About This Book
A collection of critical essays that blends aesthetic theory with close readings of contemporary painters to trace the artistic debates sparked by Cézanne and his followers. The writer examines how a shift in pictorial practice forced new questions about form, vision, decorative effect, and the balance between technical knowledge and sincere expression. Individual pieces assess artists associated with primitivist tendencies, sentimentality, or decorative strength, while other essays confront standards of criticism, the tension between tradition and movements, the relation of art to politics and authority, and the continuing problem of shaping expressive form to an aesthetic conception.
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