About This Book
A literary history tracing Italian narrative poetry's development, focusing on romanesque epics and their subgenres: chansons of Charlemagne and paladins, Troy-derived epics, adaptations of Homer and Virgil, and purely imaginative chivalric romances. It surveys representative poems and authors (including anonymous compositions and vernacular versifications), examines structural features such as canto exordes, octave rhyme, and formulaic interruptions that mark the romanesque form, and critiques recurrent stylistic weaknesses like prosaic versification, excessive length, and narrative artlessness. Comparative remarks highlight how preference for certain cycles limited other themes, and detailed notices illustrate the varying fidelity, workmanship, and audience appeal of these works.
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