About This Book
A selection of classical Noh drama translated into English presents a curated sequence of short plays enlivened by ritualized song, masked performance, and spare poetic imagery. An extended introduction explains stage layout, role types, musical and choral practice, and a note outlines relevant Buddhist ideas. The translations are arranged in chapters with concise plot summaries, an appended comic kyōgen, stage plans, illustrations, and bibliographic and explanatory appendices. Recurring concerns include memory and loss, encounters with the supernatural, lyrical reminiscence, and the interplay of silence, gesture, and music that defines the theatrical form.
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