About This Book
The essay contends that a rising psychologism in recent fiction counterbalances both decadent romanticism and crude determinism by restoring inward motive as the source of action. It analyzes contemporary novels and short stories, citing examples by Gilbert Parker and Henry Van Dyke, and considers how character study, redemption themes, and particular Canadian settings and social types function artistically. The critic praises works that fuse lyrical feeling with psychological realism and faults those that rely on chance incidents or melodramatic contrivances rather than sustained moral and emotional development.
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