About This Book
A series of essays argues that aesthetic poetry fashions an artificial, transfigured world distinct from classical, medieval, or simply modern forms, refining earlier ideals into a faint, spectral paradise. The writer traces literary shifts from classicism through Romantic reaction to renewed medieval and Hellenic impulses, and isolates features such as mystic religion, courtly Provencal love, and feudal vassalage. Attention is given to how monastic devotion and frustrated desire produce reverie, illusion, and delirium, and how nature, ritual song-forms like serenades and aubades, and intensified colour and sensation create a fragile, highly sensuous lyricism in later verse.
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