OLAF.
TERESA, HIS WIFE.
PAOLO, THEIR CHILD.
ACHZIB, AS A NORTHERN HUNTER.
HULDA, AN OLD WOMAN.
A little chapel in a gloomy northern forest—Teresa on her knees before the image of the Virgin.
[She bows her head, kneeling in silence—as she prepares to leave the chapel, enter PAOLO, with a few snow-drops in his hand.
[She again bows herself before the Virgin, then taking the child’s hand, goes out.
Night—the same forest; the pine trees are old and splintered, and covered with snow; it is a scene of desolation—at a little distance a small house is seen through an opening of the wood.
Enter ACHZIB, as a northern hunter.
[He goes farther into the forest.
The following morning—the interior of the house in the forest—Teresa sitting near the fire—Paolo kneeling upon a footstool at her side.
[She sings in a low recitative.
[He goes out.
Enter OLAF, muffled in his hunting dress.
Enter PAOLO; he runs to his mother’s side.
He goes out.
Near sunset—a dreary, desolate region, surrounded with ice-mountains—the Hunter drives a sledge rapidly forward, in the back part of which sit Olaf and Paolo.
[He fires.
[He puts his last charge into his piece.
[The horse in dashing forward, breaks
from the sledge; the wolves fall
upon him instantly.
[They turn among the ice-mountains, and
soon are out of sight.
A chaotic wilderness of icebergs.
Enter the HUNTER, and OLAF carrying PAOLO, who appears faint.
[The wolves surround them; and the hunter
snatching up Paolo throws him among
them.
[He dashes among the wolves with his
hunting knife, and then springs forward
after the hunter.
Night—the interior of Olaf’s house—Teresa alone—a bright fire burns on the hearth—refreshments are set out, and clothes hanging by the fire for Olaf and Paolo.
[She puts fresh logs on the fire.
Enter HULDA, with a very dejected countenance; she takes down PAOLO’S clothes, and folds them up.
Enter the HUNTER, hastily.
[Teresa clasps her hands, and stands
in speechless agony.
[She falls insensible to the floor.
[She bears Teresa out.