About This Book
A series of essays surveys the principal forms of medieval narrative, contrasting the earlier heroic epic with the later chivalric romance and situating each within its social and poetic conditions. The author examines how epic integrates myth, history, and dramatic character while romance emphasizes adventure, courtly sentiment, and decorative narrative techniques. Attention is given to northern and French narrative traditions, including heroic lays, chansons de geste, sagas, and ballads, and to the processes by which myths are refined or rejected. Chapters discuss poetic method, the growth of romance in the twelfth century, and the interplay between popular lore and learned composition.
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