P
- ‘Page of Plymouth’, ii.
171.
- ‘Painful Pilgrimage’, iv.
84,
144.
- ‘Painter’s Daughter’, ii.
98; iv.
93,
151.
- ‘Palamon and Arcite’ (Anon.), ii.
143.
- ‘Palamon and Arcite’ (Edwardes), i.
128; iii.
311.
- Pammachius, i.
241.
- Pandoste, iii.
16–17.
- ‘Panecia’, ii.
88; iv.
91,
149.
- Panniculus Hippolyto Assutus, iii.
319.
- ‘Paradox’, ii.
144.
- Parasitaster. See Fawn.
- Pardoner and Frere, ii.
30; iii.
22.
- ‘Paris and Vienna’, ii.
75; iv.
87,
146.
- Parliament of Bees (dialogues), iii.
287,
299,
300.
- 1, 2, 3 Parnassus, i.
381,
385; iv.
38.
- Parthenia, iv.
376.
- Pasquill and Katherine. See Jack Drum’s Entertainment.
- ‘Passion of Christ’, iii.
211.
- Pastor Fido (tr.), iv.
40.
- Pastor Fidus (tr.), iv.
376.
- Pastoral Dialogue, iii.
492.
- ‘Pastoral Tragedy’, ii.
170.
- Pathomachia, iii.
499.
- Patient Grissell (Dekker), ii.
286; iii.
292.
- Patient Grissell (Phillip), iii.
38,
465.
- Pedantius, iv.
49,
238,
376.
- Pedlar’s Prophecy, iv.
41.
- Penates. See Highgate Entertainment.
- Penulus, iii.
5.
- Perfidus Etruscus, iv.
377.
- Periander. See Christmas Prince.
- Pericles, ii.
213; iii.
488,
513; iv.
41.
- ‘Perseus and Andromeda’, ii.
76; iv.
88,
90,
146,
148.
- ‘Phaethon’, ii.
164,
166,
178; iii.
300.
- ‘Phedrastus’, ii.
93; iv.
91,
149.
- ‘Phigon and Lucia’, ii.
93; iv.
91,
149.
- Philaster, or, Love Lies Bleeding, iii.
222,
224; iv.
127,
180.
- ‘Philemon and Philecia’, ii.
88; iv.
90,
148.
- ‘Philenzo and Hypollita’, ii.
145; iii.
301.
- ‘Philip of Spain’, ii.
181; iii.
343.
- ‘Philipo and Hippolito’, ii.
143; iii.
300.
- Phillis and Amyntas (tr.), iii.
316.
- ‘Philole und Mariana’, ii.
289; iii.
418.
- Philomathes. See Christmas Prince.
- Philomela. See Christmas Prince.
- Philotas (Daniel), i.
326; iii.
150,
275.
- ‘Philotas’ (Lateware), iii.
275.
- Philotus, iv.
41.
- ‘Phocas’, ii.
144,
167.
- Phoenissae, iii.
321.
- Phoenix, iii.
143,
439; iv.
118.
- Phormio, ii.
11; iii.
20.
- Phormio (tr.), iii.
236.
- ‘Phyllida and Corin’, ii.
106; iv.
101,
160.
- Physiponomachia, iv.
377.
- ‘Pierce of Exton’, ii.
167.
- ‘Pierce of Winchester’, ii.
169.
- Pinner of Wakefield. See George a Greene.
- ‘Plays and Pastimes’, i.
257; ii.
394; iv.
217.
- Pleasant Dialogues and Dramas, ii.
448; iii.
346.
- Poetaster, i.
380–1,
384; ii.
43; iii.
146,
293,
364,
430; iv.
21,
372.
- Polyhymnia (tilt), i.
145; iii.
402.
- ‘Pompey’, ii.
15,
394; iv.
97,
158.
- ‘Pontius Pilate’, ii.
168,
180.
- Poor Man’s Comfort, iii.
271.
- ‘Poor Man’s Paradise’, ii.
173.
- ‘Pope Joan’, ii.
122.
- Porcie, iii.
397.
- ‘Portio and Demorantes’, ii.
93; iv.
97,
156.
- ‘Practice of Parasites’, iv.
206.
- ‘Praise at Parting’, iv.
214.
- ‘Predor and Lucia’, ii.
88; iv.
89,
147.
- ‘Pretestus’, ii.
97; iv.
91,
149.
- Prince Henry’s Barriers, iii.
393.
- Princely Pleasures at Kenilworth. See Kenilworth Entertainment.
- Prodigal Child (fr.), iii.
445.
- ‘Prodigality’, iv.
26,
84,
144.
- ‘Progne’, i.
129; iii.
239.
- Progne, iii.
239.
- Progress of James I from Scotland, iv.
68.
- Promos and Cassandra, iii.
29,
512; iv.
201.
- Prophetae, i.
241.
- Prophetess, iii.
298.
- Proteus (mask). See Gesta Grayorum.
- ‘Proud Maid’s Tragedy’, iii.
441; iv.
126,
178.
- Psyche et Filii ejus, iv.
377.
- ‘Ptolome’, ii.
380; iv.
204.
- Puritan, i.
262; iii.
143; iv.
41,
249.
- Pyrame et Thisbée, iii.
16–17.
- ‘Pyramo und Thisbe’, ii.
283.
- ‘Pythagoras’, ii.
144,
167.
Q
- ‘Queen’, iv.
402.
- ‘Queen of Ethiopia’, ii.
135.
- Queens (mask), i.
173; iii.
382; iv.
123.
- Queen’s Arcadia, i.
131; iii.
227,
276,
373.
- ‘Quintus Fabius’, ii.
63; iv.
89,
148.
R
- Ralph Roister Doister, ii.
14,
70,
74; iii.
27; iv.
188.
- Ram Alley, iii.
215; iv.
16.
- ‘Randulf Earl of Chester’, ii.
180; iii.
446.
- ‘Ranger’s Comedy’, ii.
96,
114,
140,
146.
- Rape of Lucrece, iii.
343; iv.
126,
178.
- ‘Rape of the Second Helen’, ii.
93; iv.
96,
154.
- Rare Triumphs of Love and Fortune. See Love and Fortune.
- ‘Raymond Duke of Lyons’, ii.
248; iv.
127,
181.
- ‘Re Vera’, iii.
476.
- ‘Red Knight’, ii.
93.
- ‘Reich Mann und arme Lazarus’, ii.
281,
286.
- Rencontre, iii.
13.
- Revenge for a Father. See Hoffman.
- Revenge for Honour, iii.
260.
- Revenge of Bussy D’Ambois, iii.
258.
- Revenger’s Tragedy, iv.
42,
45.
- 1 Richard II (c. 1592), iv.
42.
- Richard II, i.
220,
325; ii.
194,
204,
270; iii.
484; iv.
43,
246.
- ‘Richard II’ (1611), ii.
216.
- ‘Richard III’ (Rowley), iii.
472.
- Richard III (Shakespeare), ii.
95,
130,
202,
448; iii.
481; iv.
44,
246.
- Richard III. See True Tragedy.
- ‘Richard Crookback’, ii.
179.
- Richard Duke of York. See Contention of York and Lancaster.
- ‘Richard the Confessor’, ii.
95.
- ‘Richard Whittington’, ii.
189; iv.
402.
- Richardus Tertius, iii.
408; iv.
238,
246.
- Rivales, i.
129,
251; iii.
319.
- Roaring Girl, ii.
439; iii.
296; iv.
254.
- Robert Laneham’s Letter. See Kenilworth Entertainment.
- ‘Robert II, or, The Scot’s Tragedy’, ii.
171.
- ‘Robin Goodfellow’, iii.
279.
- ‘Robin Goodfellow’ (forgery), iii.
267.
- 1, 2 Robin Hood, ii.
6; iii.
446.
- Robin Hood (May game), iv.
44.
- ‘Robin Hood and Little John’, iii.
447; iv.
402.
- ‘Robin Hood’s Pennyworths’, ii.
178.
- ‘Roderick’, ii.
133.
- Romeo and Juliet, ii.
194,
196,
203,
283,
286,
403; iii.
51,
58,
59,
66,
83,
94,
98,
99,
200,
483; iv.
246.
- Romeus et Julietta, iv.
378.
- Roxana, ii.
519; iii.
208.
- Royal King and Loyal Subject, iii.
341.
- ‘Royal Widow of England’, ii.
46.
- Ruff, Cuff and Band, iv.
44.
- ‘Rufus I’, iv.
403.
- Running Stream Entertainment, iii.
443.
- Rycote Entertainment, iv.
66.
S
- ‘Sackful of News’, ii.
444; iv.
403.
- Sad Shepherd (fr.), iii.
374.
- S. Albanus Protomartyr. See Britanniae Primitiae.
- ‘Samson’ (1567), ii.
380.
- ‘Samson’ (1602), ii.
180,
367.
- ‘Samson’ (c. 1607), iii.
120.
- Sapho and Phao, ii.
17,
39; iii.
33,
414; iv.
100.
- Sapientia Solomonis, ii.
74; iv.
378.
- ‘Sarpedon’, ii.
93; iv.
97,
157.
- Satiromastix, i.
381; iii.
141,
253,
293,
353,
364–6; iv.
21,
40,
47.
- Saturnalia. See Christmas Prince.
- Satyr. See Althorp Entertainment.
- ‘Scipio Africanus’, ii.
15; iv.
97,
156.
- ‘Scogan and Skelton’, ii.
178.
- Scornful Lady, iii.
229; iv.
371.
- ‘Scot’s Tragedy’. See Robert II.
- Scourge of Simony. See Parnassus.
- Scyros, i.
131; iii.
238; iv.
127.
- Sea Feast. See Aphrodysial.
- ‘Sebastian of Portugal’, ii.
178.
- Second Maiden’s Tragedy, i.
321; iii.
224; iv.
45.
- Sejanus, i.
327; iii.
255,
366,
433.
- ‘Self Love’, ii.
83.
- Selimus, iv.
27,
46.
- ‘Set at Maw’, ii.
143; iii.
297.
- ‘Set at Tennis’, ii.
177,
180; iii.
448; iv.
14.
- ‘1, 2 Seven Days of the Week’, ii.
144.
- Seven Days of the Week. See Christmas Prince.
- Seven Deadly Sins, ii.
107,
122,
125; iii.
496; iv.
33.
- ‘Seven Wise Masters’, ii.
171.
- ‘She Saint’, ii.
253.
- ‘Shepherd’s Song’ (show), iii.
313.
- Shoemaker a Gentleman, iii.
473.
- Shoemaker’s Holiday, iii.
291; iv.
112.
- Shore. See Edward IV.
- ‘Short and Sweet’, iii.
516; iv.
206.
- Sicelides, i.
131; iii.
315.
- Sidonia und Theagenes, ii.
285.
- ‘Siege of Dunkirk and Alleyn the Pirate’, ii.
181.
- ‘Siege of Edinburgh Castle’, iii.
283.
- ‘Siege of London’, ii.
146.
- Silent Woman. See Epicoene.
- Silvanus, iv.
378.
- Silver Age, ii.
286; iii.
109,
344; iv.
126,
178.
- ‘Silver Mine’, ii.
53.
- ‘Singer’s Voluntary’, ii.
177,
180; iii.
492.
- Sir Clyomon and Clamydes. See Clyomon and Clamydes.
- Sir Giles Goosecap. See Goosecap.
- ‘Sir John Mandeville’. See ‘Mandeville’.
- Sir John Oldcastle. See Oldcastle.
- Sir John van Olden Barnevelt. See Van Olden Barnevelt.
- Sir Thomas More. See More.
- Sir Thomas Wyatt. See Wyatt.
- ‘Sir William Longsword’. See ‘Longsword’.
- ‘1, 2 Six Clothiers’, ii.
178–9.
- ‘Six Fools’, iv.
84,
144.
- ‘Six Yeomen of the West’, ii.
162,
178.
- ‘Soldan and the Duke of ——’, ii.
118; iv.
97,
157.
- Soliman and Perseda, iv.
28,
46.
- ‘Solitary Knight’, ii.
134; iv.
91,
152.
- ‘Solomon and Queen of Sheba’ (mask), i.
172; iv.
121.
- Solymannidae, iv.
378.
- Somnium Fundatoris. See Christmas Prince.
- Sophonisba, iii.
148,
433.
- Sophonisbe, iii.
13.
- Spaniard’s Night-Walk. See Blurt Master Constable.
- ‘Spanish Comedy’, ii.
122.
- ‘Spanish Fig’, ii.
179; iii.
300.
- ‘Spanish Maze’, iv.
119,
137,
171.
- ‘Spanish Moor’s Tragedy’, ii.
173; iii.
427.
- Spanish Tragedy, ii.
279,
286; iii.
395; iv.
23,
46,
253.
- Speculum Aestheticum, iii.
498.
- ‘Spencers’, ii.
163,
169; iii.
425.
- Spiritata, iii.
352.
- Squires (mask), i.
173; iii.
245.
- ‘Stephen’, iii.
489.
- ‘Stepmother’s Tragedy’, ii.
171.
- ‘Stewtley’, iv.
47.
- ‘Strange News out of Poland’, ii.
171; iii.
465.
- Studentes, iii.
351.
- Stukeley, Captain Thomas, iv.
47.
- ‘Sturgflattery’, ii.
132,
168.
- Sudeley Entertainment, iv.
66.
- Suffolk and Norfolk Entertainment, iv.
62.
- Summer’s Last Will and Testament, iii.
35,
427,
451; iv.
52.
- Sun’s Darling, iii.
299.
- Supposes (tr.), iii.
27,
321.
- Suppositi, iii.
9,
321.
- ‘Susanna’, iii.
319.
- Susanna, ii.
275,
283–4.
- Susenbrotus, i.
131; iv.
130,
378.
- Swetnam the Woman Hater Arraigned by Women, ii.
448.
- Sylvanaire, iii.
16.
T
- Tale of a Tub, iii.
373.
- ‘1, 2 Tamar Cham’ (plot), ii.
122–3,
126,
144,
181; iv.
47.
- 1, 2 Tamburlaine, iii.
421; iv.
15,
24,
44,
48,
52.
- Tamer Tamed. See Woman’s Prize.
- Taming of A Shrew, ii.
130,
193,
311; iii.
324,
423,
472; iv.
48.
- Taming of The Shrew, ii.
193,
197,
200,
202; iii.
222,
482; iv.
48.
- Tancred and Gismund, iii.
30,
514; iv.
27.
- ‘Tancredo’, iii.
517.
- ‘Tanner of Denmark’, ii.
122.
- ‘Tartarian Cripple’, iv.
403.
- ‘Tasso’s Melancholy’, ii.
143,
181.
- ‘Telomo’, ii.
89; iv.
99,
159.
- Temperance and Humility, iv.
1.
- Tempest, ii.
216,
217; iii.
360,
373,
489; iv.
125,
127,
177,
180.
- ‘Terminus et non Terminus’, iii.
450,
453.
- Tethys’ Festival (mask), i.
173; iii.
281; iv.
72,
124.
- ‘That Will Be Shall Be’, ii.
144.
- ‘Theagenes and Chariclea’, iv.
88,
146.
- ‘The Blind Eats Many a Fly’, ii.
227.
- ‘The Buck is a Thief’, iii.
232.
- The Case is Altered, iii.
357.
- The Devil is an Ass, iii.
373; iv.
30.
- The Hog hath Lost his Pearl, iii.
496.
- The Longer Thou Livest, the More Fool Thou Art, iii.
504.
- The Tide Tarrieth No Man, iii.
505.
- The Weakest Goeth to the Wall, iii.
503; iv.
52.
- ‘The Woman is too Hard for Him’, iii.
222.
- ‘The World Runs on Wheels’, ii.
169; iii.
252.
- Thebais (tr.), iii.
478.
- Thenot and Piers (show), i.
124; iii.
337.
- Theobalds Entertainment (1591), iii.
247.
- Theobalds Entertainment (1594), iii.
248.
- Theobalds Entertainment (1607), i.
126; iii.
392.
- Thersites, iii.
24.
- Thierry and Theodoret, iii.
230.
- Thomas Lord Cromwell. See Cromwell.
- ‘Thomas Merry’, ii.
171; iii.
518.
- Thorny Abbey, iii.
506.
- Thracian Wonder, iv.
49.
- ‘Three Brothers’, ii.
227.
- Three Ladies of London, ii.
380; iii.
25,
515; iv.
217.
- Three Lords and Three Ladies ofLondon, iii.
515.
- ‘Three Plays in One’, ii.
106; iii.
497; iv.
101,
160.
- ‘Three Sisters of Mantua’, ii.
98; iv.
95,
154.
- Thyestes (tr.), iii.
477.
- Tilbury Visit, iv.
64.
- Time Triumphant. See Progress of James I.
- Time’s Complaint. See Christmas Prince.
- ‘Time’s Triumph and Fortune’s’, ii.
147; iii.
346.
- ‘Timoclea at the Siege of Thebes by Alexander’, ii.
76; iv.
90,
148.
- Timon, iv.
49.
- Timon of Athens, ii.
213; iii.
260,
488,
513.
- ‘Tinker of Totnes’, ii.
144.
- ‘’Tis Good Sleeping in a Whole Skin’, iii.
505.
- ‘’Tis no Deceit to Deceive the Deceiver’, ii.
163,
170.
- Titirus and Galathea. See Galathea.
- Tito Andronico, ii.
285.
- ‘Titus and Gisippus’, ii.
15; iv.
91,
152.
- ‘Titus and Vespasian’, ii.
122–3,
129–30,
202.
- Titus Andronicus, ii.
122,
126,
129–30,
193,
202; iii.
482; iv.
246.
- ‘Tobias’, ii.
179.
- ‘2 Tom Dough’, ii.
179.
- Tom Tyler and his Wife, iii.
27; iv.
50.
- Tomumbeius, iv.
379.
- ‘Too Good to be True’, ii.
162,
179; iii.
266.
- ‘Tooley’, ii.
134; iv.
93,
151.
- ‘Torrismount’, ii.
65.
- ‘Toy to Please Chaste Ladies’, ii.
144.
- Tragedia del Libero Arbitrio, iii.
263.
- ‘Transformation of the King of Trinidadoes Daughters’, iii.
268.
- Trappolaria, iii.
476.
- Travels of the Three English Brothers, ii.
446; iii.
117,
221,
286.
- Tres Sibyllae (show), i.
126,
130; iii.
332.
- Trial of Chivalry, iii.
266,
495; iv.
50.
- Trial of Treasure, iv.
51.
- ‘Triangle of Cuckolds’, ii.
166.
- Trick to Catch the Old One, iii.
143,
439; iv.
123.
- Trinummus, iii.
5.
- ‘Tristram of Lyons’, ii.
170.
- Triumphs of Truth (show), i.
137; iii.
443.
- Triumphs of Reunited Britannia (show), i.
137; iii.
448.
- Troas (tr.), iii.
477.
- Troilus and Cressida, ii.
207; iii.
487; iv.
19,
40.
- Troilus and Cressida (plot), ii.
158,
169,
170; iv.
51.
- Troja Nova Triumphans (show), i.
137; iii.
305.
- Troublesome Reign of King John, ii.
202; iv.
23.
- ‘Troy’, ii.
144; iii.
345.
- ‘Troy’s Revenge and the Tragedy of Polyphemus’, ii.
163,
169.
- True Tragedy of Richard Duke of York. See Contention of York and Lancaster.
- True Tragedy of Richard III, ii.
108; iv.
4,
43.
- ‘Truth, Faithfulness, and Mercy’, ii.
75; iv.
89,
147.
- ‘Truth’s Supplication to Candlelight’, ii.
173; iii.
296.
- Tugend- und Liebesstreit, ii.
147.
- ‘Turcke’, ii.
289; iii.
435.
- ‘Tumholt’, i.
322.
- Turk, ii.
289; iii.
435.
- ‘Turkish Mahomet and Hiren the Fair Greek’, iii.
327,
462.
- Twelfth Night, i.
222; ii.
207; iii.
487; iv.
53,
376.
- ‘Twelve Labours of Hercules’, iv.
241.
- Twelve Months (mask), i.
173; iv.
58.
- ‘Twins’ Tragedy’, iv.
125,
127,
178,
180.
- 1, ‘2’ Two Angry Women of Abingdon, iii.
467.
- Two Gentlemen of Verona, ii.
194,
285; iii.
483; iv.
246.
- Two Italian Gentlemen. See Fedele and Fortunio.
- Two Lamentable Tragedies, iii.
266,
518.
- Two Maids of Moreclack, iii.
210.
- ‘Two Merry Women of Abingdon’, ii.
170.
- Two Noble Kinsmen, ii.
217; iii.
226,
311,
373.
- ‘Two Shapes’. See ‘Caesar’s Fall’.
- ‘Two Sins of King David’, iv.
403.
- Two Supposed Heads. See Necromantes.
- Two Tragedies in One. See Two Lamentable Tragedies.
- Two Wise Men and All the Rest Fools, iii.
260.
- ‘Tyrant’, iv.
45.