A | B | C | D |
E | F | G | H |
I | J | K | L |
M | N | O | P |
Q | R | S | T |
U | V | W | Y
- Affixing the stamps, 279, 280.
- Agatine marble, on leather, 249.
- Aldine, 198.
- Aldus, 198.
- Anonay paper, 150.
- Antique, 231.
- Arabesque, 210.
- Assyrian, 179.
- Aqua Regia, 237.
- Backing-machine,173.
- Backs, flexible, 54, 55.
- Backing books, 43.
- Bands, in finishing, 269.
- Bands, raised, 53, 54.
- Baumgarten, 20.
- Beating, 41, 42.
- Beating-hammer, 42.
- Beckford, 206.
- Bedford, 28.
- Benedict, 20.
- Bible, chained in churches, 16.
- Bibliographical Decameron, 14, 26, 135.
- Bindings of Corvinus, 14.
- of Henry VII., 16.
- of Henry VIII., 17.
- of Elizabeth, 17.
- of Grolier, 17.
- of Maioli, 18.
- of Diana of Poictiers, 18.
- of Henry II., 18.
- of De Thou, 19.
- of the Chevalier D'Eon, 19.
- of Oxford, 20.
- of Mackinlay, 21.
- of Roger Payne, 21-23.
- of Mackenzie, 28.
- of Charles Lewis, 28.
- of Clarke, 28.
- of Riviere, 28.
- of Bedford, 28.
- of Hayday, 28.
- of Napoleon, 30.
- of Lortic, 31.
- of Duru, 32.
- of Niédré, 32.
- Bindings of Bauzonnet, 32, 142.
- Black, for marbling, 85, 91.
- Blacking the squares, 268.
- Blank binding, 151.
- Bleeding, 68.
- Blind tooling, 230.
- Block-finishing, 279.
- Blue, for edges, 78.
- for marbling, 85, 89, 90, 105.
- ink, 156.
- for marbling leather, 242.
- uniform colour for leather, 258.
- Blue agate marble on leather, 249.
- Boards, mode of making, 65.
- Boarding, blank-work, 160.
- Box marble, on leather, 253.
- British marble, 119.
- Brown, for edges, 79.
- for marbling, 86, 91.
- for marbling leather, 241, 242.
- uniform colour for leather, 257.
- Burnt ochre, 88.
- Burnishing, 126, 129, 133.
- Byzantine, 181.
- Cambridge, 208.
- Cancels, 40.
- Caoutchouc, 58.
- Capé, 31, 32.
- Carved oak boards, description of, 12, 211.
- precious stones let into, 12, 14.
- Case-work, stamping, 283.
- Cedar sprinkle, on leather, 253.
- Chemical preparations, 237.
- Chinese blue, 89.
- Chrome, 90.
- Clarke, 28.
- Clasps, 167.
- Cleanliness, 276.
- Cloth-work, 170.
- Collating, 39.
- Coleridge, 190.
- Colours, for edges, 74-82.
- for marbling, 84.
- grinding, 98.
- uniform, for leather, 256.
- harmony of, 272.
- Colouring, for leather, 236.
- Comb marble, 115.
- Combs, for marbling, 127.
- Corners, 167.
- Corvinus, library of, 14.
- Covering, 141.
- blank-work, 163.
- Cropping, 67.
- Curl marble, 109.
- Cutting in boards, 72.
- Cutting-machines, 288.
- Dawson, 20.
- Derome, 18, 19, 67.
- De Seuil, 18, 19.
- Design, 186.
- Designing, 286.
- De Thou, bindings of, 19.
- Dibdin, his account of the library of Corvinus, 14.
- Diptych, description of, 11.
- Drag Spanish marble, 114.
- Drop ivory black, 91.
- Drop lake, 86.
- Duru, 31, 32.
- Dutch marble, 120.
- Dutch pink, 90.
- Edges, colouring and sprinkling, 74.
- colours for, 74-79.
- blue, 78.
- yellow, 78.
- green, 78.
- orange, 78.
- red, 78.
- purple, 79.
- brown, 79.
- black, 136.
- rice marbled, 80.
- white spotted, 80.
- fancy marbled, 81.
- gold sprinkle, 81.
- marbled, 82, 125.
- burnishing, 126, 129.
- gilt, 130.
- antique, 134.
- gold upon marble, 135.
- black, 136.
- Edge-gilding, 130.
- antique, 134.
- on marble, 135.
- on landscapes, 135.
- Eighteenmo, 36.
- Elizabethan, 184.
- End-papers, 59, 60, 273.
- Etruscan, 180.
- Eyton, J. W. King, binding belonging to, 28, 29.
- Fair agate marble, on leather, 249.
- Falkner, 28.
- Fancy titles, 221, 271.
- Fawn, colour for leather, 244.
- Finishing, blank-work, 168.
- Finisher's standing press, 275.
- Flea-seed, 94.
- Flexible, mode of sewing, 53.
- Folding, 35.
- Folio, 36.
- Font Hill, 150, 205.
- Forwarding, job-work, mode of operation, 59.
- making end-papers, 60.
- putting in joints, 61.
- glueing up, rounding, 62.
- backing, 63, 64.
- cutting, 65, 70.
- making boards, 65.
- squaring, 66.
- lacing in, 68.
- pastewashing back, 69.
- cutting round, 71.
- turning up, 73.
- Foundation-plate, 279.
- Gilding, preparations for, 216.
- the back, 217.
- the squares, 223.
- the sides, 224.
- on silk and velvet, 225.
- Gilt edges, 130.
- Glaire, for marbling leather, 240.
- Gold marble on leather, 260.
- Gold sprinkle, 81.
- Gothic, 183.
- Grafton, the printer, 16.
- Grained sheep, 282.
- Graining, 231.
- Grolier, bindings of, 17.
- Green, for edges, 78.
- for blank-work, 164.
- for leather, 244.
- uniform colour for leather, 258.
- agate marble on leather, 249.
- Italian marble, 106.
- porphyry marble on leather, 250.
- Greek, 180.
- Gum, 92.
- directions for preparing for marbling, 93.
- Guards, sewing on, 53, 56.
- Gum-sandarac, 226.
- Harleian, 202.
- Harmony of colours, 272.
- Half-binding, 149.
- Hayday, 28, 29, 232.
- Headbands, 137.
- single, 138.
- double, 140.
- gold and silver, 140.
- ribbon, 141.
- Heat, degree required for stamping, 282.
- Hints to book-collectors, 292.
- Henry VII., time of, 16.
- Hering, 28.
- Holbein, 213.
- Hydraulic press, 45.
- Illuminated binding, 227.
- Imperfections in old books, 290.
- Indigo, 89.
- Inlaid work, 229.
- Irish moss, 94.
- Italian marble, 106.
- Janseniste, 208.
- Joint, mode of forming, 63.
- Joints, inside, 273.
- Kalthœber, 20.
- Kettle-stitch, 51, 53, 55.
- Keys for securing bands on sewing-bench, 49.
- Lacing in, 68.
- Landscapes on sides, 263.
- Lapis Lazuli marble on leather, 261.
- Lay on, 218.
- Leland's Itinerary, 14.
- Lettering-press, 283.
- Levant marble on leather, 249.
- Levant morocco, 31, 142.
- Lewis, Charles, 28.
- Light Italian marble, 106.
- Lilac, for leather, 243.
- Lining-papers, mode of making, 60.
- Linseed, 94.
- Lortic, 31, 32.
- Louis Quatorze, 184.
- Mackenzie, 28.
- Mackinlay, John, 20.
- Mahogany sprinkle on leather, 253.
- Maioli, 18.
- Malacca tin, 238.
- Marbling on leather, 246-254.
- Marbling-water for leather, 240.
- Marbled cloth, 128.
- Marbled edges, 125.
- Making cases, 174.
- Missals, antiquity of, 10.
- Mitreing, 219.
- Modernized monastic, 231.
- Montague, 201.
- Moorish, 182.
- Niédré, 31, 32.
- Nonpareil, 115.
- Numerical proportions of colours, 272.
- Nutmeg sprinkle on leather, 255.
- Oak boards, 15, 211.
- Octavo, 36.
- Old bindings, 289.
- Olive, for leather, 258.
- Orange, for edges, 78.
- for marbling, 86, 91.
- for leather, 244.
- Orange lead, 91.
- Ornamental art, 178.
- Oxford, bindings of, 20.
- Oxford ochre, 88.
- Ox-gall, 96.
- Padeloup, 18.
- Paging-machine, 154.
- Paper and book trimmer, 288.
- Paring-knife, 149.
- Pasting down, 273.
- Payne, Roger, history of, 21.
- his bindings, 23.
- bill of, 25.
- his favourite colour, 26.
- Pearl-gray for leather, 258.
- Petit, Bernard, bindings designed by, 18.
- Phillatius the Athenian, 9.
- Pictures on calf, 266.
- Pickering, 200.
- Plates, mode of sewing, 53.
- Polishing, 234.
- Porphyry marble on leather, 251.
- Porphyry vein marble on leather, 251.
- Preparations for marbling, 96.
- chemical, 237.
- for stamping, 281.
- for gilding, 216.
- for marbling leather, 240.
- Press-work, 279.
- Primary colours, 272.
- Prints on calf, 266.
- Progress of the art, 10, 33.
- Prussian blue, 90.
- Purple, for edges, 79.
- for blank-work, 165.
- for leather, 243.
- marble on leather, 248.
- Quarto, 36.
- Raw ochre, 90.
- Red, for edges, 78.
- Red porphyry marble on leather, 250.
- Register, 137.
- Renaissance, 183.
- Restoring old bindings, 289.
- Revival, 183.
- Rock marble on leather, 252.
- Rolling-machine, substitute for beating; mode of operation;
- advantages and disadvantages of, 43, 44.
- Roman, 181.
- Rose-pink, 87.
- Rounding, 62.
- Rice marble, 80.
- Ring sprinkle on leather, 255.
- Riviere, 28.
- Ruling, 152.
- Run up, 220.
- Russian bands, 165.
- Sawing, 48, 49.
- Sawing-machine, 171.
- Scraping, 132.
- Secondary colours, 272.
- Setting the head, 145.
- Set off, 42, 43.
- Sewing, process of, 49, 50.
- two sheets on, 50.
- all along; quartos; plates or maps, 52.
- whipping, sewing on guards, 53.
- on raised bands; pure flexible, 54, 55, 56.
- blank-work, 159.
- Sewing-bench, 49, 50.
- Shell marble, 100, 103, 104.
- Sheriffs of Shropshire, 28.
- Sheet-work, 35.
- Silk lining, 274.
- Sixteenmo, 36.
- Sizing the paper, 127.
- Slate, uniform colour for leather, 259.
- Smasher, substitute for beating, 44.
- mode of operation; amount of pressure; advantage of, 45.
- Spanish marble, 110.
- Spring-back, blank-work, 161.
- Sprinkles, 255, 256.
- Sprinkling, mode of, 75, 76.
- colours for, 74.
- rice-marble, 80.
- white spot, 80.
- gold sprinkle, 81.
- Staggemier, 20.
- Stamping, 279.
- Steamboating, 172.
- Stabbing, 68.
- Steel gouges, 271.
- Stone marble, on leather, 248.
- Sunk boards, 285.
- Supplying imperfections in old books, 290.
- Table-shears, 177.
- Taste, 186.
- Technical terms, 297-310.
- Tertiary colours, 272.
- Thirty-twomo, 36.
- Thouvenin, bindings of, 30.
- Titles, 269.
- Tortoise-shell sprinkle on leather, 256.
- To dissolve gold, 237.
- Transfers, 264, 266.
- Transferring designs, 286.
- Translation of dates, 289.
- Trautz et Bauzonnet, 31, 32, 142.
- Tree-marbled calf, 28, 252.
- Troughs for marbling, 100.
- Turning up, 73.
- Twelvemo, 36, 37.
- Twenty-fourmo, 36.
- Tying up, 146.
- Ultramarine, 89.
- Umber, 91.
- Uncut books, 151.
- Uniform colours on leather, 256-259.
- Variegated marble, on leather, 254.
- Varnish, 277.
- Vegetable black, 91.
- Vermilion, 87.
- Violet for leather, 243.
- Vitriol-water for marbling leather, 240.
- Wainscot sprinkle on leather, 254.
- Walnut sprinkle on leather, 253.
- Walther, 28.
- Water for marbling, 96.
- Wave-marble, 118.
- Wax for marbling, 99.
- West-End marble, 107, 108.
- Whipping, 53.
- White for marbling, 86, 91.
- White-spotted edges, 80.
- Wood-lake, 88.
- Yellow for edges, 78.
- for marbling, 85.
- for blank-work, 165.
- for leather, 244.
THE END.
STEREOTYPED BY L. JOHNSON AND CO.
PHILADELPHIA.