J
- ‘Jack and Jill’, iv.
84,
144.
- Jack Drum’s Entertainment, i.
381; ii.
20; iii.
138; iv.
18,
19,
21.
- Jack Juggler, iii.
27.
- Jack Straw, iv.
22.
- Jacob and Esau, iii.
24,
350; iv.
22.
- James IV, ii.
296; iii.
330.
- ‘Jealous Comedy’, ii.
123,
130,
201.
- Jemand und Niemand, ii.
281–2,
285–6.
- ‘Jephthah’ (Dekker), ii.
179.
- Jephthes (Buchanan), iii.
514; iv.
246.
- 1 Jeronimo, ii.
286; iii.
396; iv.
22.
- ‘Jeronimo, Comedy of’, ii.
122–3.
- ‘Jeronimo’. See Spanish Tragedy.
- ‘Jerusalem’, ii.
122; iii.
409.
- ‘Jesuits’ Comedy’, i.
323; iv.
401.
- ‘Jew’, ii.
380; iv.
204.
- Jew of Malta, ii.
286; iii.
424.
- ‘Jew of Venice’, iii.
301.
- ‘Joan as Good as my Lady’, ii.
169.
- ‘Job’, iii.
330.
- Jocasta, iii.
30,
320.
- ‘Joconda and Astolso’, iii.
304.
- Johan, Kinge, i.
241,
245; iii.
22; iv.
79.
- Johan Johan, ii.
30; iii.
23.
- Johan the Evangelist, iii.
22.
- John, King, ii.
194; iii.
483; iv.
24,
246.
- John. See Troublesome Reign.
- John a Kent and John a Cumber, iii.
446; iv.
32,
33.
- John and Matilda, iii.
447.
- John Baptist, i.
241.
- ‘John of Gaunt’, iv.
401.
- Joseph, iii.
18.
- ‘Joseph’s Afflictions’, iv.
401.
- Josephus Jude von Venedig, ii.
145,
147,
286.
- ‘Joshua’, ii.
180.
- ‘Judas’ (1600), ii.
173,
178.
- ‘Judas’ (1601), ii.
178.
- ‘Jude’, ii.
281.
- Judith (fr. tr.), iv.
24.
- ‘Jugurtha’, ii.
171.
- ‘Julian the Apostate’ (Anon.), ii.
144.
- ‘Julian the Apostate’ (Ashton), iii.
210.
- Julio und Hyppolita, ii.
145,
285; iii.
301.
- Julius Caesar (Alexander), iii.
209.
- Julius Caesar (Shakespeare), ii.
203,
217,
286,
365; iii.
486,
509; iv.
33,
54,
127,
180.
- Juvenis, Pater, Uxor, iii.
351.
K
- Kenilworth Entertainment, iv.
61.
- King and No King, iii.
225; iv.
125,
127,
177,
180.
- King of Denmark’s Entertainment, iv.
70.
- ‘King of Fairies’, iv.
236,
241.
- ‘King of Scots’, iii.
432; iv.
84,
144.
- Knack to Know a Knave, iv.
24.
- Knack to Know an Honest Man, iv.
24.
- ‘1, 2 Knaves’, ii.
244; iv.
127,
180.
- ‘Knight in the Burning Rock’, ii.
98; iv.
96,
155.
- ‘Knight of Rhodes iii.
462; iv.
47.
- Knight of the Burning Pestle, iii.
151,
220,
237; iv.
36.
- ‘Knot of Fools’, iv.
127,
180.
- ‘König aus Arragona’, ii.
286; iii.
327.
- ‘König aus Engelandt und Goltschmitt Weib’, ii.
281.
- ‘König in Dennemark und König in Schweden’, ii.
286.
- ‘König in Spanien und Vice Roy in Portugall’, ii.
286.
- ‘König Ludwig und König Friedrich von Ungarn’, ii.
281.
- ‘König von Khipern und Herzog von Venedig’, ii.
281,
286.
- Königes Sohne aus Engellandt und Königes Tochter aus Schottlandt, ii.
281,
285,
286.
L
- Labyrinthus, iii.
336.
- ‘Lady Amity’, iii.
215.
- ‘Lady Barbara’, ii.
96; iv.
87,
146.
- 1, 2 Lady Jane. See Sir Thomas Wyatt.
- Lady of May (show), i.
124; ii.
89; iii.
491.
- Laelia, iii.
212; iv.
53,
375.
- ‘Late Murder of the Son upon the Mother’, iii.
512.
- Law Tricks, iii.
285.
- Leander, iii.
336.
- Lear, King, ii.
212,
286; iii.
488,
499; iv.
25,
48,
121.
- Leire, King, ii.
202; iv.
25,
48.
- Lena, iii.
11.
- Liberality and Prodigality, iii.
145; iv.
26.
- Life and Repentance of Mary Magdalene, iii.
25,
503; iv.
194.
- ‘Like Quits Like’, iii.
267.
- ‘Like unto Like’ (1600), ii.
133; iv.
16.
- Like will to Like (c. 1568), ii.
14; iii.
24,
317; iv.
16.
- Lingua, iii.
497.
- Lisandre et Caliste, iii.
16.
- Little Thief. See Nightwalker.
- Locrine, iii.
232; iv.
26,
44,
46.
- ‘London Against the Three Ladies,’ iii.
515; iv.
216.
- ‘1, 2 London Florentine’, ii.
180–1.
- ‘London Merchant’, iii.
315.
- London Maid. See Thorny Abbey.
- London Prodigal, iv.
27.
- London’s Love to Prince Henry, iv.
72.
- ‘1 Long Meg of Westminster’, ii.
147,
190.
- ‘Longshanks’, ii.
144,
181; iii.
461.
- ‘Longsword, Sir William’, i.
320; ii.
170.
- Look About You, iv.
28.
- Looking Glass for London and England, ii.
280,
296; iii.
328.
- Lords’ Mask, i.
173; iii.
241.
- Love and Fortune, ii.
118; iii.
45; iv.
28,
99,
159.
- ‘Love and Self-Love’ (show), iii.
212,
306.
- Love Feigned and Unfeigned, iv.
28.
- Love Freed from Ignorance and Folly (mask), i.
173; iii.
386; iv.
125.
- Love Lies Bleeding. See Philaster.
- ‘Love of a Grecian Lady’, ii.
146; iii.
462.
- ‘Love of an English Lady’, ii.
143.
- ‘Love Parts Friendship’, ii.
179; iii.
266; iv.
50.
- ‘Love Prevented’, ii.
166; iii.
467.
- Love Restored (mask), i.
173; iii.
387; iv.
35,
58,
125.
- Love’s Cure, iii.
231.
- Love’s Labour’s Lost, ii.
194,
211; iii.
260,
482; iv.
119,
139,
171,
246.
- ‘Love’s Labour’s Won’, ii.
197; iii.
489; iv.
246.
- Love’s Metamorphosis, iii.
34,
145,
416.
- Love’s Mistress, iii.
346.
- Lovesick King, iii.
237.
- ‘Loyalty and Beauty’, ii.
35; iv.
96,
155.
- Lucidi, iii.
13.
- ‘Lud, King’, ii.
95.
- ‘Ludovico, ein König aus Hispania’, ii.
284.
- ‘Lustie London’, iii.
470.
- Lust’s Dominion, iii.
427.
- Lusty Juventus, iii.
22; iv.
380.
M
- Macbeth, i.
126; ii.
212,
215,
269; iii.
332,
438,
439,
488,
498.
- ‘Machiavel’ (1592), ii.
122; iii.
272.
- ‘Machiavel and the Devil’ (1613), i.
374; ii.
252; iii.
272.
- Machiavellus, iv.
376.
- ‘Mack’, ii.
143; iii.
299.
- Mad World, my Masters, iii.
143,
439.
- ‘Madman’s Morris’, ii.
166.
- ‘Madon King of Britain’, iii.
233.
- ‘Mahomet’, ii.
146,
180; iii.
327; iv.
47.
- ‘Mahomet’s Poo’, iii.
327,
460,
462.
- Maidenhead Well Lost, iii.
347.
- ‘Maiden’s Holiday’, iii.
289,
427.
- Maid’s Metamorphosis, ii.
20; iii.
136; iv.
29.
- Maid’s Tragedy, iii.
224; iv.
127,
180,
371.
- ‘Malcolm King of Scots’, ii.
179.
- Malcontent, iii.
147,
431; iv.
23.
- ‘Mamillia’, ii.
89; iv.
89,
147.
- ‘Mandeville’, ii.
122–3; iv.
12.
- ‘Manhood and Misrule’, iv.
402.
- Mankind, iv.
37.
- ‘Man’s Wit’, iv.
241.
- Marc Antoine, iii.
337.
- ‘Marcus Geminus’, i.
128.
- Mariam, iii.
247.
- Marius and Sulla. See Wounds of Civil War.
- ‘Marquis d’Ancre’, i.
327; iii.
511.
- Marriage between Wit and Wisdom, iii.
437.
- Marriage of Frederick and Elizabeth (shows), iv.
73.
- ‘Marriage of Mind and Measure’, ii.
15; iii.
437; iv.
96,
154.
- Marriage of Wit and Science, iv.
29.
- ‘Marshal Osric’, ii.
227; iii.
341.
- ‘Märtherin Dorothea’, ii.
286.
- Martial Maid. See Love’s Cure.
- ‘Martin Swart’, ii.
144.
- Mary Magdalene. See Life and Repentance.
- Mask of Heroes, ii.
245.
- Massacre at Paris, i.
323; ii.
123,
146; iii.
425.
- Match at Midnight, iii.
474.
- Match Me in London, iii.
297.
- ‘Match or No Match’, iii.
472.
- May Day, iii.
147,
256.
- ‘May Lord’, iii.
374.
- Mayor of Quinborough, iii.
442.
- Measure for Measure, ii.
211; iii.
487; iv.
119,
171.
- Medea (tr.), iii.
478.
- ‘Medicine for a Curst Wife’, ii.
179,
227.
- Melanthe, i.
131; iii.
238.
- Meleager, i.
129; iii.
32,
318; iv.
30.
- Meleager (argument), ii.
18; iv.
30.
- ‘Melone König aus Dalmatia’, ii.
284.
- Menaechmi, iii.
4,
5,
20.
- Menaechmi (tr.), iii.
505.
- Menechmes, iii.
17.
- ‘Merchant of Emden’, ii.
143.
- Merchant of Venice, ii.
195,
211,
283,
286; iii.
301,
484; iv.
30,
53,
119,
171,
246.
- Mercury Vindicated from the Alchemists (mask), i.
174; iii.
389; iv.
130.
- ‘Merry as May Be’, ii.
180.
- Merry Devil of Edmonton, iv.
12,
30,
36,
127,
180.
- Merry Wives of Windsor, ii.
64,
204,
211; iii.
185,
486; iv.
30,
53,
119,
171.
- Messallina, ii.
519.
- Metropolis Coronata (show), i.
137; iii.
449.
- Michaelmas Term, iii.
143,
440.
- Midas, ii.
18; iii.
34,
416; iv.
104.
- Middle Temple and Lincoln’s Inn Mask. See Chapman’s Mask.
- Midsummer Night’s Dream, i.
124; ii.
117,
194; iii.
483; iv.
36,
109,
118,
246.
- Miles Gloriosus, i.
75; ii.
72; iii.
5,
20; iv.
3,
82.
- ‘Miller’, ii.
168; iii.
407.
- Minds (tr.), iv.
31.
- ‘Mingo’, ii.
89.
- Miseries of Enforced Marriage, iii.
513; iv.
55.
- Misfortunes of Arthur, iii.
30,
348; iv.
103.
- Misogonus, iii.
24; iv.
31.
- Moll Cut-Purse. See Roaring Girl.
- Monsieur d’Olive, iii.
146,
252.
- Monsieur Thomas, iii.
228.
- Montague Mask, iii.
321.
- More, Sir Thomas, i.
321; iv.
21,
32.
- ‘Mortimer’, iii.
425.
- Mother Bombie, iii.
34,
416.
- ‘Mother Redcap’, ii.
166.
- ‘Mother Rumming’, iv.
402.
- Mountebanks Mask, iii.
240,
435.
- Mucedorus, i.
328; ii.
286; iii.
271; iv.
12,
30,
34.
- Much Ado About Nothing, ii.
197,
217,
300,
312; iii.
485; iv.
16,
127,
180.
- Mulleasses. See Turk.
- ‘Mulmutius Dunwallow’, ii.
170.
- ‘Muly Mollocco’, ii.
122–3; iii.
460.
- ‘Murderous Michael’, ii.
93; iv.
4,
96,
155.
- Mustapha, iii.
331.
- ‘Mutius Scaevola’, ii.
35,
63; iv.
91,
151.
N
- ‘Narcissus’ (1572), iv.
87,
146.
- Narcissus (1603), iv.
36.
- ‘Nebuchadnezzar’, ii.
144.
- Necromantes, iii.
464.
- Nero (Anon.), iv.
5.
- Nero (Gwynne), iii.
332.
- ‘Netherlands’, iv.
402.
- New Custom, iv.
36.
- New Wonder, A Woman Never Vexed, iii.
474.
- ‘New World’s Tragedy’, ii.
144.
- Nice Wanton, iii.
23.
- Nightwalker, iii.
230.
- ‘Niniveh’s Repentance’, iv.
402.
- ‘Ninus and Semiramis’, iv.
402.
- No Wit, no Help, like a Woman’s, iii.
441.
- Noble Soldier, iii.
288,
300.
- ‘Nobleman’, iii.
500; iv.
126,
127,
178,
180.
- Nobody and Somebody, iv.
37.
- Northern Man. See Too Good to be True.
- Northward Ho! iii.
141,
286,
295.
- ‘Nugize’, iv.
37.
O
- Oberon (mask), i.
173; iii.
385; iv.
35,
58,
125.
- Octavia (tr.), iii.
478.
- Oedipus (fr.), iii.
319.
- Oedipus (tr.), iii.
477.
- Old Fortunatus, ii.
281,
286; iii.
290; iv.
112.
- Old Law, iii.
438.
- Old Wive’s Tale, iii.
48,
329,
461.
- 1, ‘2’ Oldcastle, ii.
6,
171,
218; iii.
306.
- ‘Olympo’, ii.
143; iii.
344.
- Oration of Gwgan and Poetry (Welsh), iii.
457.
- Orestes. See Horestes.
- ‘Orestes Furious’. See ‘Agamemnon’.
- Orlando Furioso, i.
378; ii.
286; iii.
325,
329,
461,
472.
- ‘Orphans’ Tragedy’, ii.
173,
179; iii.
518.
- ‘Ortenus’, iv.
402.
- ‘Osric’, ii.
147.
- Othello, ii.
207,
211,
215,
217; iii.
112,
487; iv.
68,
119,
127,
138,
171,
180,
371.
- Overthrow of Rebels. See Sir Thomas Wyatt.
- ‘Owen Tudor’, ii.
173.
- ‘Owl’, ii.
253; iii.
233,
272.