Title: Pueblo pottery making: a study at the village of San Ildefonso
Author: Carl E. Guthe
Release date: January 22, 2022 [eBook #67221]
Most recently updated: October 18, 2024
Language: English
Original publication: United States: Yale Univ Press, 1925
Credits: Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
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List of Illustrations (etext transcriber's note) |
PAPERS OF THE SOUTHWESTERN EXPEDITION
NUMBER TWO
PUEBLO POTTERY MAKING
DEPARTMENT OF ARCHAEOLOGY
PHILLIPS ACADEMY · ANDOVER · MASSACHUSETTS
A STUDY AT THE VILLAGE OF SAN ILDEFONSO
BY
CARL E. GUTHE
NEW HAVEN
PUBLISHED FOR THE DEPARTMENT OF ARCHAEOLOGY
PHILLIPS ACADEMY · ANDOVER · MASSACHUSETTS
BY THE YALE UNIVERSITY PRESS
1925
COPYRIGHTED 1925 BY YALE UNIVERSITY PRESS
PRINTED IN THE UNITED STATES OF AMERICA
BY THE ANDOVER PRESS
| PAGE | |
| Introduction | 1 |
| Raw Materials; Collection and Preparation | 19 |
| Ingredients | 19 |
| Red clay | 19 |
| White clay | 21 |
| Temper | 21 |
| Cooking vessel clay | 22 |
| Slips and paints | 23 |
| Native slip | 23 |
| Santo Domingo slip | 23 |
| Red slip | 23 |
| Orange-red slip | 24 |
| Black ware paint | 24 |
| Black or Guaco paint | 25 |
| Fuel | 26 |
| Manure | 26 |
| Kindling | 26 |
| Paraphernalia | 27 |
| Primary Paraphernalia | 27 |
| Moulds | 27 |
| Moulding spoons | 27 |
| Scrapers | 27 |
| Polishing stones | 27 |
| Paint brushes | 28 |
| Secondary paraphernalia | 29 |
| Carrying and storing receptacles | 29 |
| Mixing surfaces | 29 |
| Boards | 29 |
| Water containers | 29 |
| Mops | 30 |
| Paint receptacles | 30 |
| Wiping-rags | 30 |
| Firing accessories | 30 |
| Moulding | 31 |
| Bowls | 37 |
| Ollas | 42 |
| Cooking-vessels | 46 |
| Prayer-meal bowls | 48 |
| Double-mouthed vases | 49 |
| Handles | 50 |
| Sun-Drying | 52 |
| Scraping | 54 |
| Slipping and Polishing | 57 |
| White slip | 57 |
| Orange-red slip | 59 |
| Red slip | 59 |
| Dark-red slip | 62 |
| Painting | 66 |
| Firing | 70 |
| Preparation | 70 |
| Building the oven | 70 |
| Burning | 72 |
| Accidents | 76 |
| Treatment after burning | 77 |
| Painting of designs | 78 |
| Symbolism | 85 |
| Bibliography | 89 |
The present paper is a careful study by Dr. Guthe of pottery making at San Ildefonso, a typical Pueblo Indian town on the Rio Grande, north of Santa Fe, New Mexico. The field-work was undertaken in 1921 as part of an archaeological survey of the Southwest, that has been carried on for a number of years by the Department of Archaeology of Phillips Academy. From prehistoric archaeology to modern pottery making may seem a far cry, but in the Southwest the past merges almost imperceptibly into the present, and the Pueblos of today live in almost exactly the same way, and practise almost exactly the same arts, as did their ancestors of a thousand years ago. In the Southwest, therefore, the archaeologist has the invaluable opportunity of observing, and of studying at first hand, the life whose earlier remains he unearths from the ancient ruins. When one considers what such a privilege would mean to the excavator in, for example, the mounds of the Mississippi Valley, or the Neolithic village-sites of Europe, it becomes obvious that the Southwestern archaeologist should devote a not inconsiderable part of his time to the study of that industrious, kindly, hospitable, and thoroughly charming folk, the Pueblo Indians.
Living a sedentary, agricultural life in an arid country it was inevitable that the Pueblos should early have developed into expert and prolific potters; and so pottery, in the form of sherds scattered about their former dwellings, and of vessels piously interred with their dead, is the most striking, the most abundant, and the most readily accessible form of evidence to be dealt with by the Southwestern archaeologist. The value of pottery to the student of the past cannot be more happily expressed than in the words of the historian Myres: “When with the soft clay which has, so to say, no natural shape or utility at all, the human hand, guided by imagination, but otherwise unaided, creates a new form, gourd-like, or flask-like, or stone-bowl-like, but not itself either gourd, or skin, or stone, then invention has begun, and an art is born which demands on each occasion of its exercise a fresh effort of imagination to devise, and of intellect to give effect to, a literally new thing. It is a fortunate accident that the material in question, once fixed in the given form by exposure to fire, is by that very process made so brittle that its prospect of utility is short; consequently the demand for replacement is persistent. The only group of industries which can compare with potmaking in intellectual importance is that of the textile fabrics; basketry and weaving. But whereas basket-work and all forms of matting and cloth are perishable and will burn, broken pottery is almost indestructible, just because, once broken, it is so useless. It follows that evidence so permanent, so copious, and so plastic, that is to say so infinitely sensitive a register of the changes of the artist’s mood, as the potsherds on an ancient site, is among the most valuable that we can ever have, for tracing the dawn of culture.”
Myres wrote of arid Egypt, and in many ways conditions in the likewise arid Southwest, where a primitive people were also building up for themselves through agriculture a new type of civilization, closely parallel those of the Nile Valley in predynastic times. And the analogy, naturally enough, holds good in the matter of archaeological methods. The rise and spread of the predynastic cultures of Egypt are being traced out in large part by studies of ceramic types and of their stratigraphic relation one to another. The same methods are applicable, and indeed are now beginning to be applied, to the problems of the Southwest.
To understand the trend of recent archaeological work in the Pueblo field it is necessary to take a bird’s-eye view, so to speak, of the region. Over a vast area in New Mexico, Arizona, Utah, Colorado, and the state of Chihuahua in Old Mexico, are found the remains of the prehistoric Pueblos. Their villages, now in ruins, were built in all sorts of places, on the tops of mesas, in open plains, in narrow canyons, on the ledges of great cliffs, and in the shelter of caves. They range in size from one-or two-room houses of the roughest construction, to great communal buildings of five hundred or even a thousand rooms, compactly built of excellent masonry and terraced to a height of three, four, or five stories. The artifacts, too, found in them vary bewilderingly, both in degree of perfection, and in type. All Southwestern houses, however, and all Southwestern artifacts, have a certain family resemblance that allies them to each other and makes it evident that they are all the product of a single culture, a culture distinct, for example, from that of Central Mexico or that of the Mississippi Valley. To reconstruct the history of that culture, to trace its origin, to follow its growth, and to explain how and why it developed in the peculiar way it did, are the tasks which confront the Southwestern archaeologist.
As in any scientific problem, the first step must be to collect and classify the data; and although Pueblo sites are numbered in thousands, and an overwhelming amount of merely descriptive work must still be done, the outlines of a classification have been achieved. We know, for example, what sort of ruins are found in the San Juan drainage of northern New Mexico; what kinds of pottery occur along the Gila river in southern Arizona. But what relationship, genetically and in time, there existed between, say, Pueblo Bonito and Casa Grande, we do not know. The time element, or in other words the historical sequence of our material, remains in large part to be determined.
To set up an historical outline we must first determine the relative ages of the different ruins, and then estimate the size and distribution of the Pueblo tribes from the earliest times to the present. At the top, so to speak, of our series the problem is simple enough—we are acquainted with the present location of the tribes, and the various Spanish accounts tell us where they have been living during the past three hundred and fifty years. But for the prehistoric period (and everything in the Southwest prior to 1540 is prehistoric) we must rely almost wholly on such evidence as may be turned up by the archaeologist’s shovel, for of native written records there are none, nor can native legendary testimony be safely depended upon. This, of course, throws a heavy burden upon the archaeologist, a burden which is made heavier by the fact that stratigraphy of remains is so rarely found in the Pueblo country.
Stratigraphy, in other words the superposition of the more recent upon the more ancient, has been the Open Sesame to all the reconstructive sciences. The very framework of geology, for example, has been built up from stratigraphic observations. In archaeology, too, stratigraphy has revealed the sequence of the Stone Ages; made clear the development of the early Mediterranean cultures, and the rise of predynastic civilization in Egypt. Therefore, as has just been said, the general lack of stratigraphic conditions in the Southwest renders the task of the student a particularly hard one. For some reason, not yet clearly understood, the Pueblos ancient and modern were very prone to shift from one dwelling place to another, and a site once abandoned was seldom reoccupied. Although their houses were of the most permanent construction, and their agricultural life should have tended to render them solidly sedentary, they moved about to a surprising extent. The result of this is that one seldom finds a ruin which was lived in for more than a few decades or, at most, centuries; and few have so far been discovered to contain superimposed remains illustrating any long period of development. Where such evidence is so rare, what can be found naturally becomes of the greatest importance; hence the recent diligent search for, and excavation of, such sites as show signs of long occupancy.
The choice of Pecos for investigation by Phillips Academy was due to the above considerations. The ruin was a large one, was occupied at the time of the Discovery and was not abandoned until 1838. A surface examination also showed that it must have been tenanted for a long time prior to the Conquest because its mounds were scattered over with potsherds not only of recent date, but also of several distinct prehistoric types, each one well enough known to students, but whose relative ages were entirely a matter of conjecture. It was hoped, therefore, that excavation might disclose some definite cases of superposition, and that several prehistoric periods might thereby be arranged in their proper chronological order.[1]
The results have been more than satisfactory. Pecos proved to have been built on the edge of a sharp-sided mesa, a fact not suspected before digging began, because the rubbish from the town had heaped up to such an extent against the original cliff as completely to mask its steepness. The first inhabitants naturally threw their refuse over the edge of the mesa, their descendants added to the accumulation, and the process continued down the centuries until there grew up a midden of enormous extent and, for the Southwest, of unusually great depth. It is stratified as neatly as a layer-cake.
When the exploratory trenches revealed the size and probable importance of the Pecos rubbish heap, all other projects were postponed, and two full field-seasons were devoted to the meticulous dissection of large areas of the deepest deposit. At frequent intervals stratigraphic tests were made, in which all the specimens from each successive stratum were kept separate and shipped to the Museum for study. It was found that many changes in culture had taken place during the long occupancy of Pecos; in the stone and bone implements, in the pipes, and in burial customs. But the most abundant, the most easily gathered, and the most readily interpreted evidence of cultural change was offered by the thousands of pottery fragments that filled the mound from subsoil to surface.
We have been able to recognize about twenty distinct wares, to arrange them into eight chronological groups, and to determine the exact sequence of these groups. This information, derived from the stratigraphic study of the pottery in the mounds, has been of the greatest value. Its application has been both local and non-local. In the excavations that we have since carried on at Pecos it has enabled us to date relatively to each other the various kivas, cemeteries, and small refuse mounds that occurred on the mesa top, and also to unravel much more confidently than we would otherwise have been able to do, the extraordinarily complex jumble of ruined, torn-down, stone-robbed, rebuilt, abandoned, and reoccupied rooms that we encountered when we attacked the pueblo itself. As helpful as has been the knowledge of the sequence of the pottery types in working out the details of local archaeology, its usefulness in that regard is small as compared with the flood of light which has been thrown on much larger and more vital problems. It has just been stated that some twenty types of pottery were identified; the majority of these are not peculiar to Pecos; many of them occur throughout large areas in the Rio Grande drainage; and so we are now able, in most cases by a hasty examination of the surface sherds, to assign to its proper place in the chronological series any ruin at which our types are present. Thus mere reconnaissance (a cheap and rapid undertaking) now serves to make clear the major outlines of Rio Grande archaeology. But the usefulness of the stratigraphic studies at Pecos does not end with the territory in which the Pecos types of pottery are found, for Pecos, because of its size and because of its situation on the main route between the Pueblo country to the West and the buffalo ranges to the East, was an important trade centre.
From its mounds we have taken potsherds from almost all parts of the Southwest, shells from the Pacific, spindle-whorls from Central Mexico, as well as pottery and stone objects from the Mississippi drainage. The importance of such finds is evident; every sherd from an outside culture found in a datable stratum at Pecos helps to fit into our general chronological scheme the culture from which it came; as conversely, does every Pecos or even Rio Grande sherd that turns up beyond the limits of the Rio Grande. Only a start has been made, but enough has already come to light at Pecos and at such stratified sites as have been excavated by other institutions, to provide us with a surprisingly full knowledge of the rise and growth of the Pueblo civilization. Ten years ago it would have been hard to believe how much could be accomplished by the stratigraphic work carried on by Nelson in the Galisteo Basin, Hodge at Hawikuh, Judd at Pueblo Bonito, Morris at Aztec, Guernsey in the Kayenta country, and the writer and his associates at Pecos.
The work, as I have said, has just begun, but the prospects are bright. Success will depend, as in any such endeavor, upon intelligent excavation, careful collection of data, and accurate observation of specimens, but the investigator cannot hope to derive the best results from his labors if he does not hold to a very broad view of his field. He must familiarize himself not only with the material of the locality he is working in but must also know as much as possible about that of other regions, for it is of the last importance that trade-objects be recognized wherever they occur. Of all trade-objects, vessels and potsherds are likely to be the commonest and most easily recognizable.
When the members of the Pecos expedition realized how vitally important was to be a close knowledge of the pottery, not only of that particular site, but also of the Rio Grande in general, and, indeed, of the entire Southwest, they devoted a large part of their time, both in the field and at the Museum, to the study of ceramics. A difficulty was at once encountered in our ignorance of the technique of Pueblo pottery making. We were constantly obliged to compare the paints and slips of different wares, to decide whether observed variations were technically fundamental, or were merely accidents of clay-mixing or firing. No full published accounts existed, nor had any of us had the opportunity for more than casual observation of potters at work. Dr. Guthe, accordingly, spent the month of August, 1921, at San Ildefonso in making detailed studies. His results are published in the hope that they may be of use to Southwestern archaeologists and ethnologists, and also to students of the primitive pottery of other areas who may be in need of material for comparative purposes.
In order that the reader may envisage the long history that lies behind the work of the modern potters, I give a summary of our present knowledge of the origin and development of pottery in the Southwest.
To go back to the very beginning, it is not yet certain whether pottery making was introduced into the region from Mexico, or whether it was a local invention. There is evidence in favor of each theory. As will presently be shown, there can be traced in the Southwest an almost unbroken development from the earliest and crudest forms, through intermediate stages, to the perfected styles of later times; nor can Mexican influence be seen in the wares themselves at any period from beginning to end. Hence it might appear that the art was of purely local origin and growth. On the other hand, Mexico was the breeding ground for all the higher elements of native American culture; corn-growing, the cultivation of cotton, the use of stone masonry, the true loom, etc., and it is practically certain that all these traits worked into the Southwest from Mexico. It would thus seem reasonable to suppose that the concept of pottery came from the same source, particularly as pottery does not appear in our area until some time after the introduction of corn, and the mere presence of corn proves contact of one sort or another with Mexico, where presumably pottery had been in use for a considerable period. My present feeling is, however, that the importation consisted of no more than the bare idea that vessels could be made of clay, and that the subsequent development of the art was entirely unaffected by outside influences. This question, so important for its bearing on general problems of dissemination versus independent origin of culture traits, can only be settled by work in the archaeologically still unknown field of northern Mexico.
The earliest inhabitants of the Southwest of whom we have certain knowledge were the Basket Makers, so called by their discoverer because basketry rather than pottery was buried with their dead. They lived in southeastern Utah and northern Arizona, were an agricultural or semi-agricultural people who built no permanent houses, and who had no true pottery. In some of the caves that they occupied, however, there have been found a few fragments of crude, unfired clay dishes whose thick, bungling sides bear the imprints of the fingers of their makers. Save for occasional hesitating lines of incised marks, or straggling daubs of black paint, these vessels are undecorated. They bear no slip, nor, as was said above, were any of them subjected to the burning which would have converted them into true pottery. In the course of time, though whether that time should be counted in tens, or hundreds, or even thousands of years, we have at present no way of telling, the Basket Makers began to build houses of stone slabs, to group their hitherto scattered dwellings together into small communities, and, most important of all from the point of view of our present inquiry, to make hard, thin-walled, thoroughly fired vessels, in other words real pottery. The culture stage characterized by these