2

The monuments of Champa, though considerable in size and number, are inferior to those of Camboja. The individual buildings are smaller and simpler and the groups into which they are combined lack unity. Brick was the chief material, stone being used only when brick would not serve, as for statues and lintels. The commonest type of edifice is a square pyramidal structure called by the Chams Kalan. A Kalan is as a rule erected on a hill or rising ground: its lowest storey has on the east a porch and vestibule, on the other three sides false doors. The same shape is repeated in four upper storeys of decreasing size which however serve merely for external decoration and correspond to nothing in the interior. This is a single windowless pyramidal cell lighted by the door and probably also by lamps placed in niches on the inner walls. In the centre stood a pedestal for a linga or an image, with a channel to carry off libations, leading to a spout in the wall. The outline of the tower is often varied by projecting figures or ornaments, but the sculpture is less lavish than in Camboja and Java.

In the greater religious sites several structures are grouped together. A square wall surrounds an enclosure entered by a gateway and containing one or more Kalans, as well as smaller buildings, probably for the use of priests. Before the gateway there is frequently a hall supported by columns but open at the sides.

All known specimens of Cham architecture are temples; palaces and other secular buildings were made of wood and have disappeared. Of the many sanctuaries which have been discovered, the most remarkable are those of Mi-son, and Dong Duong, both in the neighbourhood of Tourane, and Po Nagar close to Nhatrang.

Mi-son[340] is an undulating amphitheatre among mountains and contains eight or nine groups of temples, founded at different times. The earliest structures, erected by Bhadravarman I about 400, have disappeared[341] and were probably of wood, since we hear that they were burnt (apparently by an accident) in 575 A.D. New temples were constructed by Śambhuvarman about twenty-five years later and were dedicated to Śambhu-bhadreśvara, in which title the names of the founder, restorer and the deity are combined. These buildings, of which portions remain, represent the oldest and best period of Cham art. Another style begins under Vikrântavarman I between 657 and 679 A.D. This reign marks a period of decadence and though several buildings were erected at Mi-son during the eighth and ninth centuries, the locality was comparatively neglected[342] until the reign of Harivarman III (1074-1080). The temples had been ravaged by the Annamites but this king, being a successful warrior, was able to restore them and dedicated to them the booty which he had captured. Though his reign marks a period of temporary prosperity in the annals of Champa, the style which he inaugurated in architecture has little originality. It reverts to the ancient forms but shows conscious archaism rather than fresh vigour. The position of Mi-son, however, did not decline and about 1155 Jaya Harivarman I repaired the buildings, dedicated the booty taken in battle and erected a new temple in fulfilment of a vow. But after this period the princes of Champa had no authority in the district of Mi-son, and the Annamites, who seem to have disliked the religion of the Chams, plundered the temples.

Po-nagar[343] is near the port of Nha-trang and overlooks the sea. Being smaller that Mi-son it has more unity but still shows little attempt to combine in one architectural whole the buildings of which it is composed.

An inscription[344] states with curious precision that the shrine was first erected in the year 5911 of the Dvâpara age and this fantastic chronology shows that in our tenth century it was regarded as ancient. As at Mi-son, the original buildings were probably of wood for in 774 they were sacked and burnt by pirates who carried off the image[345]. Shortly afterwards they were rebuilt in brick by King Satyavarman and the existing southern tower probably dates from his reign, but the great central tower was built by Harivarman I (817 A.D.) and the other edifices are later.

Po Nagar or Yang Po Nagar means the Lady or Goddess of the city. She was commonly called Bhagavatî in Sanskrit[346] and appears to have been the chief object of worship at Nha-trang, although Śiva was associated with her under the name of Bhagavatîśvara. In 1050 an ardhanarî image representing Śiva and Bhagavatî combined in one figure was presented to the temple by King Parameśvara and a dedicatory inscription describes this double deity as the cosmic principle.

When Champa was finally conquered the temple was sold to the Annamites, who admitted that they could not acquire it except by some special and peaceful arrangement. Even now they still continue the worship of the goddess though they no longer know who she is[347].

Dong Duong, about twenty kilometres to the south of Mi-son, marks the site of the ancient capital Indrapura. The monument which has made its name known differs from those already described. Compared with them it has some pretensions to be a whole, laid out on a definite plan and it is Buddhist. It consists of three courts[348] surrounded by walls and entered by massive porticoes. In the third there are about twenty buildings and perhaps it did not escape the fault common to Cham architecture of presenting a collection of disconnected and unrelated edifices, but still there is clearly an attempt to lead up from the outermost portico through halls and gateways to the principal shrine. From an inscription dated 875 A.D. we learn that the ruins are those of a temple and vihâra erected by King Indravarman and dedicated to Avalokita under the name of Lakshmîndra Lokeśvara.

3

The religion of Champa was practically identical with that of Camboja. If the inscriptions of the former tell us more about mukhalingas and koshas and those of the latter have more allusions to the worship of the compound deity Hari-hara, this is probably a matter of chance. But even supposing that different cults were specially prominent at different places, it seems clear that all the gods and ceremonies known in Camboja were also known in Champa and vice versa. In both countries the national religion was Hinduism, mainly of the Śivaite type, accompanied by Mahayanist Buddhism which occasionally came to the front under royal patronage. In both any indigenous beliefs which may have existed did not form a separate system. It is probable however that the goddess known at Po-nagar as Bhagavatî was an ancient local deity worshipped before the Hindu immigration and an inscription found at Mi-son recommends those whose eyes are diseased to propitiate Kuvera and thus secure protection against Ekâkshapingalâ, "the tawny one-eyed (spirit)." Though this goddess or demon was probably a creation of local fancy, similar identifications of Kâlî with the spirits presiding over cholera, smallpox, etc., take place in India.

The social system was theoretically based on the four castes, but Chinese accounts indicate that in questions of marriage and inheritance older ideas connected with matriarchy and a division into clans still had weight. But the language of the inscriptions is most orthodox. King Vikrântavarman[349] quotes with approval the saying that the horse sacrifice is the best of good deeds and the murder of a Brahman the worst of sins. Brahmans, chaplains (purohita), pandits and ascetics are frequently mentioned as worthy of honour and gifts. The high priest or royal chaplain is styled Śrîparamapurohita but it does not appear that there was a sacerdotal family enjoying the unique position held by the Śivakaivalyas in Camboja. The frequent changes of capital and dynasty in Champa were unfavourable to continuity in either Church or State.

Śivaism, without any hostility to Vishṇuism or Buddhism, was the dominant creed. The earliest known inscription, that of Vo-can, contains indications of Buddhism, but three others believed to date from about 400 A.D. invoke Śiva under some such title as Bhadreśvara, indicating that a temple had been dedicated to him by King Bhadravarman. Thus the practice of combining the names of a king and his patron deity in one appellation existed in Champa at this early date[350]. It is also recorded from southern India, Camboja and Java. Besides Śiva one of the inscriptions venerates, though in a rather perfunctory manner, Umâ, Brahmâ, Vishṇu and the five elements. Several inscriptions[351] give details of Śivaite theology which agree with what we know of it in Camboja. The world animate and inanimate is an emanation from Śiva, but he delivers from the world those who think of him. Meditation, the practice of Yoga, and devotion to Śiva are several times mentioned with approval[352]. He abides in eight forms corresponding to his eight names Śarva, Bhava, Paśupati, Iśâna, Bhîma, Rudra, Mahâdeva, and Ugra. He is also, as in Java, Guru or the teacher and he has the usual mythological epithets. He dances in lonely places, he rides on the bull Nandi, is the slayer of Kâma, etc. Though represented by figures embodying such legends he was most commonly adored under the form of the linga which in Champa more than elsewhere came to be regarded as not merely symbolic but as a personal god. To mark this individuality it was commonly enclosed in a metal case (kosha) bearing one or more human faces[353]. It was then called mukhalinga and the faces were probably intended as portraits of royal donors, identified with the god in form as well as in name. An inscription of 1163 A.D. records the dedication of such a kosha, adorned with five royal faces, to Śrîśânabhadreśvara. The god, it is said, will now be able to give his blessing to all regions through his five mouths which he could not do before, and being enclosed in the kosha, like an embryo in the matrix, he becomes Hiraṇyagarbha. The linga, with or without these ornaments, was set on a snânadroṇi or stone table arranged for receiving libations, and sometimes (as in Java and Camboja) four or more lingas were set upon a single slab. From A.D. 400 onwards, the cult of Śiva seems to have maintained its paramount position during the whole history of Champa, for the last recorded Sanskrit inscription is dedicated to him. From first to last it was the state religion. Śiva is said to have sent Uroja to be the first king and is even styled the root of the state of Champa.

An inscription[354] of 811 A.D. celebrates the dual deity Śankara-Nârâyaṇa. It is noticeable that Nârâyaṇa is said to have held up Mt. Govardhana and is apparently identified with Kṛishṇa. Râma and Kṛishṇa are both mentioned in an inscription of 1157 which states that the whole divinity of Vishṇu was incarnate in King Jaya Harivarman I[355]. But neither allusions to Vishṇu nor figures of him[356] are numerous and he plays the part of an accessory though respected personage. Garuḍa, on whom he rides, was better known than the god himself and is frequently represented in sculpture.

The Śakti of Śiva, amalgamated as mentioned with a native goddess, received great honour (especially at Nhatrang) under the names of Umâ, Bhagavatî, the Lady of the city (Yang Po Nagar) and the goddess of Kauthâra. In another form or aspect she was called Maladâkuṭhâra.[357] There was also a temple of Ganeśa (Śri-Vinâyaka) at Nhatrang but statues of this deity and of Skanda are rare.

The Chinese pilgrim I-Ching, writing in the last year of the seventh century, includes Champa (Lin-I) in the list of countries which "greatly reverence the three jewels" and contrasts it with Fu-nan where a wicked king had recently almost exterminated Buddhism. He says "In this country Buddhists generally belong to the Arya-sammiti school, and there are also a few followers of the Aryasarvâstivâdin school." The statement is remarkable, for he also tells us that the Sarvâstivâdins were the predominant sect in the Malay Archipelago and flourished in southern China. The headquarters of the Sammitîyas were, according to the accounts of both Hsüan Chuang and I-Ching, in western India though, like the three other schools, they were also found in Magadha and eastern India. We also hear that the brother and sister of the Emperor Harsha belonged to this sect and it was probably influential. How it spread to Champa we do not know, nor do the inscriptions mention its name or indicate that the Buddhism which they knew was anything but the mixture of the Mahayana with Śivaism[358] which prevailed in Camboja.

I-Ching's statements can hardly be interpreted to mean that Buddhism was the official religion of Champa at any rate after 400 A.D., for the inscriptions abundantly prove that the Śivaite shrines of Mi-son and Po-nagar were so to speak national cathedrals where the kings worshipped on behalf of the country. But the Vo-can inscription (? 250 A.D.), though it does not mention Buddhism, appears to be Buddhist, and it would be quite natural that a dynasty founded about 150 A.D. should be Buddhist but that intercourse with Camboja and probably with India should strengthen Śivaism. The Chinese annals mention[359] that 1350 Buddhist books were carried off during a Chinese invasion in 605 A.D. and this allusion implies the existence of Buddhism and monasteries with libraries. As in Camboja it was perhaps followed by ministers rather than by kings. An inscription found[360] in southern Champa and dated as 829 A.D. records how a sthavira named Buddhanirvâṇa erected two vihâras and two temples (devakula) to Jina and Śankara (Buddha and Śiva) in honour of his deceased father. Shortly afterwards there came to the throne Indravarman II (860-890 A.D.), the only king of Champa who is known to have been a fervent Buddhist. He did not fail to honour Śiva as the patron of his kingdom but like Asoka he was an enthusiast for the Dharma[361]. He desires the knowledge of the Dharma: he builds monasteries for the sake of the Dharma: he wishes to propagate it: he even says that the king of the gods governs heaven by the principles of Dharma. He wishes to lead all his subjects to the "yoke and abode of Buddha," to "the city of deliverance."

To this end he founded the vihâra of Dong Duong, already described, and dedicated it to Śri Lakshmîndra Lokeśvara[362]. This last word is a synonym of Avalokita, which also occurs in the dedicatory inscription but in a fragmentary passage. Lakshmîndra is explained by other passages in the inscription from which we learn that the king's name before he ascended the throne was Lakshmîndra Bhûmîśvara, so that the Bodhisattva is here adored under the name of the king who erected the vihâra according to the custom prevalent in Śivaite temples. Like those temples this vihâra received an endowment of land and slaves of both sexes, as well as gold, silver and other metals[363].

A king who reigned from 1080 to 1086 was called Paramabodhisattva, but no further epigraphic records of Buddhism are known until the reigns of Jaya Indravarmadeva (1167-1192) and his successor Sûryavarmadeva[364]. Both of these monarchs, while worshipping Śiva, are described as knowing or practising the jñâna or dharma of the Mahayana. Little emphasis seems to be laid on these expressions but still they imply that the Mahayana was respected and considered part of the royal religion. Sûryavarmadeva erected a building called Śrî Herukaharmya[365]. The title is interesting for it contains the name of the Tantric Buddha Heruka.

The grotto of Phong-nha[366] in the extreme north of Champa (province of Quang Binh) must have been a Buddhist shrine. Numerous medallions in clay bearing representations of Buddhas, Bodhisattvas and Dagobas have been found there but dates are wanting.

It does not appear that the Hinayanist influence which became predominant in Camboja extended to Champa. That influence came from Siam and before it had time to traverse Camboja, Champa was already in the grip of the Annamites, whose religion with the rest of their civilization came from China rather than India. Chinese culture and writing spread to the Cambojan frontier and after the decay of Champa, Camboja marks the permanent limit within which an Indian alphabet and a form of Buddhism not derived through China have maintained themselves.

A large number of the Chams were converted to Mohammedanism but the time and circumstances of the event are unknown. When Friar Gabriel visited the country at the end of the sixteenth century a form of Hinduism seems to have been still prevalent[367]. It would be of interest to know how the change of religion was effected, for history repeats itself and it is likely that the Moslims arrived in Champa by the route followed centuries before by the Hindu invaders.

There are still about 130,000 Chams in the south of Annam and Camboja. In the latter country they are all Mohammedans. In Annam some traces of Hinduism remain, such as mantras in broken Sanskrit and hereditary priests called Baśaih. Both religions have become unusually corrupt but are interesting as showing how beliefs which are radically distinct become distorted and combined in Eastern Asia[368].

CHAPTER XL

In most of the countries which we have been considering, the native civilization of the present day is still Indian in origin, although in the former territories of Champa this Indian phase has been superseded by Chinese culture with a little Mohammedanism. But in another area we find three successive stages of culture, indigenous, Indian and Mohammedan. This area includes the Malay Peninsula with a large part of the Malay Archipelago, and the earliest stratum with which we need concern ourselves is Malay. The people who bear this name are remarkable for their extraordinary powers of migration by sea, as shown by the fact that languages connected with Malay are spoken in Formosa and New Zealand, in Easter Island and Madagascar, but their originality both in thought and in the arts of life is small. The three stages are seen most clearly in Java where the population was receptive and the interior accessible. Sumatra and Borneo also passed through them in a fashion but the indigenous element is still predominant and no foreign influence has been able to affect either island as a whole. Islam gained no footing in Bali which remains curiously Hindu but it reached Celebes and the southern Philippines, in both of which Indian influence was slight[369]. The destiny of south-eastern Asia with its islands depends on the fact that the tide of trade and conquest whether Hindu, Moslim or European, flowed from India or Ceylon to the Malay Peninsula and Java and thence northwards towards China with a reflux westwards in Champa and Camboja. Burma and Siam lay outside this track. They received their culture from India mainly by land and were untouched by Mohammedanism. But the Mohammedan current which affected the Malays was old and continuous. It started from Arabia in the early days of the Hijra and had nothing to do with the Moslim invasions which entered India by land.

2

Indian civilization appears to have existed in Java from at least the fifth century of our era[370]. Much light has been thrown on its history of late by the examination of inscriptions and of fairly ancient literature but the record still remains fragmentary. There are considerable gaps: the seat of power shifted from one district to another and at most epochs the whole island was not subject to one ruler, so that the title king of Java merely indicates a prince pre-eminent among others doubtfully subordinate to him.

The name Java is probably the Sanskrit Yava used in the sense of grain, especially millet. In the Ramayana[371] the monkeys of Hanuman are bidden to seek for Sîtâ in various places including Yava-dvîpa, which contains seven kingdoms and produces gold and silver. Others translate these last words as referring to another or two other islands known as Gold and Silver Land. It is probable that the poet did not distinguish clearly between Java and Sumatra. He goes on to say that beyond Java is the peak called Śiśira. This is possibly the same as the Yavakoṭi mentioned in 499 A.D. by the Indian astronomer Aryabhaṭṭa.

Since the Ramayana is a product of gradual growth it is not easy to assign a definite date to this passage, but it is probably not later than the first or second century A.D. and an early date is rendered probable by the fact that the Alexandrian Geographer Ptolemy (c. 130 A.D.) mentions[372] Νῆσος Ἰαβαδίου ἢ Σαβαδίου and by various notices collected from inscriptions and from Chinese historians. The annals of the Liang Dynasty (502-556 A.D.) in speaking of the countries of the Southern Ocean say that in the reign of Hsüan Ti (73-49 B.C.) the Romans and Indians sent envoys to China by that route[373], thus indicating that the Archipelago was frequented by Hindus. The same work describes under the name of Lang-ya-hsiu a country which professed Buddhism and used the Sanskrit language and states that "the people say that their country was established more than 400 years ago[374]." Lang-ya-hsiu has been located by some in Java by others in the Malay Peninsula, but even on the latter supposition this testimony to Indian influence in the Far East is still important. An inscription found at Kedah in the Malay Peninsula is believed to be older than 400 A.D.[375] No more definite accounts are forthcoming before the fifth or sixth century. Fa-Hsien[376] relates how in 418 he returned to China from India by sea and "arrived at a country called Ya-va-di." "In this country" he says "heretics and Brahmans flourish but the law of Buddha hardly deserves mentioning[377]." Three inscriptions found in west Java in the district of Buitenzorg are referred for palæographic reasons to about 400 A.D. They are all in Sanskrit and eulogize a prince named Pûrṇavarman, who appears to have been a Vishnuite. The name of his capital is deciphered as Narumâ or Tarumâ. In 435 according to the Liu Sung annals[378] a king of Ja-va-da named Shih-li-pa-da-do-a-la-pa-mo sent tribute to China. The king's name probably represents a Sanskrit title beginning with Śrî-Pâda and it is noticeable that two footprints are carved on the stones which bear Pûrṇavarman's inscriptions. Also Sanskrit inscriptions found at Koetei on the east coast of Borneo and considered to be not later than the fifth century record the piety and gifts to Brahmans of a King Mûlavarman and mention his father and grandfather[379].

It follows from these somewhat disjointed facts that the name of Yava-dvîpa was known in India soon after the Christian era, and that by the fifth century Hindu or hinduized states had been established in Java. The discovery of early Sanskrit inscriptions in Borneo and Champa confirms the presence of Hindus in these seas. The T'ang annals[380] speak definitely of Kaling, otherwise called Java, as lying between Sumatra and Bali and say that the inhabitants have letters and understand a little astronomy. They further mention the presence of Arabs and say that in 674 a queen named Sima ascended the throne and ruled justly.

But the certain data for Javanese history before the eighth century are few. For that period we have some evidence from Java itself. An inscription dated 654 Śaka ( = 732 A.D.) discovered in Kĕdoe celebrates the praises of a king named Sanjaya, son of King Sanna. It contains an account of the dedication of a linga, invocations of Śiva, Brahmâ and Vishṇu, a eulogy of the king's virtue and learning, and praise of Java. Thus about 700 A.D. there was a Hindu kingdom in mid Java and this, it would seem, was then the part of the island most important politically. Buddhist inscriptions of a somewhat later date (one is of 778 A.D.) have been found in the neighbourhood of Prambânam. They are written in the Nagari alphabet and record various pious foundations. A little later again (809 and 840 A.D.) are the inscriptions found on the Dieng (Dihyang), a lonely mountain plateau on which are several Brahmanic shrines in fair preservation. There is no record of their builders but the New T'ang Annals say that the royal residence was called Java but "on the mountains is the district Lang-pi-ya where the king frequently goes to look at the sea[381]." This may possibly be a reference to pilgrimages to Dieng. The inscriptions found on the great monument of Boroboedoer throw no light on the circumstances of its foundation, but the character of the writing makes it likely that it was erected about 850 and obviously by a king who could command the services of numerous workmen as well as of skilled artists. The temples of Prambânam are probably to be assigned to the next century. All these buildings indicate the existence from the eighth to the tenth century of a considerable kingdom (or perhaps kingdoms) in middle Java, comprising at least the regions of Mataram, Kĕdoe and the Dieng plateau. From the Arabic geographers also we learn that Java was powerful in the ninth century and attacked Qamar (probably Khmer or Camboja). They place the capital at the mouth of a river, perhaps the Solo or Brantas. If so, there must have been a principality in east Java at this period. This is not improbable for archæological evidence indicates that Hindu civilization moved eastwards and flourished first in the west, then in mid Java and finally from the ninth to the fifteenth centuries in the east.

The evidence at our disposal points to the fact that Java received most of its civilization from Hindu colonists, but who were these colonists and from what part of India did they come? We must not think of any sudden and definite conquest, but rather of a continuous current of immigration starting perhaps from several springs and often merely trickling, but occasionally swelling into a flood. Native traditions collected by Raffles[382] ascribe the introduction of Brahmanism and the Śaka era to the sage Tritresta and represent the invaders as coming from Kalinga or from Gujarat.

The difference of locality may be due to the fact that there was a trade route running from Broach to Masulipatam through Tagara (now Ter). People arriving in the Far East by this route might be described as coming either from Kalinga, where they embarked, or from Gujarat, their country of origin. Dubious as is the authority of these legends, they perhaps preserve the facts in outline. The earliest Javanese inscriptions are written in a variety of the Vengi script and the T'ang annals call the island Kaling as well as Java. It is therefore probable that early tradition represented Kalinga as the home of the Hindu invaders. But later immigrants may have come from other parts. Fa-Hsien could find no Buddhists in Java in 418, but Indian forms of Mahayanism indubitably flourished there in later centuries. The Kalasan inscription dated 778 A.D. and engraved in Nâgari characters records the erection of a temple to Târâ and of a Mahayanist monastery. The change in both alphabet and religion suggests the arrival of new influences from another district and the Javanese traditions about Gujarat are said to find an echo among the bards of western India and in such proverbs as, they who go to Java come not back[383]. In the period of the Hunnish and Arab invasions there may have been many motives for emigration from Gujarat. The land route to Kalinga was probably open and the sea route offers no great difficulties[384].

Another indication of connection with north-western India is found in the Chinese work Kao Sêng Chuan (519 A.D.) or Biographies of Eminent Monks, if the country there called Shê-p'o can be identified with Java[385]. It is related that Guṇavarman, son of the king of Kashmir, became a monk and, declining the throne, went first to Ceylon and then to the kingdom of Shê-p'o, which he converted to Buddhism. He died at Nanking in 431 B.C.

Târanâtha[386] states that Indo-China which he calls the Koki country[387], was first evangelized in the time of Asoka and that Mahayanism was introduced there by the disciples of Vasubandhu, who probably died about 360 A.D., so that the activity of his followers would take place in the fifth century. He also says that many clergy from the Koki country were in Madhyadeśa from the time of Dharmapâla (about 800 A.D.) onwards, and these two statements, if they can be accepted, certainly explain the character of Javanese and Cambojan Buddhism. Târanâtha is a confused and untrustworthy writer, but his statement about the disciples of Vasubandhu is confirmed by the fact that Dignâga, who was one of them, is the only authority cited in the Kamahâyânikan[388].

The fact that the terms connected with rice cultivation are Javanese and not loan-words indicates that the island had some indigenous civilization when the Hindus first settled there. Doubtless they often came with military strength, but on the whole as colonists and teachers rather than as conquerors. The Javanese kings of whom we know most appear to have been not members of Hindu dynasties but native princes who had adopted Hindu culture and religion. Sanskrit did not oust Javanese as the language of epigraphy, poetry and even religious literature. Javanese Buddhism appears to have preserved its powers of growth and to have developed some special doctrines. But Indian influence penetrated almost all institutions and is visible even to-day. Its existence is still testified to by the alphabet in use, by such titles as Arjo, Radja, Praboe, Dipati ( = adhipati), and by various superstitions about lucky days and horoscopes. Communal land tenure of the Indian kind still exists and in former times grants of land were given to priests and, as in India, recorded on copper plates. Offerings to old statues are still made and the Tenggerese[389] are not even nominal Mohammedans. The Balinese still profess a species of Hinduism and employ a Hindu Calendar.

From the tenth century onwards the history of Java becomes a little plainer.

Copper plates dating from about 900 A.D. mention Mataram. A certain Mpoe Sindok was vizier of this kingdom in 919, but ten years later we find him an independent king in east Java. He lived at least twenty-five years longer and his possessions included Pasoeroean, Soerabaja and Kediri. His great-grandson, Er-langga (or Langghya), is an important figure. Er-langga's early life was involved in war, but in 1032 he was able to call himself, though perhaps not with great correctness, king of all Java. His memory has not endured among the Javanese but is still honoured in the traditions of Bali and Javanese literature began in his reign or a little earlier. The poem Arjuna-vivâha is dedicated to him, and one book of the old Javanese prose translation of the Mahabharata bears a date equivalent to 996 A.D.[390]

One of the national heroes of Java is Djajabaja[391] who is supposed to have lived in the ninth century. But tradition must be wrong here, for the free poetic rendering of part of the Mahabharata called Bhârata-Yuddha, composed by Mpoe Sĕdah in 1157 A.D., is dedicated to him, and his reign must therefore be placed later than the traditional date. He is said to have founded the kingdom of Daha in Kediri, but his inscriptions merely indicate that he was a worshipper of Vishṇu. Literature and art flourished in east Java at this period for it would seem that the Kawi Ramayana and an ars poetica called Vṛitta-sañcaya[392] were written about 1150 and that the temple of Panataran was built between 1150 and 1175.

In western Java we have an inscription of 1030 found on the river Tjitjatih. It mentions a prince who is styled Lord of the World and native tradition, confirmed by inscriptions, which however give few details, relates that in the twelfth century a kingdom called Padjadjaran was founded in the Soenda country south of Batavia by princes from Toemapĕl in eastern Java.

There is a gap in Javanese history from the reign of Djajabaja till 1222 at which date the Pararaton[393], or Book of the Kings of Toemapĕl and Madjapahit, begins to furnish information. The Sung annals[394] also give some account of the island but it is not clear to what years their description refers. They imply, however, that there was an organized government and that commerce was flourishing. They also state that the inhabitants "pray to the gods and Buddha": that Java was at war with eastern Sumatra: that embassies were sent to China in 992 and 1109 and that in 1129 the Emperor gave the ruler of Java (probably Djajabaja) the title of king.

The Pararaton opens with the fall of Daha in 1222 which made Toemapĕl, known later as Singasari, the principal kingdom. Five of its kings are enumerated, of whom Vishṇuvardhana was buried in the celebrated shrine of Tjandi Djago, where he was represented in the guise of Buddha. His successor Śrî Râjasanâgara was praised by the poet Prapantja[395] as a zealous Buddhist but was known by the posthumous name of Śivabuddha. He was the first to use the name of Singasâri and perhaps founded a new city, but the kingdom of Toemapĕl came to an end in his reign for he was slain by Djaja Katong[396], prince of Daha, who restored to that kingdom its previous primacy, but only for a short time, since it was soon supplanted by Madjapahit. The foundation of this state is connected with a Chinese invasion of Java, related at some length in the Yüan annals[397], so that we are fortunate in possessing a double and fairly consistent account of what occurred.

We learn from these sources that some time after Khubilai Khan had conquered China, he sent missions to neighbouring countries to demand tribute. The Javanese had generally accorded a satisfactory reception to Chinese missions, but on this occasion the king (apparently Djaja Katong) maltreated the envoy and sent him back with his face cut or tattooed. Khubilai could not brook this outrage and in 1292 despatched a punitive expedition. At that time Raden Vidjaja, the son-in-law of Kĕrtanagara, had not submitted to Djaja Katong and held out at Madjapahit, a stronghold which he had founded near the river Brantas. He offered his services to the Chinese and after a two months' campaign Daha was captured and Djaja Katong killed. Raden Vidjaja now found that he no longer needed his Chinese allies. He treacherously massacred some and prepared to fight the rest. But the Mongol generals, seeing the difficulties of campaigning in an unknown country without guides, prudently returned to their master and reported that they had taken Daha and killed the insolent king.

Madjapahit (or Wilwatikta) now became the premier state of Java, and had some permanency. Eleven sovereigns, including three queens, are enumerated by the Pararaton until its collapse in 1468. We learn from the Ming annals and other Chinese documents[398] that it had considerable commercial relations with China and sent frequent missions: also that Palembang was a vassal of Java. But the general impression left by the Pararaton is that during the greater part of its existence Madjapahit was a distracted and troubled kingdom. In 1403, as we know from both Chinese and Javanese sources, there began a great war between the western and eastern kingdoms, that is between Madjapahit and Balambangan in the extreme east, and in the fifteenth century there was twice an interregnum. Art and literature, though not dead, declined and events were clearly tending towards a break-up or revolution. This appears to have been consummated in 1468, when the Pararaton simply says that King Paṇḍansalas III left the Kraton, or royal residence.

It is curious that the native traditions as to the date and circumstances in which Madjapahit fell should be so vague, but perhaps the end of Hindu rule in Java was less sudden and dramatic than we are inclined to think. Islam had been making gradual progress and its last opponents were kings only in title. The Chinese mention the presence of Arabs in the seventh century, and the geography called Ying-yai Shêng-lan (published in 1416), which mentions Grissé, Soerabaja and Madjapahit as the principal towns of Java, divides the inhabitants into three classes: (a) Mohammedans who have come from the west, "their dress and food is clean and proper"; (b) the Chinese, who are also cleanly and many of whom are Mohammedans; (c) the natives who are ugly and uncouth, devil-worshippers, filthy in food and habits. As the Chinese do not generally speak so severely of the hinduized Javanese it would appear that Hinduism lasted longest among the lower and more savage classes, and that the Moslims stood on a higher level. As in other countries, the Arabs attempted to spread Islam from the time of their first appearance. At first they confined their propaganda to their native wives and dependents. Later we hear of veritable apostles of Islam such as Malik Ibrahim, and Raden Rahmat, the ruler of a town called Ampel[399] which became the head quarter of Islam. The princes whose territory lay round Madjapahit were gradually converted and the extinction of the last Hindu kingdom became inevitable[400].

3

It is remarkable that the great island of Sumatra, which seems to lie in the way of anyone proceeding from India eastwards and is close to the Malay peninsula, should in all ages have proved less accessible to invaders coming from the west than the more distant Java. Neither Hindus, Arabs nor Europeans have been able to establish their influence there in the same thorough manner. The cause is probably to be found in its unhealthy and impenetrable jungles, but even so its relative isolation remains singular.

It does not appear that any prince ever claimed to be king of all Sumatra. For the Hindu period we have no indigenous literature and our scanty knowledge is derived from a few statues and inscriptions and from notices in Chinese writings. The latter do not refer to the island as a whole but to several states such as Indragiri near the Equator and Kandali (afterwards called San-bo-tsai, the Sabaza of the Arabs) near Palembang. The annals of the Liang dynasty say that the customs of Kandali were much the same as those of Camboja and apparently we are to understand that the country was Buddhist, for one king visited the Emperor Wu-ti in a dream, and his son addressed a letter to His Majesty eulogizing his devotion to Buddhism. Kandali is said to have sent three envoys to China between 454 and 519.

The Chinese pilgrim I-Ching[401] visited Sumatra twice, once for two months in 672 and subsequently for some years (about 688-695). He tells us that in the islands of the Southern Sea, "which are more than ten countries," Buddhism flourishes, the school almost universally followed being the Mûlasarvâstivâda, though the Sammitîyas and other schools have a few adherents. He calls the country where he sojourned and to which these statements primarily refer, Bhoja or Śrîbhoja (Fo-shih or Shih-li-fo-shih), adding that its former name was Malayu. It is conjectured that Shih-li-fo-shih is the place later known as San-bo-tsai[402] and Chinese authors seem to consider that both this place and the earlier Kandali were roughly speaking identical with Palembang. I-Ching tells us that the king of Bhoja favoured Buddhism and that there were more than a thousand priests in the city. Gold was abundant and golden flowers were offered to the Buddha. There was communication by ship with both India and China. The Hinayana, he says, was the form of Buddhism adopted "except in Malayu, where there are a few who belong to the Mahayana." This is a surprising statement, but it is impossible to suppose that an expert like I-Ching can have been wrong about what he actually saw in Śrîbhoja. So far as his remarks apply to Java they must be based on hearsay and have less authority, but the sculptures of Boroboedoer appear to show the influence of Mûlasarvâstivâdin literature. It must be remembered that this school, though nominally belonging to the Hinayana, came to be something very different from the Theravâda of Ceylon.

The Sung annals and subsequent Chinese writers know the same district (the modern Palembang) as San-bo-tsai (which may indicate either mere change of name or the rise of a new city) and say that it sent twenty-one envoys between 960 and 1178. The real object of these missions was to foster trade and there was evidently frequent intercourse between eastern Sumatra, Champa and China. Ultimately the Chinese seem to have thought that the entertainment of Sumatran diplomatists cost more than they were worth, for in 1178 the emperor ordered that they should not come to Court but present themselves in the province of Fu-kien. The Annals state that Sanskrit writing was in use at San-bo-tsai and lead us to suppose that the country was Buddhist. They mention several kings whose names or titles seem to begin with the Sanskrit word Śrî[403]. In 1003 the envoys reported that a Buddhist temple had been erected in honour of the emperor and they received a present of bells for it. Another envoy asked for dresses to be worn by Buddhist monks. The Ming annals also record missions from San-bo-tsai up to 1376, shortly after which the region was conquered by Java and the town decayed[404]. In the fourteenth century Chinese writers begin to speak of Su-mên-ta-la or Sumatra by which is meant not the whole island but a state in the northern part of it called Samudra and corresponding to Atjeh[405]. It had relations with China and the manners and customs of its inhabitants are said to be the same as in Malacca, which probably means that they were Moslims.

Little light is thrown on the history of Sumatra by indigenous or Javanese monuments. Those found testify, as might be expected, to the existence here and there of both Brahmanism and Buddhism. In 1343 a Sumatran prince named Adityavarman, who was apparently a vassal of Madjapahit, erected an image of Manjuśrî at Tjandi Djago and in 1375 one of Amoghapâśa.

4

The Liang and T'ang annals both speak of a country called Po-li, described as an island lying to the south-east of Canton. Groeneveldt identified it with Sumatra, but the account of its position suggests that it is rather to be found in Borneo, parts of which were undoubtedly known to the Chinese as Po-lo and Pu-ni[406]. The Liang annals state that Po-li sent an embassy to the Emperor Wu-ti in 518 bearing a letter which described the country as devoted to Buddhism and frequented by students of the three vehicles. If the letter is an authentic document the statements in it may still be exaggerations, for the piety of Wu-ti was well known and it is clear that foreign princes who addressed him thought it prudent to represent themselves and their subjects as fervent Buddhists. But there certainly was a Hindu period in Borneo, of which some tradition remains among the natives[407], although it ended earlier and left fewer permanent traces than in Java and elsewhere.

The most important records of this period are three Sanskrit inscriptions found at Koetei on the east coast of Borneo[408]. They record the donations made to Brahmans by King Mûlavarman, son of Aśvavarman and grandson of Kuṇḍagga. They are not dated, but Kern considers for palæographical reasons that they are not later than the fifth century. Thus, since three generations are mentioned, it is probable that about 400 A.D. there were Hindu princes in Borneo. The inscriptions testify to the existence of Hinduism there rather than of Buddhism: in fact the statements in the Chinese annals are the only evidence for the latter. But it is most interesting to find that these annals give the family name of the king of Poli as Kauṇḍinya[409] which no doubt corresponds to the Kuṇḍagga of the Koetei inscription. At least one if not two of the Hindu invaders of Camboja bore this name, and we can hardly be wrong in supposing that members of the same great family became princes in different parts of the Far East. One explanation of their presence in Borneo would be that they went thither from Camboja, but we have no record of expeditions from Camboja and if adventurers started thence it is not clear why they went to the east coast of Borneo. It would be less strange if Kaundinyas emigrating from Java reached both Camboja and Koetei. It is noticeable that in Java, Koetei, Champa and Camboja alike royal names end in varman.

5

The architectural monuments of Java are remarkable for their size, their number and their beauty. Geographically they fall into two chief groups, the central (Boroboedoer, Prambanan, Dieng plateau, etc.) in or near the kingdom of Mataram and the eastern (Tjandi Djago, Singasari, Panataran, etc.) lying not at the extremity of the island but chiefly to the south of Soerabaja. No relic of antiquity deserving to be called a monument has been found in western Java for the records left by Pûrnavarman (c. 400 A.D.) are merely rocks bearing inscriptions and two footprints, as a sign that the monarch's triumphal progress is compared to the three steps of Vishṇu.

The earliest dated (779 A.D.) monument in mid Java, Tjandi Kalasan, is Buddhist and lies in the plain of Prambanan. It is dedicated to Târâ and is of a type common both in Java and Champa, namely a chapel surmounted by a tower. In connection with it was erected the neighbouring building called Tjandi Sari, a two-storied monastery for Mahayanist monks. Not far distant is Tjandi Sevu, which superficially resembles the 450 Pagodas of Mandalay, for it consists of a central cruciform shrine surrounded by about 240 smaller separate chapels, everyone of which, apparently, contained the statue of a Dhyâni Buddha. Other Buddhist buildings in the same region are Tjandi Plaosan, and the beautiful chapel known as Tjandi Mendut in which are gigantic seated images of the Buddha, Manjuśrî and Avalokita. The face of the last named is perhaps the most exquisite piece of work ever wrought by the chisel of a Buddhist artist.

It is not far from Mendut to Boroboedoer, which deserves to be included in any list of the wonders of the world. This celebrated stûpa—for in essence it is a highly ornamented stûpa with galleries of sculpture rising one above the other on its sides—has been often described and can be described intelligibly only at considerable length. I will therefore not attempt to detail or criticize its beauties but will merely state some points which are important for our purpose.

It is generally agreed that it must have been built about 850 A.D., but obviously the construction lasted a considerable time and there are indications that the architects altered their original plan. The unknown founder must have been a powerful and prosperous king for no one else could have commanded the necessary labour. The stûpa shows no sign of Brahmanic influence. It is purely Buddhist and built for purposes of edification. The worshippers performed pradakshiṇâ by walking round the galleries, one after the other, and as they did so had an opportunity of inspecting some 2000 reliefs depicting the previous births of Śakyamuni, his life on earth and finally the mysteries of Mahayanist theology. As in Indian pilgrim cities, temple guides were probably ready to explain the pictures.

The selection of reliefs is not due to the artists' fancy but aims at illustrating certain works. Thus the scenes of the Buddha's life reproduce in stone the story of the Lalita Vistara[410] and the Jâtaka pictures are based on the Divyâvadâna. It is interesting to find that both these works are connected with the school of the Mûlasarvâstivâdins, which according to I-Ching was the form of Buddhism prevalent in the archipelago. In the third gallery the figure of Maitreya is prominent and often seems to be explaining something to a personage who accompanies him. As Maitreya is said to have revealed five important scriptures to Asaṇga, and as there is a tradition that the east of Asia was evangelized by the disciples of Asaṇga or Vasubandhu, it is possible that the delivery and progress of Maitreya's revelation is here depicted. The fourth gallery seems to deal with the five superhuman Buddhas[411], their paradises and other supra-mundane matters, but the key to this series of sculptures has not yet been found. It is probable that the highest storey proved to be too heavy in its original form and that the central dagoba had to be reduced lest it should break the substructure. But it is not known what image or relic was preserved in this dagoba. Possibly it was dedicated to Vairocana who was regarded as the Supreme Being and All-God by some Javanese Buddhists[412].

The creed here depicted in stone seems to be a form of Mahayanism. Śâkyamuni is abundantly honoured but there is no representation of his death. This may be because the Lalita Vistara treats only of his early career, but still the omission is noteworthy. In spite of the importance of Śâkyamuni, a considerable if mysterious part is played by the five superhuman Buddhas, and several Bodhisattvas, especially Maitreya, Avalokita and Manjuśrî. In the celestial scenes we find numerous Bodhisattvas both male and female, yet the figures are hardly Tantric and there is no sign that any of the personages are Brahmanic deities.

Yet the region was not wholly Buddhist. Not far from Boroboedoer and apparently of about the same age is the Sivaite temple of Banon, and the great temple group of Prambanam is close to Kalasan and to the other Buddhist shrines mentioned above. It consists of eight temples of which four are dedicated to Brahmâ, Śiva, Vishṇu and Nandi respectively, the purpose of the others being uncertain. The largest and most decorated is that dedicated to Śiva, containing four shrines in which are images of the god as Mahâdeva and as Guru, of Ganeśa and of Durgâ. The balustrade is ornamented with a series of reliefs illustrating the Ramayana. These temples, which appear to be entirely Brahmanic, approach in style the architecture of eastern Java and probably date from the tenth century, that is about a century later than the Buddhist monuments. But there is no tradition or other evidence of a religious revolution.

The temples on the Dieng plateau are also purely Brahmanic and probably older, for though we have no record of their foundation, an inscribed stone dated 800 A.D. has been found in this district. The plateau which is 6500 feet high was approached by paved roads or flights of stairs on one of which about 4000 steps still remain. Originally there seem to have been about 40 buildings on the plateau but of these only eight now exist besides several stone foundations which supported wooden structures. The place may have been a temple city analogous to Girnar or Śatrunjaya, but it appears to have been deserted in the thirteenth century, perhaps in consequence of volcanic activity. The Dieng temples are named after the heroes of the Mahabharata (Tjandi Ardjuno, Tjandi Bimo, etc.), but these appear to be late designations. They are rectangular towerlike shrines with porches and a single cellule within. Figures of Brahma, Śiva and Vishṇu have been discovered, as well as spouts to carry off the libation water.