About This Book
A literary history section analyzes the conception, structure, and sources of the Divine Comedy, arguing that Dante fashioned a distinctive poetic apparatus unlike classical models. The essay compares his inventive method to Homer's synthesis, situates the poem in its turbulent political and religious milieu, and explains how visions, doctrinal beliefs, and contemporary quarrels shaped the depiction of Hell, Purgatory, and Paradise as moral theaters. It also surveys probable precedents and influences, including visionary literature and works such as Brunetto Latini's Tesoretto, to show how disparate elements were combined into a coherent poetic plan.
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