It is unnecessary for us to follow the Aztecs farther in their history. The magnificent empire of the Montezumas, with its advanced civilization, but at the same time cursed with its horrid worship, in which thousands of human victims bathed the altars of Mexico yearly with their life-blood, has been described and its glory handed down to history by that most graceful and romantic of American writers, William H. Prescott. We cannot, however, dismiss this the most primitive period of the growth of the Nahua nations without a reference to the reputed author of the higher phases of their civilization. We refer to that semi-mythical and semi-divine personage, Quetzalcoatl. The numerous legends concerning this culture-hero, scattered chronologically over hundreds of years of Nahua history, may have originated in the life and character of some noted personage—the leader and civilizer of the most ancient branches of the Nahua family, or in the personification of an ideal deity, a nature-god whose chief attribute, whose distinguishing office, was the fertilization of the earth, the revivification of the slumbering forces in nature and consequently the author of prosperity, agriculture, and the arts of peace. In either case the name of the original Quetzalcoatl, were he either man or deity, was eventually inherited by a line of individuals who became the priests of his worship, or the representatives of his teachings, and the inculcators of the most humane and noble principles which entered into the ancient civilization. Without entering into a lengthy discussion of the probabilities in the case, we give the substance of the traditions, arranged in what appears to us not only the most consistent, but also the proper order. We have already acquainted the reader with the meaning of Quetzalcoatl, namely, “plumed serpent.”

From the distant East, from the fabulous Hue hue Tlapalan, this mysterious personage came to Tulla, and became the patron god and high-priest of the ancestors of the Toltecs.[427] He is described as having been a white man, with a strong formation of body, broad forehead, large eyes, and flowing beard. He wore a mitre on his head, and was dressed in a long, white robe, reaching to his feet, and covered with red crosses. In his hand he held a sickle. His habits were ascetic; he never married, was most chaste and pure in his life, and is said to have endured penance in a neighboring mountain, not for its effects upon himself, but as an example to others. Some have here found a parallel for Christ’s temptation. He condemned sacrifices, except of fruits and flowers, and was known as the god of peace; for when addressed on the subject of war, he is reported to have stopped his ears with his fingers.[428]

Quetzalcoatl was skilled in many arts, having invented gem-cutting and metal-casting. He furthermore originated letters and invented the Mexican calendar. The legend which describes the latter states that the gods, having made men, thought it advisable that their creatures should have some means of reckoning time, and of regulating the order of religious ceremonies. Therefore two of these celestial personages, one of them a goddess, called Quetzalcoatl to counsel with them, and the three contrived a system which they recorded on tables, each bearing a single sign. That sign, however, was accompanied with all necessary explanations of its meaning. It is noticeable that the goddess was assigned the privilege of writing the first sign, and that she chose a serpent as her favorite symbol.

Some accounts represent that Huemac was the temporal king, or at least associated with Quetzalcoatl in the government; the latter occupying the priestly as well as the kingly office. Sahagun calls the associate ruler Vemac. At all events, Quetzalcoatl had an enemy, the deity Tezcatlipoca, whose worship was quite opposite in its character to that of Quetzalcoatl, being sanguine and celebrated with horrid human sacrifices. A struggle ensued in Tulla (Tollan) between the opposing systems which resulted favorably to the bloody deity and the faction who sought to establish his worship in preference to the peaceful and ascetic service of Quetzalcoatl.

Tezcatlipoca, envious of the magnificence enjoyed by Quetzalcoatl, determined upon his destruction. His first appearance at Tulla was in the rôle of a great ball-player, and Quetzalcoatl, being very fond of the game, engaged in play with him, when suddenly he transformed himself into a tiger, occasioning a panic among the spectators, in which great numbers were crowded over a precipice into a river, where they perished. Again the vicious god appeared at Tulla. This time he presented himself at the door of Quetzalcoatl’s palace in the guise of an old man, and asked permission of the servants to see their master. They attempted to drive him away, saying that their god was ill. At last, because of his importunities, they obtained leave to admit him.

Tezcatlipoca entered, and seeing the sick deity, asked about his health, and announced that he had brought him a medicine which would ease his body, compose his mind, and prepare him for the journey which Fate had decreed that he must undertake.[429] Quetzalcoatl received the sorcerer kindly, inquiring anxiously as to the journey and the land of his destiny. His deceiver told him that the name of the land was Tullan Tlapalan, where his youth would be renewed, and that he must visit it without delay. The sick king was moved greatly by the words of the sorcerer, and was prevailed upon to taste the intoxicating medicine which he pressed to his lips. At once he felt his malady healed, and the desire to depart fixed itself in his mind.

“Drink again!” exclaimed the old sorcerer; and again the god-king pressed the cup to his lips, and drank till the thought of departure became indelible, chained his reason, and speedily drove him a wanderer from his palace and kingdom.

Upon leaving Tulla, driven from his kingdom by the vicious enmity of Tezcatlipoca, he ordered his palaces of gold, and silver, and turquoise, and precious stones, to be set on fire. The myriads of rich-plumed songsters that made the air of the capital melodious with song accompanied him on his journey, pipers playing on pipes preceded him, and the flowers by the way are said to have given forth unusual volumes of perfume at his approach.

After journeying one hundred leagues southward, he rested, near a city of Anahuac, under a great tree, and as a memorial of the event, he cast stones at the tree, lodging them in its trunk.[430]

He then proceeded still farther southward in the same valley, until he came to a mountain, two leagues distant from the city of Mexico. Here he pressed his hands upon a rock on which he rested, and left their prints imbedded in it, where they remained visible down to a very recent date. He then turned eastward to Cholula, where he was received with greatest reverence.[431] The great pyramid was erected to his honor. With his advent the spirit of peace settled down upon the city. War was not known during his sojourn within it. The reign of Saturn repeated itself. The enemies of the Cholulans came with perfect safety to his temple, and many wealthy princes of other countries erected temples to his honor in the city of his choice.[432]

Here the silversmith, the sculptor, the artist, and the architect, we are led to believe, from the testimony of both tradition and remains, flourished under the patronage of the grand god-king.

However, after twenty years had elapsed, that subtile, feverish draught received from the hand of Tezcatlipoca away back in Tulla, like an old poison in the veins, renewed its power. Again his people, his palaces, and his pyramidal temple were forsaken, that he might start on his long and final journey.[433] He told his priests that the mysterious Tlapalla was his destination, and turning toward the East, proceeded on his way until he reached the sea at a point a few miles south of Vera Cruz. Here he bestowed his blessing upon four young men, who accompanied him from Cholula, and commanded them to go back to their homes, bearing the promise to his people that he would return to them, and again set up his kingdom among them. Then, embarking in a canoe made of serpent-skins, he sailed away into the East.[434]

The Cholulans, out of respect to Quetzalcoatl, placed the government in the hands of the recipients of his blessing. His statue was placed in a sanctuary on the pyramid, but in a reclining position, representing a state of repose, with the understanding that it shall be placed upon its feet when the god returns. When Cortés landed, they believed their hopes realized, sacrificed a man to him, and sprinkled the blood of the unhappy victim upon the conqueror and his companions.[435]

Father Sahagun, when on his journey to Mexico, was everywhere asked if he had not come from Tlapalla.[436] No wonder when the fleet of Cortés hove in sight on the horizon, almost in the same place where Quetzalcoatl’s bark had disappeared, that the Mexican, who had been waiting centuries for the prince of peace to return, believed his waiting to be at an end. No wonder that he inquired of the distant and mysterious Tlapalla. In this state of expectancy we find a most natural and fruitful soil for the operations of the Spanish conquerors.

Such is the form into which the mass of legends concerning Quetzalcoatl have been woven. There is scarcely a doubt, however, that it is a matter of growth—is the accumulation of several centuries. The name Quetzalcoatl (Nahua), Gucumatz (Quiché) and Cukulcan (Maya), translated “feathered” or “plumed” or “winged” serpent, may originally have been applied to an intelligent princely foreigner who was cast upon the shores of the Central American region, and who introduced the art of casting metals, and especially taught agriculture. His doctrines of peace and virtue may have been sufficiently wide-spread to have brought about the prosperity which is ascribed to his age. From this standpoint we would consider him at first to have cast his lot among the descendants of Votan, otherwise known as the “Serpents,” from which occurrence he may have received his name of “Feathered Serpent.” On pages 241–42 we referred to the statements of the Codex Chimalpopoca, that Quetzalcoatl, becoming obnoxious to his companions, who seem to be Quichés, forsook them. The account also states that he afterwards brought maize to Tamoanchan (the city of the Nahuas). Our next account of him describes him as figuring among the Olmecs at Cholula. This realistic view of the tradition applies to the first Quetzalcoatl, who may have been an actual man. While entertaining this view, we must not forget that centuries prior to this period (which we may as well assign to the first or second century as to any other date), the Quichés possessed the ideal of such a personage whom they considered a deity, who figures so actively in their cosmogony under the name of Gucumatz. This deity was the vivifying force in nature, the bringer of the gentle south winds, the god of the harvest and of the air. He was best symbolized to the mind of the savage by the vernal shower and the return of spring.

The serpent was everywhere considered an emblem of the vernal shower, and was thought to be in some way instrumental in bringing it, together with its refreshing and fructifying influences. So here, in the name of Quetzalcoatl, we find a progressive step indicated in the workings of the mind, an advance from the lower figure of the serpent alone to that of an aërial combination, which, while it contained all the virtues of the serpent, is lifted to a higher element—that from which the shower falls. The feathery vapor-clouds of summer are but the plumes or wings of the shower which the serpent symbolized.

At last when a teacher of agriculture and the mechanic arts, so conducive of prosperity and plenty, appeared—an individual who discovers maize and directs the process of its reproduction and guards an improvident people against want and famine, the attributes of the god are recognized as dwelling in him, the ideal vaguely represented by the vernal shower is concreted, is become incarnate, is presented in a shape more comprehensible to the untaught mind, and at once the name, reverence and worship of the god are attached to the man, the culture-hero. This we believe to be the simplest interpretation of the origin of the worship of Quetzalcoatl. A priesthood appears to have been founded who perpetuated the doctrines of this deified man. That part of the legend which relates to Tulla (Tollan) with the expulsion of the king and that which followed, properly belongs to Ceacatl, surnamed Quetzalcoatl, Toltec king of Tollan, who ascended the throne about 873.[437] The father of this monarch had been cruelly murdered, and in his early boyhood Ceacatl is said to have wreaked a terrible vengeance on the murderer of his father, after which he concealed himself for about twenty years. At about the above-named date he reappeared, and established his claims to the throne. He espoused the religion of Quetzalcoatl, and the peace which followed brought great prosperity. Human sacrifices were forbidden, and a golden age seemed to dawn in which Tollan exceeded all the cities of the Mexican valley in importance and wealth. But a rivalry at once sprang up between the priests of the bloody god Tezcatlipoca, worshipped in Culhuacan and at Teotihuacan, and those of the peaceful and humane Quetzalcoatl, which resulted in the voluntary departure of the Pontiff king, to whom the name of his god was attached. The contest between the two sects is symbolized in the legend by the tricks of Tezcatlipoca. Quetzalcoatl was received at Cholula, where he remained some years, but was at last driven away before the leader of the Tezcatlipoca faction, namely, King Huemac, who advanced upon the peaceful king with a strong army. Quetzalcoatl again voluntarily withdrew, rather than occasion the bloodshed of his subjects. It is probable that he ultimately reached Yucatan and figured there in his old character under the name of Cukulcan.[438]