About This Book
A collection of essays argues that visual art and poetry share a similar capacity to present absent things but operate by different means and therefore require distinct rules of representation. The author distinguishes spatial depiction, suited to bodies and form, from temporal narration, suited to actions and motives, and warns against critics who wrongly apply one medium's standards to the other. Close readings of classical works and antiquarian examples illustrate how restraint, proportion, and mode determine appropriate expression. The essays combine theoretical claims with historical digressions to show that sound criticism must respect each art's specific aims and limits.
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