CHAPTER III.

Successive Attempts at the Scientific Application of the Idea of a Medium.



1. IN what precedes, we have shown by various considerations that we necessarily and universally assume the perception of secondary qualities to take place by means of a medium interjacent between the object and the person perceiving. Perception is affected by various peculiarities, according to the nature of the quality perceived: but in all cases a medium is equally essential to the process.

This principle, which, as we have seen, is accepted as evident by the common understanding of mankind, is confirmed by all additional reflection and discipline of the mind, and is the foundation of all the theories which have been proposed concerning the processes by which the perception takes place, and concerning the modifications of the qualities thus perceived. The medium, and the mode in which the impression is conveyed through the medium, seem to be different for different qualities; but the existence of the medium leads to certain necessary conditions or alternatives, which have successively made their appearance in science, in the course of the attempts of men to theorize concerning the principal secondary qualities, sound, light, and heat. We must now point out some of the ways, at first imperfect and erroneous, in which the consequences of the fundamental assumption were traced.

2. Sound.—In all cases the medium of sensation, whatever it is, is supposed to produce the effect of conveying secondary qualities to our perception by means of its primary qualities. It was conceived to operate 323 by the size, form, and motion of its parts. This is a fundamental principle of the class of sciences of which we have at present to speak.

It was assumed from the first, as we have seen in the passage lately quoted from Aristotle21, that in the conveyance of sound, the medium of communication was the air. But although the first theorists were right so far, that circumstance did not prevent their going entirely wrong when they had further to determine the nature of the process. It was conceived by Aristotle that the air acted after the manner of a rigid body;—like a staff, which, receiving an impulse at one end, transmits it to the other. Now this is altogether an erroneous view of the manner in which the air conveys the impulse by which sound is perceived. An approach was made to the true view of this process, by assimilating it to the diffusion of the little circular waves which are produced on the surface of still water when a stone is dropt into it. These little waves begin from the point thus disturbed, and run outwards, expanding on every side, in concentric circles, till they are lost. The propagation of sound through the air from the point where it is produced, was compared by Vitruvius to this diffusion of circular waves in water; and thus the notion of a propagation of impulse by the waves of a fluid was introduced, in the place of the former notion of the impulse of an unyielding body.

21 Supr. p. 297.

But though, taking an enlarged view of the nature of the progress of a wave, this is a just representation of the motion of air in conveying sound, we cannot suppose that the process was, at the period of which we speak, rightly understood. For the waves of water were contemplated only as affecting the surface of the water; and as the air has no surface, the communication must take place by means of an internal motion, which can bear only a remote and obscure resemblance to the waves which we see. And even with regard to the waves of water, the mechanism by which they are 324 produced and transferred was not at all understood; so that the comparison employed by Vitruvius must be considered rather as a loose analogy than as an exact scientific explanation.

No correct account of such motions was given, till the formation of the science of Mechanics in modern times had enabled philosophers to understand more distinctly the mode in which motion is propagated through a fluid, and to discern the forces which the process calls into play, so as to continue the motion once begun. Newton introduced into this subject the exact and rigorous conception of an Undulation, which is the true key to the explanation of impulses conveyed through a fluid.

Even at the present day, the right apprehension of the nature of an Undulation transmitted through a fluid is found to be very difficult for all persons except those whose minds have been duly disciplined by mathematical studies. When we see a wave run along the surface of water, we are apt to imagine at first that a portion of the fluid is transferred bodily from one place to another. But with a little consideration we may easily satisfy ourselves that this is not so: for if we look at a field of standing corn, when a breeze blows over it, we see waves like those of water run along its surface. Yet it is clear that in this case the separate stalks of corn only bend backwards and forwards, and no portion of the grain is really conveyed from one part of the field to the other. This is obvious even to popular apprehension. The poet speaks of

 . . . . The rye,
That stoops its head when whirlwinds rave
And springs again in eddying wave
As each wild gust sweeps by.

Each particle of the mass in succession has a small motion backwards and forwards; and by this means a large ridge made by many such particles runs along the mass to any distance. This is the true conception of an undulation in general.

Thus, when an Undulation is propagated in a fluid, it is not matter, but form, which is transmitted from 325 one place to another. The particles along the line of each wave assume a certain arrangement, and this arrangement passes from one part to another, the particles changing their places only within narrow limits, so as to lend themselves successively to the arrangements by which the successive waves, and the intervals between the waves, are formed.

When such an Undulation is propagated through air, the wave is composed, not, as in water, of particles which are higher than the rest, but of particles which are closer to each other than the rest. The wave is not a ridge of elevation, but a line of condensation; and as in water we have alternately elevated and depressed lines, we have in air lines alternately condensed and rarefied. And the motion of the particles is not, as in water, up and down, in a direction transverse to that of the wave which runs forwards; in the motion of an undulation through air the motion of each particle is alternately forwards and backwards, while the motion of the undulation is constantly forwards.

This precise and detailed account of the Undulatory Motion of air by which sound is transmitted was first given by Newton. He further attempted to determine the motions of the separate particles, and to point out the force by which each particle affects the next, so as to continue the progress of the undulation once begun. The motions of each particle must be oscillatory; he assumed the oscillations to be governed by the simplest law of oscillation which had come under the notice of mathematicians, (that of small vibrations of a pendulum;) and he proved that in this manner the forces which are called into play by the contraction and expansion of the parts of the elastic fluid are such as the continuance of the motion requires.

Newton’s proof of the exact law of Oscillatory Motion of the aërial particles was not considered satisfactory by succeeding mathematicians; for it was found that the same result, the development of forces adequate to continue the motion, would follow if any other law of the motion were assumed. Cramer proved this by a sort of parody on Newton’s proof, in which, by the 326 alteration of a few phrases in this formula of demonstration, it was made to establish an entirely different conclusion.

But the general conception of an Undulation as presented by Newton was, as from its manifest mechanical truth it could not fail to be, accepted by all mathematicians; and in proportion as the methods of calculating the motions of fluids were further improved, the necessary consequences of this conception, in the communication of sound through air, were traced by unexceptionable reasoning. This was especially done by Euler and Lagrange, whose memoirs on such motions of fluids are some of the most admirable examples which exist, of refined mathematical methods applied to the solution of difficult mechanical problems.

But the great step in the formation of the theory of sound was undoubtedly that which we have noticed, the introduction of the Conception of an Undulation such as we have attempted to describe it:—a state, condition, or arrangement of the particles of a fluid, which is transferred from one part of space to another by means of small motions of the particles, altogether distinct from the movement of the Undulation itself. This is a conception which is not obvious to common apprehension. It appears paradoxical at first sight to speak of a large wave (as the tide-wave) running up a river at the rate of twenty miles an hour, while the stream of the river is all the while flowing downwards. Yet this is a very common fact. And the conception of such a motion must be fully mastered by all who would reason rightly concerning the mechanical transmission of impressions through a medium.

We have described the motion of sound as produced by small motions of the particle forwards and backwards, while the waves, or condensed and rarefied lines, move constantly forwards. It may be asked what right we have to suppose the motion to be of this kind, since when sound is heard, no such motions of the particles of air can be observed, even by refined methods of observation. Thus Bacon declares himself against the hypothesis of such a vibration, since, as he remarks, it 327 cannot be perceived in any visible impression upon the flame of a candle. And to this we reply, that the supposition of this Vibration is made in virtue of a principle which is involved in the original assumption of a medium; namely, That a Medium, in conveying Secondary qualities, operates by means of its Primary qualities, the bulk, figure, motion, and other mechanical properties of its parts. This is an Axiom belonging to the Idea of a Medium. In virtue of this axiom it is demonstrable that the motion of the air, when any how disturbed, must be such as is supposed in our acoustical reasonings. For the elasticity of the parts of the air, called into play by its expansion and contraction, lead, by a mechanical necessity, to such a motion as we have described. We may add that, by proper contrivances, this motion may be made perceptible in its visible effects. Thus the theory of sound, as an impression conveyed through air, is established upon evident general principles, although the mathematical calculations which are requisite to investigate its consequences are, some of them, of a very recondite kind.

3. Light.—The early attempts to explain Vision represented it as performed by means of material rays proceeding from the eye, by the help of which the eye felt out the form and other visible qualities of an object, as a blind man might do with his staff. But this opinion could not keep its ground long: for it did not even explain the fact that light is necessary to vision. Light, as a peculiar medium, was next assumed as the machinery of vision; but the mode in which the impression was conveyed through the medium was left undetermined, and no advance was made towards sound theory, on that subject, by the ancients.

In modern times, when the prevalent philosophy began to assume a mechanical turn (as in the theories of Descartes), light was conceived to be a material substance which is emitted from luminous bodies, and which is also conveyed from all bodies to the eye, so as to render them visible. The various changes of direction by which the rays of light are affected, (reflection, 328 refraction, &c.,) Descartes explained, by considering the particles of light as small globules, which change their direction when they impinge upon other bodies, according to the laws of Mechanics. Newton, with a much more profound knowledge of Mechanics than Descartes possessed, adopted, in the most mature of his speculations, nearly the same view of the nature of light; and endeavoured to show that reflection, refraction, and other properties of light, might be explained as the effects which certain forces, emanating from the particles of bodies, produce upon the luminiferous globules.

But though some of the properties of light could thus be accounted for by the assumption of particles emitted from luminous bodies, and reflected or refracted by forces, other properties came into view which would not admit of the same explanation. The phenomena of diffraction (the fringes which accompany shadows) could never be truly represented by such an hypothesis, in spite of many attempts which were made. And the colours of thin plates, which show the rays of light to be affected by an alternation of two different conditions at small intervals along their length, led Newton himself to incline, often and strongly, to some hypothesis of undulation. The double refraction of Iceland spar, a phenomenon in itself very complex, could, it was found by Huyghens, be expressed with great simplicity by a certain hypothesis of undulations.

Two hypotheses of the nature of the luminiferous medium were thus brought under consideration; the one representing Light as Matter emitted from the luminous object, the other, as Undulations propagated through a fluid. These two hypotheses remained in presence of each other during the whole of the last century, neither of them gaining any material advantage over the other, though the greater part of mathematicians, following Newton, embraced the emission theory. But at the beginning of the present century, an additional class of phenomena, those of the interference of two rays of light, were brought under 329 consideration by Dr. Young; and these phenomena were strongly in favour of the undulatory theory, while they were irreconcilable with the hypothesis of emission. If it had not been for the original bias of Newton and his school to the other side, there can be little doubt that from this period light as well as sound would have been supposed to be propagated by undulations; although in this case it was necessary to assume as the vehicle of such undulations a special medium or ether. Several points of the phenomena of vision no doubt remained unexplained by the undulatory theory, as absorption, and the natural colours of bodies; but such facts, though they did not confirm, did not evidently contradict the theory of a Luminiferous Ether; and the facts which such a theory did explain, it explained with singular happiness and accuracy.

But before this Undulatory Theory could be generally accepted, it was presented in an entirely new point of view by being combined with the facts of polarization. The general idea of polarization must be illustrated hereafter; but we may here remark that Young and Fresnel, who had adopted the undulatory theory, after being embarrassed for some time by the new facts which were thus presented to their notice, at last saw that these facts might be explained by conceiving the vibrations to be transverse to the ray, the motions of the particles being not backwards and forwards in the line in which the impulse travels, but to the right and left of that line. This conception of transverse vibrations, though quite unforeseen, had nothing in it which was at all difficult to reconcile with the general notion of an undulation. We have described an undulation, or wave, as a certain condition or arrangement of the particles of the fluid successively transferred from one part of space to another: and it is easily conceivable that this arrangement or wave may be produced by a lateral transfer of the particles from their quiescent positions. This conception of transverse vibrations being accepted, it was found that the explanation of the phenomena of polarization and of those of interference led to the same theory 330 with a correspondence truly wonderful; and this coincidence in the views, collected from two quite distinct classes of phenomena, was justly considered as an almost demonstrative evidence of the truth of this undulatory theory.

It remained to be considered whether the doctrine of transverse vibrations in a fluid could be reconciled with the principles of Mechanics. And it was found that by making certain suppositions, in which no inherent improbability existed, the hypothesis of transverse vibrations would explain the laws, both of interference and of polarization of light, in air and in crystals of all kinds, with a surprizing fertility and fidelity.

Thus the Undulatory Theory of Light, like the Undulatory Theory of Sound, is recommended by its conformity to the fundamental principle of the Secondary Mechanical Sciences, that the medium must be supposed to transmit its peculiar impulses according to the laws of Mechanics. Although no one had previously dreamt of qualities being conveyed through a medium by such a process, yet when it is once suggested as the only mode of explaining some of the phenomena, there is nothing to prevent our accepting it entirely, as a satisfactory theory for all the known laws of Light.

4. Heat.—With regard to Heat as with regard to Light, a fluid medium was necessarily assumed as the vehicle of the property. During the last century, this medium was supposed to be an emitted fluid. And many of the ascertained Laws of Heat, those which prevail with regard to its radiation more especially, were well explained by this hypothesis22. Other effects of heat, however, as for instance latent heat23, and the change of consistence of bodies24, were not satisfactorily brought into connexion with the hypothesis; while 331 conduction25, which at first did not appear to result from the fundamental assumption, was to a certain extent explained as internal radiation.

22 See the Account of the Theory of Exchanges, Hist. Ind. Sc. b. x. c. i. sect. 2.
23 Ib. c. ii. sect. 3.
24 Ib. c. ii. sect. 2.
25 Ib. c. i. sect. 7.

But it was by no means clear that an Undulatory Theory of Heat might not be made to explain these phenomena equally well. Several philosophers inclined to such a theory; and finally, Ampère showed that the doctrine that the heat of a body consists in the undulations of its particles propagated by means of the undulations of a medium, might be so adjusted as to explain all which the theory of emission could explain, and moreover to account for facts and laws which were out of the reach of that theory. About the same time it was discovered by Prof. Forbes and M. Nobili that radiant heat is, under certain circumstances, polarized. Now polarization had been most satisfactorily explained by means of transverse undulations in the case of light; while all attempts to modify the emission theory so as to include polarization in it, had been found ineffectual. Hence this discovery was justly considered as lending great countenance to the opinion that Heat consists in the vibrations of its proper medium.

But what is this medium? Is it the same by which the impressions of Light are conveyed? This is a difficult question; or rather it is one which we cannot at present hope to answer with certainty. No doubt the connexion between Light and Heat is so intimate and constant, that we can hardly refrain from considering them as affections of the same medium. But instead of attempting to erect our systems on such loose and general views of connexion, it is rather the business of the philosophers of the present day to determine the laws of the operation of heat, and its real relation to light, in order that we may afterwards be able to connect the theories of the two qualities. Perhaps in a more advanced state of our knowledge we may be able to state it as an Axiom, that two Secondary Qualities, which are intimately connected in their causes and effects, must be affections of the same Medium. 332 But at present it does not appear safe to proceed upon such a principle, although many writers, in their speculations both concerning Light and Heat, and concerning other properties, have not hesitated to do so.

Some other consequences follow from the Idea of a Medium which must be the subject of another chapter.