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Architecture

Chapter 5: PREFACE TO THE SECOND EDITION
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About This Book

This comprehensive survey traces architectural developments from the early nineteenth century through the mid twentieth, grouping the material into three chronological sections that examine Romantic classicism and Durand’s rational doctrines; Gothic revival, picturesque tendencies, and the advent of iron-and-glass construction; mid-century eclecticism, national schools, and the rise of commercial and domestic building types; and the emergence of Art Nouveau and modernist movements led by architects from several countries. It analyzes technological innovations, shifting stylistic vocabularies, regional variations, and debates between tradition and modernity, while offering plans, illustrations, and critical commentary on major architects and typologies.

PREFACE TO THE SECOND EDITION

The present edition is no drastic revision of the original one. Only a paragraph or two has been omitted or rewritten, and the one wholly new section is the Epilogue. However, very many corrections and additions have been made in detail, following suggestions made by reviewers and including facts supplied by others, notably John Jacobus, Robin Middleton, Pieter Singelenberg, John Harris, Fritz Novotny, Malcolm Quantrill, Carroll Meeks, and Kevin Dynan among a host of correspondents who have kindly answered specific queries or volunteered relevant information. No changes have been made in the Figures and only about a dozen in the Plates, chiefly at the end where it was possible to introduce the influential work of Aalto and characteristic examples of late Japanese work by reducing the Latin-American representation, not to speak of important works by Wright, Le Corbusier, and Mies completed since the original edition was prepared. The sources of the new photographs are indicated in the List of Plates, but I must specially thank Messrs Hentrich and Johnson, among the architects, for their assistance and also J. M. Richards of the Architectural Review from whose files come the Japanese material and one of the Aalto illustrations.

A certain number of new Notes (indicated by a letter after the number) have been added and many were largely rewritten. The Bibliography has been extended to include titles posterior to the date of the original edition.

H. R. H.
1962