About This Book
A series of essays and sketches presents portraits of notorious thieves, highwaymen, and confidence men, pairing lively narrative accounts of their deeds with comparative reflections. The author traces how popular genres—the Newgate Calendar, broadsides, and cheap fiction—framed public fascination with crime, describes the character and methods of individual scoundrels, and examines the mingled admiration and moral censure they aroused. Chapters alternate biography with thematic parallels, balancing anecdote, cultural history, and literary criticism to show how criminal celebrity and print culture evolved together.
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