E
- ‘1, 2 Earl Godwin and his Three Sons’, ii.
166.
- ‘Earl of Hertford’, ii.
180.
- Eastward Ho! i.
326; ii.
51; iii.
149,
254,
257,
286,
367,
433; iv.
36,
42,
129,
182.
- Edward I, iii.
460.
- Edward II, iii.
425; iv.
9,
42,
44.
- Edward III, iv.
9.
- Edward IV, ii.
281; iv.
10.
- Ehrebrecherin, ii.
275–6.
- Elstrild. See Locrine.
- Elvetham Entertainment, iv.
66.
- Endymion, i.
327; ii.
18–19; iii.
33,
415; iv.
103.
- England’s Joy (show), iii.
287,
500.
- ‘English Arcadia’, iv.
400.
- ‘English Fugitives’, ii.
173.
- English Traveller, iii.
339.
- Englishmen for my Money, iii.
334; iv.
16.
- Enough is as Good as a Feast, iii.
504.
- Epicoene, i.
327; ii.
59; iii.
222,
230,
369; iv.
371.
- Epidicus, iii.
5.
- Epithalamion on the Marquis of Huntly’s Marriage (show), iii.
351.
- ‘Erlösung aus der Löwengrube’, ii.
283–4.
- ‘Error’, ii.
15; iv.
93,
151.
- Esther und Haman, ii.
285–6.
- Eugène, iii.
13.
- Eunuchus, iii.
5,
7.
- Eunuchus (tr. Bernard), iii.
236.
- ‘Eunuchus’ (tr. Kyffin?), iii.
398.
- Euribates Pseudomagus, iv.
374.
- Every Man In his Humour, iii.
359; iv.
119,
171,
247.
- Every Man Out of his Humour, i.
381; iii.
122,
128,
292,
360; iv.
19,
119,
171.
- Every Woman in her Humour, iii.
418; iv.
11.
- Exchange Ware at Second Hand. See Ruff, Cuff and Band.
- ‘Ezechias’, i.
127.
F
- ‘Fabii’. See ‘Four Sons of Fabius’.
- Faery Pastoral, iii.
137,
464.
- ‘1, 2 Fair Constance of Rome’, ii.
161,
171,
173.
- Fair Em, iii.
325,
329; iv.
11,
30,
36.
- Fair Maid of Bristow, iii.
431; iv.
12.
- ‘Fair Maid of Italy’, ii.
95–6,
114.
- ‘Fair Maid of London’, i.
320.
- Fair Maid of the Exchange, iv.
13.
- ‘Fairy Knight’, iii.
304.
- Faithful Friends, iii.
232.
- Faithful Shepherdess, iii.
151,
221,
313; iv.
41.
- Fall of Mortimer (fr.), iii.
374.
- Family of Love, iii.
440; iv.
11,
29.
- Famous Victories of Henry the Fifth, ii.
202; iii.
472; iv.
17,
239.
- ‘Famous Wars of Henry I and the Prince of Wales’. See ‘Welshman’s Prize’.
- ‘Far Fetched and Dear Bought is Good for Ladies’, iv.
400.
- Fatal Dowry, iii.
314.
- ‘Fatal Love’, iii.
259; iv.
5.
- Father’s Own Son. See Monsieur Thomas.
- Fatum Vortigerni, iv.
374.
- Favola d’Orfeo, iii.
6.
- Fawn, or, Parasitaster, ii.
22,
284,
286; iii.
140,
432; iv.
42.
- Fedele, iii.
316.
- Fedele and Fortunio, iii.
28,
316; iv.
13.
- ‘Felix and Philiomena’, ii.
106; iv.
101,
160.
- ‘Felmelanco’, ii.
180; iii.
471.
- ‘Ferrar’, ii.
93; iv.
99,
159.
- Ferrex and Porrex. See Gorboduc.
- ‘Ferrex and Porrex’ (Haughton), ii.
164,
171.
- Filli di Sciro, iii.
238.
- ‘Finding of Truth’, ii.
79.
- ‘First Introduction of the Civil Wars of France’, ii.
164,
169.
- ‘Five Plays in One’ (1585), ii.
106; iii.
497; iv.
101,
160.
- ‘Five Plays in One’ (1597), ii.
144; iii.
347.
- Fleir, iii.
151,
490.
- Flora, iii.
13.
- Flowers (mask), i.
174; iv.
59,
129.
- ‘Forces of Hercules’ (activities), ii.
90,
272.
- Forest of Elves. See Faery Pastoral.
- Fortress of Perfect Beauty (tilt), i.
144; iv.
63.
- Fortunato, ii.
285–6.
- ‘Fortune’, iv.
88,
146.
- ‘Fortune’ (lottery), iv.
400.
- Fortune by Land and Sea, iii.
343.
- ‘1, 2 Fortune’s Tennis’ (plot), ii.
177,
180; iii.
448; iv.
14.
- Fortunia. See Susenbrotus.
- ‘Fount of New Fashions’. See ‘Isle of a Woman’.
- Fountain of Self-Love. See Cynthia’s Revels.
- Four Elements, ii.
30; iii.
23.
- ‘Four Kings’, ii.
167,
169; iv.
6.
- Four PP., ii.
30.
- ‘Four Plays in One’, ii.
122; iii.
497.
- Four Plays in One. See Yorkshire Tragedy.
- Four Plays or Moral Representations in One, iii.
231.
- Four Prentices of London, iii.
221,
340.
- ‘Four Sons of Aymon’, ii.
181.
- ‘Four Sons of Fabius’, ii.
98,
394; iv.
97,
156,
216.
- Fox. See Volpone.
- Frederick and Basilea (plot), ii.
150; iv.
14.
- Free Will (tr.), iii.
262.
- ‘Freeman’s Honour’, iii.
493.
- ‘French Comedy’ (1595), ii.
143.
- ‘French Comedy’ (1597), ii.
144.
- ‘French Doctor’, ii.
146,
180; iii.
301.
- Friar Bacon and Friar Bungay, ii.
114; iii.
328; iv.
12.
- ‘Friar Fox and Gillian of Brentford’, ii.
169.
- ‘Friar Francis’, ii.
95; iv.
253.
- ‘Friar Rush and the Proud Woman of Antwerp’, ii.
178.
- ‘Friar Spendleton’, ii.
132,
156,
166.
- ‘Fromme Frau zu Antorf’, ii.
281.
- Fucus, sive, Histriomastix, i.
253.
- Fulgens and Lucres, iii.
22–4.
- ‘Funeral of Richard Cœur de Lion’, i.
320; ii.
166.
G
- Galathea, ii.
18; iii.
34,
415; iv.
103.
- ‘Galiaso’, ii.
143.
- Game at Chess, i.
327; iii.
438.
- ‘Game of the Cards’, i.
268; ii.
37; iv.
99,
158.
- Gammer Gurton’s Needle, ii.
274; iii.
27; iv.
229.
- Genièvre, iii.
14.
- Gentle Craft. See Shoemaker’s Holiday.
- Gentleman Usher, iii.
146,
251,
253.
- Gentleness and Nobility, ii.
30.
- George a Greene, the Pinner of Wakefield, iv.
14.
- ‘George Scanderbeg’, iv.
400.
- Gesta Grayorum (mask), i.
168; iii.
240; iv.
56,
109.
- ‘Gevatter’, ii.
286.
- ‘Ginecocratia’, iii.
470.
- Giocasta, iii.
321.
- Gismond of Salerne, iii.
30,
514; iv.
82.
- ‘Give a Man Luck and Throw him into the Sea’, iv.
400.
- Glass of Government, iii.
321; iv.
196.
- ‘God Speed the Plough’, ii.
95; iv.
400.
- ‘2 Godfrey of Bulloigne’, ii.
143; iii.
340.
- Godly Queen Hester, iii.
25,
311,
350.
- Golden Age, iii.
109,
114,
344.
- Golden Age Restored (mask), i.
174; iii.
390; iv.
130.
- ‘Golden Ass’. See ‘Cupid and Psyche’.
- Goosecap, Sir Giles, iii.
146,
251,
255; iv.
11,
15.
- Gorboduc, i.
265; iii.
29,
456; iv.
80,
226.
- ‘Gowry’, i.
328; ii.
211.
- ‘Graf von Angiers’, ii.
286.
- Great Duke of Florence, ii.
286.
- ‘Grecian Comedy’. See ‘Love of a Grecian Lady’.
- ‘Greek Maid’, ii.
89; iv.
96,
154.
- Greene’s Tu Quoque, iii.
269; iv.
20,
125,
126,
178,
254.
- Grim the Collier of Croydon, iv.
16.
- Griseldis, iii.
292.
- ‘Guido’, ii.
144.
- Guise (Marlowe). See Massacre at Paris.
- ‘Guise’ (Webster), iii.
426,
434; iv.
400.
- ‘Gustavus King of Swethland’, iii,
304.
- Guy Earl of Warwick, iii.
304.
- ‘Guy of Warwick’, ii.
127; iii.
289,
304.
H
- Haddington Mask, i.
173; iii.
381.
- Hamlet, i.
380; ii.
193,
195,
202,
206,
209,
219,
286,
395; iii.
107,
112,
116,
117,
185,
252,
397,
486; iv.
33,
53,
234,
371.
- ‘Hannibal and Hermes’, ii.
166.
- ‘Hannibal and Scipio’, ii.
177.
- ‘Hardicanute’, ii.
132,
156,
167.
- ‘Hardshifte for Husbands’, iii.
472.
- Harefield Entertainment, iv.
67.
- Hay Mask, iii.
240.
- Heautontimorumenus, i.
75; ii.
72; iv.
82.
- Heautontimorumenus (tr.), iii.
236.
- Heaven’s Blessing and Earth’s Joy. See Marriage of Frederick and Elizabeth.
- Hector of Germany, iii.
493.
- Hecyra (tr.), iii.
236.
- ‘Heliogabalus’, iii.
324; iv.
401.
- Hemetes the Hermit. See Woodstock Entertainment.
- ‘Hemidos and Thelay’, iv.
401.
- ‘Hengist’. See ‘Vortigern’.
- ‘Henry I’, ii.
144; iii.
307,
489.
- ‘Henry II’, iii.
489.
- 1 Henry IV, i.
220,
311; ii.
6,
196,
204,
217,
443; iii.
307,
484; iv.
36,
127,
180,
246,
371.
- 2 Henry IV, ii.
196,
217,
293,
443; iii.
485; iv.
127,
180,
246,
371.
- ‘Henry V’ (Anon.), ii.
144,
211; iv.
17.
- Henry V (Shakespeare), ii.
203,
211,
415; iii.
485; iv.
9,
119,
171.
- Henry V. See Famous Victories.
- 1 Henry VI, i.
260; ii.
122,
129–30,
201; iii.
55,
97,
481; iv.
8,
17,
238.
- 2 Henry VI, ii.
129–30,
202; iii.
113,
481; iv.
8,
34,
43.
- 3 Henry VI, ii.
129–30,
200,
202; iii.
481; iv.
8.
- Henry VIII (Rowley). See When You See Me, You Know Me.
- Henry VIII (Shakespeare), ii.
95,
130,
202,
217,
219,
419; iii.
489.
- ‘Henry of Cornwall’, ii.
122; iv.
2.
- ‘2 Henry Richmond’, ii.
161,
171.
- ‘Herbert Mask’, iii.
377.
- ‘1, 2 Hercules’, ii.
143–4,
167; iii.
345; iv.
4.
- Hercules Furens (tr.), iii.
477.
- Hercules Oetaeus (fr. tr.), iii.
311.
- Hercules Oetaeus (tr.), iii.
478.
- Herod and Antipater, iii.
417.
- Herodes, iv.
375.
- ‘Herpetulus the Blue Knight and Perobia’, ii.
97; iv.
89,
148.
- ‘Herzog von Florenz und Edelmanns Tochter’, ii.
281,
286.
- ‘Herzog von Mantua und Herzog von Verona’, ii.
286.
- ‘Hester and Ahasuerus’, ii.
140,
193,
202.
- Hickscorner, iii.
22.
- Highgate Entertainment, i.
126; iii.
392.
- Himatia Poleos (show), i.
137; iii.
449.
- Hippolytus, iii.
3,
319.
- Hippolytus (tr.), iii.
478.
- Hispanus, iv.
375.
- ‘Histoire Angloise contre la Roine d’Angleterre’, i.
323.
- ‘History of Love and Fortune’, iv.
28.
- ‘History of the Old Testament’, ii.
11.
- Histriomastix, i.
381–2; iii.
135,
362; iv.
17.
- ‘Hit Nail o’ th’ Head’, iii.
437.
- Hoffman, iii.
264.
- Honest Lawyer, iv.
19.
- Honest Man’s Fortune, i.
321; ii.
251; iii.
227.
- 1, 2 Honest Whore, iii.
294.
- Horestes, iii.
38,
466; iv.
84,
144.
- ‘Hot Anger Soon Cold’, ii.
169.
- How a Man may Choose a Good Wife from a Bad, iii.
342; iv.
19.
- ‘How to Learn of a Woman to Woo’, iii.
342; iv.
119,
171.
- Hue and Cry after Cupid. See Haddington Mask.
- Huff, Suff, and Ruff. See Cambyses.
- Humorous Day’s Mirth, iii.
251.
- ‘Humorous Earl of Gloucester with his Conquest of Portugal’, ii.
179; iv.
28.
- Humour out of Breath, iii.
287.
- Hunting of Cupid, iii.
462; iv.
54.
- ‘Huon of Bordeaux’, ii.
95; iii.
304.
- Hymenaei (mask), i.
172; iii.
378; iv.
120.
- Hymenaeus, iv,
375.
- ‘Hymen’s Holiday’, ii.
244; iv.
126,
178.
- Hymen’s Triumph, i.
174; iii.
276; iv.
129.
I
- If It be not Good, the Devil is in It, iii.
271,
297.
- 1, 2 If You Know not Me, You Know Nobody, iii.
342.
- Ignoramus, i.
131; iii.
475.
- Illusion Comique, iii.
16.
- ‘Impatient Grissell’, iv.
401.
- Impatient Poverty, iii.
23; iv.
20,
31.
- Inner Temple and Gray’s Inn Mask, iii.
233.
- Insatiate Countess, iii.
433.
- ‘Iphigenia’ (Anon.), ii.
14; iii.
352; iv.
87,
146.
- Iphigenia (tr. Lumley), ii.
14; iii.
411.
- ‘Iphigenia’ (tr. Peele), iii.
462.
- Iphigenia in Aulis, iii.
411.
- ‘Iphis and Iantha’, iii.
489.
- Ira seu Tumulus Fortuna. See Christmas Prince.
- ‘Irish Knight’, ii.
98,
381; iv.
91,
152.
- Irish Mask, i.
173; iii.
247,
388; iv.
128.
- 1, 2 Iron Age, iii.
345.
- Irus. See Blind Beggar of Alexandria.
- ‘Isle of a Woman’, ii.
167,
169; iii.
253.
- ‘Isle of Dogs’, i.
298,
324; ii.
132,
151; iii.
353,
364,
453; iv.
323.
- Isle of Gulls, i.
326; ii.
52; iii.
150,
286,
295,
296.
- ‘Italian Tragedy’ (Day), ii.
173; iii.
518.
- ‘Italian Tragedy’ (Smith), ii.
227.
- Ivy-Church, The Countess of Pembroke’s. See Phillis and Amyntas.