Æsthetic as science of expression and general linguistic
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About This Book
The author develops a theory of intuitive knowledge as identical with artistic expression, arguing that art is a form of cognition rather than mere feeling or imitation. He critiques theories that separate content and form, reduce beauty to pleasure or physical properties, or treat art as rhetorical, utilitarian, or merely sympathetic. The work situates aesthetic activity within a broader system of spiritual forms and examines relations between intuition and intellect, taste, technique, and the reproduction of artworks. It also addresses historicism, logic, practical activity, and the methodology of literary and artistic history.
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