About This Book
A collection of essays and impressions about the touring Russian ballet, exploring its reception, techniques, repertory and staging. The author surveys dancing in general, religious and revival forms, male dancers, pointe work and debates about a native Russian style, then turns to personalities — with sustained attention to Nijinsky — and to close readings of key pieces such as Les Sylphides, Le Carnaval, Le Spectre de la Rose, Prince Igor, Pavillon d'Armide and Narcisse. Observations weigh choreography, music, costume and ensemble work, pairing informed critique with enthusiast response and accompanied by evocative illustrations.
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