Mágia

The collection gathers lyrical poems that dwell on persistent melancholy, self-examination, and mortality, employing sensory and domestic imagery—mirrors, honey, clocks, night, and funeral accoutrements—to chart loss and longing. The speaker alternately addresses the self, the dead, and distant others, tracing what remains after absence and the body's traces of departure. Moments of elegy, ironic detachment, and urban grotesque—particularly café scenes—underscore a pervasive sense of estrangement. Recurring motifs of farewell, ritual, and bodily sensation bind compact meditations on inner life, the passage of time, and the uneasy relation between solitary feeling and communal life.