Under the heading "Textile Fibers and Fabrics," page 94, will be found subject matter which can be used in correlation with the geography, language and history work. The sixth grade subject is Flax. Make a collection of the flax products, fabrics, etc. A class set of compositions, each member of the class taking different subdivisions of the subject, would make an interesting collection which could be put together in a simple binding done by members of the class.
See "Paper and Cardboard Construction," page 101.
[28] Placket A may be substituted for the gusset, if desired.
[29] A pin cushion cover may be hemstitched in place of the collar. Make this a square seven inches by seven inches, or an oblong five inches by nine inches, or any size to fit a particular cushion that can be cut from these pieces, or any size for which the pupils furnish their own material.
[30] Pupils who desire to furnish their own materials for a linen handkerchief may substitute this for the hemstitched collar.
[31] Basketry may be substituted for the apron, or a clipping case or a postal-card album may be made instead.
See "Paper, Cloth and Cardboard Construction," page 107.
Make the bag any size desired; a circle of three or four inches in diameter makes a practical one. Draw the pattern for the raffia covering on paper, the circle for the bottom being the same size as that of the bottom of the bag. The design for the sides may be in as many sections as desired. The tops of these sections may be shaped to suit one's taste—round, pointed or fancy. When the pattern is completed baste a strand of raffia on the pattern, following the lines of the design. Then closely blanket stitch with raffia on both sides of these strands. The spaces may then be filled with fancy lace stitches.
| EQUIPMENT. |
| Sewing box. |
| Pin cushion—30 pins. |
| Thimble. |
| Needles. |
| Scissors. |
| Thread cards. |
| Practice Piece—Unbleached muslin 12" × 9". |
Prepare Thread Cards—Cardboard 4" × 4", designed and cut for four kinds of thread.
Review Divisions of the Foot and Yard Measure.
Materials: India linen 8" × 8", ruffle 12" woof, 2" warp; white thread No. 70; needle No. 8.
Hemmed Seam: One inch and a quarter from the top crease a fold with the warp. Cut on this crease.
See description of the Hemmed Seam, page 86.
Putting a ruffle into a hem-tuck and tucking: Measure up from the bottom two and one-fourth inches—or twice the width of the hem-tuck plus one-fourth inch for the seam—and crease with the warp, across the piece. Stitch, or run by hand an inch tuck, taking care to measure and make perfectly even. Measure up three-eighths of an inch from this stitching and crease for another tuck. Stitch, or run by hand an eighth of an inch tuck. Measure up three-eighths of an inch for another tuck. Put in a cluster of three tucks. Hem the ruffle with an eighth of an inch hem, gather and stroke the gathers.
See description of gathering and sewing a ruffle to a straight edge, page 69.
Place the wrong sides of the cloth and ruffle together and baste to the edge extending below the hem-tuck, bringing the seam exactly to the edge of the tuck. Baste and stitch the edge of the hem-tuck over the seam of the ruffle.
Materials: Pupils may furnish their own materials for an underwaist such as they wear. This may be of any style. Patterns can be secured from the mothers. If there is any difficulty in securing supplies from the home, a child's waist on a small scale may be substituted.
Materials: Bleached muslin 24" woof by 10" warp, bias facings 54" by 1"; white thread No. 70; needle No. 8.
See the draft for the pattern of the small underwaist, page 53.
Patterns: Multiply all dimensions by four. Each girl can draft her pattern from the teacher's dictation, or one pattern can be drafted before the lesson and the members of the class cut their patterns from this one. Insist that the patterns be exact. Have the patterns pinned on, and submitted for inspection before the cutting is done, to avoid blunders and waste of material. Cut the front double. One inch has been allowed for the hem on the backs.
Baste, half-back stitch and fell the seams. Turn the hems at the back, baste and hem. See description of the Bias, page 79. Put the bias facing on the bottom first, then around the neck, and last around the armholes. Teach the joining of the bias facing by having the bottom facing in two pieces and then insist that the ends of the armhole facing be joined in the same way. Overhand neatly the ends of the bottom and neck facings. Make four quarter-inch buttonholes and sew on the buttons.
The styles of dressing the neck vary greatly from season to season. This is also modified by the taste of individuals. Pupils may furnish their own material for any kind of collar desired, after thoughtful consideration of the prevailing styles. It is possible to make a great variety of useful and dainty articles at a trifling expense which will be most acceptable Christmas gifts. If so intended, lead the pupils to study the appropriateness of their gifts. Those pupils who find it difficult to furnish their own material may substitute a collar made from an imitation of linen which will afford the same experience in making, but will not be quite as desirable an article to wear.
Materials: Imitation linen 15" woof, 8" warp. This amount will cut either the Dutch collar by piecing the band, or the ordinary stiff collar. The patterns for both, or the collars from which patterns can be cut, can be brought from home by some member of the class. Be absolutely sure of the size before cutting out the collar, as a quarter of an inch will make a difference in the comfort and fit. It is an excellent plan to have collars of different sizes—12, 12½, 13, 13½—in the class, try them on, and mark the buttonholes on the bands from the right sized collars. The "Dutch" collar can be made with a plain hem and finished with the fine featherstitching or any of the ornamental stitches, or it can be embroidered in a simple pattern with the eyelet embroidery. This gives an excellent opportunity for an original design, or if so desired a pattern can be transferred by the use of the carbon paper. The stiff collar, if made double, is first sewed up on the wrong side and then turned and stitched along the edge on the right. It is then put into the double band, which has been made in the same way. If so desired the collar can be made of a single embroidered piece with the worked edge, or finished with the hemstitched edge and ornamented with fancy stitches.
The success of this exercise will depend entirely upon the interest and ingenuity of the teacher.
See "Home Furnishing, Decoration and Care," page 112.
Materials: French flannel 3½" warp by 6½" woof; twist; sewing silk; needle No. 7 and No. 8.
See description of the Buttonhole, page 63.
Pupils will furnish their own twist and flannel for the practice work. It is not necessary that these should match in color. Double the flannel through the center the long way, baste along the folded edge and around the piece. Overcast the raw edges. Begin one-half inch from the top and make the buttonholes three-fourths of an inch long and three-fourths of an inch apart. Strand, overcast and finish with the bar.
Materials: Pupils may furnish their own materials for a full-sized garment. This may be made in any style. Patterns can be secured from the mothers or exchanged among the members of the class, or a pattern may be drafted from the diagram. Secure the pattern first and have the girls measure it to determine the amount of material needed. If there is any difficulty in securing supplies from the home, a pair of child's drawers on a smaller scale may be substituted. The directions for making the small drawers will assist in making the full-sized garment.
Materials: Bleached muslin 36" woof, 11" warp; ruffling, India linen 36" woof, 1½" warp; white thread No. 70; needle No. 8.
Patterns: See the draft for the drawers pattern, page 57. Multiply the dimensions by four. Each girl can draft a pattern from the teacher's dictation, or one pattern can be drafted and cut before class time, and the members of the class cut their patterns from this one.
A strip of muslin thirty-six inches by eleven inches will cut the drawers by careful management. The lesson in economy and the experience of cutting from a close pattern is a valuable one for the girls, as it is a problem which will confront them many times in life. Fold the cloth the short way through the center, and pin the selvedge edges together. Allow three and one-half inches from the fold for the placket facings and bands, thus keeping the extra cloth in one large piece. Pin the pattern in position, and cut the two lengths, at the same time taking care that the lengthwise fold of the pattern is straight with the warp threads. If the pattern does not allow for hem and tucks, provide the extra length when cutting. The right sides are now together; mark them before separating, and avoid the chance of making both pieces for the same leg, a mistake easily made by more experienced needlewomen.
Finish the bottom of the drawer legs with one-eighth inch tucks, one-half inch hem-tuck and the ruffle as in Exercise No. 41. One-half inch in front of the side fold cut an opening, with the warp, four inches in length. This may be made in both legs or in the right one only, and may be finished with the gusset, placket A or placket B, keeping in mind that the back buttons over the front. Finish all seams with the French seam except where the ends of the ruffle are joined with the hemmed seam. Gather the fullness at the top on both sides of the front and the back seams, and draw up to the desired length of band. If two openings have been cut at the sides make the back band one inch longer than the front. Place buttons and make buttonholes where desired.
Materials: Albatros 4" × 5"; sewing silk; needle No. 8; beeswax.
See description of Cloth Darning, page 68.
Four holes, cut as follows, are to be darned on this piece of cloth:
No. 1. In the lower left hand corner one inch from the bottom and the side, cut one inch straight with the warp. Darn with split sewing silk on the wrong side.
No. 2. In the upper left hand corner, one inch from the top and side, cut one inch with the warp and one inch with the woof. This will serve for a three-cornered tear. Darn on the right side with ravelings. Spread the stitches at the corner like the sticks of a fan.
No. 3. In the lower right-hand corner, one inch from the bottom and the side cut one inch on the bias. Darn with split sewing silk on the wrong side.
No. 4. In the upper right-hand corner, one inch from the top and the side cut one inch across the warp. This will serve for a worn place in the cloth. Place the patch under it and baste around the edge. Darn with ravelings on the right side. Trim the edges of the patch smooth and herringbone stitch with ravelings around it.
Finish the edge of the piece with the blanket stitch.
Follow this exercise with the repairing of some article brought from home that will give a practical experience in cloth darning. Should there be any difficulty in securing these articles there are plenty of homes that will supply enough for the entire class. This must be done under the teacher's supervision.
Under the heading "Textile Fibers and Fabrics," page 95, will be found subject matter which can be used in correlation with the geography, language and history work. The seventh grade subject is Wool.
[34] An exercise in paper and cardboard construction, adapted to the skill of the class, may be substituted for the Christmas Exercise. See chapter on "Paper and Cardboard Construction," page 101.
[35] In connection with the study of home furnishing and decoration an exercise in passepartout or the making of lamp shades would be excellent.
Stitches Used in Plain Sewing. | |
| 1. | Basting. |
| 2. | Blind Stitch. |
| 3. | Buttonholes. |
| 4. | Combination Stitch. |
| 5. | Darning. |
| 6. | Gathering. |
| 7. | Half-back Stitch. |
| 8. | Hemming. |
| 9. | Overcasting. |
| 10. | Overhanding. |
| 11. | Running. |
| 12. | Slip Stitch. |
| 13. | Stitching. |
Ornamental Stitches. | |
| 1. | Bands. |
| 2. | Blanket Stitch. |
| 3. | Chain Stitch. |
| 4. | Couching. |
| 5. | Feather Stitch. |
| 6. | French Knots. |
| 7. | Hemstitching. |
| 8. | Herringbone Stitch. |
| 9. | Kensington Outline. |
| 10. | Lazy Daisy or Star Stitch. |
Miscellaneous. | ||
| 1. | Bias. | |
| 2. | Cloth. | |
| 3. | Eyelets and Loops. | |
| 4. | Joining and Fastening Threads. | |
| 5. | Mitered Corner. | |
| 6. | Patterns. | |
| 7. | Plackets. | |
| 8. | Putting in Sleeves. | |
| 9. | Seams. | |
| A. Bound Seam. | ||
| B. Flannel Seam. | ||
| C. French Fell. | ||
| D. French Seam. | ||
| E. Hemmed Seam. | ||
| 10. | Sewing on Buttons. | |
| 11. | Sewing on Hooks and Eyes. | |
| 12. | Sewing on Lace. | |
| 13. | Tucking. | |
Basting.—Basting is temporary sewing used to hold the cloth in place while putting in permanent stitches. As the basting threads are to be removed, place the knot on the right side. Fasten the threads securely by taking two or three backstitches. In removing basting threads clip the threads at short intervals that they may be taken out easily. Much of the success of the work depends upon careful basting. The extra time required will be repaid ten-fold. One stitch at a time for beginners, later two or three stitches may be taken. In basting hems, baste not on the edge, but very near it. Do not baste on the line where you expect to stitch, but as near it as possible.
A. An even basting is used on hems, seams of garments, or wherever two pieces of cloth are to be held firmly together. Take up one-fourth of an inch and skip one-fourth.
B. Uneven basting is used where very careful basting is unnecessary, as in the seams of skirts, or in working on a material that clings together, as a guide for stitching. Take up an eighth of an inch and skip three-eighths. When only loose basting is required, as when holding the lining and outside together, a long stitch and two short ones may be used.
Blind Stitch.—The blind stitch and slip stitch are used to fasten a hem lightly where it is desired to conceal the stitches. To blind stitch a hem, turn back the edge of the hem to the basting and, holding the cloth along the edge of the finger, catch first cloth and then hem with a single stitch that does not show on either side. A slip stitch is a long stitch on the wrong side and a blind stitch on the hem. It is used on the milliner's fold.
Buttonholes.—A buttonhole is a slit cut and worked to admit a button for fastening purposes. It is much easier for beginners to commence on the blind buttonhole. This is made by working around a line instead of cutting the hole. The stitch, the fan, and the finishing can thus be learned without the care of the raw edge. The directions for making the buttonhole are as follows:
| 1—Three styles of basting. |
| 2—The running stitch. |
| 3—The gathering. |
| 4—The backstitch. |
| 5—The half-back stitch. |
| 6—The combination stitch. |
| 7—The overcasting. |
a. Cutting—With the buttonhole scissors cut the hole one-fourth of an inch from the folded edge and straight with the threads of the cloth.
b. Stranding—The strand consists of carrying the thread along the edge of the buttonhole near enough to be easily covered by the buttonhole stitch, for the purpose of adding strength to the buttonhole. Thread two needles, one with fine thread or sewing silk and the other with coarser thread or twist, depending upon the kind of buttonhole to be made. Place a knot in the coarse thread or twist, and with the folded edge of the cloth toward the left hand, bring the needle out just below the lower right hand end of the buttonhole, which is the end farthest from the folded edge. At the other end put the needle into the cloth just below the end of the cut and bring it out just above, which will carry the thread along the edge of the buttonhole. Repeat the same on the other side bringing the thread out at the point of starting. Do not cut this thread, as this is ready to begin the buttonhole stitch after the overcasting.
c. Overcasting—With the fine thread or sewing silk begin at the lower right-hand end. The object of the overcasting is to prevent raveling while working the buttonhole and the fewer stitches which will accomplish this purpose the better. As the overcasting must be covered by the buttonhole stitch do not take over two or three threads deep and just as few stitches on each side as is absolutely necessary to prevent the loosening of the threads. Some materials do not require overcasting.
a. The Stitch—Determine how deep a stitch is necessary so that the threads will not pull out, always keeping in mind that the shorter the stitch the better the buttonhole will look. This depends upon the kind of material in use. The first stitch begins one thread beyond the end of the slit. Holding the buttonhole along the cushion of the left forefinger with the folded edge of the cloth toward the left, place the needle into the slit under the lower edge of the buttonhole and draw the needle half way through. With the needle still pointing toward the chest take up the double thread at the eye of the needle and place it under the point, passing from right to left. Draw the needle and thread out, and from you, so that the purl or twist comes to the edge of the slit. (This makes a firmer edge than when the thread is carried around the needle from left to right.) Each stitch is a repetition of the above. Place the stitches about the width of a thread apart, as this will avoid a crowded appearance and makes a firm, hard edge. Do not jerk the thread, but draw steadily and tight; otherwise the edge will be rough. Avoid stretching the buttonhole; the edges should touch when finished.
b. The Fan—At the end near the folded edge—the round end—spread the stitches like the sticks of a fan, drawing them closer at the top and spreading at the bottom. Five stitches will work nicely around the end, the third stitch being straight with the buttonhole.
a. The simplest manner of finishing is as follows: The buttonhole stitches at this end are at right angles to the slit, and not rounding as at the other end. After finishing the last buttonhole stitch, pass the needle down between the first and second stitch, and bring it out between the last and next to the last stitch. Draw the thread tight so as to bring the edges of the buttonhole together. Put in several stitches in the same place. Pass the needle to the under side and fasten the thread.
b. The Bar—The thread being at the top of the last stitch, pass the needle down between the first and second stitch and out at the bottom of the last stitch. Put in three threads across the width of the buttonhole, bringing the thread out at the bottom of the last buttonhole stitch. Turn the cloth so that the thumb covers the thread and the buttonhole, and work the bar by bringing the needle out each time over the thread, as in the blanket stitch. Draw the purl edge toward the buttonhole. Do not put in too many stitches, as it makes the loop stand away from the buttonhole. Near the middle of the bar take one stitch through the cloth to hold it down.
c. Caution—Be sure that the thread is long enough to work the buttonhole, but not over-long, as the thread wears and is more liable to break. Use care and not break the thread, but in case this happens, take out the last few stitches, thread the needle on this short end, pass through the last purl, and fasten the thread on the under side. With the new thread fasten without a knot on the wrong side, bring through the last purl at the edge of the buttonhole and continue.
On cloth that ravels badly put in two parallel rows of running stitches and then cut the buttonhole between the rows.
Combination Stitch.—The Combination stitch consists of three little running stitches and a backstitch over the last running stitch. Take three running stitches on the needle and pull it through. Take up the last running stitch for the first of the next group of three. It is a little stronger than the running stitch.
Darning.—The object in darning is to repair a rent, if possible so that it cannot be perceived. The warp and woof threads that have been worn away are to be rewoven into the cloth. No knots are needed. Leave a short end of thread to be clipped when the darn is finished.
Stockings should be darned on the wrong side. A square hole makes a more symmetrical darn than a round one, and should be used wherever there is no widening or narrowing in the knitting, as on the leg of a stocking. A round hole is better for the heel and toe. Cut away the part that is badly worn. First put in the warp threads, taking care to take up on the needle all the little loops around the hole and making the darn symmetrical in shape. Then put in the woof threads, weaving carefully across the warp over the hole, passing over the threads that were taken up on the preceding row. Give special attention to the edge of the hole, passing first over and then under the edge, that there may be no ridge. If the hole is large or stretched out of shape, draw up the edges by whipping with fine thread. The darning stitches should extend only as far as the worn part. If the warp threads have strengthened the worn part sufficiently the woof threads may be extended only far enough over the edge to fasten securely. In darning a large hole it is sometimes wise to begin putting in the warp threads at the center first to prevent stretching. Do not draw the threads too tight, as they will shrink when washed.
This may be done with thread, ravelings or hair. In darning with thread darn on the wrong side, with ravelings or hair on the right. Darn at right angles to the tear or cut. Continue the darning stitches on each side of the tear only far enough to strengthen the worn part, usually a quarter, sometimes an eighth of an inch, is sufficient. Continue the darn an eighth of an inch beyond the end of the tear. The repairing shows less if the rows of darning stitches are of unequal length. In darning take up the threads of cloth passed over in the preceding row, slipping the needle over one edge of the tear and under the other going one way and reversing this order going the other way. This makes the edge smooth and does not throw it up in a ridge. If the material to be darned is thin or stretches easily, place the rent over a piece of glazed paper and baste around it before darning. If the cloth is worn and thin, place a piece of cloth under and darn through the two thicknesses. Take great care not to stretch the hole or to draw the threads tight enough to pucker.
Gathering.—Gathering is an uneven stitch made by passing over twice as much as is taken on the needle. When the thread is drawn up this gives the appearance of fine gathering on the right side and admits of considerable cloth being gathered into a small space.
Gathering is used in joining a full part to a straight piece, as the skirt to the band, etc. Gather with a strong single thread a little longer than than the space to be gathered. Never use a double thread. If the thread becomes knotted a new thread must be put in from the beginning. Hold the cloth, as in the running stitch, with the right side toward you, using the wrist motion. Make a large knot in the thread so that it cannot slip through the cloth, and place the knot on the wrong side. At the end of the gathering slip the needle off and make a knot in the thread, that it may not pull out.
For stroking or placing gathers use a coarse needle or a pin. Draw up the gathering thread just tightly enough so that the pin can be easily inserted between the gathers and fasten by winding over a pin placed at right angles to the last stitch. Begin at the left hand, placing the pin in the fold of the first stitch and stroke gently downward, holding the pin obliquely. After each successive stroke press the pleat under the thumb of the left hand. Continue the same with every stitch.
Divide both into halves, quarters or eighths, depending upon the length, and pin the points of division together. Draw up the gathering thread to the proper length and fasten by winding over a pin. Arrange the gathers even before basting. Baste just above the gathers, holding the gathered piece next to you. Stitch just below the gathering thread.
Gauging or double gathering is done by having a second row of gathering stitches of equal length and directly below those of the first (so that when both threads are drawn up the cloth lies in pleats). In heavy material three or four threads may be put in. Gauging is usually used on heavy material or on a folded edge that is to be overhanded to a band.
Ruffles of lawn, linen or embroidery are sometimes put upon the edge instead of into a facing or seam, and when so placed it is desirable to avoid the raw edge on the under side. Hold the work over the left forefinger and roll the edge toward you between the thumb and forefinger. Place the needle under the roll on the right side, passing out at the top of the roll. Whip about one inch and draw up the thread. It is necessary to use a strong thread for whipping and gathering the edge of a ruffle.
Half-Back Stitch.—Half-back stitching is similar to the stitching. The long forward stitch on the under side is three times the length of the backstitch on the upper side, and a space the length of the backstitch is left between the stitches. See Stitching, page 63.
Hemming.—A hem is a fold made by twice turning over the edge of a piece of cloth, and then sewing it down. The first fold is most important; if that is turned even there will be little trouble with the second. Trim the edge of the cloth before turning the hem. It is well to make and use a gauge of the required width. If a wide hem is turned, baste along the second fold or bottom of the hem first, and then at the top. On woolen goods or material that does not crease easily it is necessary to baste the first fold. Either bury the knot between the folds of the hem or leave one-half inch of thread and hem over it.
Hold the hem across the cushion of the left forefinger and point the needle a little to the left across the middle of the thumb. Take up a few threads of the cloth and a few threads of the fold and draw the needle through. Take care that the stitches are regular, of equal length and of equal distance apart. Do not confuse the hemming stitch with the blind stitch, or the damask hem. Join the threads by leaving a half-inch of the old thread and a half-inch of the new to be tucked under the edge of the hem and be hemmed over.
Teachers will find the following suggestions helpful in teaching the hemming stitch:
Put the needle in almost straight with the hem, not at right angles to it. Take up as little cloth on the needle as possible; bring the needle directly through the hem, making one stitch of it instead of dividing the stitch as in the blind stitch. Crowd the point of the needle under the edge of the hem. Do not insert the needle a distance from the hem, trusting to puckering it up.
Damask is a heavy fabric woven of heavy threads of one color in which the pattern is brought out by a change in the direction of the threads, and when new is stiff with much dressing. From the very nature of the cloth it is impossible to hem well with the flat hem. The two folds of the hem are turned the desired width and the hem is then turned back flat to the cloth and creased. The edge of the hem and the crease thus formed are overhanded together with fine even stitches. When laundered this irons perfectly smooth and the stitches do not show on the right side. Do not confuse this method of hemming with the flat hem, as each has its own use.
Overcasting.—Overcasting is done by taking loose stitches over the raw edge of cloth from right to left to keep it from raveling. The depth of the stitch depends upon the material to be overcast, usually an eighth of an inch is sufficient. The stitches should be twice as far apart as they are deep. The needle is inserted from the under side of the cloth and points a little to the left, making a slanting stitch. Keep the spaces even and the stitches of equal length. Always trim the edges before overcasting. Do not overcast a selvedge edge. Take only one stitch at a time and be careful not to draw the edge of the cloth.
Overhanding.—Overhanding is done by sewing closely over two edges of cloth from right to left. The cloth may have a folded or selvedge edge. Careful basting is necessary to good overhanding. The needle is placed at a right angle to the seam and should point to the chest. No knot is used; a short end of the thread is left and overhanded under. Hold the work horizontally along the edge of the cushion of the left forefinger and the thumb. Do not wind the cloth over the end of the finger. The stitches are straight on the under side and slanting on the top. Do not draw the threads tight enough to make a hard seam and also avoid a loose stitch that will not hold the edges together when the seam is opened. A deep stitch is not necessary for strength and will not look well on the right side when opened. To join the threads leave a half-inch of the old and a half-inch of the new, lay them along the edge and overhand over them.
Running.—Running is done by taking up and slipping over an equal amount of cloth.
Running is used for seams that do not require great strength, and also for tucking. Care should be taken not to draw the thread tight enough to pucker. Make a small knot in the thread and conceal it on the wrong side or in the folds of the cloth. Hold the work in the left hand between the thumb and cushion of the forefinger; hold the needle in the work between the thumb and forefinger of the right hand. Use the wrist motion.
Fasten the thread by passing the needle through to the wrong side and taking two backstitches.
Slip Stitch.—See Blind Stitch, page 63.
Stitching.—Stitching is so called because it resembles machine stitching. It is also known as backstitching. Stitching is done by taking a stitch backward on the upper side of the cloth and a long stitch forward on the underside, making the stitches meet on the top as in machine stitching. Use a small knot in beginning. Hold the work over the cushion of the left forefinger.
Fasten the threads on the wrong side by taking several backstitches, one over the other, through one thickness of the cloth. To join threads in stitching fasten securely on the wrong side and begin with a small knot, bringing the thread through at the proper place for beginning the new stitch. It is used where strength is required, or on garments too small to go into a machine conveniently.
Applique.—This is an ornamentation produced by cutting a design from one kind or color of cloth and placing it upon another. Very beautiful effects can be obtained, with perfect harmony of color and the proper combinations of textiles. The edge can be finished with the blanket, couching, Kensington or chain stitch.
Blanket Stitch.—The blanket stitch, often erroneously called the buttonhole stitch, is used for finishing raw edges. It is worked from left to right, and the buttonhole stitch from right to left. The depth of the stitch and the space between stitches may be varied and will depend upon its use. If the thread is not fastened and joined carefully the symmetry of the stitches will be broken. A new thread must come up through the loop of the last stitch.