The Elizabethan Stage, Vol. 4

INDEXES

These indexes are selective, not exhaustive. That of Plays is, I hope, full. Classical and foreign plays, including plays given by English players abroad, but not Latin plays written in England, are printed in italics; plays not clearly extant in inverted commas. Translations and fragmentary texts are indicated by ‘tr.’ and ‘fr.’ respectively, and compositions not properly to be classed as plays are also noted. Duplicate titles which might cause confusion are distinguished by dates or authorship. References to the main notices, in vol. iii, pp. 201–518, and vol. iv, pp. 1–74, and occasionally elsewhere, of plays belonging or conjecturally assigned to the period 1558–1616 are printed in blacker type. Titles are shortened by the omission of such words as ‘A’, ‘The’, ‘King’, and cross-references are only given from the better-known alternative titles. The index of Persons gives those connected with the Court and with stage affairs, other as a rule than the players and playwrights, who are alphabetically arranged in chh. xv and xxiii respectively. The index of Places includes, besides London localities, all those recorded in Appendix A as visited by Elizabeth, but not, unless for some special reason, those at which travelling players performed. In the index of Subjects inverted commas are used for technical terms and for ordinary objects as represented on the stage.

Pages to Vol. I, II and III have external links to the relevant pages. To view these pages, an Internet connection is necessary.

INDEX I: OF PLAYS

‘A Bad Beginning Makes a Good Ending’, iii. 315; iv. 127, 180.
A Woman is a Weathercock, iii. 313.
A Woman will have her Will. See Englishmen for my Money.
Abraham, iii. 322, 514.
‘Abraham and Lot’, ii. 95.
Abraham Sacrifiant, i. 249; iii. 322.
Abraham’s Sacrifice (tr.), iii. 322.
‘Absalom’ (1602), ii. 228.
Absalon (c. 1535), iii. 506; iv. 246.
‘Abuses’, iv. 33.
‘Adams Tragedie’, iv. 398.
Adelphe, i. 131; iv. 127.
Adelphi (tr.), iii. 236.
Aegio (fr.), iii. 209.
‘Aemilia’, i. 131.
‘Aeneas and Dido’, iv. 122.
‘Aesop’s Crow’, ii. 83.
Agamemnon (tr.), iii. 477.
‘Agamemnon’, ii. 169.
‘Agamemnon and Ulysses’, ii. 17, 101; iv. 101, 160.
Agarite, iii. 16.
‘Ajax and Ulysses’, ii. 63; iv. 87, 146.
‘Ajax Flagellifer’, i. 130, 233.
‘Ajax Flagellifer’ (tr.), i. 127.
Alaham, iii. 331.
Alarum for London, iv. 1.
‘Alba’, i. 130.
‘Albere Galles’, ii. 227; iii. 341; iv. 37.
Albion Knight (fr.), iv. 1.
Albumazar, i. 131; iii. 498.
Alchemist, iii. 123, 222, 224, 371, 499; iv. 51, 127, 180, 371.
‘Alcmaeon’, ii. 15; iv. 89, 147.
‘Alexander and Lodowick’, ii. 144, 167, 170.
Alexandraean Tragedy, iii. 209.
‘Alexius’, iv. 2.
‘Alfonso’, iv. 2.
Alice and Alexis (fr.), iv. 2.
‘Alice Pierce’, ii. 132, 166.
All Fools, iii. 146, 252; iv. 119, 171.
‘All Fools but the Fool’. See ‘The World Runs on Wheels’.
All for Money, iii. 23, 411.
‘All is not Gold that Glisters’, ii. 178.
All is True. See Henry VIII.
All’s One. See Yorkshire Tragedy.
All’s Well that Ends Well, ii. 207; iii. 487.
Allot Pageant, iii. 455.
‘Almanac’, ii. 190; iv. 125, 178.
Alphonsus, Emperor of Germany, iv. 2.
Alphonsus, King of Arragon, ii. 286; iii. 327; iv. 36.
‘Alt Proculo’, ii. 286.
Althorp Entertainment, i. 126; iii. 391.
‘Alucius’, ii. 35; iv. 97, 156.
Amantes Amentes, ii. 285.
Amends for Ladies, iii. 297, 313.
Aminta, ii. 262; iii. 317.
Amphitrio, iii. 4, 5.
‘Amphitryo’, ii. 286; iii. 345.
Andria, iii. 7.
Andria (tr. Bernard), iii. 236.
Andria (tr. Kyffin), iii. 398.
‘Anglia’, ii. 277.
Anglorum Feriae (tilt), iii. 463.
‘Annabella eines Hertzogen Tochter von Ferrara’, ii. 284, 286; iii. 432.
Annus Recurrens. See Vertumnus.
Antigone (tr.), iv. 234, 246.
Antipoe, iii. 503.
1, 2 Antonio and Mellida, iii. 139, 256, 429.
Antonio’s Revenge. See Antonio and Mellida.
Antony, iii. 337.
Antony and Cleopatra, ii. 213; iii. 124, 220, 275, 488.
‘Antony and Valia’, ii. 147; iii. 301.
Aphrodysial, iii. 137, 464.
Apius and Virginia (R. B.), iii. 23; iv. 3.
Appius and Virginia (Webster), iii. 508.
Ara Fortunae. See Christmas Prince.
Arabia Sitiens, iii. 464.
Arcadia Reformed. See Queen’s Arcadia.
‘Arcadian Virgin’, ii. 173.
Arches of Triumph. See Coronation Triumph.
Archipropheta, iii. 31.
Arden of Feversham, ii. 108; iii. 395, 518; iv. 3.
‘Ariodante and Geneuora’, ii. 76; iv. 99, 159.
‘Arraignment of London’, ii. 253; iii. 35, 272.
Arraignment of Paris, iii. 459; iv. 236.
‘Arthur, King’, ii. 166.
Ashby Entertainment, iii. 434.
Asinaria, iii. 5.
‘As Plain as can Be’, iv. 84, 144.
As You Like It, ii. 6, 204, 209, 296; iii. 486; iv. 117.
Astrologo, iii. 499.
Atalanta, iv. 373.
Atheist’s Tragedy, iii. 499; iv. 42.
Aulularia, i. 127.

Bacchides, iii. 5.
Balet Comique de la Royne, i. 176; iii. 15.
Ball, iii. 260.
Band, Cuff and Ruff. See Ruff, Cuff and Band.
‘Barnardo and Fiammetta’, ii. 144.
Bartholomew Fair, i. 262; ii. 469; iii. 227, 372; iv. 33, 42, 130, 183.
‘Bartholomew Fairing’, iv. 398.
‘Battle of Affliction’, iv. 398.
Battle of Alcazar, ii. 175; iii. 459; iv. 5.
‘Battle of Evesham’, iii. 214.
‘Battle of Hexham’, iii. 214.
‘Baxster’s Tragedy’, ii. 179.
‘Bear a Brain’, ii. 171; iv. 28.
Bearing down the Inn. See Cuckqueans and Cuckolds Errants.
Beaumont’s Mask, i. 173.
Beauty (mask), i. 173; iii. 379; iv. 122.
‘Beauty and Housewifery’, ii. 192; iv. 99, 159.
‘Beech’s Tragedy’. See ‘Thomas Merry’.
‘Behendig Dieb’, ii. 286.
Believe as You List, i. 321.
‘Belin Dun’, ii. 141, 143; iv. 403.
‘Belinus’, iii. 182; iv. 398.
‘Bellman of London’, ii. 253.
‘Bellman of Paris’, iii. 289, 304.
Bellum Grammaticale, i. 129; iv. 238, 374.
‘Bendo and Richardo’, ii. 122.
Birth of Hercules, iv. 4.
Birth of Merlin, ii. 145; iii. 474.
Bisham Entertainment, iv. 66.
‘1, 2 Black Bateman of the North’, ii. 162, 166.
‘1, 2 Black Dog of Newgate’, ii. 227.
‘Black Joan’, ii. 132, 168.
Blackness (mask), i. 171; iii. 375; iv. 119.
‘Blacksmith’s Daughter’, ii. 394; iv. 204.
Blind Beggar of Alexandria, iii. 251.
Blind Beggar of Bethnal Green, iii. 285.
Blurt Master Constable, iii. 142, 439.
‘Bold Beauchamps’, iii. 347.
Bonduca, iii. 228.
‘Bonos Nochios’, iv. 399.
‘Boss of Billingsgate’, ii. 180.
‘Botzario ein Alt Römer’, ii. 284.
‘Bourbon’, ii. 132, 156, 167; iv. 50.
‘Brandimer’, ii. 122.
‘Branholt’, ii. 132, 166; iii. 230.
Brazen Age, iii. 109, 345.
‘Brennus’, iii. 183; iv. 398.
Bristol Entertainment (1574). iv. 60.
Bristol Entertainment (1613), iv. 74.
‘Bristol Tragedy’, ii. 179; iii. 304; iv. 12.
‘Bristow Merchant’, iii. 304.
Britanniae Primitiae, iv. 374.
‘Brute Greenshield’. See ‘Conquest of Brute’.
‘Buckingham’, ii. 95, 130, 202, 217.
Bugbears, ii. 14; iii. 28, 351.
Bussy D’Ambois, iii. 142, 253.
‘Byron’ (1602), ii. 228; iii. 258, 267.
Byron (1608). See Conspiracy and Tragedy.

Caesar and Pompey (Chapman), iii. 259.
‘Caesar and Pompey’ (c. 1582), ii. 394; iv. 216.
‘1, 2 Caesar and Pompey’ (1594–5), ii. 143–4; iii. 259.
Caesar and Pompey. See Caesar’s Revenge.
‘Caesar Interfectus’, iii. 309.
‘Caesar’s Fall, or, The Two Shapes’, ii. 179.
Caesar’s Revenge, iv. 4.
Calandra, iii. 9, 13.
Calisto and Melibaea, ii. 30; iv. 211, 399.
Calthrop Pageant, iii. 463.
Cambyses, iii. 37, 470; iv. 6, 79.
Campaspe, ii. 17, 39; iii. 32, 413.
Campbell, or, the Ironmongers’ Fair Field (show), i. 137; iv. 72.
Captain, iii. 226; iv. 127, 180.
‘Captain Mario’, iv. 214.
Captain Thomas Stukeley. See Stukeley.
‘Capture of Stuhl Weissenburg’, ii. 207, 367.
‘Cardenio’, ii. 217; iii. 489; iv. 127, 128, 180.
‘1, 2 Cardinal Wolsey’, ii. 178; iii. 266.
‘Cards’, i. 268; iii. 453; iv. 238.
‘Carolus Herzog aus Burgundt’, ii. 284.
Casina, iii. 5.
Cassaria, iii. 8, 11.
‘Castle of Security’, i. 333.
‘Catiline’ (1588), i. 222.
Catiline his Conspiracy (1611), iii. 372.
‘Catiline’s Conspiracies’ (c. 1579), ii. 394; iv. 204.
‘Catiline’s Conspiracy’ (1598–9), ii. 163, 170.
Caversham Entertainment, iii. 244.
Cecil House Entertainment, iii. 248.
‘Celestina’, iv. 399.
‘Celinde und Sedea’, ii. 284, 289.
Chabot, Admiral of France, iii. 259.
Challenge at Tilt, iii. 393.
‘Chance Medley’, ii. 169.
Chapman’s Mask, i. 173; iii. 260.
‘Charlemagne’ (c. 1589), iii. 260, 329; iv. 5.
Charlemagne (c. 1600), iii. 260; iv. 5.
Chaste Maid in Cheapside, iii. 441.
Chester’s Triumph, iv. 71.
‘Chinon of England’, ii. 144; iv. 399.
‘Christabella’, ii. 286.
Christian Turned Turk, i. 328; iii. 271.
‘Christmas Comes but Once a Year’, ii. 227; iii. 267.
Christmas Prince (revels), iv. 71, 228.
Christus Redivivus, iii. 31.
Chrysanaleia (show), i. 137; iii. 449.
Chryso-Thriambos (show), i. 137; iii. 449.
City Gallant. See Greene’s Tu Quoque.
‘1, 2, 3 Civil Wars of France’, ii. 169; iii. 253.
Civitatis Amor (show), iii. 443.
Claudius Tiberius Nero, iv. 5.
‘Cleopatra’ (Anon.), iv. 399.
Cleopatra (Daniel), iii. 275.
Cléopâtre Captive, iii. 13.
‘Cloridon and Radiamanta’, ii. 96; iv. 87, 146.
‘Clorys and Orgasto’, ii. 122.
‘Cloth Breeches and Velvet Hose’, iv. 399.
Club Law, iv. 5.
Clyomon and Clamydes, ii. 286; iii. 39; iv. 6.
‘Cobler of Queenhithe’, ii. 168.
Cobler’s Prophecy, iii. 35, 516; iv. 41.
Cockle de Moye. See Dutch Courtesan.
‘College of Canonical Clerks’, iv. 399.
‘Collier’, ii. 89; iii. 317; iv. 93, 151.
‘Columbus’, iii. 434.
Come See a Wonder. See Wonder of a Kingdom.
Comedy of Errors, i. 222; ii. 123, 130, 201, 211; iii. 482, 506; iv. 56, 119, 171, 246.
Comedy of Humours. See Humorous Day’s Mirth.
‘Comedy of Jeronimo’, ii. 122; iv. 23.
Common Conditions, iii. 39; iv. 6.
‘Conan, Prince of Cornwall’, ii. 169.
Conflict of Conscience, iii. 25, 517.
‘1, 2 Conquest of Brute’, ii. 163, 169, 170.
‘Conquest of Spain by John of Gaunt’, ii. 161, 178.
‘Conquest of the West Indies’, ii. 161, 178.
Conspiracy and Tragedy of Byron, i. 327; ii. 53; iii. 147, 257.
‘Constantine’, ii. 122.
Contention between Liberality and Prodigality. See Liberality and Prodigality.
Contention of York and Lancaster, ii. 129–30; iv. 7, 44.
Coriolanus, ii. 213; iii. 488, 509.
Cornelia, iii. 397.
Cornélie, iii. 16, 397.
Coronation Triumph (1559), iv. 60.
Coronation Triumph (1604), iii. 391; iv. 69.
‘Cosmo’, ii. 123.
Country Girl, iii. 237.
Country’s Tragedy in Vacuniam. See Cupid’s Sacrifice.
Cowdray Entertainment, iv. 65.
‘Cox of Collumpton’, ii. 171, 172.
Coxcomb, ii. 251; iii. 223; iv. 127, 181.
‘Crack Me this Nut’, ii. 144, 180.
‘Craft upon Subtlety’s Back’, iv. 399.
‘Crafty Cromwell’, iv. 399.
Creation of Henry Prince of Wales, iv. 72.
Croesus, iii. 209.
Cromwell, iv. 8, 28.
Cruel Debtor (fr.), iii. 505.
‘Cruelty of a Stepmother’, ii. 93; iv. 95, 154.
‘Crysella’, ii. 286; iii. 292.
Cuckqueans and Cuckolds Errants, iii. 136, 464.
‘Cupid’ (mask), i. 174; iii. 442; iv. 129.
‘Cupid and Psyche’, ii. 15, 171; iii. 346; iv. 216.
Cupid’s Revenge, iii. 225; iv. 125, 127, 178, 181.
Cupid’s Sacrifice, iii. 464.
‘Cupid’s Vagaries’. See ‘Hymen’s Holiday’.
Cupid’s Whirligig, iii. 491.
‘Cutlack’, ii. 140–1, 146.
‘Cutting Dick’, ii. 228; iv. 50.
‘Cutwell’, i. 223; ii. 381; iv. 91, 152.
Cymbeline, ii. 214–15; iii. 111, 223, 489.
‘Cynocephali’, ii. 93; iv. 91, 152.
Cynthia and Ariadne (mask). See Ashby Entertainment.
Cynthia’s Revels, ii. 43; iii. 145, 363, 430; iv. 372.
Cynthia’s Revenge, iii. 495.

‘Damon and Pythias’ (Chettle), ii. 171.
Damon and Pythias (Edwardes), ii. 34; iii. 32, 310; iv. 81, 143, 193.
‘Damon and Pythias’ (puppet-play), iii. 373.
‘Danish Tragedy’, ii. 179; iii. 264.
Darius (Alexander), iii. 209.
Darius, King (Anon.), iii. 23; iv. 8.
David and Bethsabe, iii. 48, 461.
Dead Man’s Fortune (plot), ii. 136; iv. 9.
‘Death of the Duke of Guise’ (Anon.), i. 323.
Death of the Duke of Guise (Marlowe). See Massacre at Paris.
Death of Robert Earl of Huntingdon. See Robin Hood.
‘Delight’, ii. 89, 394; iv. 97, 158.
‘Delphrigus’, iv. 236, 241.
Denmark Entertainment, iii. 392; iv. 70.
Descensus Astraeae (show), i. 137; iii. 463.
‘Destruction of Jerusalem’ (Legge), iii. 408; iv. 246.
‘Destruction of Jerusalem’ (Smythe), iii. 409.
‘Destruction of Thebes’, i. 129; iv. 85.
‘Devil and Dives’, iii. 411.
Devil and his Dame. See Grim the Collier of Croydon.
‘Devil of Dowgate’, iii. 232.
Devil’s Charter, iii. 112, 214; iv. 122.
‘Dialogue of Dives’, iv. 241.
Dido (Gager), i. 129; iii. 318.
‘Dido’ (Halliwell), i. 127.
‘Dido’ (Ritwise), ii. 11.
‘Dido and Aeneas’, ii. 132, 166; iii. 374, 427.
Dido Queen of Carthage (Marlowe), iii. 35, 426.
‘Diocletian’, ii. 143; iii. 298.
‘Disguises’, ii. 144; iii. 256.
Disobedient Child, iii. 25, 351.
Distracted Emperor. See Charlemagne.
Dixie Pageant, iii. 463.
Doctor Faustus, ii. 281, 286; iii. 329, 422; iv. 44, 48.
‘Don Horatio’, ii. 122; iv. 23.
Double Falsehood, iii. 490.
Downfall of Robert Earl of Huntingdon. See Robin Hood.
Dream of a Dry Year. See Arabia Sitiens.
Duchess of Malfi, iii. 510.
‘Duke Humphrey’, iii. 489.
Duke of Guise, iii. 26.
‘Duke of Milan and Marquis of Mantua’, ii. 93; iv. 97, 156.
Dumb Knight, ii. 289; iii. 418; iv. 11.
Dutch Courtesan, iii. 148, 430; iv. 127, 128, 180, 182.

The Elizabethan Stage, Vol. 4

About This Book

INDEXES

INDEX I: OF PLAYS