About This Book
A critical portrait assesses a major naturalist novelist, arguing that his passionate advocacy of realism was tempered by romantic inheritance and an instinct for epic, thesis-driven designs that constrain depiction of life. The essay contrasts his symmetrical, temple-like structures with the freer, unsystematic forms of northern writers, traces an underlying moral absolutism attributed to his Italian origin, and contends that his often shocking scenes serve moral demonstration rather than mere sensationalism. Blending biographical detail and literary analysis, it presents the author's work as perpetually debated rather than conclusively judged.
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