Footnotes

1.
The Swastika. Report of the U. S. National Museum, 1894. Washington, 1896. During the preparation of this paper I also consulted the following works, from which some forms of swastika are likewise reproduced on pl. ii: Le signe de la Croix avant le Christianisme. Gabriel de Mortillet. Paris, 1866. Zur Geschichte der Swastika. Zmigrodski, Braunschweig, 1890. La migration des symboles. Comte Goblet d'Alviella. Paris, 1891.
2.

I would insert here that it was only when the present investigation was almost completed, that my attention was arrested by a reference in Professor Wilson's work, already cited, to a short article on the Fylfot and the Futhorc tir by H. Colley March, M.D.

Having succeeded in obtaining a copy of the Transactions of the Lancashire and Cheshire Antiquarian Society (vol. 4, pp. 1-12, 1886), in which it appeared, I had the extreme satisfaction of finding that a specialist working in another field and approaching the problem from another direction had come to two of the identical conclusions that I had reached in a totally different manner. This fact constitutes, in my opinion, the most powerful support of the correctness of the views we hold in common after having formed, expressed and worked them out in such a different way, as can be verified by a comparison of our two works.

Referring the reader to his valuable and suggestive communication to which I shall revert, I shall merely mention here that Dr. March recognizes, as I do, that the “essential suggestion [of the swastika and fylfot] is of axial rotation.” He attributes the original of the swastika to the nocturnal (not as I do, to the annual) rotation of the Ursa Major around Polaris, and likewise refers to the fact that about four thousand years ago, the circular sweep of the circumpolar constellations was far more striking than at present. After meeting on this common ground our lines of investigation part company and go wide asunder, nor am I able to follow some of Dr. March's conclusions such as, for instance, his opinion that the fylfot was a sign of a “diurnal rotation” suggested by “the rising and setting of the sun and moon when the spectator looked at them with his back to the north.” On the other hand I am indebted to him for much valuable information relating to the rune or futhorc tir, to which I shall refer later.

3.

Besides the word coatl=twin, the Mexicans had another term to express some thing double, in pairs. A plant with two shoots was named xolotl. Double agave plants, or maize when occasionally met with, were regarded with superstition and named me-xolotl. The pretty little parroquets, popularly known as “love-birds” from their habit of constant association, in pairs, were named xolotl. The circumstance that the term for birds'-down was also xolotl may explain why the down-feathers of eagles and other birds were employed and played a certain rôle in ritual observances. They expressed and conveyed the sound of a word which meant something double and could therefore be used to symbolize a variety of meanings relating to multiplication or propagation. That the Mexicans figuratively connected birds'-down with generation is proven by the well-known myth of the birth of Huitzilopochtli from the union of a ball of birds'-down and a goddess named “she with the petticoat of serpents” (Sahagun, book iii, chap. i).

Tufts of birds'-down figure, in the B. N. MS., on the shield of the female ancestress of the human race, one of whose numerous titles was toci,=“our grandmother,” to express which the figure of a citli or hare was sometimes employed in pictography. Of her it was said, that she bore only twins, a figure of speech meaning great productiveness, just as the female divinity is also termed “the woman with 400 breasts” (text to p. 29, Vatican Codex, Kingsborough, vols. ii and v). In the text to the Telleriano-Remensis Codex (Kingsborough, vol. i, pl. 24), we find Xolotl, a deity wearing the shell-symbol of Quetzalcoatl, directly named “the god of twins.”

4.
The full meaning which may have been attached to the eye-symbol in both Nahuatl and Maya languages is set forth in the following notes which I give merely for the suggestion they convey of a deep meaning having been attached to the eye-symbol. The Nahuatl word for eye is ix-telolotli, but in pictography it represented the phonetic value of ix only. It may, therefore, have been employed as a cursive sign for face=ixtli and the fact that it figures in the centre of the symbol ollin, where a face sometimes occurs, confirms this surmise. In the Maya language the word for eye is ich, which is practically identical with the Nahuatl ix, and this enters into the composition of the following words, the meanings of which are worth considering in connection with the fact that the eye is shown to have been employed to convey the meaning of star, in both languages: Ix-machun=eternal, without beginning, ix-mayam=forever, continuously, without interruption. ix-maxul=perpetual, without end. The fact that each of these Maya words exhibits the prefix ix and that an eye is employed to express this sound and stands for star, is certainly interesting, since it suggests that the natives associated the idea of eternity with the stars.
5.

This native belief is beautifully illustrated by the two “highly artistic shell-gorgets representing winged human beings,” which are described and figured by Mr. Wm. H. Holmes, in Part ii of his instructive and extremely useful “Archaeological Studies among the Ancient Cities of Mexico,” which I have received just as this paper is going to press. I am much pleased at the possibility of drawing attention, by means of a footnote, to the interesting fact that in one gorget the human head is figured with butterfly wings, whilst in the other it is accompanied by conventionalized feathers and a butterfly wing. There can be no doubt that both gorgets are attempts to represent the resuscitated souls of departed warriors, according to the native ideas concerning them. It is nevertheless very remarkable to see actually that the ancient Mexicans employed the butterfly as a symbol of an immortal soul and had also evolved the idea of a winged head, analogous to that of a cherub, to represent a blest spirit, dwelling in celestial regions.

It is noticeable that the name of the Mexican priests was papa, which syllables are the first in the word papalotl=butterfly. It may be that a distinction was made and that the souls of the dead priests were supposed to assume the shape of butterflies or moths, whilst the warriors became celestial humming-birds.

6.
In connection with Montezuma's use of a litter it should be noticed that, in the picture-writings, only the culture-hero Quetzalcoatl and the bird god Huitzilopochtli are represented as seated on litters. The two bars of Quetzalcoatl's litter, figured in Duran's atlas (Tratado 2, cap. 1 a) terminate at each end in a serpent's head. The pair of twin serpents thus rendered, evidently convey an allusion to his name, which would be equally comprehensible in the Maya or Mexican languages. In another portion of Duran's Atlas (Trat. 2, chap. 2), Huitzilopochtli is figured as seated on a litter masked as a bird, and a finely-executed native picture of the bird-god, being borne on a litter, is in the B. N. MS. where he is named “the precious lord” and is represented with a sceptre in his hand surmounted by a heart. This latter detail is of special interest, since it indicates that the Mexicans employed the heart with the same symbolical and metaphorical meaning as the Maya-Quiches and Tzentals. The latter had named their culture-hero “Votan”=“the Heart” (of the people). (Brinton Hero-myths, p. 217.) In the Popol-Vuh, the sacred book of the Quiches, the supreme divinity is named “the Heart of the heaven, whose name is Hurakan.” He is also named the “Heart of the Earth,” a title whose equivalent in Mexico=Tepe-Yollotl, was applied to Tezcatlipoca and associated with the bodiless voice, the echo, which was supposed to proceed from the “heart (or life) of the Mountain.” The above data undoubtedly prove the important point that Huitzilopochtli and Tezcatlipoca were respectively entitled “the Heart of the Heaven” and “the Heart of the Earth.”
7.
Short triangular capes are worn to this day by the Mexican women, and are called quechquemitl=shoulder capes. It is curious to find in Molina's dictionary, the following: tzimpitzauac=something figured, which is wide above and pointed below, and tzimmanqui=something figured which is pointed above and wide below, words which seem to indicate that they refer to triangles and that these had different meanings according to position.
8.
The production of this drink was limited to the area in which the agave plant could be cultivated. As set forth in my commentary on the “Lyfe of the Indians,” the natives employed many other kinds of fermented liquors, made from different fruits and plants.
9.
The sacred symbols and numbers of Aboriginal America in Ancient and Modern times. (Bulletin of the American Geographical Society, no. 2, 1894.)
10.
Tribes of California, Stephen Powers. Contributions to North American Ethnology. Washington, 1877. vol. iii, p. 79.
11.
Fourth Annual Report Bureau of Ethnology, p. 518. Washington.
12.
Republicas de Indias, Fray Jeronimo Roman de Zamorra 1569-1575, ed. Suarez. Madrid, 1898.
13.
Pilz-foermige Goetzenbilder aus Guatemala und San Salvador, Carl Sapper, Globus. band lxxiii, nr. 20.
14.
For other examples see Borgian Codex, pp. 2, 5, 64, 66, 74.
15.
Note on the Ancient Mexican Calendar System. Stockholm, 1894.
16.
Biologia Centrali-Americana. Archæology, edited by F. Ducane Godman, London.
17.
The most striking example of this is in the Palace House, at Palenqne, all wall-holes of which are tau-shaped. An elaborate stucco ornamentation, richly colored, encloses two upright taus surrounded by raised borders. One is a deep opening in the wall; the other, next to it, is filled in and exhibits a horizontal line resting on a vertical one. There can be no doubt that a profound symbolical meaning was expressed by the entire motif, which has been admirably reproduced by Mr. A. P. Maudslay (Biologia Centrali-Americana, Archæology, part VI, pl. 18).
18.
Veröffentlichungen aus dem Königlichen Museum für Völkerkunde, iv band, i heft. 1895. p. 5.
19.
Garcilaso de la Vega, Comentarias Reales, Lisbon, 1609; also translation by Sir Clements B. Markham, issued by the Hakluyt Society. Rites and Laws of the Incas (accounts by Molina, Salcamayhua, Avila and Ondegardo), translated by Sir Clements B. Markham; also Cieza de Leon, Herrera, etc. and MS. of Padre Anello Oliva.
20.
Attention is called to a curious error in the original text by Arriaga, quoted by Rivero and Tschudi. Arriaga states that the two statues stood back to back, but he makes the woman look toward the “poniente” and the man to the “occidente,” thus making both figures face the west. As “poniente” is the current Spanish phrase for the west, it is evident that the author made a slip in the use of the classical term, and intended to say that the man faced the “oriente.”
21.
The Terra-cotta Heads of Teotihuacan, American Journal of Archaeology, Baltimore, 1886.
22.
For this valuable list I am indebted to the kindness of Sir Clements B. Markham, the President of the Royal Geographical Society of Great Britain, who generously allowed me to study some of his MS. notes on Ancient Peru.
23.
“From what can be gathered and conjectured in considering the traditions of the present time, it is not more than 350 to 400 years since the Incas only possessed and ruled over the valley of Cuzco as far as Urcas, a distance of six leagues and to the valley of Yucay, which is not more than 5 leagues.... The historical period cannot be placed further back than 400 years at the earliest” (Polo de Ondegardo 1550-1600).
24.
Lettre sur les Antiquités de Tiahuanaco, 1866, pp. 9, 17, 19.
25.
Blas Valera, apud Garcilaso de la Vega, Comentarios Reales, Lisboa, 1609, lib. i, cap. xi, pp. 13, 14; lib. ii, cap. vi, p. 42. See also Garcia, Origen de los Indios. Madrid, 1729, lib. iv, cap. xv, p. 313.
26.
Narratives of the Rites and laws of the Incas, translated by Clements B. Markham, C. B., F. R. S., ed. Hakluyt Society, pp. 10-13.
27.

It is the merit of the late distinguished philologist Dr. Buschmann, in his invaluable work on Aztec names of localities to have pointed out that although the Cakchiquel language is now spoken at Cozumalhuapa or Cotzumalguapan, its name is unquestionably Nahuatl (Cozamalo-apan). Ueber Aztekische Ortsnamen, vii, p. 34.

The largest number of illustrations of the beautiful bas-reliefs found in the above locality have been published by M. Herman Strebel of Hamburg, whose valuable publications and splendid collections of ancient Mexican antiquities, preserved at Berlin and Hamburg, are well known. Die Steinsculptures von Santa Lucia Cozumalhuapa (Guatemala) in Museum fur Volkerkunde. Hamburg, 1894. Jahrbuch der Hamburgischen Wissenschaftlichen Austallen, xi.

Three of these remarkable bas-reliefs are figured in the valuable publication by Geheimrath A. Bastian: Steinsculpturen aus Guatemala, Berichte der Königlichen Museen zu Berlin, 1882. Dr. Habel's drawings were published in 1878, in the 22d vol. of the Smithsonian Contributions to Knowledge.

Casts of these bas-reliefs are on exhibition in the Peabody Museum.

28.

“The skins of lions, with the heads, had been prepared, with gold ear-pieces in the ears and golden teeth in place of the real teeth which had been pulled out. In the paws were certain rings of gold. Those who were dressed or invested with these skins put on the head and neck of the lion so as to cover their own and the skin of the body of the lion hung from the shoulders.” op. cit. p. 45.

The wearing of puma and ocelot skins by one of the two highest grades of warriors in Mexico is too well known to need further mention here.

29.
In connection with the three points proceeding from the eye, the Mexican symbol for star, I would draw attention to the fact that in the latitude of Santa Lucia only three equidistant positions of Ursa Major, and, possibly, of Ursa Minor, would be observable, the constellations being below the northern horizon when lying between it and Polaris. The symbolical three points could have thus originated in the same way as the triskeles in other countries, from observation of the identical phenomenon.
30.
This bas-relief is reproduced in vol. iii of the Anales del Museo Nacional, p. 302, and is discussed by Señor Sanchez.
31.
Article Peru, Encyclopaedia Britannica.
32.
Garcilaso de la Vega, The Royal Commentaries of the Incas, Hakluyt ed. vol. I, p. 270.
33.
Rites and Laws of the Incas, ed. Hakluyt, p. 86.
34.
Rites and Laws of the Incas, ed. Hakluyt, pp. 77, 84.
35.
The Heavens ... London. Richard Bentley and Son. 1883. pp. 287-289.
36.
Historia Chichimeca, chap. xix.
37.
In Quechua the left hand was named lloque maqui and the right, pana maqui. In the Chinchaysuyo dialect of Quechua the left hand was hichoc maqui and the right, allaucay maqui (Vocabulario Padre Juan de Figueredo).
38.

Annals of the Cakchiquels. Library of Aboriginal Literature, vol. vi, D. G. Brinton, p. 71. It is a striking coincidence which further excavations may however destroy, that seven similar upright slabs were found at Santa Lucia, six complete ones of which exhibit individuals whose left hands bear special marks. What is more, these figures are accompanied by animals which agree with a native chronicle quoted by Dr. Otto Stoll (op. cit. p. 6). According to this some of the totems or marks of dignity worn by certain Quiché chieftains were representations of pumas, ocelots and vultures. It is, perhaps, permissible to advance the hypothesis that the personages on the slabs are representatives of the seven tribes and display their totemic devices.

I would add a couple of observations which seem to indicate that the language of the people who sculptured and set up the Santa Lucia slabs was Nahuatl. In the first case on the long slab, figured by M. Herman Strebel as No. 11, a chieftain in a recumbent position is conferring with a personage masked as a deer. The date is sculptured on this slab, recalling the Mexican method of figuring numerals and indicates that a historical event is being recorded.

The Nahuatl word for deer is mazatl and we know that the Mazahuas, or “deer-people” is the name of a native tribe which inhabits to this day the coast region of Guatemala. A town named Mazatenango=the capital or mother-city of the Mazahuas lies between the lake of Atitlan and the coast (tenan=mother of somebody; tenamitl=walled city). A small village named Mazahuat also lies farther south and inland on the Lempa river, in San Salvador. On one of the upright slabs two sculptured heads resembling dogs' heads are enclosed in circles. The Nahuatl name for dog is itzcuintl; and a town of the same name, corrupted to Escuintla, lies between the latitude of Amatitlan and the coast of Guatemala, at about the same distance inland as the town of Maza-tenango. As both places were within easy reach from Santa Lucia, it seems possible that the slabs may refer to some conquest or agreement made with the “deer and dog people.” At all events the agreement is worth noting as a hint for future research.

39.
Ed. Brinton. Library of Aboriginal literature, p. 13.
40.
It is to the superior authority of my distinguished and highly esteemed colleagues Drs. Otto Stoll and Carl Sapper that I submit the above considerations. It may be possible for the latter enthusiastic explorer and for Dr. Gustavo Eisen, who is continuing his valuable researches in Guatemala, to determine the locality of the ancient Tullan, which should, I imagine, be sought for in a region where the land inhabited by the Four Nations would converge and at a point almost equidistant from the Four Tecpans.
41.
In the Mexican collection at the Trocadero Museum in Paris, there is a curious wooden sceptre in the form of a hand, which has been figured by Dr. Ernest Hamy in his splendidly illustrated work on this Museum.
42.
See Brinton. The Native Calendar of Central America and Mexico, p. 49.
43.
Bulletin of the Museum of Science and Art, University of Pennsylvania, no. 3, vol. i.
44.
Idea de una nueva historia general, Madrid, 1746, p. 117.
45.
Native Calendar, p. 50.
46.
Vergleichende Studien. Internationales Archiv für Ethnographie, bd. iii, 1890, and the Native Calendar, p. 19.
47.
See Molina's dictionary for further meanings of verb yuli, which accounts for another form of primitive native symbolism.
48.
See D. G. Brinton (American Hero-myths, p. 155) who, like other authorities, has not recognized the difference between native cross-symbols, denoting the four quarters celestial and terrestrial and the tree of tribal life.
49.
Dr. Hale states that these squares remind us of the similar Chinese character which represents the word “field” (p. 241).
50.
A Central American ceremony which suggests the snake dance of the Tusayan villagers. Reprint from The American Anthropologist, vol. vi, no. 3, July, 1893. cf. Bandelier, Final Report of Investigations among the Indians of the Southwestern United States. Archaeol. Inst. Papers, Am. series, iv, pp. 586-591.
51.
Thirteenth Report of the Bureau of Ethnology. Washington, 1896.
52.
In abbreviated form I note here, inviting special comparison with Mexico, that the Zuñi Upper world was symbolized by the sun, eagle and turquoise; the Lower world by the rattlesnake, water and toad.
53.
Landa states that Mayapan signified “the banner of Maya,” the latter being the name of the “tongue of land” on which the capital was situated. This explanation is, however, scarcely satisfactory, for pantli is Nahuatl. If the entire word be regarded as Nahuatl, we obtain “the banner of the hand.” As another Maya name for the capital was Ho and this means five it seems possible that this numeral and sound were actually expressed by an open hand and that the Nahuatl name thus arose.
54.
As throughout America four brothers are always found associated, in consequence of the general spread of the quadruple organization, the fact that three rulers only are mentioned here and that three powerful tribes were found in possession of Yucatan, indicates that these must have separated themselves from their original State. The subsequent reduction of their number to two shows further dissension.
55.
It seems reasonable to refer to this date the expulsion of the Maya tribe, the Huaxtekans, who founded their colony at Panuco, named their capital Tuch-pan and carried with them their execrable practices and ideas. At the same time they possessed and handed down such a proficiency in the art of weaving that at the time of Montezuma the most beautiful textile fabrics, furnished to him as tribute, were the Huaxtecan “centzon-tilmatli” or mantles of four hundred colors, “finely woven and covered with intricate and artistic designs.” This circumstance points to a possible connection with Zilan, the reputed Maya centre of female industry. It has been stated by good authorities that the only antiquities thus far found in America, which testify to the existence of a degraded and obscene cult, are from the region of Panuco.
56.
It is interesting to note in the above description absolutely no mention of woman in the organization of Mayapan. It is therefore to be presumed that they were excluded from this capital, and inhabited, as in Mexico, their own town, under female rulership and that of the “lords of the Night.”
57.
See the Atlatl or Spear-thrower of the Ancient Mexicans. Peabody Museum Papers, vol. 1, no. 3. Cambridge, 1891.
58.
Relacion. ed. Brasseur de Bourbourg, p. 52. In a note the Abbé states that the above description recalls the monoliths of Copan and Quirigua.
59.
We are told that the Cheles inhabited a province named Ah-bin-chel, and that their capitals were Tikoh and Izamal (literally, Ah=they who are of, kin=sun, chel=sort of bird and the ancient name of a sacerdotal lineage in Yucatan). Thence the title Chelekat=holiness, highness, grandeur, given to the head of this lineage (Brasseur de Bourbourg). Ix-chel=the woman-bird, was the high-priestess or medicine-woman and midwife. The Cheles, Tutul-xius and Cocomes were the three most powerful tribes at the time of the Conquest. It is noteworthy that they all had bird names and that the word chel, the totemic bird of the Cheles, so closely resembles ché=tree, that the combination of a ché or tree as a symbol of the tribe and the chel-bird would have been suggested by the language.
60.
According to Señor Garcia Cubas, “this peninsula of Yucatan must have been united at one time, to the island of Cuba, the determining cause of their separation being the impetuous current of the Gulf of Mexico” (Atlas Metodico, Mexico, 1874, p. 32).
61.
For a general account of the ruins of Copan and for a plan on which the position of the different structures, stelæ, altars and prominent sculptures are given, I refer to the Memoirs of the Peabody Museum vol. i, no. 1, containing a preliminary report, of the Explorations by the Museum. Cambridge, 1896.
62.
Historia de la Provincia de Yucathan, by Friar Diego Lopez Cogolludo, Madrid, 1688.
63.
It seems to me that this statement establishes once and for all the order in which these sculptured glyphs are to be read. It is evident that in fastening them to the walls the idea was that of building up the calculiform record by placing the stones above each other, in the same manner that a stone wall would be raised. Accordingly, the earliest records would form the base and the last be at the top.
64.
See Biologia Centrali Americana, pt. i, Copan “a” pl. 9. Casts of this sculpture and of two others nearly identical, from Copan, are in the Peabody Museum.
65.
It is my intention to reproduce these plans of Copan and Quirigua and of other ancient American capitals in the publication I have undertaken to make in co-editorship with Mr. E. W. Dahlgren of Stockholm, of the beautiful map of the City of Mexico and its surroundings, painted by Alonzo de la Cruz, the cosmographer of Philip II of Spain. Mr. Dahlgren published an interesting account of this map, which is preserved in the library of the university at Upsala, in 1889, with its uncolored reproduction on a reduced scale. In his monumental work on ancient cartography, Baron Nordenskjöld also published an uncolored production of this map and, with Dr. Bovallius, exhibited a beautiful facsimile of this precious document, at the Historical Exposition in Madrid, in October, 1892. During the previous summer at Stockholm, I had personally superintended the painting of a perfect facsimile copy of the map which I exhibited in the Anthropological Building of the World's Columbian Exposition in 1893. The original map was exhibited in Stockholm during the meeting of the Congress of Americanists at Stockholm in 1894, and I suggested that it ought to be published in exact facsimile and in colors, particularly on account of the many hieroglyphic names of localities it exhibits. It was thereupon agreed by Mr. Dahlgren and myself that we should jointly publish the map with an accompanying text in English, my share of the work being principally the decipherment of the hieroglyphs of localities, the classification of the tribes inhabiting them, as well as the presentation of all historical facts connected with them that I could obtain from the native and early Spanish chronicles. With characteristic liberality the Duc de Loubat most kindly supported the proposed publication by subscribing to twenty copies of it in advance and depositing the payment for these at the Academy of Sciences. The reproduction of the map has been facilitated by this generous action and I take great pleasure in expressing here our grateful appreciation to the Duc de Loubat, who has been patiently awaiting the achievement of our undertaking. Both Mr. Dahlgren and I have been prevented from completing this up to the present, by work planned previously to the publication of the map. The present publication will prove, however, that the social organization of the Mexicans has been the object of my painstaking study and that, until I had satisfactorily set forth the fundamental principles which influenced not only the distribution of the population, but the ground-plan of the capital itself, any text I could publish with the map would be incomplete. As matters now stand, I propose to treat of the City of Mexico as a type of an ancient American sacred city, to compare its ground plan with those of other native capitals and to trace, as far as possible, the localization of the various tribes and classes of the ancient population, so that we can form an adequate idea of the topography and machinery of the great state known as the Empire of Montezuma. I hope and expect to complete this publication in a reasonable period of time but dare not define its limits, as all scientific research demands more time and strength than can be determined upon in advance. In conclusion I would state that, at the Congress of Americanists which took place at the city of Mexico in 1895, the distinguished Mexican cartographer, Señor Garcia Cubas, whose splendid maps of Mexico are well known, made an interesting communication on this map, of which he had seen a copy.
66.
It has been surmised that the name Palenque is of Spanish origin and means “a palisade;” but it seems far more likely to be the approximate rendering of the sound of the old native word by a Spanish word, in the same way that the Nahuatl Quauh-nahuac became the Spanish Cuerna-vaca, literally cow's horn.
67.
Brasseur de Bourbourg's Maya Vocabulary contains an interesting instance of a native tribe or lineage bearing the name of a bird: “Chel: name of a kind of bird; ancient name of a great sacerdotal family reigning at Tecoh (near Izamal, Yucatan). Thence the title ‘Chelekat,’ which meant holy, exalted, great, and was applied to the head of this family.”
68.
On a large tablet at Ixkun, the cast of which is now in Mr. Maudslay's collection at the South Kensington Museum, similarly placed figures support on their bent backs and shoulders standing personages, facing each other, and surrounded by glyphs. In this case, however, the men who serve as footstools, are bound and distinctly show a difference of type and costume, so that there can be no doubt that the tablet commemorated the conquest of an alien tribe.
69.
Estudio arqueologico y jeroglifico del Calendario o gran libro astronomico.... Mexico. 1889.
70.
Shakespeare, Julius Caesar, iii, 1, 60.
71.
A somewhat disheartening consideration concerning the Stone of the Great Plan deserves mention. The probability is that it was originally painted with the colors of the four quarters and that some of the records thus made are irretrievably lost. On taking the first impressions with gelatine, in order to make his admirable cast of the monolith, Señor Abadiano discovered many traces of color, lodged in small crevices and corners of the carvings. Moreover, the use of the symbolical colors on stone monuments is vouched for by the great painted monolith which was, strange to say, re-interred after having been discovered in the City of Mexico some years ago. The reproduction of an obviously incorrect drawing made of this stone during its uncovered state, has been published in vol. ii of the Annals of the National Museum of Mexico.
72.
Relacion, p. 339, Kingsborough, vol. ix.
73.

Leon y Gama advanced the opinion that the stone, supplemented by a gnomon, served as a solar clock or dial, to mark the hours of the days and the seasons, etc. He added that the stone may have served further purposes than those he enumerated and hints that it may have also recorded lunar periods. This distinguished scholar concludes by acknowledging that the ancient Mexicans possessed enlightened knowledge of the movements of the principal planets and methods of observing them, in order to divide time for the purposes of civil and religious government (Description de las dos Piedras. Mexico, 1852, p. 110).

The late Doctor Philip Valentini, in a learned discourse on the Calendar-stone, read at New York in 1878, expressed his view that it contained a complete and plastic representation of the division of time employed in ancient Mexico.

The distinguished Mexican scholar, Señor Alfredo Chavero, has published the most elaborate treatise which has been written on the subject and discusses the views of Gama and Valentini with much erudition. Referring the reader to his publications in the Annals of the National Museum of Mexico I shall but mention his views that the four symbols, contained in the quadruplicate central figure, record four epochs of the native cosmogony, that the central head is an image of the sun and that the monument itself is a votive tablet which was erected to the Sun in historical time, two conclusions to which I cannot subscribe. It is impossible to discuss fully the valuable publications of Señores Troncoso and Chavero in these cursive remarks, but I shall do so on another occasion. Meanwhile there is one point upon which both of these authorities agree, namely, in admitting the possible connection between the civilization of Mexico and Peru and in recognizing that various ancient people of America had the nahui-ollin in common. A passage in Señor Chavero's work claims moreover special mention, as it contains his supposition that the sign nahui-ollin may have symbolized not only the four movements of the sun, but also those of the moon, which the writer seems to regard as the nocturnal or dark sun. I am quite ready to agree with the above authorities on some of the points mentioned, conflicting as their views appear to be at first sight. Inasmuch as I regard the monument as the image of a plan or theoretical scheme which colored and influenced all native thought, I hail any recognition made by other students of its all-pervading presence in the Calendar and in the cosmogony of the ancient Mexicans. On the other hand I maintain a view which materially differs from those of previous writers, namely, that the entire plan was originally based on the primitive observation of Polaris and in the conception of a stable centre: the seat of a power extending over the Four Quarters and the Above and Below.

74.
In the text, as published, Bernal Diaz states that this statue had a face like that of a bear “un rostro, como de osso,” but goes on to say that it was decorated according to the same mode as the other “del otro.” I am inclined to think it more than probable that instead of “de osso ” the text should also read “del otro,” as among the many images of Tezcatlipoca that are extant, none show him connected with the bear in any form or shape.
75.
In Tullan we seem to find the Maya equivalent to the Mexican Itzacual=enclosure, by which the Teotihuacan pyramids are popularly designated, as may be verified by the discussion of the Maya word in the preceding pages (cf. tulum, tulul, tuliz, tulacal), which conveys the idea of something enclosed, entire, whole and universal and will be reverted to. Cholol-lan seems to be connected with the verb cholol-tia=to escape (like game from a snare or net) to fly, or to spring away. According to this, Cholol-lan would mean “the place of escape or flight” and it will be seen that this designation will be found to agree with the native tradition concerning the purpose of the pyramid, which will be cited presently. It is not impossible, however, that Cholol-lan may be bilingual and also be a corrupt rendering of the Maya ho or hool=head, also capital. This supposition receives a certain support from Padre Rios' statement that “the inhabitants of Cholula, in their sacred festivals, performed a solemn dance around the pyramid chanting a song which began with the words Tulanian Hulaez.” These, he states, “belonged to none of the languages now spoken in Mexico” (Orozco y Berra op. cit. p. 363). The name Tlachiuhaltepetl is translated by Orozcoy Berra by “mountain made by hand,” i. e. artificial mountain or pyramid; from tlachiuhaliztli, the act of accomplishing some work forming or creating something. As the origin of primitive symbolism is a question of such deep interest I shall mention here some curious data in connection with the pyramid. The word Tlachiuhale was a title or name applied to the “Creator or Former of living creatures.” In order to express the sound of this word in the picture-writings, it is obvious that a pyramid could have been employed, since it graphically and phonetically conveyed the desired sound tlachiual-tepetl. At the same time a complementary sign would be necessary so as to obtain a symbol which would specially apply to the Creator alone. The word tlachia=to look, see, watch, naturally suggests itself, as a complement to the sound tlach; and to express, in a cursive way, the action of seeing, an eye sufficed. We thus see that an artificial mountain or pyramid and an eye formed a hieroglyph which expressed the sound “Tlachiuale” and signified the “Creator.” As the eye by itself was the sign for star, and the idea of a central star, as frequently depicted in the nahui-ollin sign, was an emblem of the creative and central power, it is evident that, besides its literal meaning, i. e. an artificial or created mountain, a “tlachiuhaltepetl” would have been regarded by the initiated as the Mountain of the Creator, the sacred pyramid, which was the image of central, dual and quadruple power.
76.
The testimony of early Spanish missionaries established the fact that in ancient Mexico a caste of master builders and masons existed, whose name, Tulteca, identified them with the ancient centre of civilization and integral state of Tullan. “Whenever the natives were asked who had constructed certain edifices, passes and roads, etc., they invariably answered the ‘tultecas,’ a Nahuatl word in current use, which signified ‘the skilled artificers or workers in stone, etc., the master-masons or builders.’ ”
77.
The ancient native name of this volcano was Citlal-tepetl, literally the Star Mountain, from which it may, perhaps, be inferred that, from the plains, its high and sharp peak served as a means of registering the movements of certain stars and planets.
78.
China, Prof. Rob. Douglas, p. 259.
79.
The Chinese designation ho, applied to the limits of space, is particularly interesting in connection with the Maya ho and its homonyms.
80.
“The Mongol-Mayan Constitution,” The American Antiquarian, May and June, 1898. It is with all the more genuine appreciation that I point out how Mr. Wickersham, anticipating my publication of the same conclusion, has recognized that the Zuñis, Mexicans and Peruvians as well as the Chinese, were ruled by what he aptly terms the “Quadriform Constitution,” since it has taken me years of hard study to perceive this common basis. I likewise draw attention to his study in primitive law, “The Constitution of China (Olympia, 1898),” but must remark that I strongly differ from his conclusions in the recently published Answer to Major Powell's inquiry “Whence came the American Indians?” (Tacoma, 1899.)
81.
Shu King. The Chinese Classics, Legge. Book I, p. 37.
82.
Sacred Books of the East, Legge, vol. iii, Shû King; also W. H. Medhurst, Shanghai, 1846.
83.
An interesting note in connection with the assignment of color to the cardinal points in Asia, is given by Schlagintweit (Buddhism in Thibet, 27, 3), who relates that “the walls of the temples look towards the 4 quarters of heaven and each side should be painted with its particular colour, viz.: north=green, east=white, south=yellow, west=red, but this rule is not strictly adhered to; most, indeed, are painted red.” As a parallel to this I refer to Sahagun's description of the temple of the high-priest Quetzalcoatl at Tula, which held four chambers facing the cardinal points; “The east chamber was termed the golden house and was lined with plates of gold; the west chamber was termed the house of emeralds and turquoises; the south chamber was inlaid with silver and mother of pearl and the north chamber with red jasper and shells.” Sahagun describes also a second building of the same kind, in which the decoration of the four rooms was carried out in the same colors, in feather-mosaic (op. cit. Book x, chap. xxix).
84.
The alligator-altar of Copan and the “Great Turtle” of Quirigua, on which four limbs may be discerned, are the most remarkable examples of the native employment of the quadruped figure as a symbol of clan-organization and the great Quadruplicate Plan. An interesting instance of the association, in China, of the form of a four-footed animal with numerical divisions is furnished by the following passage from the Book of Yu, Shoo-King, ed. Legge. Khung-she has said that “Heaven conferred on Yü the divine tortoise bearing a book out of the river; on its back were various numbers, up to nine. Yü arranged them and completed the 9 species. On the head of the tortoise was 9, on the tail 1, on the left side 3, on the right 7. The shoulders were formed by 2 and 4, the thighs by 6 and 8.”
85.
As Prof. E. B. Taylor has aptly pointed out: “By accident the [Mexican] Calendar may be exactly illustrated with a modern pack of cards laid out in rotation of the four suits, as an ace of hearts, 2 of spades, 3 of diamonds, 4 of clubs, 5 of hearts, etc.... This system [of combining signs with numerals] is similar to that of central southwestern Asia where, among the Mongols, Tibetans and Chinese, etc., series of signs are thus combined to reckon years, months and days.... Humboldt makes this comparison in his Vue des Cordillères, p. 212”.... (Article “Mexico,” Ency. Brit.).
86.
The following passages contain interesting evidences of the ancient application of the number seven to tribal organization in China. “In the time of the Suy dynasty Manchuria went by the name of Mo-ho in China ... the people being then divided into seven tribes.... Towards the end of the eleventh century one Yang-ko was elected as their chief ... and he organized something of a regular government throughout the various tribes of Jou-tchi or Niô-tchi's and collected taxes from them. The highest of his officers were all styled po-k-eih-lee and were distinguished by the names of the sun, planets and 28 constellations of the Zodiac. Every five, every ten and every hundred men had their special officers.... From the chief of five to the chief of ten thousand, each trained his dependents in military art....” Wylie: On the origin of the Manchus (Chinese Researches, p. 244).
87.
The Nestorian Tablet in Si-ngan-foo (p. 24, Chinese Researches. Shanghai, 1897).
88.
(The Religion of Japan, Wm. Elliott Griffis. London, 1895, p. 67 and note 9.) This curious agreement between the Japanese and other ethnic traditions, in locating Paradise, the origin of the human family and of civilization at the north pole, has not escaped the attention of Dr. W. F. Warren, President of Boston University, who makes extended reference to it in his suggestive book, “Paradise Found, The Cradle of the Human Race at the North Pole. A Study of the Prehistoric World. Boston, 1885.”
89.
An interesting parallelism in the development or evolution of the idea of rotation around a central pole was brought to my notice by a model in the Indian Department of the South Kensington Museum. It represents the Hindu fanatical religious rite known as the “Churruck Puja.” Four individuals are suspended by cords, with hooks drawn through their flesh, to a movable wooden structure like a wheel surmounting a high pole, similar to that used by the Ancient Mexican “flyers” (see p. 24) which likewise served as a pivot for the circling motion of the performers. The torture voluntarily endured by the latter recalls that accompanying the sacred sun pole-dance of certain North American Indian tribes. It is interesting to contrast the ancient Mexican refined and intellectual symbolization of circumpolar motion with the fanatical and hideous self-torture associated with the North American and Hindu modes of representing the same phenomena, as it throws much light on the development of certain sides of human nature.
90.
Mr. Wm. H. Goodyear, from whose admirable work, the Grammar of the Lotus, the above quotations are taken, remarks that “the myth of Horus rising from the lotus, as found in the Egyptian texts, is the exact counterpart of this idea and as far as Brahmanism is concerned, is much the older;” also that “it is possible that the lotus symbolism of Egypt and India dates from a race which divided into separate branches; it is also possible that the people of India experienced the influence, direct or indirect, of Egypt.”
91.
Researches into the origin of the primitive constellations of the Greeks, Phœnicians and Babylonians (Robert Brown, jun., F. S. A., M. R. A. S., vol. i, 1899, p. 357).
92.
In Assyria we find one of the oldest temples bearing the name E-kharsag-kurkura, that stamps the edifice as the reproduction of the “mountain of all lands” and there are other temples that likewise bear names in which the idea of a mountain is introduced.... The zikkurat or “mountain-house”=E-kur was at Nippur, Sippar, Uruk, Ur and Larsa, “the centre of a considerable group of buildings; while at Babylon ... the temple area of E-sagila must have presented the appearance of a little city of itself, shut off from the rest of the town by a wall which invariably enclosed the sacred quarter.” The name E-kur was used at Nippur, by extension, to denote the entire sacred precinct which contained the zikkurat or staged tower, the great court where worshippers assembled, shrines and other minor structures. The excavations at Nippur have afforded us, for the first time, a general view of a sacred quarter in an ancient Babylonian city. The extent of the quarter was considerable. Dr. Peters' estimate is eight acres for the zikkurat and surrounding structures.... “A factor that contributed largely to the growth of the sacred precinct in the large centres was the circumstance that the political importance of such centres as Nippur, Lagash, Ur, Babylon and Nineveh led the rulers to group around the worship of the chief deity, the cult of the minor ones who constituted the family or court of the chief god.” A “list of temples in Lagash, recently published by Scheil, ... furnishes the name of no less than thirteen sacred edifices, and we are certain that as many as four or five smaller chapels surrounded the precinct in which stood the great temple E-ninnu ...” (Jastrow, op. cit.).
93.
These facts shed additional light and interest upon the Mt. Meru of India, where the Brahmans sought union with their god Brahma.
94.
“Diodorus Siculus maintains that the E-kur was employed as an astronomical observatory. The antiquity of Babylonian astronomy is indicated by the testimony of Simplicius and Porphyrius who relate that Callisthenes, the companion of Alexander the Great during his campaigns, brought back from Babylon and communicated to Aristoteles a series of observations which had been made there for a period of 1,903 years. Accordingly, the Chaldæans must have begun to make astronomical notes more than 2,200 years before the Christian era. It stands indeed to reason that they must have made observations during countless centuries, since they discovered the Saros, known as the Chaldæan period of 6583-1/3 days, which served for the prediction of eclipses and were also acquainted with the precession of the equinoxes.”
95.
Professor Jastrow tells us that the name Shamash merely signifies vassal or servitor. I venture to point out what is doubtlessly a fact familiar to Assyriologists, that the name closely resembles the Babylonian-Assyrian name Shame=heaven, the equivalent of the Sumerian an, a word of which the most ancient cuneiform signs were four crossed lines, forming eight lines proceeding from a common centre.
96.
A striking corroboration of the view that China derived its civilization from Asia Minor is afforded by the resemblance between the Assyrian Anu and the Chinese Shang, both signifying Heaven, and the Assyrian Ea and Chinese Lea, both applied to “the Below.”
97.

An analytical study of the Babylonian and Assyrian divinities enumerated in Professor Jastrow's hand-book enables us to detect some of the natural associations of ideas that influenced the formation of one artificial theological system after another, all springing from a single root.

The fundamental realization of the antithesis of light and darkness giving rise to the division of the universe into two distinct parts, the conception of an eternal antagonism between both followed and led to the stage of thought set forth by Mr. Robert Brown who tells us (op. cit.) that “the original twins were the Sun and Moon” and that an archaic cosmogonic legend attached to the third month of Kas (twins) is that of two hostile brethren and the building of the first city. The great twin-brethren who join together to build the city are the Sun and Moon, engaged in preserving cosmic order yet also constantly antagonistic to each other and who constantly chase each other, one being up when the other is down. Mr. Brown also relates the myth of antagonistic satraps Namaros and Parsondas and states that, in the twin stars, Castor and Pollux, named by the Euphrateans the great Twins=Mastab-bagal-gal, the Sun and Moon were re-duplicated. The Euphratean abbreviation is mas=twin or mas-mas, and Pollux is equated with the fourth antediluvian king Ammenon, a name derived from Akkadian: umun=offspring, an=heaven i. e. the Sun, “the son or offspring of heaven.”

98.

“There are reasons for believing, however, that Sarpanitum, the offspring-producing goddess once enjoyed considerable importance of her own; that, prior to the rise of Marduk to his supreme position, a goddess was worshipped in Babylon, one of whose special functions it was to protect the progeny while still in the mother's womb. A late king of Babylon, the great Nebuchadnezzar, appeals to this attribute of the goddess. To her was also attributed the possession of knowledge concealed from men.... A late ruler of Babylon, Shamash-Shumu-kin, calls her ‘the queen of the gods’ and declares himself to have been nominated by her to lord it over men” (Jastrow, op. cit. p. 122).

The following extracts from Assyrian prayers addressed to Ishtar further define her position at one time: “The producer, queen of heaven, the glorious lady. To the one who dwells in E-babbara.... To the queen of the gods to whom has been entrusted the commands of the great gods. To the lady of Nineveh.... To the daughter of Sin, the twin-sister of Shamash, ruling over all kingdoms. Who issues decrees, the goddess of the universe.... Besides thee there is no guiding deity....”

99.
As an illustration of the ideas connected with Astarte it is interesting to note that fish and doves, inhabitants of the sea and air, became her sacred emblems. The horns which she is sometimes represented as wearing seem to be not only symbolical of the moon, but also to be a remnant of a more ancient form of symbolism which associated the goddess with the cow. It is stated that, in Canaan, Astarte was represented under the form of a cow and it will be shown that, in the Egyptian zodiac Polaris and Ursa Major were represented under the form of a bull or cow or its thigh. The eye painted on the prow of the ship was also a symbol of the goddess, an interesting fact considering that the eye expresses a star among other primitive people.
100.
Book v, Chaps. viii-x.
101.
“That the Hebrew and Babylonian traditions [of the Creation] spring from a common source is so evident as to require no further proof. The agreements are too close to be accidental. At the same time the variations in detail point to an independent elaboration of the traditions on the part of the Hebrews and Babylonians.... It is in Babylonia that the thought would naturally arise of making the world begin with the close of the storms and rains in the spring. The Terahites must, therefore, have brought those cosmological traditions with them upon migrating from the Euphrates Valley to the Jordan district.... The intercourse, political and commercial, between Palestine and Mesopotamia was uninterrupted.... The so-called Babylonian exile brought Hebrews and Babylonians once more side by side.... A direct borrowing [of traditions] from the Babylonians has not taken place and while the Babylonian records are in all probability much older than the Hebrew, the latter again contain elements, as Gunkel has shown, of a more primitive character than the Babylonian production. This relationship can only satisfactorily be explained on the assumption that the Hebrews possessed the traditions upon which Genesis narrative rests, long before the Babylonian exile, when the story appears, indeed, to have received its final and present shape.... Yahwe is assigned the rôle of Bel-Marduk, the division of the work of creation into six days is definitely made and some further modifications introduced ...” (Jastrow, op. cit. pp. 452-453).
102.
Dr. von Luschan (op. cit. p. 22) translates this cuneiform sign, which exists in Babylonian and Assyrian forms, as “Siebeneinigkeit” and emphasizes the fact that it is employed in the singular form. The inference that it may designate not only the Pleiades but more probably Ursa Major corroborates the view that the mystic number seven impressed itself upon the human mind by its association with the Septentriones.
103.
The fact that the mountain was the symbol of the centre of the earth and of Bel, throws light upon the meaning of the clay cones which were “very common votive objects in Babylonia especially in the earlier periods.” They would have been appropriately used in the cult of Baal, the personification of the male principle, and are indeed usually represented as offered by male worshippers. That the cones in some cases represented the conical bunch of the male blossom of the palm tree may also be conjectured.
104.
An interesting complement to this is furnished by the texts of oracular messages sent by the goddess Ishtar to King Ashurbanapal who seems to have been a fervent disciple of the theological school of Arbela. On one occasion, when the king's army was in a predicament, Ishtar appears at night and declares: “I walk in front of Ashurbanapal, the king, who is the creation of my hands.” On another occasion the oracle-giving medium reports to the king: “Ishtar, dwelling in Arbela, came with quivers hung on her right and left sides with a bow in her hand and girded with a pointed unsheathed sword. Before thee [i. e. the king] she stood and like the mother that bore thee [with maternal kindness] Ishtar, supreme among the gods, addressed thee commanding: ‘Be encouraged [literally, look up] for the fray. Wherever thou art, I am.’ ” The images of Ashur aiming his arrow and Ishtar with an unsheathed pointed sword recall the biblical description of the flaming sword which turned every way, to keep the way of the tree of life (Genesis iii).
105.
It is interesting to trace to the same origin the “quadriga” which may well have been associated with the “primitive sun”=Polaris, before supreme sovereignty was transferred to Phœbus, the diurnal sun, by the votaries of the cult of Light.
106.
I am pleased to be able, at the last moment, to insert the following interesting points personally communicated to me by Dr. Wallis Budge: In remotest antiquity two mythical mountains marked the two divisions of the land: Bakhan, situated to the southeast, and Manu, situated to the northwest. The latter, like the mountain Meru of India, was the abode of the blessed, towards which the souls of the dead set out from Abydos and where eternal rest was to be found. The curious connection between the north=mehta and the west=amenta, which I have shown to have prevailed in ancient Mexico where the north is named Mictlan and in Yucatan where Aman signifies north, is particularly interesting in connection with the exclamation or exhortation to the soul, constantly met with in the Egyptian Book of the Dead: Er-amentet=to the hidden land! i. e., the northwest.
107.
Thesaurus Inscriptionem Ægyptiacarum ii, p. 212.
108.
First Steps in Egyptian, London, 1898. I am mainly indebted to this useful book and other publications by the same author for the Egyptian words cited in the following pages. An interesting point, personally communicated to me by Dr. Wallis Budge, is that the cardinal points in Egypt were located diagonally, a method which is shown to have also existed in Central America by the diagonal orientation of numberless pyramids and buildings.
109.
A History of Egypt, Vol. ii. London, 1896.
110.
Reference is made to another translation of the hymn in the “Records of the Past,” Vol. ii, pp. 127-136, and to Grébaut, Hymne à Ammon Ra.
111.
First steps in Egyptian, Mr. Wallis Budge, p. 235.
112.
An extremely interesting instance of the hand being actually figured between the sun and the moon, i. e. as the symbol of the Middle, is to be seen on the Phœnician tablet to Baal Hamman and Tanitla, from Carthage, preserved at the British Museum and figured by Mr. Goodyear, fig. 64, 1. Above the hand is a group of symbols consisting of two S-shaped signs, resembling the Mexican picture of Ursa Major. Between these is a pyramid and above this a seven-petalled conventionalized flower, which should be compared with fig. 64, 3, a copy of the familiar flower on the sacred tree of the Assyrians. In fig. 64, 2, copied from another Phœnician tablet (Goodyear), the flower occupies the central position between two hands; the latter taking the places of sun and moon in the tablet 1, an interesting detail considering the instances cited, showing that dual rulership was indiscriminately associated with “right and left hand” or “the sun and moon.”
113.

It is remarkable that the sound of the Latin word for ram=aries, so closely resembles the Egyptian symbols for Amen-Ra (see fig. 63, 1-4) and that the am and ar syllables occur in the following names for ram or sheep, applied to the zodiacal constellation:

Al Hamal=the sheep (Arabic).
Bara=the ram (Persian).
Amru=the ram (Syrian).
Varak=the ram (Parsi).

114.
The inscription on this monument, which also exhibits the portrait statue of Amenophis III, is of particular interest as it states that the temple of Saleb, built by the king, was “very wide and large ... its towers reached to the sky, and the flagstaffs united themselves with the stars of heaven (see official catalogue of the Berlin Museum, p. 122). This appears to indicate that the flagstaffs were employed for purposes of astronomical observations.
115.
The ideas associated with the form of a lion couchant are best learned from the following passages from the Bible: “He couched, he lay down as a lion and as a great lion; who shall stir him up?” (Numbers xxiv, 9, see also Genesis xlix, 9). It is only by the light afforded by such insights into eastern contemporaneous thought that the meaning of the Egyptian sphinx can be in some measure understood.
116.
I address the query to Egyptologists: whether there are any indications of a common identity of sound in the Egyptian word for beard and same name, denoting rule or power, similar to that existing in the Maya language between “ah-meex”=bearded man and “ah-mek-tan” governor, ruler (see p. 232).
117.
The somewhat perplexing allusions to the “divine marriage” of Isis to her father or brother and to her giving birth to her own mother, as in the above text, are very naturally explained by the fact that the successive officiating king-high-priest always personified Ra-Osiris or the Sun and the queen Isis-Sothis-Hathor and the Moon or Sirius. The female child to whom the queen gives birth was destined to be her successor and another personification of Isis, therefore she could be said to have given birth to her own mother, since, like the latter, the child would be an Isis. In the same way the queen could be said to marry her father and brother, as, like herself, the king was the offspring of a divine union and bore his father's title. In connection with the custom of the male Horus naming the “young sun” and the female Horus the young star or moon, it is noteworthy that the son and daughter of Anthony and Cleopatra, who used to assume the insignia of Isis on state occasions, were given the Greek surnames of Helios and Selene.
118.
It is extremely curious and interesting that the Incas, the civilizers of Peru, also set up a disk of gold as the image of the Creator and placed it between images of the sun and moon. We also find the Inca Ccapac Yupanqui, like Amenhotep, deploring the spread of idolatry and image-worship as a misfortune to his vassals and a sorrow to himself. It is recorded of another Inca that, as a wise measure he destroyed all writing, presumably picture and rebus writing, as calculated to mislead his people by a multiplication of symbols. It is an interesting reflection which our increased knowledge of the primitive civilization of Egypt enables us to make, that the organization of Peru, under Inca rule, must have closely resembled that of Egypt in remotest antiquity, at its primitive stage of development, when simplicity, harmony and equilibrium existed throughout the “celestial kingdom.”
119.

The following detached extracts, partly from Mr. Richard Hinckley Allen's valuable work, should be carefully studied in connection with the above text, as they throw further light upon the ideas associated with the sacred centres of heaven and earth by nations with whom the Greeks were in touch.

“To the whole Arabian nation, heathen or Mahommedan, Polaris was Alfass, the hole in which the earth's axle found its bearing” (p. 451).

The following important material pertains to the chapter on India, of whose insufficiency I am painfully aware. “In earliest Northern India the star nearest the pole was known as Grahadhara, ‘the pivot of the planets,’ representing the great god Dhruva, and Al Biruni said that among the Hindus of his time it was Dhruva himself. It was an object of their worship” (p. 456).

In Bournouf's Bhagavata-pûrana (chap. iv) it is said that “Dhruva, meditating on Brahma, stood on one foot, motionless as a post; while he did so half the world, wounded by his big toe, bent over under his weight like a boat which, bearing a vigorous elephant, leans at each step he takes, from left to right.” O'Neil, citing the same source continues: “In consequence of his austerities Bhagavat said ‘I grant thee virtuous Child, a Spot which has never yet been occupied by any being, a Spot blazing with splendor, of which the ground is firm, where is fixed the circus of the celestial lights, of the planets, constellations and stars; which turn all around like oxen round their stake, and which [the Spot] subsists motionless even after the Dwellers of a Kalpa [a day and night of Brahmâ i. e. 4,320,000,000 years] have disappeared. Around this Spot there turn with the stars and leaving it on their right, Dharma, Agni, Kasyapa and Sakra and the Solitaries who live in the Forest’ ...” (p. 801). According to the Vishnu-purâna: “As Dhruva turns, he causes sun, moon and other planets to turn round also, and the lunar asterisms follow in his circular course, for all the celestial lights are in fact bound to the Polar star by aërial cords” (Vishnu-purâna, see O'Neil, p. 503). It is instructive to compare these descriptions of Dhruva with the Akkadian-Sumerian hymn to Ishtar, whom I have identified as the female form of Polaris (p. 342). According to Professor Sayce it begins: “Thou who as the axis of the heavens dawnest. In the dwellings of the earth her name revolves” (O'Neil, p. 715).

O'Neil further notes that “Dhruva is named the sun of Uttâna-Pâda” and that this name is connected with uttarat=north and also signifies outstretched, supine. He also states that “Uttara and Uttarâ was the dual god of the north, the son and daughter of Virâta, and expresses the opinion that the age of the Dhruva legend is unutterable” (p. 503).

According to another Sanscrit legend: “At one time in the history of the creation an attempt was made by Visvamitra to locate a southern pole and another bear in positions corresponding to the northern, this pole passing through the island Lumka or Vadavāmukha (Ceylon)” (Allen, p. 436). Professor Sayce writes: “In early Sumerian days, the heaven was believed to rest upon the peak of ‘the mountain of the world’ in the far northeast, where the gods had their habitations (cf. Isa. xiv, 13) [the mount of congregation in the uttermost parts of the north], while an ocean or ‘deep’ encircled the earth which rested upon its surface.” Von Herder referred to it as “Albordz, the dazzling mountain on which was held the assembly of the gods, and identified it with the holy mountain of God,” alluded to in the Book of the Prophet Ezekiel xxviii, 14; and Professor Whitney quoted from the sixty-second verse of the first chapter of the Surya Siddhanta, “the mountain which is the seat of the gods” and from the thirty-fourth verse of the twelfth chapter: “A collection of manifold jewels, a mountain of gold, is Meru, passing through the middle of the earth-globe, and protruding on either side;” commenting on which he says: the “seat of the gods” is Mount Meru, situated at the North Pole (p. 452).

120.
I likewise deeply regret that it is only since the last pages of the present investigation have been in proof, that a remarkable work, full of valuable material relating to the universal spread of pole-star worship and symbolism, was particularly recommended to me by a distinguished fellow archæologist. Had I realized before this the great value of the late John O'Neil's “The Night of the Gods” (David Nutt, London, 1897), as a compendium, the result of years of conscientious and painstaking labor, I should have made extensive use of it and should have been able to make my survey of the ancient civilizations of the Old World far more complete and my material more convincing. As it is, I can only warmly recommend the work to all interested in the present investigation, who will see for themselves the widely different points of view from which our respective researches have been carried out but will probably be struck with the identity of some of our views. I should like to express here my keen realization of the many blunders and omissions I have probably made in the course of the present investigation, which carried me, reluctantly, into fields of research where I felt myself to be a stranger. In view of the disadvantages under which I have labored, under pressure of time and a frequent inability to obtain all the books I wished to consult, I rely upon the leniency of specialists and upon their kindly communicating to me the faults they detect, so that I may avoid them in future publications.
121.
“The Century Dictionary has a theory as to the origin of the idea of a Bear for the seven stars, doubtless from its editor, Professor Whitney, that seems plausible, at all events scholarly. It is that their Sanscrit designation, Riksha, signifies, in two different genders, ‘a bear’ and ‘a star,’ ‘bright’ or ‘to shine;’ hence a title, the Seven Shiners,—to that it would appear to have come, by some confusion of sound of the two words, among a people not familiar with the sound” (p. 424). “Later on Riksha was confounded with Rishi, and so connected with the Seven Sages or Poets of India. Al Biruni devoted a chapter of his work on India to the seven stars [of Ursa Major] known as Saptar Shayar, the seven Anchorites” (Allen). I draw attention here to the curious fact that the Sanscrit verb to see=iksh is nearly homonymous with riksha and that therefore, in Sanscrit, the association of a star with the eye=akshan, that sees=iksh, must have been a very close one and suggested the employment of the eye as a symbol for star. In connection with the Sanscrit riksha it is curious to note that, in Japanese, riki means power, viz., jin-riki-sha=man—power-wagon; and hasha or rinsha=wagon or wain. The following extract from one of the hymns in the oldest Veda, the Brahmâna, which “mark the beginning of the philosophical creed of the Vedic period,” is particularly significant when compared, not only with the preceding association of Ursa Major with the seven sages of India, but also with Plato's cosmological doctrines: “I have beheld the Lord of Men,” one poet writes, “with seven sons, of which delightful and benevolent [deity] who is the object of our invocation, there is an all-pervading middle brother and a third brother.... They yoke the seven to the one wheeled car; one horse named seven bears it along; the three-axled wheel is undecaying, never loosened and in it all these regions of the universe abide.... Immature, undiscerning in mind, I inquire of those things which are hidden from the gods [cf. Hymn to Amen-Ra, p. 388, where the same expression is used], the seven threads which the sages have spread to envelop the sun in whom all abide (Chambers' Encyclopædia, article India).
122.
Fig. 72, 1, is referred to on p. 319.
123.
The original name for Phrygia is said to have been Askanios, from Askanios its first ruler. The cenotaph of Midas is built in the rock at Jazylykaia, in the vicinity of Kumbet, where other similarly decorated royal tombs exist.
124.
It would be interesting to learn whether the Arabian title Om-al-kara, “the mother of cities,” has ever been connected with Roma by investigators.
125.
It is recalled here that the twin brothers Romulus and Remus are supposed to have been the issue of the union, in the temple of Mars, of the vestal virgin Rhea Silvia with a personification of the god Mars.
126.
The recurrence of the square plan, employed in Babylonia and Egypt (see pp. 333 and 369), is noteworthy.
127.
In course of time each Roman civitas, or political canton or community, possessed such “a centre, which was termed capitolium, i. e. the height, from being originally fixed on a height or hill-top, corresponding to the Greek akra. Round this stronghold of the canton, which formed the nucleus of the earliest Latin towns, houses sprang up, which were in turn surrounded by the oppidum or the urbs (ring-wall connected with urbus, curvus, orbis); hence, in later times, oppidum and urbs became, naturally enough, the recognized designations of town and city.”—Chambers' Encyclopædia.
128.
Diocletian (A.D. 292) revived dual rulership and quadruplicate organization by instituting the quadruple hierarchy of two Augusti and two Cæsars. The prevalence of quadruplicate division with current cosmical conceptions is shown by the following text: “The usual form of taking an augury was very solemn; the augur ascending a tower, bearing in his hand a curved stick called a litus. He turned his face to the east and marked out some distant objects as the limits within which he would make his observations and divided mentally the enclosed space into four divisions.... He next ... prayed and offered sacrifices....” “We learn from ... the augur Cicero that while the Romans only had four divisions to their heavens-templum, the Etruscans had sixteen, obtained by bisecting and rebisecting the four angles” (O'Neil, p. 433).
129.

The cult of Ishtar=Isis, associated with mystery and of Serapis=Osiris, had been instituted in Rome by Domitian (A.D. 82) who caused temples to be built for them. Curious instances of the spread of the cults of other countries throughout the Roman empire have come under my personal notice. In the Museum at Bonn, Germany, there is a Roman tombstone the inscription on which consists of a wheel above the name Jovis, the association of Jove with the wheel, being very remarkable and significant in connection with the present subject.

At Nîmes in the South of France, a curious statue of Mithra was found in the ruins of the Roman city. It consists of a Hermes, surmounted by a hairy, dog-like face. A great serpent is wound around the Hermes, the signs of the zodiac being sculptured between the coils. In the light of the present investigation the meaning of the symbolical statue seems too obvious to require explanation. It is strange that the recollection of seeing this statue at the age of nine with my father, who pointed out and explained the signs of the zodiac to me, is one of the most vivid of my childhood.

130.
The curious association of the number seven with Stonehenge in gypsy folk-lore, which possibly contains vestiges of Druidical folk-lore, is brought out by R. G. Haliburton in his paper on “Gypsy folk-lore as to Stonehenge,” to which I refer the reader.
131.
In the case of Mayapan, Yucatan, the practical use of analogous council-houses is described (p. 209). The Irish tower and seven houses are remarkably in accord with the scheme of organization used in ancient Greece where, at Tenos, each gens was known as “a tower” and each gens, as well as its town, was divided into at least seven parts (p. 456).
132.
John Speed relates that one of the kings of Kent, named Catigera, “was interred upon a plain where his monument vulgarly called ‘citscotehouse,’ consisted of four stones pitched in the manner of the stonehenge.” It is tempting to see in the four stones “pitched” around the grave, the underlying thought of a resting-place in the cosmical centre, of the symbolized four quarters, and to view the prehistoric crosses of Ireland and Scotland as emblematic of the Middle and Four Quarters, associated with secret pole-star and cosmical cult and employed as symbols of time and of quadruplicate government.
133.
Celi-Ced and the cult of the wren. Theosophical review, June 15, 1900.
134.
Light is thrown upon the possible conception of Ursa Major as Thor's wagon and the most primitive form of chariots in general by the archaic chariot of state used, to this day, in Corea and formerly in Japan. It is one-wheeled and the seat, destined for one person, is placed high above the single wheel and rests upon two long poles, the ends of which project in front and behind. Four men are required to support and push this chariot of state, a fine example of which has lately been secured for the Museum of Salem, Mass., by Prof. E. S. Morse.
135.
It is with keenest interest that I look forward to learning, from the distinguished archæologists of Sweden, among whom I have the honor of having highly-esteemed, personal friends, how far their observation and deeper knowledge lead them to entertain views I have advanced concerning the origin of the swastika and the influence of pole-star worship upon the development of primitive religion and social organization. It is from them that I expect information as to the relation of the prehistoric inhabitants of Scandinavia to the ancient centres of civilization which have been discussed.
136.

Hewitt states (p. 90) that, “it was successively immigrating races from the North ... who placed a king at the head of the confederated provinces formed from their confederated villages.... The confederate form of these kingdoms is shown in such names as Chuttisgurh which means the 36 gurhs or united provinces. But the final consolidated form of the pre-Aryan Indian village was that framed by the Kushites. It was they who placed the royal province in the centre of the kingdom.... It was on these principles that the government of the Ooraon village of Chota Nagpore was constructed. The Ooraon form of village government is that which has been preserved with less alteration from subsequent invaders than that of any other part of India, for the Ooraons, Mundas, Ho-kals and Bhuyas have always been able, under the protection of their mountain fastnesses, their political organization and their natural love of independence, to keep their country free from the interference of the hated Sadhs, the name by which they call the Hindus. But these people, who repelled and held themselves aloof from later invaders were of no less foreign origin than those who succeeded them, for they were all formed by the union with the matriarchal Australioids and patriarchal Mongols or Finnish and other Northern stocks, most of whom were formed into confederated tribes of artisans and agriculturists in Asia Minor and it was from the southern part of Asia Minor or Northern Palestine, that the Ooraons came. They themselves say that they came from Western India, from the land of Ruhidas [the land of the red men], but this means Syria, the country whose people were called Rotou by the Egyptians, and they were the race who introduced barley and plough-tillage into India and Chota Nagpore.”

Particular attention is drawn to Wylie's statements, quoted on p. 303, concerning the migration of Israelites to China, via Persia (about A.D. 58-75) and the native record that Christianity was the ancient religion of Ta-Tsin=Syria. Hewitt's identification of Syria as the “red land” causes the Ooraon and Chinese traditions to agree in assigning it as the common source of origin of their civilization. According to Professor Sayce it was “about B.C. 600 that the Phœnicians penetrated to the northwest coast of India,” and “tradition brought them originally from the Persian Gulf” (Ancient Empire of the East, p. 183).

137.
The recent discovery, by Prof. Flinders Petrie, of the mummy of Aha-Mena, and of six other kings of the first dynasty, suggests the possibility that they may have reigned simultaneously and constituted a heptarchy(?). Although it would materially affect Egyptian and Babylonian-Assyrian chronology as it now stands, historians may yet find it necessary to make a revision taking into deeper consideration the existence of tetrarchies and heptarchies in which a number of kings and subrulers reigned simultaneously.
138.
To assist these four principal secretaries are two under-secretaries, one Manchu and one Chinese, and a board of ten assistants. Together, these sixteen secretaries divided between two races, constitute a grand secretariat, which acts as nearly as possible as the cabinet of the Emperor. (Missions in China. Jas. S. Dennis, D.D.)
139.

This association of Tenos with seven-fold division is particularly suggestive because, in Pythagorean philosophy, the number seven was named Parthenos, Athene, also Apollo, Hermes, Hephaistos, Heracles, Dionysius, Rex, etc. These divinities, the second and third of which are specially known as patrons of cities, appear in a new light when it is realized that they were personifications of the number seven and, by extension, of the seven-fold cosmos, state and city. On p. 449, Plato's division of the Cosmos is cited. Reference to the history of Greek philosophy shows, however that the spurious existence of four or five elements had not always been accepted in Greece, that Thalês (640-550 B.C.) had laid down the doctrine of a single eternal, original element, water or fluid substance, and “assimilated the universe to an organized body or system.” Xenophanës (570-480 B.C.) conceived “nature as one unchangeable and indivisible whole, spherical, animated ... penetrated by or indeed identical with God.” It is usually accepted that it was Empedocles (444 B.C.) who first formulated the elements, earth, air, fire and water, to which later philosophers added a fifth, the all-embracing æther.

In a luminous monograph (Pythagoras und die Inder, Leipzig, 1884.), Professor L. von Schroeder, of Dorpat, Russia, quoting the authority of Professor Max Müller, Edward Zeller and Oldenburg, has conclusively shown that the five elements, earth, fire, water, air and æther (Sanskrit ākaçā) already occur in the Brahmanas; were taught in the Sāmkhya philosophy of the Kapila and were therefore known in India at least as far back as in the seventh century B.C. The idea of the five elements is so familiar to the Hindus at the present time that death is usually spoken of as “a dissolution into the five elements,” or a “going over into the Five.” Professor von Schroeder's conclusion is that Pythagorean philosophy derived the elemental divisions from India as well as its doctrine of transmigration, etc., and its science of geometry and of number, mentioning, in support of the latter assertion, the fact that Sâmkya, the name of the ancient Indian school of philosophy, signifies “number,” that its followers were therefore designated as “philosophers or teachers of numbers.” At the same time I point out that, according to Oliver, “a large portion of Egyptian philosophy and religion was constructed almost wholly upon the science of numbers and we are assured by Kircher (Oedip. Egypt, ii, 2) that everything in nature was explained on this principle alone.”

Returning to Professor von Schroeder's work I refer the reader to pp. 59 and 65, and notes for an extremely interesting discussion of the Greek name of the fifth element that figures in the work of Philolaus, the first who wrote a treatise on the Pythagorean system of philosophy. The name employed has been deciphered by different authorities as ὅλχας, ὁλχας, χυχλάς, ογχος, ὁγοτας, or ὅλας. The interpretation given is that the name (the first syllable of which recurs in the word Olympus) signified “that which moves or carries with it the universe.” Professor von Schroeder suggests that the name may be a corruption of the Sanscrit name for æther, the all-embracing element, âkâça. I venture to recall here the curious fact that, in ancient Mexico, the symbol, enclosing the four elements, is always designated as the ollin, a word associated with the idea of “movement” and of life=yoli.

In his work on the “Pythagorean Triangle,” the Rev. G. Oliver gives an extremely clear account of the Pythagorean philosophy and tells us that its central thought is the idea of number, the recognition of the “numerical and mathematical relations of things....” “The Pythagoreans seem,” says Aristotle, “to have looked upon number as the principle and, so to speak, the matter of which existences consist;” and again “they supposed the elements of number to be the elements of existence, and pronounced the whole heaven to be harmony and number.”

Concerning the universe, like many early thinkers, as a sphere, they placed in the heart of it the central fire to which they gave the name of Hestia, the hearth or altar of the universe, the citadel or throne of Zeus. Around this move the ten heavenly bodies ... the earth revolved on its own axis....

They developed a list of ten fundamental oppositions: 1, limited and unlimited; 2, odd and even; 3, one and many; 4, right and left; 5, masculine and feminine; 6, rest and motion; 7, straight and crooked; 8, light and darkness; 9, good and evil.... The union of opposites in which consists the existence of things is harmony; hence the expression that the whole heaven or the whole universe is harmony. Pointing out that it is only by a combination of odd and even numbers that a harmonious cycle is created, I continue to cite from Mr. Oliver's work: “The decade, as the basis of the numerical system, appeared to them to comprehend all other numbers in itself, and to it are applied, therefore, the epithets quoted above of number in general. Similar language is held of the number ‘four’ because it is the first square number and is also the potential decade (1+2+3+4=10). Pythagoras is celebrated as the discoverer of the holy ‘Tetraktos’ the fountain and root of ever-living nature, or the Cosmos consisting of Fire, Air, Earth, Water, the four roots of all existing things.

“Number,” says Philolaus, “is great and perfect and omnipotent, and the principle and guide of divine and human life. Number then is the principle of order, the principle on which cosmos or ordered world exists.” Without number and the limitation which number brings, there would only be chaos and the illimitable, a thought abhorrent to the Greek mind.

140.

“The four Ionic tribes were abolished by Kleisthenes (510 B.C.) who created, in their place, ten new tribes founded on a new principle, independent of the gentes and phratries. Each new tribe comprised a certain number of demes or cantons with the enrolled proprietors and residents in each of them. Each tribe had a chapel, sacred rites and festivals and a common fund for such meetings, in honor of its eponymous hero, administered by members of its own choice; and the statues of all the ten eponymous heroes, fraternal patrons of the democracy, were planted in the most conspicuous part of the agora of Athens.... The demes taken altogether, included the entire surface of Attica. Simultaneously Kleisthenes divided the year into ten portions called Prytanies,—the fifty senators of each tribe taking by turns the duty of constant attendance during one prytany and receiving during that time, the title of The Prytanes. The order of precedence among the tribes in these duties was annually determined by lot.... Moreover, a further subdivision of the prytany into five periods of seven days each and of the fifty tribe-senators into five bodies of ten each, was recognized; each body of ten presided in the senate for one period of seven days, drawing lots every day among their number for a new chairman called Epistates, to whom, during his day of office were confided the keys of the acropolis and the treasury, together with the city seal.” The remaining senators, not belonging to the prytanizing tribe, might of course attend if they chose, but the attendance of nine among them, one from each of the remaining nine tribes, was imperatively necessary to constitute a valid meeting and to insure a constant representation of the collective people. During those later times—the ekklesia or formal assembly of the citizens, was convened four times regularly during each prytany ... (op. cit., vol. iv, p. 138). Special attention is drawn here to the intimate association of the system of government and the calendar, analogous to the ancient Mexican system.

“The number of inhabitants an ideal state should contain and their numerical organization were evidently subjects of supreme interest to Greek statesmen and philosophers. The great work by Aristoteles (384-322 B.C.) on Politics, ‘according to Grote,’ was based on a collection made by himself, of 158 different constitutions of states, which collection has, unfortunately, been lost.” “The purpose of comfortable subsistence for which commonwealths are instituted, requiring a minute subdivision of labor,” Aristotle says, that “in this particular view, the more populous the community its end will be the more completely attained.... All things considered he declares in favour of what would be now deemed a very small commonwealth, consisting of 15,000 or 20,000 citizens....”

“In his ‘Book of Laws’ Plato intended to delineate a more practicable scheme of government than that of his first.... His two republics nearly agree in form, though they differ in magnitude; the first containing one thousand and the second five thousand and forty men bearing arms.... In his second republic he equalizes estates but leaves population unlimited.... A regulation directly the reverse of this is introduced by one of the most ancient writers on the subject of politics, Pheidon of Corinth, who limits population, but does not equalize possessions.... The republic, planned by the architect Hippodamus, consisted of ten thousand men, divided into the three classes of artificers, husbandmen and soldiers. The territory he likewise divides into three portions: the sacred, destined for the various exigencies of public worship; the common, to be cultivated for the common benefit of the soldiers; and the private, to be separately appropriated by the husbandmen. His laws were also divided into three kinds....” (Aristotle's Ethics and Politics, John Gillies, LL.D., London 1804).

The knowledge that a republic was actually planned on the scheme of three-fold division naturally suggests the possibility that the Sicilian coat of arms, the triskeles, may be a survival of a period when a similar republic existed in Sicily and the year was divided into three seasons only. (For interesting details concerning the employment and spread of a year of three seasons in ancient times, see Hewitt, op. cit. Preface xvi, vol. i.)

In Grote's history we learn that after the establishment of the first Athenian democracy by Kleisthenes and the victory they gained over the Bœotians and Chalkidians, the Athenians planted a body of four thousand of their citizens as kleruchs (lot-holders) or settlers upon the lands of the wealthy conquered Chalkidians. This is a system which we shall find hereafter extensively followed out by the Athenians in the days of their power; partly with a view of providing for their poorer citizens, partly to serve as garrison among a population either hostile or of doubtful fidelity. These Attic kleruchs did not lose their birthright as Athenian citizens: they were not colonists in the Grecian sense and they are known by a totally different name—but they corresponded very nearly to the colonies formally planted out on the conquered lands by Rome. The increase of the poorer population was always more or less painfully felt in every Grecian city ... the numerous kleruchies sent out by Athens, of which this to Eubœa was the first, arose in a great measure out of the multiplication of the poorer population, which her extended power was employed in providing for ... (op. cit. vol. 4, p. 171). The number “four thousand” specially designated is of particular interest because the letter of the Greek alphabet expressing it was the delta, in the form of a triangle or pyramid, which also signified “the fourth” or “a quarter.” The ideas suggested by these facts are: that the foundation of such a colony would have been commemorated by the building of a pyramid by the conquered race, the division of labor amongst them preparing the way for the institution of a social organization on the familiar plan (cf. p. 273). It is only when we reflect what an admirable means of establishing communal life and activity the mere act of building under direction and guidance must have been, that we appreciate the fine wisdom of the ancient kings, civilizers and culture-heroes, who were, first of all, master builders, architects and masons and who began the work of rearing an empire by directing the erection of a monument which, by its form, expressed the all-pervading plan of organization.

141.

“Taylor says that the reason Plato adopted this division is because the number 12, the image of all-perfect progression, is the product of 3 by 4, both of which numbers, according to the Pythagoreans, are images of perfection. On the other hand, Ast conceives that Plato had in mind the division of the country in twelve parts found in Egypt and elsewhere, and which seems, as may be inferred from other portions of his work, to have been connected with the division of the year into twelve months, each under the superintendence of one of the twelve greater gods.” To this note I add the remark that, in B. vi, C. 8, Plato distinctly refers to the twelve tribes as “the thrice four tribes, recommending that they should appoint thrice four interpreters,” one for each tribe. It should also be recalled that Cecrops is said to have employed the division into twelve and is supposed to have brought it from Egypt. In the present summary the employment of the same division in other countries can be verified.

It may be of interest to note here that, like the Egyptians, the Greeks divided their month into 3 decades. The year consequently contained 3×12=36 decades+5 days.

142.
Considering that the employment of silver or gold currency among the nations of antiquity has been regarded, by some, as a proof of advanced culture, it is interesting to learn, from the following passage, that, as a result of experience and with wisdom and foresight, Plato recommended the adoption of different forms of currency in each different state, in order to avert the dangers resulting from the accumulation of riches. “A law ... that no private person be permitted to possess any gold or silver; but that there be a coin for the sake of daily exchange, which it is almost necessary for handicrafts to change and for all who have need of such things to pay the wages due to hired persons, be they slaves or domestic servants. On which account we say that they must possess coin which is of value to themselves, but of no worth amongst the rest of mankind.” It is curious to note how closely the employment of the cocoa bean, in ancient Mexico and of wampum in North America, as the staple currency, fulfilled the purpose recognized as desirable, by Plato.
143.
At the last moment I learn that fragments of Ægean pottery lately found at Abydos in tombs of the Egyptian kings of the first dynasty, by Prof. Flinders Petrie are considered to prove that, “Grecian merchants sailed the seas in 4500 B.C., ... a conclusion further borne-out by the pictures of vessels with 60 oarsmen, vessels quite large enough for crossing the Mediterranean, which have been seen on prehistoric memorials of the oldest inhabitants of Egypt” (Rawnsley). In this connection it is interesting to learn, from Professor Sayce, that the Phœnician galley was the model of the Greek one, that it was at Carthage that a ship, with more than three banks of oars, was first built, and that its pilots steered by the pole star, not, like the Greeks, by the Great Bear (Ancient Empires of the East, p. 205).
144.

An interesting interpretation of this somewhat obscure sentence is obtained by collating it with the conception of “the revolving eye of the Norse world mill-stone which was directly above Oergelmer and through which the waters flowed to and fro from the great fountain of the Universe mountains” (p. 472). The analogy is strengthened by the fact that the mountainous region in which Kyrênê was situated has always been noted for its fertility, the water, from the mountains enclosing its plains, settling in pools and lakes, affording a constant supply, during the summer months, to the Arabs who frequent it. The feature of Kyrênê, most renowned in antiquity, was its inexhaustible Fountain of Apollo, and travellers describe how, to this day, the Bedouin Arabs flock to it when their supply of water and herbage fails in the interior. Grote states that the same circumstance must have operated in ancient times to hold the nomadic Libyans in a sort of dependence upon Kyrênê (Grote, op. cit. vol. iv, p. 37).

The realization that an inexhaustible fountain of water meant life to primitive nomadic people, enables us to understand the expression “fountain of life” and the constant associations of the sacred central mountain with pools of water and streams flowing in four directions. It is remarkable and highly suggestive how closely the following topographical details, given by Grote, of the original seat of the Macedonians (which were in the regions east of the chain of Skardus, north of the chain which connects Olympus with Pindus and which forms the northwestern boundary of Thessaly), coincide with the conception of Mt. Meru, for instance.

“Reckoning the basin of Thessaly as a fourth, here are four distinct inclosed plains on the east side of this long range of Skardus and Pindus,—each generally bounded by mountains which rise precipitously to an alpine height, and each leaving only one cleft for drainage by a single river,—the Axius, the Erigōn, the Haliakmōn and the Peneius respectively. All four plains ... are of distinguished fertility ...” (Grote, op. cit. vol. iv, p. 10). The close vicinity of Olympus, the Grecian “divine mountain,” is particularly suggestive, inasmuch as it proves to be geographically associated with four remarkable plains and rivers.

145.
“This metaphorical name (the Krittakas) was derived from the vocabulary of the Northern races, who had learned in Asia Minor and the neighborhood of the Caspian Sea to spin thread and weave cloth from the flax of Asia Minor, and the hemp of the shores of the Caspian Sea, and who had taken their knowledge with them when emigrating to the villages of the Neolithic life in Europe and to the Kushite Empire in India, where they divided the people into guilds or trade unions, founded on community of function, and discovered how to use cotton thread for weaving. The reverence of the Ashura Kushika for the Pleiades, whose mother star is Amba, also proves them to be connected with the southwestern Semites, the Himydritic Arabs of Southern Arabia, the land of Sheba, meaning seven, meaning the seven stars of the constellation of the Great Bear, called by the Arabs Al-suha, who first worshipped the Pleiades with its 6 stars, the sacred number of the Ashura, as their mother constellation, under the name of Tur-ayya, or children of the father-pole (tur, of the Turanian race) ...” (Hewitt).
146.
Various writers have observed and pointed out the close resemblance in form and decoration, between the terra-cotta whorls found, in profusion, in Mexico and those of Troy.
147.
There is, however, a wide difference between Hewitt's views and mine concerning the stars associated with the year wheel and the origin and meaning of the primitive cross-symbols and swastika, although at times they partially agree. As Hewitt gives several totally distinct and different explanations of the origin and significance of crosses and swastikas, it is difficult to understand clearly his standpoint. On p. 9, vol. ii, he makes an interesting differentiation between a diagonal or transverse and upright cross, respectively designating them as rain-cross and fire-cross, and states that their superposition forms the eight-rayed star, the Akkadian and early Indian sign of Anu=god. On p. 145, vol. ii he names the transverse cross a sun-cross and says it describes the track of the sun across the heavens, on solstitial days and distinctly describes the swastika in the centre of the triangle on the Hindu altar, as “a symbolic picture of the sun rising at midsummer in the N. E. and setting in the N. W., and at the winter solstice rising in the S. E. and setting in the S. W.” On the other hand Hewitt associates the right-angled cross with the fire-god and the pole-star (p. 191, vol. ii), and the five-rayed star of Horus as the rain or meridian pole, or mountain standing in the midst of the four stars marking the four quarters of the heavens (p. 9, vol. ii and p. 17, vol. i). I recommend a careful re-perusal of all of Hewitt's interpretations of cross-symbols and swastika and a close comparison of these with my views, as set forth in the beginning of the present publication, to Mr. Stansbury Hagar who, somewhat hastily, upon hearing my brief communication to Section H of the A. A. A. S. in New York, June 1900, stated (in the October number of the Folklore Journal) that my view concerning the origin of the swastika was the same as that suggested by Hewitt.
148.
Referring the reader to pp. 186-192 for details concerning native tree worship, I shall but add that to this day, among certain North American tribes, the planting of the sacred tribal pole in the hallowed earth socket is accompanied by curious ritualistic marriage rites, and the ceremonial kindling of the sacred fire of the fire drill. For the association of four Mexican tribes with four tribal trees and totemic birds, see fig. 53, and note that the central figure, enclosed in a square, is represented as though four streams of blood, flowing from the four angles, converged in his person, constituting him the “Four in One.”
149.
The only mention of a movable axle or hub that I know of in Mexican chronicles is the cylinder of wood, described on p. 24 as being shaped like a mortar. The only native illustration I have met which suggests the native employment of some kind of revolving press or axle is the curious and clumsy apparatus figured on pp. 11 and 12 of the Selden MS. preserved at the Bodleian Library at Oxford, and reproduced by Kingsborough. An examination of this strange mechanical contrivance apparently associated with a monkey=ozomatli, and the sacrifice of two prisoners, will be found as interesting as it is puzzling.
150.

In a paper read to the Section of Anthropology of the New York meeting of the American Association for the Advancement of Science, Mr. Stansbury Hagar communicated the interesting results of his study of the Salcamayhua tablet which has been alluded to on p. 162 of the present publication. With his kind authorization I take pleasure in citing here his interpretation of the name of the Peruvian Creator, an abbreviation of which is inscribed on the plate or tablet. It will be found to accord with that given by Sir Clements B. Markham (History of Peru, p. 20), but to be more explicit. According to his view the name should be analyzed as follows: illa=light, lightning=fire; ticci=foundation, brick=earth; uayra i. e. huaii=air, wind; cocha=lake=water.

“Illa ticci uayra cocha would thus mean: the universal spirit defined by naming what seemed to a people unacquainted with scientific chemistry to be the four ultimate elements.”

Referring to the cognate Aymara language, Mr. Hagar interprets the name pachaya chachic as “source, lit. male ancestor, grandfather of all things,” and states that the opening inscription on the tablet should therefore read: “Spirit of Fire, Earth, Air and Water, source of all things” ... that is to say “image of the source whence heaven and earth have emanated.” Mr. Hagar states that this source seems to be appropriately figured by the oval form which he interprets as an egg (see fig. 28, c). On the other hand I point out that the flat plate of fine gold, which was set up by the Inca Manco Capac between images of the sun and moon, is figured as circular in shape (fig. 28, b).

I draw attention to Mr. Stansbury Hagar's interesting and suggestive paper on “The Celestial Bear,” which appeared in vol. xiii, no. xlix, of the Journal of American Folk-lore, in July, 1900. In this he relates the legend connected with Ursa Major by the Micmac Indians, that “this group of stars served to mark the divisions of the night and the seasons for the Micmacs.” A point of particular interest in connection with the Micmac legend is the fact, so clearly distinguishable, that the story was suggested to the minds of the Indians by the different positions assumed by the constellation in its annual circuit around Polaris.

“The Micmacs say,.... In all things as it was and is in the sky, so it is on earth.... In midspring the bear does actually seem to be climbing down out of her [celestial] den [corona borealis], which appears higher up to the northern horizon. In midsummer ... the bear runs along the northern horizon.... Soon after the bear assumes an erect position she topples over on her back [is slain] in the autumn. In midwinter she lies dead on her back, ... but the den [corona borealis] has re-appeared, with the bear of the new year lying therein, invisible. But this does not end the story of the bear, ... through the winter her skeleton lies upon its back in the sky, but her life spirit has entered another bear who also lies upon her back in the den, invisible and sleeping the winter sleep. When the spring comes around again, this bear will again issue forth from the den to be again pursued by the hunters, to be again slain, but again to send into the den her life-spirit, to issue forth yet again when the sun once more awakens the sleeping earth. And so the drama keeps on eternally.” Reasoning by induction, I am strongly tempted to assign the origin of the Egyptian myth of Osiris and of the “child in its cradle,” to the same source of inspiration—possibly also other myths of antiquity, such as the twelve labors of Hercules (held by O'Neil to be a pole-star god) may be assigned to the same source. At all events, the Micmac example is extremely instructive and suggestive.

The following extracts from Mr. Hagar's paper establish that Ursa Major was known as the Bear to several North American tribes, and generally served to mark time and seasons. “In a Blackfoot myth we read: The seven Persons slowly swung around and pointed downward. It was the middle of the night,” showing that they too marked the time at night by the position of these stars. So the Zuñis tell, when winter comes, how the bear, lying, sleeps, no longer guarding the West land from the cold of the Ice gods, etc., a story which demonstrates that in Zuñi mythology there was a marked association between the terrestrial bear [the “great white bear of the seven stars,” Cushing] and the seasons.

The Ojibways mention the constellation in connection with the four quarters in heaven, showing that they, at some time, were accustomed to mark their seasons not only by the position of the stars of the Bear, but also by the rising and setting of various fixed stars.

In conclusion I would state that Miss Alice Fletcher has informed me that, among the Omaha Indians, time is measured by Ursa Major, and that the pole-star is named the “Star which never travels.”

151.
“The amulet is of finely wrought silver, with magic inscription, the seven-branched candlestick of Jerusalem and the usual Christian monogram. The inscription is in Greek, mixed with barbarous and unintelligible forms. It contains however express allusions to Christianity and states that whoever wore it would be sure to please gods and men.” It is well known that Constantine had on the reverse of his coin the inscription Sol Invictus and on the obverse the monogram of Christ. “This has been interpreted as a proof that the sun was his own guardian deity,” but I venture to explain the adoption of the sun as analogous to the ancient Egyptian mode of designating the sovereign as the son of the sun, the sacred representation of Heaven. Dean Stanley (Eastern Church, p. 193) refers to Constantine's “mode of harmonizing the discordant religions of the empire under one institution and retention of the old Pagan name of Dies Solis or Sunday, for the weekly Christian festival,” which was recommended by Constantine to his subjects, Pagan and Christian alike, as “the venerable day of the Sun.”
152.
“No country in the world can compare with India for the exposition of the pyramidal cross.... The body of the great temple of Bindh madhu (formerly the boast of the ancient city of Benares ... demolished in the seventeenth century) was constructed in the figure of a colossal cross, with a lofty dome at the centre, above which rose a massive structure of a pyramidal form. At the four extremities of the cross there were four other pyramids.... A similar building existed at Mhuttra.... By pyramidal towers placed crosswise the Hindoo also displayed the all-pervading sign of the cross. At the famous temple of Chillambrum, on the Coromandel coast, there were seven lofty walls, one within the other, round a central quadrangle, and as many pyramidal gateways in the midst of each side which forms the limbs of a vast cross” (Faber, quoted by Donelly in Atlantis, p. 335).
153.

“The Tur-vasu, or people whose creating god (vasu) was the pole (tur), when united with the traders of the south, became the mercantile mariners of the Indian Ocean, who had imposed their rule and traditions both on the lands of Northern India and on those of the twin rivers, the Euphrates and Tigris.... From India, the only land on the Indian Ocean where they could build sea-going ships, they extended their trade, forms of government and national myths, first to the Euphratean kingdoms and afterwards to Egypt and Syria, where they were known to the Greeks as the Phœnicians” (p. 356).

“These people had seven parent stars whose names are preserved. Professor Sayce has identified the first of these, Sugi, with ‘the star of the Wain’ and states that it means the ‘creating-spirit-reed’ or the northern khu=bird, the ‘reed of the bird, the mother of life.’ Sugi is therefore an additional name for the Bear to that of Bel, distributor of waters.... In both names the metaphor is the same, for it is from the reeds at the source of the rivers, their point of distribution, that the rivers are born.... Both names denoted the star that led the year and it was the Great Bear, as Sugi, that led the earliest year, opening with the week of creation” ... (p. 357). ... “The sons of the Tur or pole were the Indian Tur-vashu, the Zend Turanians, the mariners of Asia Minor called by the Egyptians Tour-sha (Maspero), the sea traders of the Mediterranean called the Tur-sene of Lydia, the Tur-sena or Tyrrhenians of Lemnos and Etruria, who spoke a language closely allied to that of the Akkadians. That their god was worshiped in Cyprus and Asia Minor is proved by the terra-cotta whorl found in one of the settlements on the site of Troy, dedicated in Cypriote characters to Patori-Turi, the father Tur, who gave his name to the Phrygian city of Turiaion. The great antiquity of the settlement is proved by the fact that though some bronze knives and instruments were found in it, by far the greater number of implements were of stone and the pottery, though similar to that of Mycenæ, is of a more archaic type” (Schuchhardt's Schliemann's Excavations, App. I, 331-332 and 334).

“They were also the first spinners, weavers, makers of pottery and built canoes and worked in mines.... They grew wheat, barley, peas, flax and fruit trees.... These men covered the whole of Europe and Southern Asia ... and the Indian Dekhan with cromlechs and stone circles, which were certainly in some cases roofed over, dolmens, meaning stone tables, shrines, altars, tumuli and memorial stones or pillars and all of these, whether found in Western Europe or Southern Asia, are completely identical in character. These people had, in their migrations, established an active and widespread foreign trade...” (p. 178).

“These maritime Tursena were intermingled with the matriarchal Amazonian tribes who preceded them, and who seemed to have founded the ancient ports of Asia Minor and Palestine, especially the Ionian cities of Smyrna and Ephesus and that of Askelon. It was in the land of Phrygia, the mountain countries of the Caucasus range and the snowy heights whence the Euphrates rose, that the earliest shepherds met the matriarchal races, the immigrants from the southeast, the Hindu village communities, who are called by the Greeks Amazons, and are described as the earliest ruling races of Asia Minor and Greece (p. 175).”

“... The Great Naga is the Akkadian god Ner-gal, and the Phœnician god Sarrahu, or the Great Sar. His name among the Shuites, or the worshippers of Susi-nag on the west of the Euphrates, is Emu, a name which is letter for letter the same as that of the national god of the Ammonites, Amun” (Sayce: Hibbert Lectures, 1887, iii, p. 196, note 1. “Amun means the builder, or architect, and is, like that of the Egyptian god, formed of aman, to sustain” (Gesenius, Thesaurus, p. 115). “He was the god of the house pole, who became in Egyptian Thebes, Amen-Ra, the hidden, and it was the people who made the house-pole the symbol of their ancestors, ... who brought to Egypt as well as to Assyria and India, the custom of having cities for the dead apart from those for the living.... It was from the rains of the summer-solstice ... generated from the Naga snake that the Phœnician sons of Kush were born, whose kings, like those of Egypt, wore the Uræus snake as a sign of royal authority. Their original settlement, according to a tradition recorded by Theophrastus, was at Tulos or Turos, in the Persian Gulf, the modern Bahrein. This was the holy island of Diloun, called Dilmun by the Akkadians.... It was the settlement of Hindu navigators in the holy island of Dilmun in the Persian gulf, and at Eridu, which first brought them in contact with the Arabian star-gazers and merchants, and it was the union, in the ancient city of Ur, of these races with the Hebrew tribe of Gad (who built, not only the cities of Bashan, but also those of Assyria and were the great builders of the ancient world), which first formed the Semite race. It was the meridian pole, the heavenly, revolving pole, the Tur of the Akkadians, which the Dravidian traders of India brought with them to Eridu” (p. 292). “It was these Tursena who, by developing the ancient organization of the village and province in India, divided all the countries they occupied into confederacies of cities, such as we find among the Euphratean nations, the Egyptians, Canaanites and the people of Asia Minor, Greece and Italy. It was they who were the fathers of Greek and Latin civilization.” (p. 296). “It was these people who brought from India their village institutions, their holy groves and seasonal dances.... Among them the Finnic mining races descended.... It was in Phrygia that they were mixed with the Daktuloi, or race of handicraftsmen and artificers, the sons of Dak, the showing or teaching god, the god Daksha, the father of the Kush race.... They were the carpenters and builders of the Stone age.”

Prof. Sayce's “Ancient Empires of the East” furnishes further interesting details concerning the Phœnicians. According to this eminent authority, at an early date, in order to relieve the pressure of population, they sent out organized colonies to the recently discovered lands of the West. Accordingly commercial marts were established at Thera and Melos,.... Colonies were established at Attica, on the coast of Africa, in Sicily, Sardinia and Corsica, and beyond the columns of Herakles, in Gadeira. The three cities of Rhodes were planned by Phœnician architects.... The Assyrian character of early Greek art is due to its Phœnician inspiration.... It was about “B.C. 600 that these people penetrated to the northwest coast of India and probably to the island of Britain as well.... They were the intermediaries of ancient civilization ... and the chief elements of Greek art and civilization came from Assyria through the hands of Phœnicians.... Phœnician art was essentially catholic ... it assimilated the art of Babylonia, Egypt and Assyria superadding something of its own.... Their chief deity was Yeud or Ekhad=the Only One ... they worshipped the Kabeiri ... originally seven stars ... who were the makers of the world, the founders of civilization, the inventors of ships.... The cities of Phœnicia were the first trading communities the world has seen.... Their colonies were originally mere marts and their voyages of discovery were taken in the interests of trade. The tin of Britain, the silver of Spain, the birds of the Canaries, the frankincense of Arabia, the pearls and ivory of India, all flowed into their harbours.... Many of their colonies were wholly independent, and governed by their own kings and benefiting Phœnicia only in the way of trade.... In Phœnicia ... the king seems to have been but the first among a body of ruling ... princes and ... chiefs. In time the monarchy disappeared altogether, its place being supplied by suffetes or ‘judges,’ whose term of office lasted sometimes for a year, sometimes for more, sometimes even for life.... At Carthage there were two suffetes, who were merely presidents of the senate of thirty ... whose power was subsequently checked by a board of one hundred and four.... By providing that no member of the board should hold office for two years running, Hannibal changed the government into a democracy.”

154.
Evolution and Ethics. Appleton ed. New York, 1896, p. 104.
155.
“Death no Bane,” translation by Robert Black, M. A., Sampson Low, Marston & Co., London, 1889, p. 121, note.
156.
Merely as affording a glimpse of the troublous period during which Plotinus lived, I recall the fact that Caracalla, visiting Egypt, caused a large number of young men to be massacred at Alexandria (A.D. 211). Between A.D. 248 and 268, Alexandria was the seat of civil war for twelve years, and through war, famine and pestilence, in a few years, about half of the population, not only of Alexandria, but of Rome, perished. A general persecution of Christians was also carried on at this period, and in A.D. 268 Zenobia invaded Egypt.
157.

To those of my fellow-workers who have made a special study of the most ancient forms of cursive and ikonomatic writings of the Old World, I should like to submit some facts concerning the ancient Mexican method, which may carry a fresh suggestion and be an aid to future research.

When the first Spanish missionaries who reached Mexico found themselves confronted by the barrier of language and wished to teach the native converts the Lord's Prayer in Latin, they adopted the method of picture writing employed by the aborigines. By painting a banner=pantli, a stone=tetl, a cactus=nochtli and another stone=tetl, they conveyed the words Pa-te-noch-te, which, approximately, represented paternoster. The consequence was that the Indians were able to memorize prayers in a language unknown to them, by referring to pictures of objects and naming these in their own tongue. A number of curious documents exist, which exhibit a great difference and variety in execution and are more or less cursive, according to the artistic sense and ability of the missionary or converted Indian who drew them. The fact that Spaniards, possessing our mode of writing, should have found picture-writing the most effective means of teaching primitive people speaking an alien tongue has always appeared to me as most instructive and suggestive.

As the natives suggested this method to their instructors, it is obvious that it was their habitual mode of memorizing a foreign language. The possibility that words recorded in native pictography may belong to an alien tongue, opens out a new field for future research. A curious result is obtained when Tenoch-Titlan, one of the ancient names of the capital of Mexico is studied from this point of view. In the well-known rebus now employed as the arms of Mexico, the syllables Te and Noch only are actually expressed in picture-writing by the stone=tetl, from which a cactus=nochtli is growing. This group is, however, surmounted by an eagle holding a serpent in its talons and the meaning of this animal group appears symbolical merely. It may be a curious coincidence that the eagle holding a serpent in its talons was employed by Mediterranean people as an emblem of victory and occurs on ancient Greek coins with this significance, and that the recorded name, Tenochtitlan or “the land of Tenoch,” curiously resembles Tenos, the name of a Greek heptarchy, founded by seven tribes just as the adjacent town of Chalco, in Mexico, resembles Chalcis, the town in Eubœa, where Aristoteles died.

On p. 418 and in my discussion of Egyptian hieratic script, I have pointed out that some signs employed express the sounds of words in another tongue, that the syllables am and an, for instance, seem indissolubly and universally linked to pole-star worship and symbolism. It does not seem unreasonable to endeavor to explain this by imagining that individuals, wishing, in each case, to teach the word Sama=the revolving heaven i. e. the North, to people speaking different languages, should make a picture of a tree or boat named am in one tongue, and in another country, draw a spider, named am, by its inhabitants. In the first country the tree, or boat, and in the second, the spider, would, in time, become the symbols of the north, and though different, signify the same thing. In time, each sign might be employed to express the syllable am in general and in this way isolated systems of ikonomatic writing would evolve and, in course of time, native artists would more or less skilfully produce conventionalized and distinctly characteristic forms and methods.

At the same time the colonizing race might be employing and perfecting a totally different form of cursive writing for their own purposes of registration, etc. For instance: in Athens, where Euclid held an archonship in 403 B.C. and, during centuries, Pythagorean philosophers identified “earth with a cube, fire with a pyramid, air with an octahedron, water with an icosahedron, and the Sphere of the Universe with a dodecahedron,” and also taught that a point corresponds with the monad, both being indivisible; a line with the duad, etc., it is obvious that points, lines and geometrical figures must have been employed for the cursive registration of ideas. In a state, firmly established on fixed principles of numbers, the cursive registration of its subdivisions, by means of numbers only, was rendered possible and in such a community the necessity for cursive writing would be limited and perhaps be confined to the registration and identification of individuals, the reports of quantities of produce, etc.

The facts that the letters of the Greek alphabet possess fixed numerical values, and that the initial letters only of their tribal names were inscribed on the shields of Lacedæmonian, Sicyonian and Messenian warriors, for instance, appear to indicate that, at one time, each Greek tribal division possessed its cursive mark, a letter, which may have indicated, at the same time, a numerical division of the confederacy. To understand such cursive records it is evident that a knowledge of the numerical basis of the state would be indispensable and imperative and that this would be confined to the rulers only. My opinion that the Maya calculiform hieroglyphs constitute cursive notation relating entirely to the calendrical and governmental cyclical system and absolutely unintelligible without a knowledge of this, has already been partially referred to on pp. 242 and 244. From Mexican manuscripts, where individuals, by means of a number and a calendar sign, are linked to a division of the state, I hope yet to be able to clearly demonstrate the practical harmonious working of a machinery of state, established on a perfected numerical scheme, the cursive notation of which was extremely simple.

Meanwhile I offer the foregoing remarks as suggestions for future research and as an expression of my opinion that people, using geometrical and numerical cursive methods of notation in their own country, may have systematically employed the pictographic method in teaching their language to strangers and in establishing their civilization in foreign lands.

158.

It is particularly interesting to learn from Professor Sayce (op. cit. p. 188), not only that Phœnician culture had been introduced among the rude tribes of Israel, but that the temple of Jerusalem was built by Phœnician artists after the model of a Phœnician one, the main features of which were the two columns or cones at the entrance and the brazen sea or basin, which rested on twelve bulls, this number agreeing with the number of Israelitic tribes and with tribal or caste divisions in other ancient centres of civilization. It is thus certainly suggestive to find the number twelve associated with the Phœnicians, to whom the spread of civilization in the Old World is attributed and whose predecessors, at the period of Babylonian culture, were, according to Professor Sayce, “solitary traders, who trafficked in slaves, in purple-fish ... and whose voyages were intermittent and private.”

... “Diodorus Siculus assigns to the Carthaginians the knowledge of an island in the ocean, the secret of which they reserved for themselves as a refuge to which they could withdraw should fate ever compel them to desert their African home. It is far from improbable that we may identify this obscure island with one of the Azores, which lies 800 miles from the coast of Portugal. Neither Greek nor Roman writers make any reference to them, but the discovery of numerous Carthaginian coins at Carvo, the northwesterly island of the group, leaves little room to doubt that they were visited by Punic voyagers.”—Sir Daniel Wilson. The lost Atlantis and other ethnographic studies. New York, 1892.

159.
Address of the retiring President of the A. A. A. S., Columbus meeting, 1899. Proceedings of the A. A. A. S., vol. xlviii, to which the reader is referred for valuable data.
160.
“Professor Perry, F. R. S., in his admirable monograph on Spinning Tops, (Romance of Science: Spinning Tops, by Professor John Perry, M. E., D.Sc., F. R. S., 1890, pp. 107-110, 12-13, cited by O'Neil, op. cit., p. 540.) shows how a spinning gyrostat whose spinning axis is compelled by the experimenter into a horizontal plane is then constrained by the earth's motion alone to direct its spinning axis due north and south and so to indicate mathematically the lie of the true meridian of its spot. If the spinning gyrostat be next shut off from all other motion except a vertical one in the plane of this meridian, its spinning axis will point its north end up to, and continue to point truly up to, the celestial pole.” Then, adds Professor Perry, in terms strangely suitable to my purposes: “It is with a curious mixture of feelings that one first recognizes the fact that all rotating bodies, fly-wheels of steam-engines and the like, are always tending to turn themselves towards the Polestar; gently and vainly tugging at their foundations, all the time they are in motion, to get round towards the object of their adoration.”
161.
The Incas claimed to have descended from three windows. See Rites and Laws of the Incas, p. 77.
162.
It is noteworthy that the Zuñi name for village in general is ti´-na-kwin-ne. Tina=many sitting around and kwin-ne=place of.
163.
The accuracy and value of the above article are vouched for, in an interesting way by the Rev. Samuel M. Zwemer, F. R. G. S. (a missionary who spent ten years in Arabia), who refers to it as follows, and quotes it in his recent publication: “Arabia, the cradle of Islam. New York, 1900,” p. 289. “An anonymous article in the London Standard, Oct. 19, 1894, entitled, ‘A prayer-meeting of the Star-worshippers,’ curiously gave me the key to open the lock of their silence. Whoever wrote it must have been perfectly acquainted with their religious ceremonies, for when I translated it to a company of Sabeans at Amara, they were dumfounded. Knowing that I knew something, made it easy for them to tell me more.”
164.
I point out the remarkable fact that the Chinese name for jade=yu, is homonymous with the word for source or origin, hence, perhaps, its sacredness and employment as a secret symbol of the hidden source of all things. See p. 277 for Chinese choice of symbols influenced by sound of name.
165.
The Hindu Yama and Yami were twin brother and sister, and have been respectively identified by Prof. Max Müller as night and day. Yama, the inseparable duality, is entitled law and justice, etc. and was represented with four arms, riding a buffalo, with a crown on his head, accompanied by “two four-eyed watch dogs, which are probably the eight or twice-four regions of the compass”... (Chambers' Encyclopædia). Of the originally cosmical character of Yama there can be no doubt. It is curious to find, at the epic and Puranic period, the account of “Yama” marrying the thirteen daughters of Daksha (north-people, white), becoming the regent of the south and residing in Yamapura, a town in the lower regions; details which appear to indicate the actual establishment of a kingdom on the familiar plan by an earthly representative of the cosmical deity.
166.
This was the first god of the divine triad of whom it is recorded that “they hid their persons;” see Translation of the Ko-ji-ki or Records of Ancient Matters, Basil Hall Chamberlain, vol. x, supplement, Transactions of the Asiatic Society of Japan, Sections i and ii from which this and the following names of gods are taken.
167.
The Akkadian Sumerian Cosmos is thus described: “Above the earth extended the sky, ana, spangled with its fixed stars (mul) revolving around the mountain of the east (Kharsak Kurra) the column which joins the heaven and the earth and serves as an axis to the celestial vault. The culminating point in the heaven, the zenith (Paku), was not this axis or pole; on the contrary, it was situated immediately above the country of Akkadia [Kalama] which was regarded as the centre of the inhabited lands, while the mountain which acted as a pivot to the starry heavens was to the northeast of this country. Beyond the mountain, also to the northeast, extended the land of Aralli, which was very rich in gold and was inhabited by the gods and blessed spirits” (Lenormant, quoted by Warren op. cit. p. 166).
168.
This is the Ka of Egyptian theology ... he is the Sek-Nag, the god of the Rāj, or royal race of Gonds, born (ja) of Rā, that is, the sons of Ra-Hu, the begetting (Hu) creating fire-god (Ra). His festival is held every seven years and is attended only by males who are bound to secrecy as to its rites.... This god, the great Nag, is the soul of life in the rain cloud, the heavenly snake ... the other being the Ahi or Echis, the snake of earth. “To the present day the Jains, who are the great trading race of India, call themselves Ka-ya=the sons of Ka. This name they must have brought with them to the holy island (Dilmun), from thence it must have travelled to Egypt with the race who established the Kushite rule there” (Hewitt).
169.
The titles “Middle king,” “Great Middle princess,” are cited by Chamberlain, op. cit. pp. 265 and 267.
170.
Madhu=the inspiring intoxicating honey mead used in the sacred ritual, substituted by a Northern people for the barley liquor offered in the manthin or creating, churning cup. The names given to the drinkers of madhu=“madhuya,” madhu-pā and Madhvi; also madhu-varna, the men of Madhu's caste, are curiously homonymous with the word for Middle Madhyias and appear to designate them as the “Middle caste,” naturally associated with the North.
171.

Quoted by O'Neil from Satow and Hawes' Hdbk. of Japan, 2nd ed. p. 39.

It is interesting to compare the following Japanese words with Miyauken:

MIYO=wonderful, admirable, secret, mysterious, holy.

MIYA=Shinto temple where the kami are worshipped. Japan.

MIYUKI=travelling, going, only applied to circuit of provinces performed by Mikado.

KEN=imperial domain, or that territory which is under the direct government of the Mikado, cf. Chinese k'an=land.

172.
Transactions of Asiatic Society of Japan, vol. x, p. 245, note 2.