SPOONS FOR EATING PORRIDGE.
(See page 148.)
SPOONS FOR EATING PORRIDGE. (See page 148.)
The wood of which the shaft is made, though very elastic, is very brittle, and a novice in the art is sure to break several of his spears before he learns to throw them properly. Unless they are rightly cast, as soon as the blade reaches the ground the shaft gives a kind of “whip” forward, and snaps short just above the blade. One of the great warrior chiefs made a singular use of this property. Just before going into action, he made his men cut the shafts of their assagais nearly across, just beyond the junction of the shaft and the head. The consequence of this ingenious ruse became evident enough when the action commenced. If the weapon went true to its mark, it pierced the body of the foe just as effectually as if nothing had been done to it; while if it missed, and struck the ground or a shield, the shaft instantly snapped, and the weapon was thereby rendered useless to the foe.
Unknowingly, the barbaric chief copied the example that was set by a Roman general nearly two thousand years ago. When Marius made war against the Cimbri, his troops carried the short heavy javelin, called the pilum. This weapon had a thick handle, to the end of which the long blade was attached by two iron rivets, one in front of the other. Before going to battle, he ordered the soldiers to remove the rivet farthest from the point, and to supply its place with a slight wooden peg, just strong enough to hold the head in its proper position as long as no force was used. When the javelin was hurled, the enemy tried to receive it on their shields; and if they succeeded in doing so, they drew out the weapon and flung it back at the foe. But as soon as the action began, the Cimbri found themselves in a sore strait. No sooner had they caught the javelin in their shields, than the slight wooden peg snapped, and allowed the shaft to dangle from the blade. Not only was the weapon useless, but it became a serious incumbrance. It could not be pulled out of the shield, as it afforded no grasp, and the heavy shaft dragged on the ground so as to force the soldier to throw away his shield, and to fight without it.
A very singular modification of the assagai was made by the terrible Tchaka, a chief who lived but for war, and was a man of wonderful intellect, dauntless courage, singular organizing power, and utterly devoid of compassion. Retaining the assagai, he altered its shape, and made it a much shorter and heavier weapon, unfit for throwing, and only to be used in a hand-to-hand encounter. After arming his troops with this modified weapon, he entirely altered the mode of warfare.
His soldiers were furnished with a very large shield and a single assagai. When they went into action, they ran in a compact body on the enemy, and as soon as the first shower of spears fell, they crouched beneath their shields, allowed the weapons to expend their force, and then sprang in for a hand-to-hand encounter. Their courage, naturally great, was excited by promises of reward, and by the certainty that not to conquer was to die. If a soldier was detected in running away, he was instantly killed by the chief, and the same punishment awaited any one who returned from battle without his spear and shield. Owing to these tactics, he raised the tribe of the Amazulu to be the most powerful in the country. He absorbed nearly sixty other tribes into his own, and extended his dominions nearly half across the continent of Africa.
He at last formed the bold conception of sweeping the whole South African coast with his armies, and extirpating the white inhabitants. But, while at the zenith of his power, he was treacherously killed by two of his brothers, Dingan and Umlangane. The two murderers fought for the kingdom on the following day, and Dingan ascended the throne over the bodies of both his brothers. The sanguinary mode of government which Tchaka had created was not likely to be ameliorated in such hands, and the name of Dingan was dreaded nearly as much as that of his brother. His successor and brother, Panda, continued to rule in the same manner, though without possessing the extraordinary genius of the mighty founder of his kingdom, and found himself obliged to form an alliance with the English, instead of venturing to make war upon them. Tchaka’s invention of the single stabbing assagai answered very well as long as the Zulus only fought against other tribes of the same country. But, when they came to encounter the Dutch Boers, it was found that the stabbing assagai was almost useless against mounted enemies, and they were obliged to return to the original form of the weapon.
If the reader will refer to the illustration which has already been mentioned, he will see two specimens of the short stabbing assagai with the large blade. A fine example of this weapon is seen at fig. 1. The reader will see that the blade is extremely wide and leaf shaped, and that the other end, or but of the spear, is decorated with a tuft of hairs taken from the tail of a cow. Another example is seen at fig. 3. The maker has bestowed great pains on this particular weapon. Just at the part where the spear balances, a piece of soft leather is formed into a sort of handle, and is finished off at either end with a ring made of the wire-like hair of the elephant’s tail. Several wide rings of the same material decorate the shaft of the weapon, and all of them are like the well-known “Turk’s-head” knot of the sailors. Fig. 6 shows another assagai, which has once had a barbed blade like that at fig. 7, but which has been so repeatedly ground that the original shape is scarcely perceptible. The spear which is drawn at fig. 13 is one of the ornamental wooden weapons which a Kaffir will use when etiquette forbids him to carry a real assagai. This particular spear is cut from one piece of wood, and is decorated according to Kaffir notions of beauty, by contrasts of black and white gained by charring the wood. The ornamental work on the shaft is thus blackened, and so is one side of the broad wooden blade. The spear shown at fig. 9 is used in elephant hunting, and will be described in a future chapter.
To a Kaffir the assagai is a necessary of life. He never stirs without taking a weapon of some kind in his hand, and that weapon is generally the assagai. With it he kills his game, with it he cuts up the carcass, with it he strips off the hide, and with it he fashions the dresses worn by the women as well as the men. The ease and rapidity with which he performs these acts are really astonishing. When cutting up slaughtered cattle, he displays as much knowledge of the various cuts as the most experienced butcher, and certainly no butcher could operate more rapidly with his knife, saw, and cleaver, than does the Kaffir with his simple assagai. For every purpose wherein an European uses a knife, the Kaffir uses his assagai. With it he cuts the shafts for his weapons, and with its sharp blade he carves the wooden clubs, spoons, dishes, and pillows, and the various utensils required in his daily life.
When hurling his assagai, whether at an animal which he is hunting or at a foe, or even when exhibiting his skill to a spectator, the Kaffir becomes strongly excited, and seems almost beside himself. The sweetest sound that can greet a Kaffir’s ears is the sound of his weapon entering the object at which it was aimed, and in order to enjoy this strange gratification, he will stab a slain animal over and over again, forgetful in the excitement of the moment that every needless stab injures the hide which might be so useful to him. When the chief summons his army, and the warriors go through their extraordinary performances in his presence, they never fail to expatiate on the gratification which they shall derive from hearing their assagais strike into the bodies of their opponents.
It is rather a curious fact that the true Kaffir never uses the bow and arrow. Though nearly surrounded by tribes which use this weapon, and though often suffering in skirmishes from the poisoned arrows of the Bosjesmans, he rejects the bow in warfare, considering it to be a weapon inconsistent with the dignity of a warrior. He has but two weapons, the assagai and the club, and he wields the second as skilfully as the first. The clubs used by the Kaffir tribes are extremely variable in size, and rather so in form. Some of them are more than six feet in length, while some are only fourteen or fifteen inches. But they all agree in one point, namely, that they are straight, or, at all events, are intended to be so; and that one end is terminated by a knob. They are popularly known as “knob-kerries.”
In order to show the extreme difference of size that is found among them, several specimens are figured in the illustration on page 103. Three specimens are seen at fig. 10. That on the right hand is used as a weapon, and is wielded in a very curious manner. Not only can it be employed as a weapon with which an opponent can be struck, but it is also used as a missile, sometimes being flung straight at the antagonist, and sometimes thrown on the ground in such a manner that its elasticity causes it to rebound and strike the enemy from below instead of from above. The Australian savages possess clubs of a similar shape, and also employ the ricochet. The other two kerries are not meant as weapons.
It is contrary to etiquette for a Kaffir to carry an assagai when he enters the hut of a superior, and he therefore exchanges the weapon for the innocent kerrie. And it is also contrary to etiquette to use the real assagai in dances. But, as in their dances the various operations of warfare and hunting are imitated, it is necessary for the performers to have something that will take the place of an assagai, and they accordingly provide themselves with knob-kerries about the same length as the weapons whose place they supply.
One very common form of the short knob-kerrie is shown at fig. 14. This weapon is only twenty inches in length, and can be conveniently carried in the belt. At close quarters it can be used as a club, but it is more frequently employed as a missile.
The Kaffir is so trained from infancy to hurl his weapons that he always prefers those which can be thrown. The force and precision with which the natives will fling these short kerries is really astonishing. If Europeans were to go after birds, and provide themselves with knobbed sticks instead of guns, they would bring home but very little game. Yet a Kaffir takes his knob-kerries as a matter of course, when he goes after the bustard, the quail, or other birds, and seldom returns without success.
The general plan is for two men to hunt in concert. They walk some fifty yards apart, and when they come to any spot which seems a likely place for game, they rest their kerries on their right shoulders, so as to lose no time in drawing back the hand when they wish to fling the weapon. As soon as a bird rises, they simultaneously hurl their kerries at it, one always aiming a little above the bird, and the other a little below. If, then, the bird catches sight of the upper club, and dives down to avoid it, the lower club takes effect, while, if it rises from the lower kerrie, it falls a victim to the upper. This plan is wonderfully efficacious, as I have proved by personal experience. One of my friends and myself determined to try whether we could kill game in the Kaffir fashion. So we cut some knobbed sticks, and started off in search of snipe. As soon as a snipe rose, we flung the stick at it, and naturally missed, as it was quite beyond the range of any missile propelled by hand. However, marking the spot where it alighted, we started it afresh, and by repeating this process, we got sufficiently near to bring it within the compass of our powers, and succeeded in knocking it down.
Generally the short, thick, heavily knobbed kerrie belongs rather to the Hottentot and the Bosjesman than to the Zulu, who prefers the longer weapon, even as a missile. But it is evident that the former shape of the weapon is the original one, and that the Kaffir, who derived it from its original inventor, the Hottentot, has gradually lengthened the shaft and diminished the size of the head.
The material of which the kerrie is made is mostly wood, that of the acacia being frequently used for this purpose. The long knob-kerries of the Zulus are generally cut from the tree that is emphatically, though not euphoniously, named Stink-wood, on account of the unpleasant odor which it gives out while being worked. As soon as it is dry, this odor goes off, and not even the most sensitive nostril can be annoyed by it. The stink-wood is a species of laurel, and its scientific name is Laurus bullata. The most valuable, as well as the most durable knob-kerries are those which are cut out of rhinoceros horn, and a native can hardly be induced to part with a fine specimen for any bribe. In the first place, the very fact of possessing such an article shows that he must be a mighty hunter, and have slain a rhinoceros; and in the second place, its great efficacy, and the enormous amount of labor expended in carving out of the solid horn, endear it so much to him, that he will not part with it except for something which will tend to raise him in the eyes of his comrades. In England, a fine specimen of knob-kerrie, made from the horn of the white rhinoceros, has been known to fetch even ten pounds.
Thus much for the offensive weapons of the Zulu Kaffir. Toward the north as well as to the west of the Draakensberg Mountains, a peculiar battle-axe is used, which is evidently a modification of the barbed spear which has already been described; but the true Zulu uses no weapon except the assagai and the kerrie.