In Greece, as everywhere else, education^[524] commenced in the nursery; and though time has very much obscured all remaining traces of the instruction which the children there received, we are not left on this point wholly without information. From the very day of his birth man begins to be acted on by those causes that furnish his mind with ideas. As his intelligence acquires strength, the five sluices which let in all that flood of knowledge which afterwards overflows his mind, appear to be enlarged, and education at first, and for some time, consists in watching over the nature and quality of the ideas conveyed inward by those channels. It is difficult to say when actual instruction commenced: but among the earliest formal attempts at impressing traditionary knowledge on the infant mind was the repetition by mothers and nurses of fables and stories, not always, if Plato may be credited, constructed with a religious or ethical purpose.^[525] They, in fact, introduced into the minds of their children the legends of the mythology, under the forms of which truths of the greatest importance, such as Bacon has developed in his “Wisdom of the Ancients,” lay sometimes concealed, though more frequently, perhaps, they inculcated no useful lesson, but were the mere sportive creations of fancy, or if they contained any moral kernel the shell in which it was cased was too hard for the teeth of the vulgar. Such, for example, as the legend of Zeus in Hesiod mutilating his father Kronos, which, in Plato’s opinion, was not to be delivered to the empty-headed multitude or to untaught children; but, having sacrificed, not a hog, but the most precious victim, in mysterious secrecy to a few.

Wholly different from these, however, were the fables^[526] properly so called, which, invented apparently by Hesiod,^[527] (at least his Hawk and Nightingale is the oldest example extant in Hellenic literature,) were afterwards sprinkled by the greatest poets, through their writings, or spontaneously uttered in pressing emergencies to warn their countrymen against the approaches of tyranny. Archilochos’ Eagle and Fox^[528] was famous throughout antiquity, as was likewise the Horse and the Stag, related by Stesichoros^[529] to the people of Himera, to put them on their guard against the Machiavellian policy of Gelon. But the most complete, perhaps, of these ancient compositions is the fable of the lion, delivered by Eumenes to the Macedonian generals under his order, when they had been tampered with by Antigonos, who would have persuaded them to disband.^[530]

“It is said,” observed the Prince, “that once upon a time a lion falling in love with a young maiden came to make proposals of marriage to her father. The old man replied that he was quite ready to bestow on him his daughter upon one condition, namely, that he should pluck out his teeth and his claws, for that he feared his majesty might upon the wedding night forget himself and unwittingly destroy the bride. To these terms the lion consented, and allowed his teeth and claws to be pulled out, upon which the father seeing he had lost the only things which rendered him terrible fell upon him with a club and beat him to death.” The Æsopic fables^[531] which Socrates a few days before his death amused himself by turning into verse,^[532] are known to us solely by comparatively modern imitations, and of those which were denominated Sybaritic we know nothing^[533] beyond the name; for though one scholiast informs us that the Sybaritic fables brought men upon the scene, as the Æsopic did animals, another states the direct contrary. In the earlier and ruder ages of Greece, however, these compositions were in great repute, as they are still among the people of the East. To the infancy of nations as of individuals the wisdom they contain is, in fact, always palatable; for which reason they were highly esteemed by Martin Luther as particularly adapted to the spirit of his times.

Doubtless we know too little of how the foundation of the republican character was laid in the ancient commonwealths; but it was laid by woman, and for centuries cannot have been laid amiss, as the glorious superstructure of virtue and patriotism erected upon it fully demonstrates. On this point we must reject the testimony of Plato’s academic dream. The historic fields of Marathon, Platæa, Thermopylæ, and a thousand others confute his fanciful theorising, proving incontestably that the love of glory and independenceindependence could, in the very polities which lie least esteemed, achieve triumphs unknown to the subjects of other governments.

At seven years^[534] old boys were removed from the harem and sent under the care of a governor to a public school, which, from the story of Bedreddin Hassan, we find to have been formerly the practice among the Arabs, even for the sons of distinguished men and Wezeers. “When seven years had passed over him his grandfather, (Shemseddeen, Wezeer of the Sultan of Egypt,) committed him to a schoolmaster, whom he charged to educate him with great care.”^[535]

Mischievous no doubt the boys of Hellas were, as boys will everywhere be, and many pranks would they play in spite of the crabbed old slaves set over them by their parents; on which account, probably, it is that Plato considers boys, of all wild beasts the most audacious, plotting, fierce and intractable.^[536] But the urchins now found that it was one thing to nestle under mamma’s wing at home, and another to delve under the direction of a didaskalos, and at school-hours, after the bitter roots of knowledge. For the school-boys of Greece tasted very little of the sweets of bed after dawn. “They rose with the light,” says Lucian, “and with pure water washed away the remains of sleep, which still lingered on their eyelids.”^[537] Having breakfasted on bread and fruit, to which through the allurements of their pædagogues they sometimes added wine,^[538] they sallied forth to the didaskaleion, or schoolmaster’s lair as the comic poets jocularly termed it,^[539] summer and winter, whether the morning smelt of balm, or was deformed by sleet or snow, drifting like meal from a sieve down the rocks of the Acropolis.

Aristophanes has left us a picture, dashed off with his usual grotesque vigour, of a troop of Attic lads marching on a winter’s morning to school.^[540]

The object of sending boys to school was twofold: first to cultivate and harmonise their minds by arts and literature; secondly, so to occupy them that no time could be allowed for evil thoughts and habits. On this account, Aristotle enumerating Archytas’ rattle among the principal toys of children, denominates education the rattle of boys.^[543] In order, too, that its effect might be the more sure and permanent, no holidays^[544], or vacations appear to have been allowed, while irregularity or lateness of attendance was severely punished.^[545] The theories broached by Montagne, Locke, and others, that boys are to be kept in order by reason and persuasion were not anticipated by the Athenians.^[546] They believed that to reduce the stubborn will to obedience, and enforce the wholesome laws of discipline, masters must be armed with the power of correction, and accordingly their teachers and gymnasiarchs checked with stripes^[547] the slightest exhibition of stubbornness or indocility.^[548]

Nor did their pædagogues^[549] or governors behave towards them with less strictness. These were persons,—slaves for the most part,—who at Athens as in the rest of Greece, Sparta not excepted, were from the earliest ages intrusted with the care of boys, and whose ministry could on no account be dispensed with. By Plato^[550] even these precautions were deemed insufficient. In his ideal state he would have the pædagogues themselves, as at Sparta, under the strictest inspection, making it the duty of every citizen to have an eye upon them, and arming him with the power to correct their delinquencies as well as those of the boys under their charge. There was to be, moreover, a general inspector intrusted with authority to punish neglect, by whichsoever of the parties committed. Upon these points the views of the Athenians were unquestionably judicious, for since boys did not amongst them pass at once from the hands of their mothers and domestic guardianship into those of the state as at Sparta, such governors were necessary to preserve their manners from defilement and contamination.^[551] Their principal duty consisted in leading the lad to and from school, in attending him to the theatre, to the public games, to the forum, and whereverwherever else it was thought fit he should go.^[552] It has been by some conjectured that while the boys continued under the care of the schoolmaster the governors remained in the house, or in a building adjoining denominated the pædagogeion, to await their return; but the inference, drawn chiefly from the name of the edifice, is erroneous; pædagogeion was employed to signify the school itself,^[553] and we have the testimony of Plato to prove that the pædagogue having delivered the boy to the didaskalos, usually returned to his master’s house.

On the character of these governors^[554] antiquity appears to have transmitted us more satire than information. If we may credit some writers, it was not merely slaves who were intrusted with the care of boys, but often the meanest and vilest of slaves,—base in mind, depraved in manners,—whose guardianship, when they chanced to be crabbed and morose, could be no other than disgusting to their charges; and, when inclined to indulgence, most pernicious. Nay, were they themselves corrupt, what could be of more evil tendency than their own example? They who take this view of the matter appear to me illogical and inconsistent.^[555] Though aware that these men were chosen by the parents to preserve their children from bad example, from the infection of corrupt manners, from the allurements of vicious companions, these writers persuade themselves that they voluntarily gave them as companions and guardians men worse than whom could not be found. It is more reasonable to conclude that when these pædagogues proved unworthy of the trust reposed in them they were sufficient masters of hypocrisy to conceal their vices at home, and only revealed themselves to their young masters gradually as their lessons produced their evil fruits. Thus, it is clear, that the father whom the comic writer Plato, in his Fellow Deceiver,^[556] introduced reproaching the pædagogue who had corrupted his son, knew nothing of his evil ways when he delivered the lad to his keeping.

With the greatest reason we may suppose, that of all the domestics in the family the most staid and sober, the most attached, the most faithful, were chosen to fulfil this important duty, such as Plautus describes an honest pædagogue,—

Lucian, too, speaking of the attendants of youths in the better times of the republic, describes them as an honourable company who followed their young masters to the schools, not with combs and looking-glasses like the attendants of ladies, but with the venerable instruments of wisdom in their hands, many-leaved tablets or books recording the glorious deeds of their ancestors, or if proceeding to the music master bearing, instead of these, the melodious lyre.^[558]

In fact the fortunes of war often in those days reduced men of virtue and ability to the condition of slaves, when they would naturally be chosen as the governors of youth. Thus we find Diogenes the Cynic purchased by a rich Corinthian, who intrusted to him the education of his sons. The account which antiquity has left us of his sale, reception by his master, and manner of teaching, being extremely brief, we shall here give it entire. Hermippos^[559] who wrote a small treatise called the Sale of Diogenes, observes that when the philosopher was exposed in the slave-market and interrogated respecting his qualifications, he replied that “He could command men;” and then addressing himself to the herald, bade him inquire whether there was any one present who wanted a master. Being forbidden to sit down, he said “This matters nothing, for fish are bought in whatever way they may lie.” He remarked also, that he wondered that when people were buying a pot or a dish they examined it on all sides, whereas when they purchased a man they were contented with simply looking at him. Afterwards, when he had become the slave of Xeniades, he informed his owner that he expected the same obedience to be paid to him as men yield to a pilot or a physician.

It is further related by Eubulos, who likewise wrote a treatise on this incident, that Diogenes conducted with the utmost care the education of the children under his charge. In addition to the ordinary studies, he taught them to ride, to draw the bow, to use the sling, and to throw the javelin. In the palæstra, moreover, where, contrary to the Athenian practice he remained to watch over the boys, Diogenes would not permit the master of the Gymnasium to exercise them after the manner of the athletæ; but in those parts only of gymnastics, which had a tendency to animate them and strengthen their constitutions. They learned also by heart,^[560] under his direction, numerous sentences from the poets and historians, as well as from his own writings. It was his practice likewise very greatly to abridge his explanations in order that they might the more easily be committed to memory. At home he habituated them to wait on themselves, to be content with frugal fare, and drink water, from which it may be inferred that others drank wine. He accustomed them to cut their hair close, not to be fastidious in dress, and to walk abroad with him barefoot and without a chiton, silent and with downcast eyes.^[561] He also went out with them to hunt. On their part they took great care of him, and pleaded his cause with their parents. He therefore grew old in the family, and they performed for him the rites of sepulture.

Now what Diogenes was in the house of Xeniades numerous pædagogues were doubtless found to be in other parts of Greece. But the majority it is thought were open to blame; and so they are everywhere, and so they would be, though taken from the best classes of mankind. That is, they were men with many failings, far from what could be wished; but that their character upon the whole was respectable seems to me demonstrated by the powers delegated to them by the parents. For not only could they use upon occasion, as we have said, menace and harsh language,—they were even permitted to have recourse to blows, in order to preserve their pupils from vices which none would have sooner taught than they, had their characters been such as is commonly believed. For example, would they have made a drunkard the guardian of a boy’s sobriety? a thief the guardian of his honesty? a libertine of his chastity? a coarse and ribald jester the inculcator of modesty and purity of language?^[562]

At home, of course, the influence and example of the parents surpassed all other influences, of the mother more especially, who up to their manhood retained over her sons the greatest authority. Of this a playful illustration occurs in the Lysis of Plato.^[563] Socrates, interrogating the youth respecting the course of his studies, inquires archly whether when in the harem he was not as a matter of course permitted to play with his mother’s wool basket, and loom, and spathe, and shuttle?

“If I touched them,” replied Lysis, laughing, “I should soon feel the weight of the shuttle upon my fingers.”

“But,” proceeds the philosopher, “if your mother or father require anything to be read or written for them, they, probably, prefer your services to those of any other person?”

“No doubt.”

“And in this case, as you have been instructed in reading and spelling, they allow you to proceed according to your own knowledge. So likewise, when you play to them on the lyre, they suffer you, as you please, to relax or tighten the chords, to touch them with the fingers, or strike them with the plectron,—do they not?”

“Certainly.”

From this it would appear that the authority of the parents was equal; though generally at Athens, as Plato^[564] elsewhere complains, greater reverence was paid to the commands of the mother even than to those of the father. Indeed to be wanting in respect to her was there deemed the ne plus ultra of depravity.^[565] The father, however, of necessity took a considerable share in the instruction and moral training of his son,^[566] who at home profited by his conversation, and, arrived at the proper age, accompanied him abroad.^[567] When reduced to the state of orphanhood the republic took children under its own protection, not considering it safe to intrust them to the sole guidance of masters or pædagogues.

Care, too, was taken lest those public schools, established for the advancement of virtue and morals, should themselves be converted into nurseries of vice. They were by law^[568] forbidden to be opened before sunrise, and were closed at sunset; nor during the day could any other men be introduced besides the teachers,^[569] though it appears from some of Plato’s dialogues that this enactment was not very strictly observed.^[570] To prevent habits of brawling, boys were forbidden to assemble in crowds in the streets on their way to school. Nor were these laws deemed sufficient; but still further to protect their morals ten annual magistrates called Sophronistæ, one from each tribe, were elected by show of hands,^[571] whose sole business it was to watch over the manners of youth. This magistracy, dated as far back as the age of Solon,^[572] and continued in force to the latest time.time. The Gymnasiarch, another magistrate,^[573] was intrusted with the superintendence of the Gymnasia, which, like the public games and festivals, appeared to require peculiar care; and, if we can receive the testimony of Plautus^[574] for the classical ages of the commonwealth, transgressors received severe chastisement.

It has sometimes been imagined that in Greece separate edifices were not erected as with us expressly for school-houses, but that both the didaskalos and the philosopher taught their pupils in fields, gardens or shady groves.^[575] But this was not the common practice, though many schoolmasters appear to have had no other place wherein to assemble their pupils than the portico of a temple^[576] or some sheltered corner in the street, where in spite of the din of business and the throng of passengers the worship of learning was publicly performed. Here, too, the music-masters frequently gave their lessons, whether in singing or on the lyre, which practice explains the anecdote of the musician, who, hearing the crowd applaud one of his scholars, gave him a box on the ear, observing, “Had you played well these blockheads would not have praised you.” A custom very similar prevails in the East, where, in recesses open to the street, we often see the turbaned schoolmaster with a crowd of little Moslems about him, tracing letters on their large wooden tablets or engaged in recitations of the Koran.

But these were the schools of the humbler classes. For the children of the noble and the opulent spacious structures were raised, and furnished with tables, desks,—for that peculiar species of grammateion^[577] which resembled the plate cupboard, can have been nothing but a desk,—forms, and whatsoever else their studies required. Mention is made of a school at Chios^[578] which contained one hundred and twenty boys, all of whom save one were killed by the falling in of the roof. From another tragical story we learn that in Astypalæa,^[579] one of the Cyclades, there was a school which contained sixty boys. The incidents connected with their death are narrated in the romantic style of the ancients. Cleomedes, a native of this island, having in boxing slain Iccos the Epidaurian, was accused of unfairness and refused the prize, upon which he became mad and returned to his own country. There, entering into the public school, he approached the pillar that supported the roof, and like another Sampson seized it in an access of frenzy, and wresting it from its basis brought down the whole building upon the children. He himself however escaped, but, being pursued with stones by the inhabitants, took sanctuary in the temple of Athena, where he concealed himself in the sacred chest. The people paying no respect to the holy place still pursued him and attempted to force open the lid, which he held down with gigantic strength. At length when the coffer was broken in pieces Cleomedes was nowhere to be found, dead or alive. Terrified at this prodigy they sent to consult the oracle of Delphi, by which they were commanded to pay divine honours to the athlete as the last of the heroes.^[580]

In the interior of the school there was commonly an oratory^[581] adorned with statues of the Muses, where, probably in a kind of font, was kept a supply of pure water for the boys. Pretending often, when they were not, to be thirsty, they would steal in knots to this oratory, and there amuse themselves by splashing the water over each other; on which account the legislator ordained that strict watch should be kept over it. Every morning the forms were spunged,^[582] the schoolroom was cleanly swept, the ink ground ready for use, and all things were put in order for the business of the day.

The apparatus^[583] of an ancient school was somewhat complicated: there were mathematical instruments, globes, maps, and charts of the heavens, together with boards whereon to trace geometrical figures, tablets, large and small, of box-wood, fir, or ivory^[584] triangular in form, some folding with two, and others with many leaves; books too and paper, skins of parchment, wax for covering the tablets, which, if we may believe Aristophanes,^[585] people sometimes ate when they were hungry.^[586]

To the above were added rulers, reed-pens,^[587] pen-cases, pen-knives, pencils, and last, though not least, the rod which kept them to the steady use of all these things.

At Athens these schools were not provided by the state. They were private speculations, and each master was regulated in his charges by the reputation he had acquired and the fortunes of his pupils. Some appear to have been extremely moderate in their demands.^[588]

There was for example a school-master named Hippomachos, upon entering whose establishment boys were required to pay down a mina, after which they might remain as long and benefit by his instructions as much as they pleased. Didaskaloi were not however held in sufficient respect, though as their scholars were sometimes very numerous,^[589] as many for example as a hundred and twenty, it must often have happened that they became wealthy. From the life of Homer, attributed to Herodotus,^[590] we glean some few particulars respecting the condition of a schoolmaster in remoter ages.

Phemios it is there related kept a school at Smyrna, where he taught boys their letters and all those other parts of education then comprehended under the term music. His slave Chritheis, the mother of the poet, spun and wove the wool which Phemios received in payment from his scholars. She likewise introduced into his house great elegance and frugality, which so pleased the school-master that it induced him to marry her. Under this man, according to the tradition received in Greece, Homer studied, and made so great a proficiency in knowledge that he was soon enabled to commence instructor himself. He therefore proceeded to Chios,^[591] and opened a school where he initiated the youth in the beauties of epic poetry, and, performing his duties with great wisdom, obtained many admirers among the Chians, became wealthy, and took a wife, by whom he had two sons.

The earliest task to be performed at school was to gain a knowledge of the Greek characters, large and small, to spell next, next to read. Herodes the Sophist experienced much vexation from the stupidity exhibited in achieving this enterprise by his son Atticus, whose memory was so sluggish that he could not even recollect the Christ-cross-row. To overcome this extraordinary dulness he educated along with him twenty-four little slaves of his own age, upon whom he bestowed the names of the letters, so that young Atticus might be compelled to learn his alphabet as he played with his companions, now calling out for Omicron now for Psi.^[592] In teaching the art of writing their practice nearly resembled our own; the master traced with what we must call a pencil (γραφὶς), a number of characters on a tablet, and the pupil following with the pen the guidance of the faint lines^[593] before him, accustomed his fingers to perform the requisite movements with adroitness.^[594] These things were necessarily the first step in the first class of studies, which were denominated music,^[595] and comprehended everything connected with the developement of the mind; and they were carried to a certain extent before the second division called gymnastics was commenced. They reversed the plan commonly adopted among ourselves, for with them poetry^[596] preceded prose, a practice which coöperating with their susceptible temperament, impressed upon the national mind that imaginative character for which it was preëminently distinguished. And the poets in whose works they were first initiated were of all the most poetical, the authors of lyrical and dithyrambic pieces, selections from whose verses they committed to memory, thus acquiring early a rich store of sentences and imagery ready to be adduced in argument or illustration, to furnish familiar allusions or to be woven into the texture of their style.^[597]

Considerable difference however existed in the practice of different teachers. Some imagining that by the variety of their acquirements they would be rendered eloquent, recommended the indiscriminate study of the poets,^[598] whether they wrote in hexameter, in trimeter, or any other kind of verse, on ludicrous or on serious subjects. Certain poets there were who like Fenelon and the pretended Ossian, wrote their works in prose,^[599] respecting the use of whose compositions Plato was in some doubt.

By other philosophers wandering unrestrained over the vast fields of literature was condemned. They desired to separate the gold from the dross, contending that persons accustomed from their infancy to the loftier and purer inspirations of the muse will regard with contempt every thing mean or illiberal, whereas they who have learned to delight in low and vulgar compositions will consider all other literature tame and insipid. For so great is the force of imitation, that habits commenced from the earliest years pass into the manners and character of a man, affecting even his voice and corporeal developement, nay, modifying the very nature of the thoughts themselves.

Among the other branches of knowledge^[600] most necessary to be studied, and to which they applied themselves nearly from the outset, was arithmetic, without some inkling of which, a man, in Plato’s opinion, could scarcely be a citizen at all. For, as he observes, there is no art or science which does not stand in some need of it, especially the art of war, where many combinations depend entirely on numbers. And yet Agamemnon in some of the old tragic poets was represented by Palamedes as wholly ignorant of calculation, so that possibly, as Socrates jocularly observes, he could not reckon his own feet.^[601] The importance attached to this branch of education, nowhere more apparent than in the dialogues of Plato, furnishes one proof that the Athenians were preëminently men of business, who in all their admiration for the good and beautiful never lost sight of those things which promote the comfort of life, and enable a man effectually to perform his ordinary duties. With the same views were geometry and astronomy pursued. For, in the Republic, Glaucon,^[602] who may be supposed to represent the popular opinion, confesses at once, upon the mention of geometry, that as it is applicable to the business of war it would be most useful. He could discover the superiority of the geometrician^[603] over the ignorant man in pitching a camp, in the taking of places, in contracting or expanding the ranks of an army, and all those other military movements practised in battles, marches or sieges. To Plato however this was its least recommendation. He conceived that in the search after goodness and truth the study of this science was especially beneficial to the mind, both because it deals in positive verities, and thus begets a love of them, and likewise superinduces the habit of seeking them through lengthened investigation and of being satisfied with nothing less.

In the study of astronomy^[604] itself a coarse and obvious utility was almost of necessity the first thing aimed at, and even in the age of Socrates, when philosophical wants were keenly felt in addition to those of the animal and civil life, there were evidently teachers who considered it necessary to justify such pursuits, by showing their bearing on the system of loss and profit. For when Socrates comes in his ideal scheme of education to touch on this science, Glaucon, the practical man, at once recognises its usefulness, not only in husbandry and navigation, but in affairs military. Nor are such fruits of it to be despised. But philosophy proposes a higher aim, insisting, in opposition to popular belief, that by means of such pursuits the soul may be purified, and its powers of discovering truth, overlaid and nearly extinguished by other studies, rekindled and fanned into activity like a flame.

The importance of music,^[605] in the education of the Greeks, is generally understood. It was employed to effect several purposes. First, to soothe and mollify the fierceness of the national character, and prepare the way for the lessons of the poets, which, delivered amid the sounding of melodious strings, when the soul was rapt and elevated by harmony, by the excitement of numbers, by the magic of the sweetest associations, took a firm hold upon the mind, and generally retained it during life. Secondly, it enabled the citizens gracefully to perform their part in the amusements of social life, every person being in his turn called upon at entertainments to sing or play upon the lyre. Thirdly, it was necessary to enable them to join in the sacred choruses, rendered frequent by the piety of the state, and for the due performance in old age of many offices of religion, the sacerdotal character belonging more or less to all the citizens of Athens. Fourthly, as much of the learning of a Greek was martial and designed to fit him for defending his country, he required some knowledge of music that on the field of battle his voice might harmoniously mingle with those of his countrymen, in chaunting those stirring, impetuous, and terrible melodies, called pæans, which preceded the first shock of fight.

For some, or all of these reasons, the science of music began to be cultivated among the Hellenes, at a period almost beyond the reach even of tradition. The Bards, whom we behold wandering on the remotest edge of the fabulous horizon, have invariably harps or lyres in their hands; and the greatest of the heroes of poetry, the very acme of Epic excellence, is represented delighting in the performance of music, and chaunting on the shores of the Hellespont the deeds of former warriors. In those ages the music of the whole nation possessed evidently a grave and lofty character; but as that of the Ionians became afterwards modified by the influence of a softer climate and imitation of the Asiatic, while the Dorian measure remained nearly unchanged, the latter is supposed to have possessed originally the superiority over the former, which in reality it did not. In process of time, however, the existence of three distinct measures was recognised, the Dorian, the Æolian, and the Ionian: the first was grave, masculine, full of energy, and though somewhat monotonous peculiarly adapted to inspire martial ardour; the last distinguished by a totally different character, rich, varied, flexible, breathing softness and pleasure, adorning the hour of peace and murmuring plaintively through the groves and temples of Aphrodite, Apollo, and the Muses; while the second, which was fiery, with a mixture of gaiety, formed the intermediate step between the two measures, partaking something of the character of each. The Hypermixolydian and Hyperphrygian, at one time cultivated among the Ionians, were comparatively recent inventions.^[606]

The Phrygian measure distinguished for its exciting and enthusiastic character,^[607] was much employed upon the stage, on which account Agias the poet used to say that the styrax burned on the altar in the orchestra had a Phrygian smell, because its odours recalled the wild Phrygian measures there heard. The national instrument of the Phrygians was the flute, and it is worthy of remark that up to a very late period flute-players at Athens were usually distinguished by Phrygian names. Olympos the greatest musician known to the Greeks, was probably himself a native of Phrygia, since he is said to have been a pupil of Marsyas. In fact the barbarians of antiquity appear, though in a somewhat different way, to have made as much use of music as the Greeks themselves. They chaunted the songs of their bards in going to battle, sang funeral dirges at tombs, and even caused their ambassadors when proceeding on a mission to foreign states to be accompanied by music.^[608] No people, however, appear to have carried their love for music to so preposterous a length as the Tyrrhenians, who caused their slaves to be flogged to the sound of the flute.

The music of the flute^[609] was supposed to be peculiarly delightful to the gods, so that those who died while its sounds were on their ears were permitted to taste of the gifts of Aphrodite in Hades, as Philetæros expresses it in his Flute-lover: