[Contents]

CHAPTER III

CAMP LIFE AND WORK AT ZIMBABWE

Our camp was pitched on slightly rising ground about 200 yards from the large circular ruin at Zimbabwe, and was for the space of two months a busy centre of life and work in the midst of the wilderness. There were our two waggons, in which we slept; hard by was erected what our men called an Indian terrace, a construction of grass and sticks in which we ate, and which my wife decorated with the flowers gathered around us—the brilliant red spokes of the flowering aloes, which grew in magnificent fiery clusters all over the rocks, the yellow everlasting (Helipterum incanum), which grew in profusion in a neighbouring swamp, wreaths of the pink bignonia, festoons of which decorated the ruins and the neighbouring kraal. Besides these she had the red flowers of the Indian shot (Canna indica), which was found in abundance on the hill fortress, fronds of the Osmunda regalis and tree fern, the white silky flowers of the sugar tree (Protea mellifera), and many others at her disposal, a wealth of floral decoration which no conservatory at home could supply. [61]

MRS. THEODORE BENT

MRS. THEODORE BENT

[63]

Our tent was our drawing-room; and in addition to these places of shelter there were the photographic dark tent, five feet six square, the kitchen, and the white men’s sleeping-room, cleverly constructed out of the sails of our waggons, with walls of grass. In the centre was an erection for our cocks and hens, but even from here the jackals occasionally contrived to steal one or two. Around the whole camp ran a skerm, or hedge, of grass, which latter adjunct gave a comfortable and concentrated feeling to it all. Outside our circle the native workmen erected for themselves three or four huts, into which they all huddled at night like so many sardines in a tin. Around us in every direction grew the tall, wavy grass of the veldt, rapidly approaching the time when it can be burnt. This time was one of imminent peril for our camp; the flames, lashed to fury by the wind, approached within a few yards of us. Men with branches rushed hither and thither, beating the advancing enemy with all their might; our grass hedge was rapidly pulled down, and we trembled for the safety of our Indian terrace. Suddenly a spark caught the huts of the natives, and in a few moments they were reduced to ashes, and the poor shivering occupants had to spend the night in a cave in the rocks behind. Luckily the strenuous efforts of our men were successful in keeping the flames from our camp, and we were thankful when this business was over. Instead of the tall, wavy grass, reeking with moisture when it rained and rotting in the heat of [64]the sun, we had now around us a black sea of ashes, recalling the appearance of the vicinity of a coal mine; but though less picturesque it was far more healthy, and during the last weeks of our stay at Zimbabwe the attacks of fever were less frequent and less severe.

From Fort Victoria came over during our stay a whole host of visitors to see how we were getting on. Prospecting parties going northwards tarried at Fort Victoria for a rest, and came over to see the wondrous ruins of Zimbabwe. Englishmen, Dutchmen from the Transvaal, Germans, all sorts and conditions of men came to visit us, and as temporary custodians of the ruins we felt it our duty to personally conduct parties over them, thereby hearing all sorts and conditions of opinions as to the origin of the same. One of our friends told us that they reminded him forcibly of the Capitol of Rome; another, of a religious turn of mind, saw in them an exact parallel to the old walls of Jerusalem; and a Dutchman, after seeing over them, told me that he was convinced that they must be just ‘one tousand year old, and built in the reign of Queen Shabby.’ The names of King Solomon and the Queen of Sheba were on everybody’s lips, and have become so distasteful to us that we never expect to hear them again without an involuntary shudder.

Thus our two months’ stay at Zimbabwe can in no way be said to have been dull. We had our daily work from eight in the morning till sundown, with an hour at midday for luncheon and repose. Out of the working days we lost nine from rain, a curious [65]soaking misty rain which always came on with a high south-east wind, and always, oddly enough, with a rise in the barometer, very exceptional, we were told, at that season of the year. Over these days I would willingly draw a veil; they were truly miserable and always resulted in fresh outbreaks of fever amongst us. With the exception of these nine days the weather was simply delicious, fresh, balmy, and sunny; after sundown and our evening meal we would sit around our camp fire discussing our finds of the day and indulging in hopes for the morrow. Most of our white men were musical, and beguiled the monotony of the evening hours by a series of camp concerts, which made us intimately acquainted with all the latest music-hall ditties. Occasionally rations of Cape brandy, better known as dop, would be sent out to the B.S.A. men in our employ; then the evening’s fun became fast and furious, and on two occasions caused us no little anxiety. Luckily these rations were always consumed on the night of their arrival, and though the following morning revealed a headache or two, and an occasional attack of fever, we always rejoiced to see the bottles empty and to know that the orgy would not be repeated for perhaps a fortnight.

Umgabe is the dynastic name of the petty chief whose territory includes the Zimbabwe ruins; he recognises the suzerainty of Chibi, but is to all intents and purposes a free ruler. He came the day after our arrival to visit us, and then we were introduced [66]to the Makalanga custom of hand-clapping. The mysterious meaning attached to this hand-clapping I was afterwards able in a measure to fathom.1 On the arrival of a chief or grand induna the hand-clapping is a serious undertaking, and has to go on incessantly until the great man is seated and bids them stop. Umgabe was glad to see us, he said, and had no intention of interrupting our proposed work, provided only we agreed to one thing, and that was to leave his women alone. As for ourselves and our white men, we answered that he need have no fear, but as for our negro workmen we would not hold ourselves responsible for them, but suggested that, as they would all be his subjects, he must see to them himself.

Umgabe is a huge fat man, tall and dignified, though naked; around his neck he has a string of large white Venetian beads of considerable antiquity, brought doubtless to this country by Arabian traders in the Middle Ages; in his hand he carries his iron sceptre, the badge of a chief, and his battle axe is lavishly decorated with brass wire. Amongst his men we saw many of varied types, some distinctly Arabian in features, and I am bound to say the Kaffir type amongst them was the exception and by no means the rule. Arched noses, thin lips, and a generally refined type of countenance are not, as a rule, prominent features amongst those of pure Kaffir blood, but they are common enough around Zimbabwe.

UMGABE AND HIS INDUNAS

UMGABE AND HIS INDUNAS

We made arrangements with Umgabe about our [69]work, and collected together a team of thirty individuals who were to do our digging, &c., for the wages of one blanket a month, which blankets cost 4s. 10d. apiece at Fort Tuli, and probably half that in England. For this reward they were to work and also find themselves in everything; it is the present stipulated rate of wages in the country, but I do not expect it will remain so long.

We had great difficulties with them at first. Spades and picks were new to nearly all of them; they were idle; they were afraid of us, and also of the chief on the hill. If it was cold they would sit crouched over small fires of wood, and appear numb and utterly incapable of work. Then they insisted on eating at the inconvenient hour of 10.30 A.M. food brought for them by their women, paste of millet meal and caterpillars; and for every little extra duty they clamoured for a present, or a parsella, as they called it. These difficulties gradually disappeared. Some of them became excellent hands with pick and shovel; they got accustomed to us and our hours, and worked with a will, and for a teaspoonful of beads they would do any amount of extra work. Their chief skill was displayed in clearing. I almost despaired of getting rid of the thick jungle which filled the large circular ruin, so that it was almost impossible to stir in it. This they contrived to do for us in three or four days, hacking away at stout trees and branches with their absurd little hatchets, and obtaining the most satisfactory results. Also they were excellent at removing [70]piles of fallen stones, singing as they worked and urging one another on. Altogether we had no cause to complain of our workmen when confidence had been thoroughly established between us. Poor cowardly things that they are, anything like harshness made them run away at once. Our cook, whose temper was exceedingly capricious, one day pursued his native kitchen boy with a hatchet, and he never could get a kitchen boy to stay with him after that; they would poke their fun at him and rouse his ire exceedingly, but always at a respectful distance.

HATCHET

HATCHET

From the many villages on the heights around Zimbabwe came every day crowds of natives, bringing provisions for sale, and we held a regular market in our camp. By this means we got as many cocks and hens as we wanted, eggs, milk, honey, and sweet potatoes; then they would bring us tomatoes, the largest I have ever seen, chillies, capers, rice, and monkey nuts. Some of these, I am told on excellent authority, are distinct products of the New World, the seeds of which must have originally been brought by Dutch, Portuguese, and Spanish traders and given in exchange for the commodities of the country; now they form an integral part of the diet of these people and prove to us how the ends of the world were brought together long before our time. [71]

CARVED KNIVES

CARVED KNIVES

These daily markets were times of great excitement for us, for, besides giving us an insight into their ways and life, we found it an excellent time to acquire for a few beads their native ornaments. In carving their knives they are particularly ingenious. The sheath of these knives generally ends in a curious conventional [72]double foot; the handle too seems intended to represent a head. Here again it would appear that they take the human form as a favourite basis for a design.

Also their snuff-boxes are many and varied in form; some are made of reeds decorated with black geometrical patterns, some of hollowed-out pieces of wood decorated with patterns and brass wire, also they have their grease-holders similarly decorated, all pointing to a high form of ingenuity.

BONE ORNAMENTS

BONE ORNAMENTS

They were very glad to get good English powder from us; but, nevertheless, before this advent of the white man they made a sort of gunpowder of their own, reddish in colour and not very powerful, specimens of which we acquired. The art must have been learnt from the Portuguese traders and passed up country from one village to another. From a species of cotton plant they produce a very fair equivalent for the genuine article, which they spin on spindles and make into long strings. When the natives found we cared for their ornaments they brought them in large quantities, and our camp was inundated with knives, snuff-boxes, bowls, pottery, and all manner of odd things. They were cunning too in their dealings, bringing one by one into camp small baskets full of meal and other commodities from a large store outside, realising that in this way they got many more [73]beads and more stretches of limbo than if they brought it all at once. As for Umgabe himself, his chief kraal and residence was six miles away, and we saw but little of him after the first excitement of our arrival had worn off; but his brother Ikomo, the induna of the kraal on the hill behind the ruins, often came down to see us, and was a constant source of annoyance, seeing that his friendly visits had always some ulterior motive of getting something out of us. On one of these occasions my wife had collected a beautiful bowl of honey; the rascal Ikomo first eyed it with covetousness and then plunged his hand into the very midst thereof, and enjoyed his fingers complacently for some time after, whilst she in disgust had to throw away the best part of her treasure.

Frequently Ikomo would try to interrupt our work, and so frighten our black diggers from other villages that they ran away, and we had to collect a fresh team. On one occasion, whilst digging upon the fortress, we disturbed a large rock, which slipped. On it was perched one of their granaries, which promptly fell to pieces, and the contents were scattered far and wide. In vain we offered to pay for the damage done; almost in no time we were surrounded by a screaming crowd of angry men and women, with Ikomo at their head, brandishing assegais and other terrible weapons of war. For a moment the affair looked serious; all our blacks fled in haste, and we, a small band of white men surrounded by the foe, [74]were doubtful what course to pursue. At length we determined to stand their insults no longer, and seizing whatever was nearest—spade, pick, or shovel—we rushed at them, and forthwith Ikomo and his valiant men fled like sheep before us, clambering up rocks, chattering and screaming like a cageful of monkeys at the Zoo. Sir John Willoughby and one or two men from Fort Victoria chanced to come over that day to visit us, and on hearing of our adventure he summoned Ikomo to a palaver, and told him that if such a thing happened again his kraal would be burnt to the ground and his tribe driven from the hill; and the result of this threat was that Ikomo troubled us no more.

WOODEN SNUFF-BOXES

WOODEN SNUFF-BOXES

[75]

Ikomo’s kraal occupies a lovely situation on Zimbabwe Hill, with huts nestling in cosy corners amongst the rocks, from the top of which lovely views can be obtained over the distant Bessa and Inyuni ranges on the one side, and over the Livouri range, and Providential Pass on the other, whilst to the south the view extends over a sea of rugged kopjes down into the Tokwe valley. From this point the strategical value of the hill is at once grasped, rising as it does sheer out of a well-watered plain, unassailable from all sides, the most commanding position in all the country round. The village is festooned with charming creepers, bignonia and others, then in full flower; rows of granaries decorate the summit, and in the midst are some of those quaint trees which they use as larders, hanging therefrom the produce of their fields neatly tied up in long grass packages, which look like colossal German sausages growing from the branches.

On one of the few flat spaces in the village is kept the village drum, or ‘tom-tom,’ constantly in use for dances. One day we found the women of the village hard at work enjoying themselves round this drum, dancing a sort of war dance of their own. It was a queer sight to see these women, with deep furrows on their naked stomachs, rushing to and fro, stooping, kneeling, shouting, brandishing battle axes and assegais, and going through all the pantomime of war, until at last one of these Amazons fell into hysterics, and the dance was over. On another occasion, [76]whilst visiting some ruins in a lovely dale about eight miles from Zimbabwe, we were treated to another sort of dance by the women of a neighbouring village. The chief feature in the performance was a grotesque one, and consisted of smacking their furrowed stomachs and long hanging breasts in measured cadence with the movements of their feet, so that the air resounded with the noise produced.

As for the men, they are for ever dancing, either a beer drink, the new moon, or simple, unfeigned joviality being the motive power. Frequently on cold evenings our men would dance round the camp fire; always the same indomba, or war dance; round and round they went, shouting, capering, gesticulating. Now and again scouts would be sent out to reconnoitre, and would engage in fight with an imaginary foe, and return victorious to the circle. If one had not had personal experience of their cowardice, one might almost have been alarmed at their hostile attitudes. On pay-day, when our thirty workmen each received a blanket for their month’s work, they treated us to a dance, each man wrapped in his new acquisition. Umgabe, with his sceptre and battle axe, conducted the proceedings; it was a most energetic and ridiculous scene to witness, as the blankets whirled round in the air and the men shouted and yelled with joy. When all was over, each man measured his blanket with his neighbour, to see that he had not been cheated, and, gaily chattering, they wended their way to the village, with their blankets trailing [77]behind them. The novelty of possessing a blanket was an intense joy to these savages. One tottering old man was amongst our workmen, and seeing his incapacity, I was about to discard him, but his longing for a blanket was so piteous—‘to sleep in a blanket once before he died’—that he was allowed to continue and do what he could to earn one.

BOY BEATING DRUM

BOY BEATING DRUM

Dancing is the one great dissipation of the Makalanga’s life; he will keep it up for hours without tiring at their great beer-drinking feasts, at weddings—nay, even at funerals. At these latter ceremonies [78]they will not allow a white man to be present, so that what they do is still a mystery; but we heard repeatedly the incident festivities after a death had taken place—the shouting, the dancing, and the hideous din of the ‘tom-tom.’ One day a native turned up at our camp with some curious carrot-like roots in his hand. On enquiry as to what he was going to do with them he replied that he was going to a funeral, and that they chewed this root and spat it out—for it is poisonous—at these ceremonies. The natives call this root amouni.

DRUM DECORATED WITH ‘BREAST AND FURROW’ PATTERN

DRUM DECORATED WITH ‘BREAST AND FURROW’ PATTERN

PLAIN DRUM

PLAIN DRUM

[79]

In our work at Zimbabwe we unwittingly opened several of their graves amongst the old ruins. The corpse had been laid out on a reed mat—the mat, probably, on which he had slept during life. His bowl and his calabash were placed beside him. One of these graves had been made in a narrow passage in the ancient walls on the fortress. We were rather horrified at what we had done, especially as a man came to complain, and said that it was the grave of his brother, who had died a year before; so we filled up the aperture and resisted the temptation to proceed with our excavations at that spot. After that the old chief Ikomo, whenever we started a fresh place, came and told us a relation of his was buried there. This occurring so often, we began to suspect, and eventually proved, a fraud. So we set sentiment aside and took scientific research as our motto for the future.

In the tomb of a chief it is customary to place a bowl of beer, which is constantly replenished for the refreshment of the spirit, for they are great believers in making themselves agreeable to the departed, and at the annual sacrificial feast in honour of the dead meat and beer are always allotted to the spirits of their ancestors.

One day as we were digging in a cave we came across the skeleton of a goat tied on to a mat with bark string; by its side was the carved knife, with portions of the goat’s hair still adhering to it. Here we had an obvious instance of sacrifice, a sacrifice [80]which takes place, I believe, to avert some calamity—famine, war, or pestilence—which at the time threatens the community. The natives were very reticent on the point, but visibly annoyed at our discovery.

PLAYING THE PIANO

PLAYING THE PIANO

MAKALANGA PIANO

MAKALANGA PIANO

There is a good deal of music inherent in the Makalanga. One man in each village is recognised as the bard. One of our workmen had his piano, which was constantly at work. These pianos are very interesting specimens of primitive musical art; they have thirty or more iron keys, arranged to scale, [81]fixed on to a piece of wood about half a foot square, which is decorated with carving behind. This instrument they generally put into a gourd, with pieces of bone round the edge to increase the sound, which is decidedly melodious and recalls a spinet. One finds instruments of a similar nature amongst the natives north of the Zambesi. Specimens in the British Museum of almost exactly the same construction come from Southern Egypt and the Congo, pointing [82]to the common and northern origin of most of these African races.

About Zimbabwe we found the natives playing a sort of Jew’s harp, made out of a reed and string, giving forth a very faint and ineffective sound. Also they have their cymbals and their drums, which latter they play with elbow and fist in a most energetic manner. Anything, in fact, which makes a noise is pleasing to them. At their dances they tie to their persons small reeds or gourds filled with the seed of the Indian shot, which rattle and add to the prevailing din. They are for ever singing the low, monotonous songs common to primitive races; they encourage one another with song when at work in the fields, or when out on a hunting expedition, and dearly did they love some small musical boxes which we had with us. Music is certainly inherent in them, and one of our men was quite quick at picking up an air, and very angry if his comrades sang out of time or tune.

When time permitted we made several little excursions in the neighbourhood of Zimbabwe. One of these led us to the ruins which they call Little Zimbabwe, about eight miles off. Of all these ruins they have next to no legends, which surprised us greatly. One story, however, they tell, which appears to have obtained universal credence amongst them—that long, long ago white men came and erected these buildings, but the black men poisoned the water and they all died. This story seems to [83]have about as much value in it as the one told us by De Barros, that the natives of his day thought that they had been built by the Devil.

About two miles from our camp there was a long flat granite rock, along which the path passed. On either side of this are two piles of stones, and a line is scratched on the rock between them. Our guides each took a stone, scratched them along the line, and deposited them on the heap opposite. On returning in the evening they did exactly the same thing, and we were told that it is a luck sign, which they do on undertaking a journey to ensure them from danger by the way. It was a very lovely ride, past huge granite boulders, and hills covered with dense foliage, beneath which the women of a village danced for us to the tune of their drum, forming one of the wildest, weirdest pictures we had ever seen. On another occasion we rode to a fortified rock, which had been long since abandoned; but the rude stone walls had been constructed by a more recent race, and compared with certain ruined villages we afterwards saw in Mangwendi’s country.2 On our homeward ride we turned aside to rest in a hut where we found natives busily employed in making beer, a process which they always carry out in the fields, where they have their stores, and in cooking locusts, which we tasted and thought not altogether unlike shrimps.

Thus our time passed at Zimbabwe, actively and pleasantly, and when our second month of work was [84]up, as we had much travelling before us in the country, we reluctantly decided on departure.

We went up to take leave of the induna Ikomo at his kraal on the day before our departure. He was seated in front of his hut, eating his red-coloured sodza, made of millet meal, and locusts, allowing his head men, who sat around, to take occasional handfuls from his savoury platter. Conversation turned on his tribe. He told us how they had come to Zimbabwe about forty years ago, when he was only eighteen years of age, from the neighbourhood of the Sabi River, where they had lived for many years. No one was then living on Zimbabwe Hill, which was covered, as it is still in parts, with a dense jungle. No one knew anything about the ruins, neither did they seem to care. This is how all tradition is lost among them. The migratory spirit of the people entirely precludes them from having any information of value to give concerning the place in which they may be located; they seldom remain more than one generation in one place, and one place is to them only different from another inasmuch as it affords them refuge from the Matabele and has soil around it which will produce their scanty crops.

On leaving Zimbabwe and our work, we determined on making a tentative trip of a few days, with horses and a donkey, to see how we could manage travelling in the wilds in this country without our waggon home. Moreover, we wished to pay a visit [85]to Umgabe at his kraal, and to take his rival, Cherumbila, on the way back to Fort Victoria.

One lovely morning—the 6th of August—we left our waggons, our cook, and our curios to find their way to Fort Victoria by themselves, and set off. The scenery southwards down the gorge was charming, granite kopje after granite kopje carrying the eye far away into the blue hazy distance. The foliage was thick and shady, and as we halted at a stream to water our animals we plucked large fronds of Osmunda regalis and the tree fern. To our left we passed a huge split rock, just a square block of granite eighty feet high split into four parts, so that narrow paths lead from each side into the heart of it. It was one of the most extraordinary natural stone formations I have ever seen, and the natives call it Lumbo. A relation of Umgabe’s rules over a fantastic kraal, called Baramazimba, hard by this rock; its huts are situated in such inaccessible corners that you wonder how the inhabitants ever get to them. Huge trees sheltered the entrance to this village, beneath which men were seated on the ground playing isafuba, the mysterious game of the Makalangas, with sixty holes in rows in the ground. Ten men can play at this game, and it consists in removing bits of pottery or stones from one hole to the other in an unaccountable manner. We watched it scores of times whilst in the country, and always gave it up as a bad job, deciding that it must be like draughts or chess, learnt by them from the former civilised race who [86]dwelt here. This game is played in different places with different numbers of holes—sometimes only thirty-two holes dug in the ground—always in rows of four. It has a close family relationship to the game called pullangooly of India, played in a fish—the sisoo fish, made of wood—which opens like a chess-board, and has fourteen holes in two rows of seven, small beans being employed as counters. The same game hails also from Singapore and from the West Coast of Africa, where it is played with twelve holes and is called wary. In short, wherever Arabian influence has been felt this game in some form or other is always found, and forms for us another link in the chain of evidence connecting the Mashonaland ruins with an Arabian influence. The Makalangas are also far superior to other neighbouring Kaffir races in calculating, probably owing to the influence of this very game.

At midday we reached Umgabe’s kraal and found our host only just recovering from the effects of drinking too much beer, and he had a relapse in the course of the afternoon to celebrate our arrival. He allotted us two huts, which we proceeded to have cleaned out. My wife and I occupied one, delightfully situated beneath a spreading cork tree; it was about twelve feet in diameter, and in the centre was the fireplace of cement with a raised seat by it on which the cook usually sits when stirring the pot. We spread our rugs where it appeared most level; but during the night, in spite of our candle, the rats [87]careered about us to such an alarming extent that sleep was next to impossible, and we had ample time at our disposal for contemplating our abode.

On one side was a raised place for the family jars, huge earthenware things covered with slabs of stone, containing meal, caterpillars, locusts, and other edibles. On the opposite side was a stable for the calves, which we were able to banish; but we could not so easily control the cocks and hens which came in at all the holes, nor the rats which darted amongst the smoke-begrimed rafters when day dawned. These blackened rafters of the roof the Makalangas use as cupboards, sticking therein their pipes, their weapons, their medicine phials, their tools, and their pillows, and we soon found that this was the place to look for all manner of curios; only the huts are so dark that it is impossible to see anything when there happen to be no holes in the walls. A low door three feet high is the only point for admitting light and air; consequently the huts are not only dark but odoriferous. Besides the walls, the Makalangas construct a primitive sort of cupboard out of the spreading branch of a tree tied round with bark fibre; this contains such things as they fear the rats may spoil. They are very ingenious in making things out of bark—long narrow bags for meal, hen coops in which to carry their poultry about, nets to keep the roofs on their granaries. Bark to them is one of the most useful natural products that they have.

Umgabe’s kraal has as lovely a situation as can [88]well be imagined. It is situated in a glade, buried in trees and vegetation, so that until you are in it you hardly notice the spot. Huge granite mountains rise on either side, completely shutting it in; a rushing stream runs through the glade, supplying the place with delicious water. Here is distinctly a spot where only man is vile; and the great fat chief, seated on the top of a rock, sodden with beer, formed one of the vilest specimens of humanity I ever saw.

The aforesaid stream in its course down the valley, just below the village, runs underneath a vast mass of granite rocks, which form a labyrinth of caves exceedingly difficult to approach. To facilitate the entry the inhabitants have made bridges of trees, and in times of danger from the Matabele they take refuge therein; they take their cattle with them, and pull down the bridges. In the interior they always keep many granaries well filled with grain, in case of accidents. Old Umgabe was most unwilling for us to go in and learn his tribal secret; however, nothing daunted, with the aid of candles we effected an entry, and a queer place it is. Granaries are perched in all sorts of crannies, traces of a late habitation exist all around, and the boiling stream is roaring in the crevices below.

The flat rocks outside were just then covered with locusts drying in the sun; millet meal and other domestic commodities were spread out too.

The rest of that lovely afternoon we spent in wandering about in this paradise, admiring the dense [89]foliage, the creepers, and the euphorbia which towered over the huts, and regretted when the pangs of hunger and the shades of evening obliged us to return to our huts to cook our frugal meal and pretend to go to bed.

HUT AT UMGABE’S KRAAL WITH EUPHORBIA BEHIND

HUT AT UMGABE’S KRAAL WITH EUPHORBIA BEHIND

It was a long ride next day to Cherumbila’s kraal, the bitter enemy and hereditary foe of our late host; [90]we passed many villages and many streams on the way, and had a direful experience at one of the swamps which our path crossed just before reaching our destination. One of our horses disappeared in it, all but his head, another rolled entirely over in it, whilst we stood helpless on the bank and fearful of the result; but at length we managed to drag the wretched animals out, and an hour before sundown we reached Cherumbila’s stronghold.

It is quite a different place from Umgabe’s, and much larger, with huts running along the backbone of a high granite ridge. The principal kraal, where the chief lives, is fortified with palisades and rough walls, and is entered by a gateway formed of posts leaning against one another; the huts are better, with decorated doors, and the people finer than those of Umgabe’s tribe. Many of them have their heads cleanly shaved at the top, with a row of curious tufts of hair tied together and made to look like a lot of black plants sprouting from their skulls.

Cherumbila himself is a lithe, active man, a complete contrast to Umgabe; a man of activity both of mind and body, he is feared and respected by his men, and is consequently one of the strongest chiefs hereabouts, and raids upon his neighbours with great success. Years ago, when he was a boy, he told us, his tribe lived on the top of one of the highest mountains overlooking Providential Pass, when a Matabele raid, or impi, fell upon them and drove [91]most of the inhabitants over a steep precipice to their death: the remnant that escaped came here and settled, and have now, under Cherumbila’s rule, grown strong. The chief allotted us his own hut for our night’s lodging. Nevertheless we had much the same experiences as on the previous night, which made us vow that on our prospective trips to the Sabi and northwards we would take our tent and never again expose ourselves to the companionship of rats and other vermin in the native huts.

AT CHERUMBILA’S KRAAL

AT CHERUMBILA’S KRAAL

The following day a lovely ride over the mountains, through dense forests and swarms of locusts, [92]which our black men eagerly collected, brought us back again to Fort Victoria and comparative civilisation, where we made preparations for our more extended expeditions away from the road and our waggons, warned but not discouraged by our discomforts with Umgabe and Cherumbila. [93]