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The Sanskrit drama

Chapter 155: DH
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About This Book

A scholarly study traces the origins, development, theory, and practice of classical Indian drama written in Sanskrit and Prākrit, examining ritual and Vedic antecedents, the Nāṭyaśāstra’s account of divine origin, and debates prompted by newly discovered early fragments. It analyzes major dramatists and representative plays through the first millennium, outlines technical principles of poetics and stagecraft—such as rasa, characterization, metre, and performance conventions—and distinguishes theoretical prescriptions from later imitative works. The author confines discussion to literary-dramatic traditions, omitting vernacular theatre, and emphasizes how textual confusion in sources complicates but also illuminates understanding of classical dramatic art.

[Contents]

DH

Dhanaṁjayajaya, 347, n. 2.

Dhanaṁjayavijaya, by Kāñcana Paṇḍita, 266.

Dharmaçarmābhyudaya, by Haricandra, 75, n. 3.

Dharmābhyudaya, by Meghaprabhācārya, 55, 269.

Dhārakas, expounders of epic, 29.

Dhīra, noble, as characteristic of heroes, 305, 306.

Dhīralalita, type of hero, 305, 306.

Dhīraçānta, type of hero, 305, 306.

Dhīrodātta, type of hero, 305, 306.

Dhīroddhata, type of hero, 305, 306, 307, 347;
of enemy of hero, 307, 308.

Dhūrtanartaka, by Sāmarāja Dīkṣita, 262, 263.

Dhūrtas, gamblers or rogues, speech of, 141, 336.

Dhūrtasamāgama, by Jyotirīçvara Kaviçekhara, 261.

Dhṛti, firmness, as an allegorical character, 84, 268.

Dhṛtir yavanikāyāḥ, the holding apart of the curtain, 360.

Dhṛṣṭa, shameless (hero), 307.

Dhruvās, in music, 339.

Dhvajamaha, banner festival (of Indra), 41.

Dhvanyāloka, by Ānandavardhana, 294.