About This Book
A series of discourses lays out a theory of artistic creation, defining the notion of the idea as the mind's highest apprehension of form and exploring imagination's role in realizing ideal beauty. The author analyzes elements of composition — form, color, light and shadow, and expressive gesture — and relates technical practice to principles of taste. Discussions range from the study of nature and classical models to the moral and spiritual aims of creative work, and offer guidance for both critical judgment and studio practice.
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