of this return was a change of government, from that of a free state, to subjection to the will of a single family. Guicciardini acted with a prudence that acquired for him the favour of the new rulers; and, on his return from Spain, was received with every suitable mark of distinction. His joy, however, on returning to his native town, was clouded by the recent death of his father.

On the event of the visit of Leo X. to Florence, attended by a numerous retinue of cardinals, Guicciardini, who had lately filled the office of magistrate, was sent, with others, to receive the pope at Cortona. Leo was so struck by him, that the next day he named him his consistorial advocate, of his own accord, without solicitation: nor did his patronage stop here; he soon after took him entirely into his service, and finding that his prudence and sagacity were equal to the good opinion he had formed of him, he made him governor of Reggio and Modena. He acquitted himself with great credit in this high office. Having been educated for the robe, instead of the career of arms, the enemies of the pope cherished the notion, that he might be surprised and frightened in his government; but his firmness and judgment disconcerted all their stratagems.

When Leo X. died, the merits of Guicciardini became yet more conspicuous. The papal power was very infirmly established in Lombardy, and the duke of Ferrara, who claimed Modena and Reggio as his own, was on the alert to take advantage of the interval of weakness caused by a delay in the election of a new pope; but Guicciardini foiled him in all his attempts. His most memorable action on this occasion was his defence of Parma. He relates it with conscious pride in his history. He had been sent by cardinal Julius de' Medici to defend Parma from an attack made by the French. Guicciardini's chief difficulty was, to inspire the citizens with resolution and martial enthusiasm. He convoked them together, distributed pikes among them, and causing the defenceless part of the town, on one side of the river, to be abandoned, made strenuous efforts to intrench the other. The enemy entered the deserted portion, and the people were eager to surrender. Guicciardini pointed out to them the fact, that the hostile forces were unprovided with artillery, and so succeeded in inspiring them with some degree of resolution: he led the attack himself, and the success that attended their sortie increasing their courage, the enemy was driven, off and the siege raised. Federigo da Bozzole, who commanded the attack, had made sure of success, and declared that he had been deceived in nothing during the expedition, except in the notion that a governor, who was not a soldier, and who had newly come to the city, should carry on the defence at his own peril, when he might have saved himself without dishonour.

When cardinal Julius became pope, under the name of Clement VII., he showed his approbation of Guicciardini, by naming him president of Romagna, with greater powers than had been enjoyed by any predecessor in that office: thus, a large portion of Italy north of the Apennines was under his rule. It was a situation of honour, but attended with an equal portion of difficulty and labour, from the unsettled state of the country. Prudence and firmness, and even severity, were the characteristics of Guicciardini's administration; he was unrelenting towards criminals, but at the same time became very popular, in Modena especially, by the attention he paid to the comfort and pleasures of the people, and the embellishments he bestowed on the city.

At this time the French were again, after the battle of Pavia, driven from Italy, and Clement VII., afraid of the overweening power of Charles V., formed a league against him. The duke of Urbino was chief over the army of the league, and Guicciardini was named lieutenant-general of the pontifical army in the ecclesiastical states. The choice that had been made of the duke of Urbino, as chief leader, was injudicious. He had been driven from his states by Leo X.; Lorenzo de' Medici had been gifted with his duchy, and he naturally was inimical to his rival's family. His irresolute, shuffling conduct during the disastrous advance of the constable Bourbon on Rome, was doubtless a principal cause of the sack of that city. Guicciardini, as general of the papal army, exerted himself in vain to induce him to more energetic measures: instead of throwing himself before the advancing army of the imperialists, he slowly followed it. When Bourbon was in the neighbourhood of Arezzo, the duke of Urbino entered Florence.

The power of the Medici was odious in that city. A formidable party, whose watchword was liberty, regarded with triumph the dangers to which Clement VII. was exposed. A number of the younger nobility among them took occasion of the alarm excited, to seize on the palace of government. The duke of Urbino prepared to attack it, but first sent Federigo da Bozzole to treat with the party who held it. Full of enthusiasm and courage, the young men refused all terms, and Bozzole left them, enraged at their obstinacy and their personal ill-treatment of himself. Guicciardini perceived the dangers that threatened his country. It was an easy task for the duke of Urbino to attack the palace of government, to destroy it and all those within; but an act of violence and bloodshed was to be avoided. Guicciardini hastened forward to meet Bozzole as he left the palace, and represented to him briefly how displeasing such a contest would be to the pope, and how detrimental to the confederates; and how much better it would be to calm, instead of exasperating, the mind of the duke of Urbino. Bozzole yielded, and gave hope to the duke that quiet might be restored without recourse being had to arms; pacific means were in consequence resorted to, and the insurgents induced to quit the palace. Guicciardini relates this circumstance and his interference with pride, in the belief that he had done his country as well as the pope good service, but he adds, that he got no thanks from either side; the Medici party accusing him of preferring the lives and safety of the citizens to the firm establishment of that family; while the other party declared that he had exaggerated their difficulties, and caused them needlessly to yield their advantages.

It had been well for the fame of Guicciardini, if he had submitted to the blame of his contemporaries, and secured the approbation of posterity, by adhering to a line of conduct so impartial and patriotic. Although the fall of the Medici was suspended for a short time on this occasion, the taking of Rome decided their expulsion. When the duke of Urbino went southward to deliver the pope, besieged in the Castel Sant' Angelo, the Florentines seized the opportunity to drive out the Medici, and to restore the freedom of their government. The wars carried on by Clement VII. had weighed heavily on the republic, since he drew from it his chief resources; the people were thus exasperated against his rule, and now that they possessed the power, displayed their hatred of his family by many acts of outrage. To have served them was to share their disgrace, and the odium with which they were regarded. It has been related how Machiavelli, republican as he was, and personally attached to many of the leaders of the popular party, was unable to overcome the prejudice excited by his having entered the service of the Medici. Guicciardini was visited by more open marks of the dislike of the new leaders; and he was the more angry because he had displayed a wish to join them. He neither loved nor esteemed Clement; whom he represents as timid; avaricious, and ungracious. He regarded his imprisonment by the imperialists with very lukewarm interest, and even raised soldiers for the defence of Florence: but these demonstrations did not avail to acquire for him the confidence of his countrymen, and he was forced to fly the town during a popular tumult. Hence seems to spring his hatred of free institutions, and his subsequent conduct in aiding in the destruction of the liberties of his country. From this time he entered with all the zeal of personal resentment into the cause of the Medici. His name has thus received a taint never to be effaced. He became the abettor of tyrants, the oppressor of his fellow citizens; and that equity and firmness which he before exercised; by establishing order in the districts over which he presided, were changed to the persecution of the martyrs of liberty.[33] It is impossible to slur over this portion of his life as he does himself. For it is remarkable that the only events recorded in his history, which are narrated in a slovenly and confused manner, are those in which he took a principal share,—the second restoration of the Medici, and the final overthrow of the liberties of Florence.

When a reconciliation had been patched up between Charles V. and Clement VII., the force of their united arms was turned against Florence. The republic was headed by gallant spirits, who, seeing their last hope of freedom in a successful resistance, exerted every nerve to defend themselves. They were willing to suffer any extremity, rather than submit to a slavery which must crush for ever the proud independence and free institutions of their native city. Guicciardini had been named by the pope, governor of Bologna, and took no part in the war against his country; but he is accused of participating in the iniquitous proceedings which followed the surrender of the city. The pope acted with the utmost treachery. He granted generous terms; but when in possession, held a mock assembly of the people, keeping off, by means of the troops he introduced, all the citizens, except those prepared to receive law at his hands. He thus, as it were, obtained a legal decree, which changed the form of government, and denounced its late leaders. Executions and confiscations became the order of the day; the chief power was placed in the hands of Vettori, Guicciardini, and two others, and their conduct entailed on them the execration of their fellow citizens.

So zealous did Guicciardini show himself, that the pope entrusted him with the office of reforming and restricting the list of candidates, who were selected to be members of government, and he displayed his prudence and sagacity for the reigning family at the expense of the lives and liberties of the most virtuous among his fellow citizens. Under his auspices, the office of gonfaloniere, which had subsisted for 250 years, was abolished, and Alessandro de' Medici was named duke, which title was to descend in perpetuity to his successors. This miserable man was the son of a negro woman, and regarded as the offspring of Lorenzo, the son of Piero de' Medici: but it was more probable that he owed his existence to Clement VII.; at least the latter claimed the honour of paternity. His disgraceful birth stamped him with contempt; his profligacy and cruelty acquired the hatred of the people over whom he ruled.

Guicciardini endeavoured to restrain him in the indulgence of his vices, but without avail. He was now wholly devoted to his service. When Clement VII. died, his successor wished him to continue governor of Bologna, but he refused. While the see was vacant, he had yielded to the entreaties of the senators, and remained to prevent popular disturbances. They promised him every assistance to maintain his authority; but his enemies took occasion to display their disrespect. Geronimo Pepoli, and others, who some years before had retired from Bologna in distaste, took this occasion to return, accompanied by armed followers and public bandits. Guicciardini's haughty spirit was in arms against the insult. Among the followers of Pepoli were two outlaws under sentence of death; these he caused to be seized, led to prison, and put to death. Pepoli manifested the utmost indignation, and was only restrained by the authority of the senators from giving public token of his resentment. When the new pope was elected, and another governor appointed, Guicciardini prepared to quit the city. Pepoli threatened to attack him on his departure; but he, undismayed, set out at noon-day, accompanied only by a few attendants on horseback. His road led him past the palace of the Pepoli, nor would he diverge from it on this account, but passed under their windows with a firm and intrepid countenance, and was permitted to pursue his way unmolested.

He soon after displayed this energy and firmness of character in a very bad cause. The Florentines, unable any longer to endure the tyranny and vices of duke Alexander, appealed to Charles V., whom they regarded as lord paramount of their state. The emperor summoned Alexander to Naples, where he then was, to answer the charges made against him. He obeyed: but the emperor was so incensed that he began to fear the result, and was on the point of retreating, had not Guicciardini exhorted him to remain. He drew up a defence for him, and by a judicious distribution of bribes, succeeded in obtaining his acquittal; and Florence was again subjected to his yoke.

Two years after, Alexander was murdered by Lorenzino de' Medici, who considered that he had a better right to be considered the head of the family. But this act, undertaken without the participation of any accomplice, was not followed by the results that might have been anticipated. Lorenzino, frightened by his very success, fled the city, and his cousin Cosmo was raised to the supreme power, and afterwards named grand duke of Tuscany. Guicciardini assisted materially in his elevation, and hoped to be real chief of the state, while the other held the nominal rank. But Cosmo was of a crafty, cold, and ungrateful disposition, and treated his benefactor with such neglect, that he withdrew himself from public life, and retired to his country seat at Montici, in the neighbourhood of Florence.

From this time he occupied himself wholly in the composition of his history. It is a fine monument of his genius and industry. It commences with the invasion of Italy by Charles VIII., and goes down to the exaltation of Cosmo. The fault attributed to him as an author is prolixity, and to this he must plead guilty. He dwells with the most tiresome and earnest minuteness on the most trivial incidents; and the taking of an insignificant castle, followed by no important results, is attended by the same diffuseness and exactitude of detail as events of the greatest magnitude. But no historian surpasses Guicciardini when the subject is worthy of his pen. His animated descriptions of battles, the chances of war, and conduct of princes and leaders; his delineations of character, and masterly views of the course of events, all claim the highest admiration. The orations, which he intersperses, have been cavilled at, but they are eloquent, full of dignified exhortation, or sagacious reasoning. His account of the rise and formation of the temporal power of the popes excited great censure in catholic countries; and throughout he is accused of showing himself the enemy of the Roman church. It is true, that the pages of no other historian afford such convincing proofs of the pernicious effects resulting from the union of spiritual supremacy and temporal possessions. His powerful character of the infamous pope Borgia; his description of the fiery vehemence of Julius II.; his unveiling of the faults of Leo X., and the exposure he makes of the mistakes and weakness of Clement VII., present the very men and times to our eyes, and form as it were a school in which to study the philosophy of history. We perceive no partiality till the last few pages, which record the downfall of the republic of Florence. His language is, in the eyes of Italian critics, nearly pure; it is forcible, without being concise; and the clearness and majesty of the expressions in his best passages carry the reader along with him.

Guicciardini was solicited by pope Paul III. to leave his retreat, and to enter again on public life, but he refused. The disappointment of his ambitious views on the exaltation of Cosmo, and the duke's ingratitude, struck him to the heart. He did not live to complete his history, and died on the 27th of May, 1540, in the fifty-eighth year of his age. He expressly ordered that his funeral should be unattended by any pomp; and his directions were so strictly followed, that for some time no stone even commemorated the spot of his sepulture.

Little is known of his private life. His letters have all perished, except a few addressed to Machiavelli. They are lively in their style, and very friendly. He had no son, and seven daughters, and wrote to the secretary to ask his advice in settling them in marriage. Machiavelli advised his applying to the pope for a dowry; counselling him by all means to marry the eldest well, as the others would follow her example; and he quotes a passage from Dante, referring to a duke of Provence, "who had three daughters and each a queen. And the cause of this thing, was Romeo, a poor wandering man," who had advised the duke to be unsparing in his dowry to his eldest daughter, so to command a splendid alliance, as the best means to advance her sisters also. He gave her half his duchy, and she married the king of France. Guicciardini in reply says, "You have set me on ransacking Romagna for a copy of Dante, and at last I have found one." But he was too high-spirited to apply for a gift from the pope.

Guicciardini was tall and of commanding aspect; rather squarely made, and not handsome; but robust, and with an animated, intelligent countenance. He was ambitious, and even haughty, so that he could endure neither contradiction nor advice. Prudence, industry, sagacity, and a penetrating understanding, recommended him to his employers; and he was frequently entrusted with carrying on and correcting the correspondence of the pope and other princes.

The last six books of his history are considered unfinished. No portion of it was published till some years after his death, and then the passages considered injurious to papacy were omitted. A complete edition was first printed at Basle; but, even in this, the objectionable passages appeared under the disguise of Latin. His first idea had been to write only memoirs of his own life; and it was by the advice of Nardi, it is said, that he enlarged his plan into a history of Italy during his own times.


[32]It was a habit among the Florentines to keep memoranda of the principal events of their lives, which they called Ricordi. The date of the birth of Guicciardini has been disputed, but it is ascertained from a MS. book of his ricordi, or records, which Manni cites. He thus writes concerning himself:—"I record that I, Francesco di Piero Guicciardini, now doctor of civil and canon law, was born on the 6th March, 1482, at ten o'clock. I was baptised Francesco, from Francesco de Nerli, my maternal grandfather, and Tommaso, out of respect for St. Thomas Aquinas, on whose festival I was born. Messer Marsiglio Ficino held me at the baptismal font, who was the greatest platonic philosopher then existing in the world, and by Giovanni Canacci and Piero del Nero, both philosophers also."

[33]See a clever pamphlet, entitled "Saggio sulla Vita e sulle Opere di Francesco Guicciardini," by Rosini, a professor of the University of Pisa.




VITTORIA COLONNA

1490-1547.

It would be giving a very faint idea of the state of Italian literature, or even of the lives led by the learned men of those times, if all mention were omitted of the women who distinguished themselves in literature. No slur was cast by the Italians on feminine accomplishments. Where abstruse learning was a fashion among men, they were glad to find in their friends of the other sex, minds educated to share their pursuits and applaud their success. In those days learning was a sort of wealth; men got as much as they could, and women, of course, were led to acquire a portion of such a valuable possession.

The list of women who aspired to literary fame in Italy is very long. Even in Petrarch's time, the daughter of a professor of Bologna, gave lectures in the university behind a veil, which has been supposed was used to hide her beauty, and which at least is a beautiful trait of modesty, where a young girl was willing to impart her knowledge to the studious, but shrunk from meeting the public gaze. The mother of Lorenzo de' Medici is celebrated for her sacred poems, and her patronage of literature. Ippolita Sforza, daughter of the duke Francesco, and married to Alfonso II., king of Naples, was learned in Greek and many other languages. A manuscript copy of a translation of Tully's de Senectute is preserved of hers at Rome, and marked as having been written in her youth; and two of her Latin orations are to be seen in the Ambrosian Library at Milan. Alessandra Scala, to whom Politian was attached, wrote Greek verses, which have been printed, appended to the Latin poetry of her learned lover. There was an Isotta of Padua, whose letters are models of elegance, and who composed various poems of merit. The noble house of Este boasted of a learned princess. Bianca d'Este has been celebrated by one of the Strozzi in Latin verses; he speaks of her Greek and Latin compositions with great praise. Damigella Torcila, we are told, was numbered among the most distinguished women of her time. She was profoundly versed in the learned languages, particularly in Greek; she was an admirable musician, and as beautiful as she was wise. Cassandra Fedele, however, excelled all her sex in her acquirements. She was of a noble family, originally of Milan; born at Venice in 1465: she was, by her father's desire, instructed in all the abstruse studies—Greek, Latin, philosophy, and music—with such success, that even in girlhood she was the admiration of all the learned men of the age. There is a letter from Politian to her, which praises her Latin letters, not only for their cleverness and elegance of style, but "for the girlish and maiden simplicity" which adorned them. "I have read also," he says, "your learned and eloquent oration, which is harmonious, dignified, and full of talent. I am told that you are versed in philosophy and dialectics, that you entangle others by the most serious difficulties, and make all plain yourself with admirable ease; and while every one loads you with praise, you are gentle and humble." This kind of knowledge would not suit these days: but those were times when men tried to puzzle themselves by scholastic learning, and when the noble Pico della Mirandola took pleasure in disputing on nine hundred questions. Isabella of Spain, Louis XII. of France, and pope Leo X. all warmly solicited Cassandra to take up her abode at their several courts. She showed willingness to accept the queen's invitation; but the Venetian republic set so high a value upon her, that they would not permit her to leave their state. She married Mapelli, a physician, who was sent to Candia by the republic, and Cassandra accompanied him. She became a widow late in life, and lived to extreme old age. She was elected when ninety years old to be the superior of a religious house in Venice; and died at the age of one hundred and two.

This list might easily be much enlarged; but we have no space for further dilation; and therefore turn from names less illustrious, to Vittoria Colonna, the woman of all others who conferred, by her virtues, talents, and beauty, honour on her sex.

Vittoria Colonna was the daughter of Fabrizio Colonna, grand constable of the kingdom of Naples, and of Anna di Montefeltro, daughter of Frederic duke of Urbino. She was born at Marino, a castle belonging to her family, about the year 1490. At the infantine age of four she was betrothed to Ferdinando Francesco d'Avolos, marquess of Pescara, who was not older than his baby bride. She was educated with the most sedulous care, and was sought in marriage by various princes—but that fidelity of disposition which was her beautiful characteristic through life, prevented her from breaking her contract with her young lover. They were married at the age of seventeen. He competed with her in talents and accomplishments. They loved each other with the utmost tenderness, and lived for four years succeeding to their marriage, in solitude, in the island of Ischia, where Pescara had a palace.

But this happiness was of short duration; at the time when Julius II. leagued all Italy against Louis XII., the marquess of Pescara joined the army of the emperor. Vittoria was full of chivalric feelings; her enthusiasm, as well as her tenderness, were gratified by the occupation of embroidering banners for her hero, who, at the early age of one-and-twenty, was made general of cavalry at the battle of Ravenna. That disastrous day was adverse to him. He was taken prisoner and sent to Milan, where he remained a year, and wrote a dialogue on love, addressed to his wife, in a dedication in which he laments that he can no longer visit her as he was used, whenever the duties of his station permitted his absence. As a kind of answer to this testimony of his affection, Vittoria designed an emblem—Cupid within a circle, formed by a serpent, with the motto "Quem peperit virtus, prudentia servet amorem"—"May prudence preserve the love, which originated in virtue."

After the French were driven from Italy, that unhappy country enjoyed a short interval of peace, interrupted by the invasion of Francis I. Pescara was present at the battle of Pavia, and distinguished himself by his intrepidity, and mainly contributed to the success of the emperor's arms. He was not rewarded as he deserved, and the opposite or French party thought that his consequent discontent afforded an opening for a reconciliation with them. Geronimo Morone was employed by them to seduce him from his fidelity to Charles V. He was offered the kingdom of Naples as a reward, and every argument was used that might have most weight;—the honour he would acquire by driving the barbarous nations from Italy, and the favours which the pope and other princes would shower upon him. These were, however, but specious reasonings. Pescara lent too ready an ear to them; but Vittoria at once detected their fallacy, and the disgrace that would befall her husband if he abandoned his imperial master. She wrote him a letter full of earnest persuasion to refuse the dazzling offers of Morone. She spoke of the glory acquired by fidelity and unblemished honour, as far outweighing any that a crown could bestow, saying, that for herself, she desired to be called the wife, not of a king, but of that great and glorious soldier, whose valour and generosity of soul had vanquished the greatest kings. Pescara's conduct on this occasion is wholly unworthy of the precepts of his admirable wife. He continued faithful to the emperor, but acted the base part of a spy and informer: by his means Morone's designs were betrayed, and he was thrown into prison. There is no doubt that the high-minded Vittoria continued to the last entirely ignorant of this ignoble action; and praised her husband for having listened to her exhortations, and rejected a crown.

But while the marquess was acting so as to cast an eternal stigma on his honour, death was at hand to terminate every ambitious project. His many wounds, and the fatigues he had endured during the long wars, had so shaken his health, that neither his good constitution nor the skill of physicians were any longer able to afford relief. While preparing to die, he desired to take leave of his wife, and sent for her to join him at Milan; but when he found that he should not survive long enough to see her, he sent for his cousin, the marchese del Vasto, and recommended Vittoria to him with the warmest affection. Vittoria, on hearing of her husband's illness, had left Naples to join him. She passed through Rome, where she was received with the greatest honours, but on arriving at Viterbo, she received intelligence of Pescara's death: her grief caused her to forget her religious resignation and fortitude; its excess overwhelmed her with tears and the bitterest anguish.

From that time this illustrious lady never ceased to spend every faculty of her soul in lamenting her lost husband. They had been married seventeen years, but had no child; she gave herself up entirely to sorrow; and her faithful heart, incapable of a second attachment to replace one which had begun with her life, cherished only the image of her past happiness, and the hope of its renewal in another life. Her active mind could not repose tranquilly on its misery; she continued to cultivate it, so to render it more worthy of Pescara, and she exercised and amused it by the many sonnets she wrote in his honour. An Italian author has named her second only to Petrarch. Her verses are full of tenderness, of absorbing passion, of truth and life. They fail in poetic fancy; and yet, so much does the reader sympathise in the intense and fond sorrows of this extraordinary woman, that none can criticise, while all are touched by her laments. The best poem in her volume has been attributed to Ariosto, I do not know on what authority; but if written by her, has that elegance of style and concentration of expression, which characterises true poetry. It begins with the affecting exclamation, "I am indeed her you loved! Behold how bitter and eating grief has changed me!—Scarcely could you recognise me by my voice. On your departure, that charm which you called beauty, and of which I was proud, since it was dear to you, left my cheeks, my eyes, my hair!—Yet, ah! how can I live, when I remember that the impious tomb and envious dust contaminates and destroys thy dear and beautiful limbs!" These verses may in their original be very justly compared in pathos and grace to Petrarch:—