About This Book
A collection of critical essays argues that aesthetic judgment should begin from concrete impressions, urging critics to describe how works affect them and to isolate the particular virtue that produces pleasure. It reads art, poetry, and historical personalities as powers that modify sensibility, exemplifying this method in studies of Renaissance Italy, literary figures, and later French poetry. Themes include the unity of cultural life, the reconciliation of classical and Christian traditions, and the critic's temperament as essential to discerning subtle qualities of taste and artistic refinement.
About the Author
More Books by This Author
6 picks
You May Also Like
6 picks
"Phiz" (Hablot Knight Browne), a Memoir.
by Frederic George Kitton
"Præterita": souvenirs de jeunesse
by John Ruskin
"The spirit of '76": Some recollections of the artist and the painting
by Henry Kelsey Devereux
"Their Majesties' Servants." Annals of the English Stage (Volume 1 of 3)
by Dr. Doran
A architectura religiosa na Edade Média
by Augusto Fuschini
A Book About the Theater
by Brander Matthews





