H
Hair, how worn on the stage, 366, 367.
Hāla, or Sātavāhana, 74, 76;
refers to drama, 45, n. 1.
Hamartia, Aristotelian doctrine of, 279, n. 1.
Hammīra, a Mahomedan invader, 248, 249, 250.
Haṅsavatī, a queen of Duḥṣanta, 158, 160.
Hanumant, 63, 111, 113, 190, 227, 245, 246, 266, 269.
Happy ending, necessary in drama, 38, n. 2, 140, 278, 354.
Haradatta, on Mahābhāṣya, 34.
Harem life, effect on drama, 65, 280.
Haribrahmadeva, of Raypur, 270.
Hāricandra, a poet, 91.
Harihara, author of the Bhartṛharinirveda, 248.
Harihara, brother of Mādhava, 268.
Hariçcandra, tale of, 240.
Harisiṅha, of Simraon, 261.
Harlequin, origin of the character of the, 39.
Harṣa, dramatist, of Kanyakubja (A.D. 606–48), 42, 85, 103, 155, 170–81, 204, 239, 256, 278, 284, 303, 305, 311, 325, 355, n. 3, 368.
Harṣa, Candella, king of Jejākabhukti, 239.
Harshness, as an allegorical character, 255.
Hastigiri, lord of, 268.
Haughty, hero, 305, 306, 307, 347;
enemy of the hero, 307, 308.
Hemacandra, Jain author, 225, 243, 254, 255, 258, 260, 273, 275.
Hemakūṭa, place of abode of Mārīca, 154.
Hemān̄gada, a Vidyādhara, 229.
Hemān̄gī, a heroine, 263.
Herakleidai, of Euripides, known in India, 59.
Heresy, as a character, 252.
Heretics, parodied in the Prahasana, 348;
excluded from spectacles, 370.
Hero, in Sanskrit drama, 305–7, 323;
should be on stage during each Act, 140, 301;
appropriate to several types of drama, 345–51.
Heroic comedy, see Nāṭaka and Nāṭikā.
Heroic (vīra) sentiment, 320, 323, 346;
[380]metre and style appropriate to, 331, 332.
Heroine, in New Comedy, 62;
in Sanskrit drama, 308–10;
in different types of play, 346–8, 350, 351.
Heroism, 165, 168, 177, 195, 211, 278.
Hertel, Prof. J., theory of the origin of the drama, 16–18.
Hetaera drama, Buddhist, 84, 85.
Hetaerae, 62, 133, 313, 334, 335, 346;
form of names of, 313.
Hiḍimbā, wife of Bhīma, 95, 96, 106, 109, 213.
Hillebrandt, Prof. A., view of origin of drama, 25, 35, 36, n. 1, 39, 49, 50, 51, 52, 53.
Hindi, vernacular drama in, 243.
Hindu revival under the Guptas, 60.
Hippolytos, of Euripides, 279, n. 1.
Historical drama, 248–51.
Hoernle, Dr. A. F. R., theory as to identity of Vikramāditya, 144.
Holi festival, 41.
Horrible, descriptions of the, 192, 223.
Horror, sentiment of, 319, 320, 324, 325;
metre and style appropriate to, 331, 332.
Horse sacrifice, ritual abuse in, 25;
of Agnimitra and Samudragupta, 149.
Hultzsch, Prof. E., on date of Murāri, 225, 259.
Human sacrifice, as motif, 259.
Humorous speech (vyāhāra), 329.
Humour, 136, 159, 160, 177, 192, 211.
Hunters, speech of, 347.
Hunting, miseries of, 152, 160.
Huth, G., views on date of Kālidāsa, 145, n. 1;
on order of his poems, 167.