About This Book
A collection of lectures and critical notes presents a theory of poetry—distinguishing poetry from science and emphasizing simplicity, sensuousness, and passion—then treats Greek drama, the development of the stage, and public taste. The author offers extended analyses of Shakespeare’s judgment, genius, and dramatic methods, together with annotations to numerous comedies and tragedies. Separate sections examine Ben Jonson’s style and specific plays and provide biographical and critical commentary on Beaumont and Fletcher. Close readings, practical observations on theatrical effect, and assessments of characterization and poetic technique recur throughout the essays and notes.
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