[Contents]

VI

A NORTHERN WONDERLAND

To those unaccustomed to desert lands the Navajo country presents in form and color and grouping of topographic features a surprising and fascinating variety; and those familiar with arid regions will find here erosion features of unusual grandeur and beauty.”—Gregory: The Navajo Country

The nearest place of change was the town, with a dinner at the Harvey House. I planned to make this trip each month, to have a food spree, quite as on a time rude gentlemen of the cattle days came in from the ranges, hungry for sights and pleasures, and devoted themselves to the swift consumption of raw liquors. But four hours of dragging through heated sand and sunlight, from one lonely landmark to another, with nothing of interest between, destroyed much of the anticipated satisfaction. I recall a bit of Washington advice.

“You will find that country,” said the well-meaning fellow, “covered with black gramma grass. Buy a pinto pony the very first thing you do. Its keep will be negligible. A saddle will cost but a few dollars. Thus you will have transportation at all times. It will be a pleasure to ride into town after office hours. You’ll enjoy riding above all things.”

Twenty-six miles—fifty-two miles there and back!

Now I had read Western stories, written by O. Henry and others who knew less about the subject. Playing the [55]sedulous ape, I had written a few myself. These epics all mentioned areas of black gramma grass, and made much of swift-footed cayuses that were camouflaged by Nature and possessed Dante-like noses and broom tails. There is a wondrous lot of this in the movies, too, and the joyous bounding of the aforesaid animals, from prairie rise to prairie rise, pressing the miles behind them, and the carefree demeanor of their riders, surrounded as they are by creaking leather, wide-barred shirts, and jingling spurs, appeals to one.

But when you learn that a cayuse-bronk in northern Arizona eats imported hay at forty and sometimes sixty dollars the ton, the black gramma grass and pastures all being three hundred miles to the south; and when you find that the devil is not to be trusted for an instant, and that he has to be flayed constantly to produce even an amble; and when you feel—“feel” is the word—the misery twitching completely throughout the human system from pounding on the wooden anatomy of the brute, a large part of this paper-and-film appeal vanishes. Moreover, dusty shirts, alkali-impregnated handkerchiefs, and the smell of a harness shop do not combine to flavor one’s meals delicately. Big Bill Hart may have my share of this, and he is welcome.

But there does come a longing “for to admire and for to see” what is actually out back. That adventure and romance are not to be found in the beautiful desert distances seems impossible. The dim blue buttes of the north, mysterious altars of the gods, promised to yield something from the land they guarded. And when an Agency mechanic told me that he had orders to visit the Castle Butte station, a far-away outpost, I recommended myself as a standard camp-cook, recalling the early mornings [56]of newspaper days when I fried eggs on a gas-stove. We did not go to the horse-corral and lay our ropes over two spirited steeds, but at an early hour wended to the barn and harnessed two sturdy old plugs to a twelve-hundred-pound farm wagon. They were capable of making four miles an hour, and the wagon had capacity for a grub-box, for blankets, shovels, rope, and all the things necessary—perhaps—to our getting there first, and to accomplishing something afterward.

Have you never wondered how those adventurous fellows of the yarns, outfitted with nothing but a handkerchief, a saddle, and a lariat, manage to cover leagues upon leagues with the one horse, and never stop overnight? A Navajo Indian can do with one blanket and a sheepskin lashed behind his saddle; but even he contrives to find the trading-posts of the Desert for his grub, and he always reaches a friendly camp at nightfall.

Smith cautioned me to take a heavy coat, which I would not have thought of. Right at the start I committed a serious blunder, one that caused me to suffer bitterly, and one that I have not repeated since. Expecting to return next day, I persuaded myself that two sacks of beck-a-shay nahto, or genuine “cattle” tobacco, would be sufficient for the trip. But desert plans are subject to change, and desert wisdom is painfully acquired. I now have drilled myself never to forget matches and a filled canteen, baling-wire,—otherwise “Arizona silk,”—repair parts for the lizard, a piece of rope, tools, and a heavy coat of sheepskin, plus a tobacco factory unless the route is marked by trading-posts every thirty miles. I arrange these things automatically, because on that trip I tried to smoke powdered alfalfa in a cob pipe.

Northward we wended all day, one rugged mesa slope [57]and huge flat succeeding another, always rising. After passing Lone Cottonwood Spring, where the water was an excellent imitation of thick gray pea-soup that the horses disdained, we lunched at a delightful place known as Coyote Springs, one of the ten thousand Southwest waterholes so named. In the naming of springs and precious water it would seem that the vocabulary of the pioneers was decidedly limited. But it would have been the same by any other name. A hole scooped in a soft rock and sand hill, fenced with crooked and cracking cottonwood branches, as the Navajo build their corrals, with not a vestige of relieving green within miles of it. All around the sand was packed hard by the flocks of sheep that came to water. Overhead was a broiling sun, and this barren area reflected every bit of the glare and heat that it did not hold as a stove. The air was heavy with the aroma of sheep, and alkali showed ghastly white in the spring’s overflow. Nevertheless, it was an oasis and held water. Here and there were picked and bleaching bones. The coyotes knew its name.

Many buttes not to be seen from the Agency were now in sight. One lumpy mound resembled a coiled snake—Rattlesnake Butte; another was shaped as a pyramid, although no one had heard of Cheops or Chephren; and a third, which had crumbled, was like a huge four-poster bed that some forgotten giant had wrecked.

A bite to eat, and on again, lumbering down the yielding banks of washes, and scrambling up and out of them. Truly a couple of sturdy plugs were required to drag the wagon up those heavy slopes. Providing the traveler has time and patience, and is built with a steel-riveted frame, the old-time farm wagon with three-inch tires is the surest method of making such a journey. It rolls [58]and pitches as a squat lugger in a choppy sea, but it gets there.

CROSSING THE DESERT BELOW CHIMNEY BUTTE

CROSSING THE DESERT BELOW CHIMNEY BUTTE

THE ORAIBI WASH IN FLOOD-TIME

THE ORAIBI WASH IN FLOOD-TIME

Where quicksands are ready to engulf a stalled car

While the Desert appears as a level sward, one soon finds that there is no sward to speak of, and that one million tangled hummocks fast follow the first million, each bunch of sparse grass, each growth of greasewood or saltbush having its own protecting hillock of sand. A good road in those days was one that a stout wagon could get over without being wrecked.

It is quite an experience to travel for hours toward a given point marked by a solitary pinnacle, a veritable mountain having sheer sides, and fail to reduce the distance appreciably. The sun was nearly down when we crawled along a valley between two of these monsters. One, named Chimney Butte, a huge truncated cone resting on massive shoulders, was the highest in that country; and the other, Castle Butte, looked like a ruined mediæval stronghold, having a causeway flanked by towers, above which loomed dim embattlements and casements. In the brilliant daylight the height of Chimney Butte is dwarfed by desert distances; and Castle Butte is not always robed in fancy; but it was now twilight, the time when the Desert is most sombre and fanciful, and it was my entrance to that garden of the vanished gods. These two gigantic piles were as the awesome portals of a ruined gateway, the pass to an unknown, mysterious country; and the whole setting, fading into night, gloomy with the menace of silence, held something of the strange unreality of a dream. And came on suddenly the dark and cold.

How did Smith manage to follow the road? I could no longer see it, and had more than enough to do to cling to the pitching seat of the wagon. We headed straight [59]into the blackness. What yawning precipices might be awaiting us! I became chilled and cramped, and was thankful for that greatcoat, though it did not pad me against the rude shocks of the going.

“How much farther is it to this Agency?” I asked.

“Oh! over in the hills a bit—‘bout three miles furder to go yit. It ain’t an agency, yeh know—nothin’ but a missionary and a log hut.”

And we plunged into another of the dark defiles. Then out of the black, on a bit of cold wind, came a desert welcome that one never forgets, a promise of rare comfort when one is hungry and cramped with cold, the pungent incense of burning cedar. Now from the deep shadow of a hillside arose a thin column of sparks, glinting, flying jewels of the night.

“There’s it,” he announced, as if somewhat relieved, himself.

It was a little house, built of boards, having but two rooms, one large enough for a bed and dresser, the other containing a cookstove, table, and two chairs. Its outside dimensions could not have been more than twelve by twenty feet. And when the stove was filled with dry cedar one was tempted, after a complete toasting on one side, to dispense with the table. But there was no complaint to make of this on our arrival. The fire had the cheering crackle of Yuletide, and soon coffee and bacon added their aroma. The hospitality of the good missionary and his wife was like all those welcomes extended in the solitary places, when the visitor is not touring with a notebook and a nose. The meal ended, and all news exchanged, we said good night and opened the door.

“’Ere’s a go!” one might have exclaimed, without hurting the feelings of a preacher. It was snowing! And [60]even a preacher would have remarked further, probably with adjectives, on seeing that Government house in which we were to spend the night. It was a log hut in truth, built corral-fashion, the poles set on end, the chinks originally plastered with adobe. There was but one room, containing a single bunk made of boards, an old cookstove, and a collection of broken tools and empty canned-goods cases. The floor was of packed earth. Without exaggeration, I may say that the roof and the floor were intact; but practically all the caulking had escaped from the log walls, and the wind felt its way inside with long icy fingers. The mechanic dropped into the bunk and was asleep almost instantly; and, after building a rushing fire in the stove, I rolled myself in Government blankets, and rolled again, this time under the stove, to pass the night.

But I did not rest in the poetry of the wild. The refulgent moon did not come up to spill its splendor through the open door, nor even through the extensive openings of the wall; the perfume of the growing pines did not soothe with healing balsam, the cry of the loon did not sound from across the lake, and so forth. The floor, however, was under that stove; and the floor had not been constructed along those scientific lines followed in the building of Ostermoor mattresses. Plastic as is my figure, it refused to conform.

And to add to my distress, someone in all that vast and lonely country owned an old gray horse. I know he was old, and I know he was gray, for he acted just like a silly old gray horse. And he was hobbled, and he was out in the snow, and he had a bell tied to his neck.

Clankety-clank-clank, clang, claaangngng—clankety, clang, clank! [61]

Around and around and around the house he voyaged all that night, proceeding by hops and plunges as a hobbled horse must, his gait just enough hampered by the lashings of his two front feet to impart a syncopated tempo to the discords and jangles of that flat metallic bell. At times he would pause, as if for breath, and there would be quiet—deep silence—just sufficient for a doze; then—clankety, clang, clang, clank! he would break out again.

I have listened to jazz orchestras of various colors and degrees of crime, and other peace-destroying nuisances meriting death; but I have never heard anything equal to the nocturnal pilgrimage of that old gray horse. I would drop off to sleep, and suddenly wake as if feeling his hobbled feet squarely in the centre of my contracted chest; but he would be ten yards off, miserably clanking his way to another sector of the snow-covered terrain. And confused, I would lift my head to listen, knocking it of course against the bottom of the stove, when a long icicle would stab through a wall chink and take me fairly in the ear. Perhaps it was a pleasant night for Smith, who faithfully and harmoniously snored away the hours.

With the dawn I struggled up. No! I did not bound out joyously to gambol in the pure air of the stunted cedar-forest. It was a cold gray dawn with a foot of snow, and there was a dank rheumatic caress in it. With all speed I began smashing a packing case for kindling. Crash! down came the axe, and splinters flew wide, when Smith stirred in his bunk, awakening to duty and the dangers thereof. He blinked his eyes and spluttered:—

“Watch out for that dynamite.”

“Dynamite?”

“Yes; it’s right under my bunk. Chop your wood furder off.” [62]

I followed these directions to the letter. In fact, I gently carried all the wood outside and chopped it.

The getting of breakfast, a complete demonstration of my culinary ignorance, occupied me fully in the half-dark. I walked to and fro gingerly, fearing to wake the dynamite; and I wondered how that stupid fellow could have slept and have snored as he did, superimposed above a quiescent earthquake. Dynamite is a great friend to man in the rocky gorges of the West, but it should not be permitted to join the family circle.

When next I opened the door, what a transformation! I had come to this place in the cold grim darkness, heartened only by the perfume of burning cedar. Occupied with the wood and the wet-handled axe, I was dimly aware of a drowsy landscape in the clammy mist of dawn. But now the sun had lifted, and the scene was a snowy fairyland. The gnarled cedars of the foreground were laden with dripping snow, their branches picked out with gems. And where the snow lay in unbroken sheets, pure white, glistening, the shadows of the dwarfed trees formed rare patterns. Behind the house were cliffs, and each gaunt angle held its draping of snow. The time-worn bastions of those lava ledges stood as gaping at the winter’s cheery Good-morning. It was a stage scene under the great amber light.

A long valley stretched away to the Bidahoche Plains and the Bad Lands with their honeycombed hills. Its dim recesses were now painted by the first plashes of sunshine. To left and right, overhanging the snowy meadows, reared great buttresses and crags of lava, and all down the valley ancient promontories loomed amid the fading veils of mist. Prehistoric ages had seen these as the shelving inner walls of some vast crater, when they had seared [63]and glazed and baked and colored to form Nature’s pottery. Now, broken and rent apart, they stood as fantastic separate monuments, lining that sunlit corridor to the outer plains.

Dominating the foreground was Squash Blossom Butte, an inverted bloom that the storms of æons had carved and a million rare sunsets tinted. The Indians reverence the squash blossom as a symbol of fruition, and perhaps—who knows—in its delicate bell-shaped flower they see more than the mere promise of a harvest. It is found in Navajo silver-work, strung into those massive necklaces of which they are so proud; and when one goes into Hopi land he finds it imitated in the dressing of their maidens’ hair. So they named this altar.

It was commanding in the morning light; it was the last thing seen down the valley, a scarlet head thrust into a sober sky, as that second night came on. The sunset lavished all its rainbow shades on it. Richest gold and lavender above, purple tones and lava-green below; bands of saffron melting into slatey shades; emerald and crimson deepening into jetty blacks when the afterglow had vanished. An aged throne of the gods. And clearly sweet, as desert music, came the half-hushed sound of sheep moving among the cedars; and a young Navajo girl paused at the edge of a thicket to gaze shyly at our cabin, then to hurry away, the tiny bells at her belt tinkling, having all the romance of the gypsies.

There is no finer landscape in the Southwest than this seldom-visited country of the Moqui Buttes where, according to the Hopi, the one-time giants had their dwelling places. The wondrous piles and pinnacles of the Grand Cañon present a chaotic struggle that has ceased in all its awesome disorder and aged grandeur. It makes man [64]gasp and wonder, but it does not invite the smile of reverie. This scene about the sunset throne had that serenity born of isolation. It was small enough to invite intimacy. Like the kingdom of a fairy tale, the tranquil valley encompassed its own world, dreaming, smiling in its sleep.

Many times since have I crossed the Butte country, seeing it frozen in winter and again broiling under a summer sun that scorched from the cedars their sweetest aromas. I have always found it a haven, full of peace.


Next day we returned to the Agency, an uneventful retreat, save for a jouncing box of dynamite that leaped like a thing fiendishly alive whenever the wheels slammed into a rut. My nerves were not in the best shape. I had been smoking powdered alfalfa in a pipe. And I would look back from the high seat, half fearing each time to catch that dynamite in the very act of going off. But luck was with us; we herded it safely into the Agency storehouse; and I rushed to the post for a can of real tobacco. [65]