About This Book
This work surveys the practice and history of etching in England, distinguishing commercial reproductive etching from original artistic expression and offering critical profiles of major practitioners from early figures through the author's contemporaries. It emphasizes aesthetic judgment over technical instruction, selecting and appraising what the author regards as the finer English etched work while occasionally treating foreign artists much associated with England. Chapters are organized as artist studies illustrated with plates reproducing representative prints; the preface explains the book's scope, purpose, and deliberate omissions, aiming to introduce readers to the variety and achievement of etching rather than to provide a manual of technique.
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