About This Book
A collection of essays in which the composer offers programmatic notes and philosophical reflections that link musical practice to Transcendentalist ideas. He considers figures such as Emerson, Hawthorne, the Alcotts, and Thoreau, exploring character, the soul, and the challenge of expressing intuition and private experience through sound. Interspersed with a prologue, introductory footnote and epilogue, the pieces develop a theory of musical representation, discuss compositional technique and listening, and frame a personal view of creativity that marries technical argument with cultural and moral observation.
About the Author
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