David, ed. 1601.
REFERENCES TO PASSAGES FROM SHAKESPEARE, IN THE ORDER OF THE PLAYS AND POEMS OF MACMILLAN’S EDITION, 1866, AND TO THE CORRESPONDING DEVICES AND SUBJECTS OF THE EMBLEMS TREATED OF IN THIS WORK.
N. B. The subjects printed in italics have no corresponding device.
| THE TEMPEST | ||||||
| VOL. | PAGE. | ACT. | SC. | LINE. | DEVICE OR SUBJECT. | PAGES. |
| I. | 20 | I. | 2 | 387 | Appreciation of music | 116 |
| 36 | II. | 2 | 7 | Ape and miser’s gold | 488 | |
| 48 | III. | 2 | 135 | Hands of Providence. Plate XVI. | 489 | |
| 50 | III. | 3 | 21 | Unicorn | 373 | |
| 50 | III. | 3 | 21 | Phœnix | 373, 385 | |
| 50 | III. | 3 | 22 | Phœnix, type of oneliness | 234, 236 | |
| 53 | III. | 3 | 95 | Laurel, type of conscience | 422, 424 | |
| 54 | IV. | 1 | 1 | Thread of life | 454, 455 | |
| 57 | IV. | 1 | 110 | Diligence and idleness | 145, 146 | |
| 64 | V. | 1 | 21 | rarer action in virtue | v462# | |
| THE TWO GENTLEMAN OF VERONA. | ||||||
| I. | 112 | II. | 6 | 24 | a swarthy Ethiope | 162 |
| 121 | III. | 1 | 153 | Phaeton | 285, 286 | |
| 129 | III. | 2 | 68 | Orpheus and harp | 273, 274 | |
| 135 | IV. | 2 | 38 | Gem in ring of gold | 418, 419 | |
| 143 | IV. | 4 | 87 | The Fox and Grapes | 310, 312 | |
| THE MERRY WIVES OF WINDSOR. | ||||||
| I. | 177 | I. | 3 | 64 | East and West Indies | 351, 352 |
| 186 | II. | 1 | 106 | Actæon and hounds | 275, 276 | |
| 190 | II. | 2 | 5 | Gemini,—Zodiac. Plate XIII. | 353, 355 | |
| 196 | II. | 2 | 187 | Shadows fled and followed | 466, 468 | |
| MEASURE FOR MEASURE. | ||||||
| I. | 296 | I. | 1 | 28 | Hen eating her own eggs | 411, 412 |
| 303 | I. | 2 | 158 | Zodiac, signs of. Plate XIII. | 353, 354 | |
| 324 | II. | 2 | 149 | Gold on the touchstone | 175, 180 | |
| 327 | II. | 4 | 1 | Student entangled in love | 441 | |
| 334 | III. | 1 | 6 | Idiot-fool, and death, Holbein’s Simulachres | 472 | |
| 334 | III. | 1 | 17 | Sleep and death, Holbein’s Simulachres | 469, 470 | |
| 340 | III. | 1 | 175 | Gem in ring of gold | 417, 418 | |
| THE COMEDY OF ERRORS. | ||||||
| I. | 411 | II. | 1 | 97 | Eagle renewing its feathers | 369 |
| 417 | II. | 2 | 167 | Elm and vine | 307, 309 | |
| 425 | III. | 2 | 27 | Sirens and Ulysses | 253, 254 | |
| 429 | III. | 2 | 131 | America | 351, 352 | |
| 437 | IV. | 2 | 53 | Time turning back | 473 | |
| 455 | V. | 1 | 210 | Circe transforming men | 252 | |
| MUCH ADO ABOUT NOTHING. | ||||||
| II. | 22 | II. | 1 | 214 | Withered branch | 181 |
| 69 | V. | 1 | 4 | Water through a sieve | 329, 331 | |
| 75 | V. | 1 | 170 | Adam hiding | 415, 416 | |
| LOVE’S LABOUR’S LOST. | ||||||
| II. | 97 | I. | 1 | 1 | Ruins and writings | 443, 444 |
| 97 | I. | 1 | 4 | Time leading the Seasons. Plate XVII. | 491 | |
| 114 | II. | 1 | 56 | Bear, cub, and Cupid | 349, 350 | |
| 138 | IV. | 2 | 100 | Oak and reed, or osier | 315, 316 | |
| 144 | IV. | 3 | 97 | Rose and thorn | 333, 334 | |
| 144 | IV. | 3 | 111 | Juno but an Ethiope were | 162 | |
| 151 | IV. | 3 | 308 | Bacchus | 247, 249 | |
| MIDSUMMER NIGHT’S DREAM. | ||||||
| II. | 204 | I. | 1 | 168 | arrow with a golden head | 404 |
| 205 | I. | 1 | 180 | Astronomer and magnet | 335, 336 | |
| 206 | I. | 1 | 232 | Bear, cub, and Cupid | 349 | |
| 215 | II. | 1 | 148 | Appreciation of melody | 116 | |
| 216 | II. | 1 | 155 | Cupid and Death | 401, 404 | |
| 216 | II. | 1 | 173 | Drake’s ship | 413, 415 | |
| 216 | II. | 1 | 181 | Ape and miser’s gold | 488 | |
| 217 | II. | 1 | 194 | Astronomer and magnet | 335, 336 | |
| 218 | II. | 1 | 227 | Daphne changed to a laurel | 296, 297 | |
| 218 | II. | 1 | 231 | Gelding’s Ovid used | 244 | |
| 225 | II. | 2 | 145 | Countryman and serpent | 197, 198 | |
| 239 | III. | 2 | 200 | Coats in heraldry | 218, 220 | |
| 240 | III. | 2 | 237 | Ape and miser’s gold | 488 | |
| 241 | III. | 2 | 260 | Snake on the finger | 342, 343 | |
| 250 | IV. | 1 | 37 | Vine and elm | 307, 309 | |
| 258 | V. | 1 | 1 | Æsop | 302 | |
| 258 | V. | 1 | 12 | The poet’s glory | 379, 380 | |
| MERCHANT OF VENICE. | ||||||
| II. | 280 | I. | 1 | 50 | The two-headed Janus | 139, 140 |
| 281 | I. | 1 | 77 | The world a stage | 133 | |
| 281 | I. | 1 | 77 | The world a stage. Plate XV. | 407, 410 | |
| 284 | I. | 1 | 161 | Golden fleece and Phryxus | 229, 230 | |
| 286 | I. | 2 | 24 | The old man prophesying | 213, 215 | |
| 286 | I. | 2 | 4 | Lottery | 208, 209 | |
| 296 | II. | 1 | 11 | Lottery | 208, 209 | |
| 312 | II. | 7 | 4 | A casket scene | 150 | |
| 312 | II. | 7 | 20 | “golden mind,” “golden bed” | 404 | |
| 313 | II. | 7 | 62 | Casket scene | 150 | |
| 318 | II. | 9 | 63 | Casket scene | 151 | |
| 319 | II. | 9 | 79 | Moth and candle | 151, 153 | |
| 325 | III. | 2 | 41 | Insignia of Poets | 218, 219 | |
| 328 | III. | 2 | 115 | A painter’s power | 112 | |
| 345 | IV. | 1 | 75 | The mountain pine | 476 | |
| 347 | IV. | 1 | 124 | Envy, description of | 432, 433 | |
| 360 | V. | 1 | 54 | Appreciation of melody | 116 | |
| 361 | V. | 1 | 70 | Power of music | 271, 273 | |
| AS YOU LIKE IT. | ||||||
| II. | 391 | I. | 3 | 69 | Juno’s swans, Golding’s Ovid | 244 |
| 393 | I. | 3 | 120 | Ganymede, Golding’s Ovid | 244 | |
| 394 | II. | 1 | 29 | The wounded stag | 397, 398 | |
| 400 | II. | 4 | 43 | Sword broken on an anvil | 326, 327 | |
| 405 | II. | 7 | 13 | A motley fool | 485 | |
| 406 | II. | 7 | 43 | “A motley coat” | 485 | |
| 409 | II. | 7 | 136 | Theatre of human life. Plate XIV. | 405, 406 | |
| 409 | II. | 7 | 137 | Theatre of human life | 133, 405 | |
| 409 | II. | 7 | 139 | The seven ages of man. Plate XV. | 407, 409 | |
| 427 | III. | 3 | 67 | Hawking | 366, 368 | |
| 442 | IV. | 3 | 15 | The Phœnix | 234, 236 | |
| THE TAMING OF THE SHREW. | ||||||
| III. | 10 | Ind. | 2 | 41 | Hawking | 366, 367 |
| 10 | Ind. | 2 | 47 | Mythological pictures by Titian | 114 | |
| 10 | Ind. | 2 | 47 | Cytherea, Io, Daphne, Apollo | 115 | |
| 10 | Ind. | 2 | 52 | Jupiter and Io | 246 | |
| 10 | Ind. | 2 | 55 | Daphne and Apollo | 296, 297 | |
| 23 | I. | 2 | 24 | Two Italian sentences | 163 | |
| 45 | II. | 1 | 338 | Beautiful furniture described | 112 | |
| 67 | IV. | 1 | 174 | Falconry | 366, 367 | |
| 78 | IV. | 3 | 165 | “honour peereth in the meanest habit.” Plate XVI. | 490 | |
| ALL’S WELL THAT ENDS WELL. | ||||||
| III. | 112 | I. | 1 | 76 | Symbolical imagery | 377 |
| 119 | I. | 2 | 58 | Bees,—and native land | 361, 365 | |
| 123 | I. | 3 | 73 | A lottery | 208, 210 | |
| 127 | I. | 3 | 182 | Cupid and the sieve | 329, 330 | |
| 132 | II. | 1 | 40 | “cicatrice an emblem of war” | 9 | |
| 133 | II. | 1 | 59 | The Fox and the Grapes | 310, 311 | |
| 201 | V. | 3 | 5 | Niobe’s children slain | 292, 293 | |
| TWELFTH NIGHT. | ||||||
| III. | 223 | I. | 1 | 9 | Actæon and the hounds | 277, 278 |
| 224 | I. | 1 | 33 | “The rich golden shaft” | 404 | |
| 225 | I. | 2 | 10 | Arion and the dolphin | 280, 282 | |
| 231 | I. | 3 | 127 | Zodiac,—Taurus. Plate XIII. | 353, 355 | |
| 234 | I. | 5 | 50 | Mottoes,—Latin, &c. | 138 | |
| 240 | I. | 5 | 214 | Power of judging artistic skill | 113 | |
| 257 | II. | 5 | 15 | A turkey-cock | 357 | |
| 257 | II. | 5 | 27 | A turkey-cock | 357 | |
| 265 | III. | 1 | 68 | Snatches of French | 163 | |
| 271 | III. | 2 | 73 | New map with the Indies | 352 | |
| 285 | III. | 4 | 340 | Whitney’s Introduction | 464 | |
| THE WINTER’S TALE. | ||||||
| III. | 323 | I. | 2 | 115 | The wounded deer | 398, 400 |
| 371 | IV. | 1 | 7 | Old Time, power of | 473 | |
| 382 | IV. | 4 | 116 | Proserpina,—see Ovid | 244 | |
| 383 | IV. | 4 | 135 | Poetic ideas, or symbolical imagery | 379 | |
| 420 | V. | 2 | 8 | “Julio Romano” | 110 | |
| 422 | V. | 3 | 14 | Description of statuary | 109 | |
| 423 | V. | 3 | 18 | Sleep and death, Holbein’s Simulachres | 469, 470 | |
| 424 | V. | 3 | 63 | Description of statuary | 189 | |
| KING JOHN. | ||||||
| IV. | 17 | II. | 1 | 134 | Hares biting a dead lion | 305, 306 |
| 26 | II. | 1 | 373 | Theatre of human life. Plate XIV. | 405, 406 | |
| 37 | III. | 1 | 96 | Gold on the touchstone | 177, 180 | |
| 42 | III. | 1 | 258 | Snake on the finger | 342, 343 | |
| 65 | IV. | 2 | 125 | Occasion, 259; or Fortune | 261, 264 | |
| 67 | IV. | 2 | 170 | Mercury mending a lute | 256, 257 | |
| 76 | IV. | 3 | 155 | Wind, sun, and traveller | 166 | |
| 91 | V. | 7 | 1 | The swan, the Poet’s badge | 218, 219 | |
| RICHARD II. | ||||||
| IV. | 116 | I. | 1 | 202 | Wreath of chivalry | 169, 170 |
| 125 | I. | 3 | 129 | Envy | 432, 433 | |
| 130 | I. | 3 | 275 | “no virtue like necessity” | 347 | |
| 131 | I. | 3 | 294 | “the frosty Caucasus” | 347 | |
| 137 | II. | 1 | 53 | Wreath of chivalry | 169, 170 | |
| 140 | II. | 1 | 120 | The Pelican | 393, 396 | |
| 145 | II. | 1 | 270 | hollow eyes of death | 339 | |
| 164 | III. | 2 | 12 | Snake in the grass | 340, 343 | |
| 164 | III. | 2 | 24 | Cadmus and the serpent’s teeth | 245 | |
| 164 | III. | 2 | 29 | Human dependence | 465 | |
| 165 | III. | 2 | 37 | Drake’s ship | 413, 415 | |
| 168 | III. | 2 | 129 | Countryman and serpent | 197, 198 | |
| 179 | III. | 3 | 178 | Phaeton and the Sun-chariot | 285, 286 | |
| 210 | V. | 3 | 57 | Countryman and serpent | 197, 198 | |
| FIRST PART HENRY IV. | ||||||
| IV. | 317 | IV. | 1 | 97 | Ostrich with spreading wings | 370 |
| 318 | IV. | 1 | 104 | Mercury | 255, 257 | |
| 323 | IV. | 3 | 30 | Sir Walter Blount | 160 | |
| 337 | V. | 2 | 82 | Time leading the Seasons. Plate XVII. | 491 | |
| 342 | V. | 4 | 25 | Hydra slain by Hercules | 374, 375 | |
| SECOND PART HENRY IV. | ||||||
| IV. | 392 | II. | 2 | 41 | Time terminates all | 323 |
| 405 | II. | 4 | 165 | Sword with Spanish motto | 137, 138 | |
| 431 | IV. | 1 | 70 | Occasion, 259; Fortune | 261, 264 | |
| 450 | IV. | 4 | 103 | Hands of Providence. Plate XVI. | 489 | |
| 453 | IV. | 5 | 35 | Sleep and Death, Holbein’s Simulachres | 469, 470 | |
| 454 | IV. | 5 | 75 | Bees | 361, 364 | |
| 474 | V. | 3 | 136 | Prometheus chained | 266, 358 | |
| KING HENRY V. | ||||||
| IV. | 491 | I. | Chor. | 5 | Diligence and idleness | 145, 146 |
| 493 | I. | 1 | 35 | Hydra slain by Hercules | 374, 375 | |
| 502 | I. | 2 | 178 | Bees | 360, 362 | |
| 538 | III. | 4 | 1 | Snatches of French | 163 | |
| 543 | III. | 6 | 20 | Image of Fortune | 261, 262 | |
| 544 | III. | 6 | 44 | Thread of life | 454, 455 | |
| 549 | III. | 7 | 10 | Pegasus | 141, 142 | |
| 550 | III. | 7 | 54 | French and Latin proverb | 144 | |
| 552 | III. | 7 | 130 | The mastiff praised | 483 | |
| 555 | IV. | 1 | 3 | “goodness out of evil” | 447 | |
| 555 | IV. | 1 | 9 | Time irrevocable. Plate XVII. | 491 | |
| 564 | IV. | 1 | 256 | Sound sleep of the slave | 147 | |
| 574 | IV. | 4 | 2 | Snatches of French | 163 | |
| 582 | IV. | 7 | 82 | Human dependence | 465 | |
| 588 | IV. | 8 | 100 | Human dependence | 465 | |
| 591 | V. | 1 | 13 | Turkey-cock | 357, 358 | |
| 596 | V. | 2 | 48 | Evils of war | 147 | |
| 598 | V. | 2 | 107 | Snatches of French | 163 | |
| FIRST PART HENRY VI. | ||||||
| V. | 8 | I. | 1 | 127 | “A Talbot! a Talbot!” | 207 |
| 14 | I. | 2 | 129 | Halcyon days | 392 | |
| 20 | I. | 4 | 49 | Adamant on the anvil | 347, 348 | |
| 25 | I. | 6 | 6 | Adonis’ gardens, Golding’s Ovid | 243 | |
| 29 | II. | 1 | 78 | The cry, “A Talbot! a Talbot!” | 207 | |
| 32 | II. | 3 | 11 | The cry, “A Talbot! a Talbot!” | 207 | |
| 33 | II. | 3 | 36 | A picture gallery named | 114 | |
| 36 | II. | 4 | 30 | Rose and thorn | 333, 334 | |
| 40 | II. | 5 | 28 | Death | 469 | |
| 68 | IV. | 1 | 188 | Chaos,—discord | 450, 453 | |
| 71 | IV. | 3 | 17 | Prometheus bound | 266, 268 | |
| 72 | IV. | 3 | 47 | Prometheus bound | 267, 268 | |
| 78 | IV. | 6 | 46 | Icarus and his ill fortune | 288, 291 | |
| 80 | IV. | 7 | 60 | Order of St. Michael | 227 | |
| 80 | IV. | 7 | 60 | Order of the Golden Fleece | 227, 228 | |
| 82 | IV. | 7 | 92 | Phœnix | 386, 388 | |
| 86 | V. | 3 | 30 | Circe | 252 | |
| SECOND PART HENRY VI. | ||||||
| V. | 129 | I. | 4 | 16 | Ban-dog | 484 |
| 132 | II. | 1 | 1 | Falconry | 366, 367 | |
| 145 | II. | 3 | 45 | Pine-trees in a storm | 477 | |
| 153 | III. | 1 | 55 | Fox and Grapes | 310, 312 | |
| 153 | III. | 1 | 69 | Jackdaw in peacock’s feathers | 312 | |
| 158 | III. | 1 | 224 | Snake in the grass | 340, 341 | |
| 162 | III. | 1 | 343 | Countryman and serpent | 197, 198 | |
| 162 | III. | 1 | 360 | The porcupine | 231, 232 | |
| 168 | III. | 2 | 125 | Bees | 361, 363 | |
| 171 | III. | 2 | 232 | Conscience | 421, 422 | |
| 174 | III. | 2 | 310 | Envy | 432, 433 | |
| 182 | IV. | 1 | 83 | The pelican | 393, 394, 397 | |
| 185 | IV. | 2 | 27 | Thread of life | 454, 455 | |
| 197 | IV. | 7 | 49 | Latin proverb, “bona terra,” &c. | 139 | |
| 206 | IV. | 10 | 23 | Ostrich eating iron | 233, 234 | |
| 213 | V. | 1 | 143 | Bear and ragged staff | 237, 239 | |
| 215 | V. | 1 | 196 | Bear and ragged staff | 237, 240 | |
| 217 | V. | 2 | 28 | The game of chess | 320 | |
| 217 | V. | 2 | 28 | French proverb, “La fin couronne,” &c. | 320 | |
| 218 | V. | 2 | 45 | Æneas and Anchises | 191, 192 | |
| THIRD PART HENRY VI. | ||||||
| V. | 244 | I. | 4 | 16 | Phaeton | 285, 286 |
| 245 | I. | 4 | 35 | Phœnix | 385, 386, 388 | |
| 245 | I. | 4 | 39 | Leash of proverbs | 318 | |
| 252 | II. | 1 | 50 | Cupid felling a tree | 324 | |
| 252 | II. | 1 | 68 | Human skull | 337, 339 | |
| 271 | II. | 6 | 10 | Phaeton | 285, 287 | |
| 280 | III. | 2 | 48 | Many drops pierce the stone | 324 | |
| 281 | III. | 2 | 51 | Inverted torch | 171, 173, 174 | |
| 284 | III. | 2 | 153 | Bear, cub, and Cupid | 349, 350 | |
| 285 | III. | 2 | 188 | Countryman and serpent, Sinon | 197, 200 | |
| 309 | IV. | 4 | 32 | Olive branch and laurel crown | 223 | |
| 312 | IV. | 7 | 24 | Fox and Grapes | 310, 312 | |
| 319 | V. | 1 | 34 | Atlas | 245 | |
| 319 | V. | 1 | 54 | Wrongs on marble | 458, 461 | |
| 324 | V. | 3 | 1 | Four wreaths on a spear | 221, 222 | |
| 325 | V. | 4 | 1 | Ships sailing | 435, 436, 438 | |
| 329 | V. | 5 | 25 | Æsop | 303 | |
| 332 | V. | 6 | 18 | Icarus | 288, 290 | |
| KING RICHARD III. | ||||||
| V. | 473 | I. | 1 | 1 | “Sun of York” | 223 |
| 580 | IV. | 2 | 8 | Gold on the touchstone | 177, 180 | |
| 583 | IV. | 2 | 65 | D. O. M. | 464 | |
| 606 | IV. | 4 | 418 | The phœnix | 385, 389 | |
| 615 | V. | 2 | Sir James Blount | 160 | ||
| 617 | V. | 3 | 30 | Sir James Blount | 160 | |
| 625 | V. | 3 | 181 | Laurel, type of conscience | 422, 425 | |
| KING HENRY VIII. | ||||||
| VI. | 3 | Prol. | 15 | A motley coat | 485 | |
| 45 | II. | 3 | 60 | Gem in a ring of gold | 418, 419 | |
| 46 | II. | 3 | 75 | Gem in a ring of gold | 418, 420 | |
| 56 | III. | 1 | 1 | Orpheus and his harp | 271, 274 | |
| 76 | III. | 2 | 372 | Laurel, type of conscience | 422, 424 | |
| 79 | III. | 2 | 446 | D. O. M. | 465 | |
| 84 | IV. | 1 | 81 | Emblems literally | 9 | |
| 87 | IV. | 2 | 27 | Wrongs on marble | 458, 459 | |
| 88 | IV. | 2 | 77 | Swan, the Poet’s badge | 218, 219 | |
| 103 | V. | 3 | 10 | D. O. M. | 464 | |
| 104 | V. | 3 | 43 | Envy | 432, 433 | |
| 114 | V. | 5 | 28 | Phœnix | 385, 390 | |
| TROILUS AND CRESSIDA | ||||||
| VI. | 130 | I. | 1 | 94 | Daphne | 295, 296 |
| 134 | I. | 2 | 100 | Epithet golden | 403, 404 | |
| 142 | I. | 3 | 33 | Ship sailing forward | 436, 439 | |
| 142 | I. | 3 | 33 | Perseus’ horse | 299, 300 | |
| 142 | I. | 3 | 39 | Pegasus | 143 | |
| 143 | I. | 3 | 49 | Oak and reed, or osier | 315, 316 | |
| 144 | I. | 3 | 75 | Bees | 360, 361, 363 | |
| 144 | I. | 3 | 75 | Chaos | 449, 451 | |
| 155 | I. | 3 | 391 | Ban-dog, or Mastiff | 483 | |
| 164 | II. | 2 | 81 | Paris and Helen | 463 | |
| 164 | II. | 2 | 92 | Paris and Helen | 463 | |
| 168 | II. | 3 | 9 | Mercury | 255, 257 | |
| 169 | II. | 3 | 18 | Envy | 432, 433 | |
| 175 | II. | 3 | 189 | Cancer,—Zodiac. Plate XIII. | 353, 355 | |
| 177 | II. | 3 | 237 | Milo | 297 | |
| 178 | II. | 3 | 240 | Milo | 244, 344 | |
| 191 | III. | 2 | 169 | Astronomer, magnet, polestar | 335, 337 | |
| 198 | III. | 3 | 145 | Active exertion demanded | 378 | |
| 201 | III. | 3 | 196 | Hand of Providence | 489 | |
| 228 | IV. | 5 | 183 | Pegasus | 299, 300 | |
| 230 | IV. | 5 | 223 | Setting sun | 323 | |
| 247 | V. | 3 | 37 | “kindness befitting a lion” | 282 | |
| 253 | V. | 5 | 11 | Sagittary,—Zodiac. Plate XIII. | 353, 355 | |
| 259 | V. | 9 | 21 | Hares biting a dead lion | 304, 305 | |
| 261 | V. | 11 | 16 | Niobe and her children | 292, 294 | |
| CORIOLANUS. | ||||||
| VI. | 287 | I. | 3 | 7 | Wreath of oak | 224, 225 |
| 304 | I. | 9 | 58 | Wreaths of victory | 221, 225 | |
| 312 | II. | 1 | 109 | Wreath of oak | 224, 226 | |
| 323 | II. | 2 | 84 | Wreath of oak | 224, 225 | |
| 344 | III. | 1 | 161 | D. O. M. | 465 | |
| 369 | IV. | 1 | 44 | Gold on the touchstone | 175, 177, 181 | |
| 380 | IV. | 5 | 100 | Sword on an anvil | 325, 326 | |
| 403 | V. | 2 | 102 | Oak and reed, or osier | 315, 316 | |
| 407 | V. | 3 | 101 | Great Roman names | 201 | |
| 411 | V. | 3 | 206 | Great Roman names | 201 | |
| TITUS ANDRONICUS. | ||||||
| VI. | 450 | II. | 1 | 5 | The zodiac. Plate XIII. | 353 |
| 451 | II. | 1 | 14 | Prometheus chained | 266, 268 | |
| 451 | II. | 1 | 18 | Sirenes | 253, 254 | |
| 456 | II. | 2 | 1 | Tabley Old Hall, chimneypiece | 131 | |
| 459 | II. | 3 | 55 | Actæon and hounds | 277, 279 | |
| 472 | III. | 1 | 12 | “to write in the dust” | 461 | |
| 483 | III. | 2 | 9 | Theatre of human life. Plate XIV. | 405, 406 | |
| 490 | IV. | 1 | 85 | Wrongs on marble | 458, 460 | |
| 490 | IV. | 1 | 102 | Wrongs on marble | 458, 460 | |
| 492 | IV. | 2 | 18 | Conscience, power | 420 | |
| 501 | IV. | 3 | 52 | The zodiac. Plate XIII. | 353, 354 | |
| 522 | V. | 2 | 192 | Progne | 193 | |
| 527 | V. | 3 | 85 | Countryman and serpent,Sinon | 200 | |
| ROMEO AND JULIET. | ||||||
| VII. | 23 | I. | 4 | 4 | Cupid hoodwinked | 329, 331 |
| 30 | I. | 5 | 41 | Gem set in gold | 418, 420 | |
| 42 | II. | 3 | 90 | Venus dispensing Cupid from his oaths | 327 | |
| 58 | II. | 4 | 187 | Astronomer and magnet | 187, 335 | |
| 59 | II. | 5 | 8 | Doves and winged Cupid | 245 | |
| 72 | III. | 2 | 1 | Phaeton | 285, 286 | |
| 75 | III. | 2 | 69 | Snake in the grass | 340, 341 | |
| 84 | III. | 3 | 126 | Dispensing from oaths | 327, 328 | |
| 117 | V. | 1 | 15 | Time and eternity, symbol. Plate XVII. | 492 | |
| 124 | V. | 3 | 61 | D. O. M. | 464 | |
| 126 | V. | 3 | 111 | Theatre of human life. Plate XIV. | 405, 406 | |
| TIMON OF ATHENS. | ||||||
| VII. | 228 | II. | 1 | 28 | Jackdaw in borrowed plumes | 312, 314 |
| 245 | III. | 3 | 1 | Gold on the touchstone | 175, 177, 180 | |
| 254 | III. | 5 | 31 | Wrongs on marble | 458, 459 | |
| 263 | III. | 6 | 103 | Timon’s intense hatred | 427, 428 | |
| 265 | IV. | 1 | 35 | The extravagance of Timon’s hatred | 429 | |
| 269 | IV. | 3 | 18 | The extravagance of Timon’s hatred | 429 | |
| 270 | IV. | 3 | 51 | The extravagance of Timon’s hatred | 429 | |
| 288 | IV. | 3 | 473 | The extravagance of Timon’s hatred | 429 | |
| 269 | IV. | 3 | 25 | Gold on the touchstone | 175, 177, 178 | |
| 281 | IV. | 3 | 317 | Mention of many animals | 375 | |
| 281 | IV. | 3 | 324 | Mention of many animals | 376 | |
| 281 | IV. | 3 | 331 | The unicorn | 371, 373 | |
| 283 | IV. | 3 | 377 | Gold on the touchstone | 177, 178 | |
| 305 | V. | 4 | 69 | Timon’s epitaph | 430 | |
| JULIUS CÆSAR. | ||||||
| VII. | 322 | I. | 1 | 68 | Jackdaw in borrowed plumes | 312, 313 |
| 326 | I. | 2 | 107 | Æneas and Anchises | 191, 193 | |
| 329 | I. | 2 | 192 | Characteristics of Brutus and Cassius | 205 | |
| 334 | I. | 3 | 5 | Oak and reed, or osier | 315, 316 | |
| 347 | II. | 1 | 203 | Unicorn | 371, 372 | |
| 363 | III. | 1 | 58 | Astronomer and magnet | 335, 336 | |
| 368 | III. | 1 | 205 | The wounded stag | 398, 399 | |
| 375 | III. | 2 | 73 | Wrongs on marble | 458, 459 | |
| 384 | IV. | 1 | 12 | Three-cornered world | 351, 352 | |
| 389 | IV. | 3 | 21 | Dog baying at the moon | 269, 270 | |
| 396 | IV. | 3 | 213 | Occasion. Plate XII. | 259, 260 | |
| 409 | V. | 3 | 80 | Wreath of victory | 221, 224, 226 | |
| 413 | V. | 5 | 25 | Death of Brutus | 202, 203 | |
| MACBETH. | ||||||
| VII. | 438 | I. | 5 | 61 | Snake in the strawberry | 340, 341 |
| 442 | I. | 7 | 44 | “I dare not,” “I would” | 376 | |
| 444 | II. | 1 | 7 | D. O. M. | 464 | |
| 454 | II. | 2 | 71 | Sleep and death, Holbein’s Simulachres | 469, 470 | |
| 454 | II. | 3 | 67 | Gorgon, Golding’s Ovid | 244 | |
| 459 | II. | 4 | 10 | Falconry | 366, 368 | |
| 467 | III. | 2 | 22 | “After life’s fretful fever he sleeps well” | 492 | |
| 512 | V. | 5 | 19 | Theatre of life. Plate XIV. | 405, 406 | |
| 512 | V. | 5 | 24 | Time leading on the Seasons. Plate XVII. | 491 | |
| HAMLET. | ||||||
| VIII. | 14 | I. | 2 | 71 | Time leading the Seasons. Plate XVII. | 491 |
| 35 | I. | 5 | 13 | The porcupine | 231, 232 | |
| 63 | II. | 2 | 295 | “Man a God to man” | 283, 284 | |
| 79 | III. | 1 | 62 | Theatre of life. Plate XIV. | 405, 406 | |
| 79 | III. | 1 | 60 | Sleep and death, Holbein’s Simulachres | 469, 470 | |
| 79 | III. | 1 | 70 | Death’s praises, life’s evils | 471 | |
| 80 | III. | 1 | 76 | Fardel on a swimmer | 481 | |
| 97 | III. | 2 | 259 | The wounded stag | 398, 399 | |
| 111 | III. | 4 | 53 | The herald Mercury | 255, 256, 258 | |
| 111 | III. | 4 | 55 | A poet’s artistic description | 112 | |
| 117 | III. | 4 | 205 | Cannon bursting | 344, 345 | |
| 127 | IV. | 4 | 33 | The camel and his driver | 283 | |
| 135 | IV. | 5 | 135 | The pelican | 393, 394, 396 | |
| 145 | IV. | 7 | 84 | Pegasus | 143, 144 | |
| 153 | V. | 1 | 73 | Human skull | 337, 338 | |
| 154 | V. | 1 | 86 | Human skull | 337, 338 | |
| 158 | V. | 1 | 191 | Human skull | 337, 339 | |
| 164 | V. | 2 | 8 | Drake’s ship | 413, 414 | |
| KING LEAR. | ||||||
| VIII. | 280 | I. | 4 | 93 | Child and motley fool | 485 |
| 295 | I. | 5 | 33 | “why seven stars” | 356 | |
| 307 | II. | 2 | 73 | King-fishers | 392, 393 | |
| 317 | II. | 4 | 61 | Ants and grasshopper | 148, 149 | |
| 320 | II. | 4 | 129 | Prometheus and the vulture | 266, 358 | |
| 342 | III. | 4 | 68 | Pelican | 393, 394, 396 | |
| 366 | IV. | 1 | 64 | Hands of Providence. Plate XVI. | 489 | |
| 416 | V. | 3 | 171 | our pleasant vices, &c. | 425 | |
| OTHELLO. | ||||||
| VIII. | 477 | II. | 1 | 129 | “Old fond paradoxes” | 474 |
| 498 | II. | 3 | 290 | Hydra slain by Hercules | 374, 375 | |
| 500 | II. | 3 | 326 | Symbols | 2 | |
| 505 | III. | 1 | 47 | Occasion. Plate XII. | 259, 261, 265 | |
| 512 | III. | 3 | 145 | Confidence kept back | 434 | |
| 513 | III. | 3 | 159 | Calumny | 434 | |
| 574 | V. | 2 | 7 | Light; the Canoness | 469 | |
| 581 | V. | 2 | 146 | Swan | 218 | |
| 586 | V. | 2 | 249 | Swan | 213, 216, 218, 220 | |
| ANTONY AND CLEOPATRA. | ||||||
| IX. | 38 | II. | 2 | 201 | Appreciation of art | 113 |
| 40 | II. | 2 | 245 | The lottery | 208, 211 | |
| 48 | II. | 5 | 95 | Narcissus at the stream | 205, 206 | |
| 60 | II. | 7 | 101 | Bacchus | 246, 247 | |
| 64 | III. | 2 | 7 | The Phœnix | 381, 387, 389 | |
| 100 | III. | 13 | 195 | Ostrich, or estridge | 371, 372 | |
| 109 | IV. | 6 | 5 | Map, “three-nooked world” | 351, 353 | |
| 118 | IV. | 12 | 3 | Medeia, swallows on her breast | 190 | |
| 123 | IV. | 14 | 46 | Lamp, or torch of life | 456 | |
| 132 | IV. | 15 | 84 | Lamp of life | 456 | |
| 150 | V. | 2 | 277 | Time’s and eternity’s emblems. Plate XVII. | 491 | |
| 151 | V. | 2 | 305 | Chimney-piece at the Old Hall, Tabley | 131 | |
| CYMBELINE. | ||||||
| IX. | 167 | I. | 1 | 130 | The eagle renewing its feathers | 369 |
| 183 | I. | 6 | 12 | The phœnix | 234, 235, 236 | |
| 183 | I. | 6 | 15 | The phœnix, “Arabian bird” | 387, 390 | |
| 184 | I. | 6 | 30 | Ape and miser’s gold | 488 | |
| 185 | I. | 6 | 46 | Contrasts of epithets | 474 | |
| 191 | I. | 6 | 188 | Jewels and ornaments of rare device | 8 | |
| 207 | II. | 4 | 68 | Adornments of Imogen’s chamber | 111 | |
| 212 | II. | 5 | 33 | Envy | 432, 433 | |
| 226 | III. | 4 | 57 | Countryman and serpent, Sinon | 197, 208 | |
| 240 | III. | 6 | 31 | Diligence and idleness | 145, 147 | |
| 253 | IV. | 2 | 172 | Pine-trees in a storm | 477 | |
| 257 | IV. | 2 | 259 | The oak and reed, or osier | 315 | |
| PERICLES PRINCE OF TYRE. | ||||||
| IX. | 325 | I. | 2 | 102 | Thread of life | 454, 455 |
| 343 | II. | 2 | 17 | The Triumph Scene | 158, 159 | |
| 343 | II. | 2 | 19 | A black Ethiope | 160 | |
| 343 | II. | 2 | 27 | Spanish motto | 162 | |
| 343 | II. | 2 | 30 | Wreath of chivalry | 168, 169 | |
| 343 | II. | 2 | 32 | Inverted torch | 170, 171, 173 | |
| 343 | II. | 2 | 33 | Quod or qui me alit | 170, 174 | |
| 344 | II. | 2 | 36 | Gold on the touchstone | 175, 177 | |
| 344 | II. | 2 | 43 | Withered branch | 181, 183 | |
| 345 | II. | 3 | 9 | Wreath of victory | 223, 224 | |
| 366 | III. | 2 | 26 | Man a God to man | 283, 284 | |
| 375 | IV. | Intr. | 12 | Envy | 432, 433 | |