II. LETTERS AND EXTRACTS FROM LETTERS.

1. Autobiographical Memoranda, &c.
2. Schoolmistress
3. Books and Reading
4. Tour on the Continent, 1790: Letter to Miss Wordsworth
5. In Wales
6. Melancholy of a Friend
7. Holy Orders
8. The French Revolution
9. Failure of Louvet's Denunciation of Robespierre
10. Of inflammatory political Opinions
11. At Milkhouse, Halifax; 'Not to take orders'
12. Literary Work, &c.
13. Employment on a London Newspaper
14. Raisley Calvert's Last Illness
15. Family History
16. Reading
17. Satire: Juvenal, &c., 1795
18. Visit to Thelwall
19. Poetry added to, 1798
20. On the Wye
21. At Home again
22. Early Visit to the Lake District
23. On a Tour, 1799
24. At the Lakes: Letter to Coleridge
25. Inconsistent Opinions on Poems
26. On his Scottish Tour: To Scott
27. The Grove: Capt. Wordsworth
28. Spenser and Milton
29. Death of Capt. Wordsworth
30. Of Dryden: To Scott
31. Of Marmion
32. Topographical History
33. The War in Spain, &c.
34, 35, 36. The Convention of Cintra
37. Home at Grasmere
*38. On Education of the Young
39. Roman Catholics, &c.
40. Death of Children
41. Letter of Introduction: Humour
42. The Peninsular War
43. Of Southey
44. Of alleged Changes in political Opinions
45. Of his Poems, &c.
46. Of Thanksgiving Ode, &c.
47. Of Poems in Stanzas
48 and 49. The Classics: Aeneid, &c.
50. Tour on the Continent, 1820
51. Shakspeare's Cliff at Dover
52. Of Affairs on the Continent, 1828
*53. Style: Francis Edgeworth, &c.
54. Of the Icôn Basiliké, &c.
55. Of the R. Catholic Question
56. Of the R.C. Emancipation Bill
57. Of Ireland and the Poor Laws
58. Of Lonsdale: Virgil, &c.
59. Poems of Moxon
*60. Of Hamilton's, 'It haunts,' &c.
61. Of Collins, Dyer, &c.
62. Verses and Counsels
63. Annuals and Roguery
64. Works of Peele, &c.
65. Lady Winchelsea, Tickell, &c.
*66. Hamilton's 'Spirit of Beauty,' &c.
67. Play, Home, &c.
68. Summer, Quillinan, &c.
69. Works of Webster, &c.
70. French Revolution, 1830
*71. Nonsense: Rotten Boroughs, &c.
*72. Verses: Edgeworth, &c.
73. Tour in Scotland
74. Sir Walter Scott
75. Of writing more Prose
76. Of Poetry and Prose, &c.
77. Of the Reform Bill
78. Of political Affairs
79. Family Affliction, &c.
*80. Illness of Sister, &c.
81. Lucretia Davidson, &c.
82. Tuition at the University
83. Dissenters in University
84. Skelton
85. James Shirley
86. Literary Criticism, &c.
87. Of Elia, &c.
88. English Sonnets, &c.
89. Lady Winchelsea, &c.
90. Popularity of Poetry
91. Sonnets and Female Poets, &c.
92. Mrs. Hemans' Dedication
93. Verse-attempts
94. Mrs. Hemans' Poems
95. Church of England
96. Omnipresence of the Deity
97. and 98. New Church at Cockermouth
*99. Classic Scenes: Holy Land
100. American ed. of Poems
101. Quillinan's Poems
102. On a Tour
103. Bentley and Akenside
*104. Presidency of Royal Irish Academy, &c.
*105. Prose-writing: Coleridge, &c.
106. Of his own Poems, &c.
107. In the Sheldonian Theatre
108. New edition of Poems
109 and 110. Death of a Nephew
111. On Death of a young Person
112. Religion and versified Religion
113. Sacred Poetry
114. Visit of Queen Adelaide
115. Ecclesiastical Duties and Revenues Act, &c.
116. Samuel Rogers and Wordsworth
117. An alarming Accident
118. Of Alston and Haydon, &c.
119. Of Peace's Apology for Cathedrals
120. Of Cowper's Task
121. On a Tour
122. Marriage of Dora
123. Letters to Brother
124. Episcopal Church of America: Emerson and Carlyle
125. Old Haunts revisited
126. No Pension sought
127. The Master of Trinity
128. Alston's Portrait of Coleridge
129. Southey's Death
130. Tropical Scenery: Grace Darling
131. Contemporary Poets: Southey's Death, &c.
132. The Laureateship
*133. The same: Landor, &c.
134. Alston: Home Occupations
135. Socinianism
136. Sacred Hymns
137. Bereavements
138. Birthday in America, &c.
139. Class-fellows and School-fellows
140. From Home: Queen, &c.
141. The Laureateship: Tennyson, &c.
142. Poems of Imagination, &c.
143. Of the College of Maynooth, &c.
144. Of the Heresiarch Church of Rome
145. Family Trials
146. Bishop White: Mormonites, &c.
147. Governor Malartie: Lord Rector, &c.
148 and 149. Death of Dora
150. To John Peace, Esq.
151. A Servant's Illness and Death
152. Humility
153. Hopefulness





III. CONVERSATIONS AND PERSONAL REMINISCENCES OF WORDSWORTH.

From 'Satyrane's Letters:' Klopstock
Personal Reminiscences of the Hon. Mr. Justice Coleridge
Recollections of a Tour in Italy, by H.C. Robinson
Reminiscences of Lady Richardson and Mrs. Davy
Conversations and Reminiscences recorded by the Bishop of Lincoln
Reminiscences of the Rev. R.P. Graves
On the Death of Coleridge
Further Reminiscences and Memorabilia, by Rev. R.P. Graves
An American's Reminiscences
Recollections of Wordsworth by Aubrey de Vere, Esq.
Part I
Part II
From 'Recollections of the Last Days of Shelley and Byron,' by E.J. Trelawny, Esq.
From Letters of Professor Tayler
Anecdote of Crabbe
Later Opinion of Lord Brougham



NOTES AND ILLUSTRATIONS.


INDEX.



CRITICAL AND ETHICAL.




I. NOTES AND ILLUSTRATIONS OF THE POEMS, INCORPORATING:

(a) THE NOTES ORIGINALLY ADDED TO THE FIRST AND SUCCESSIVE EDITIONS.
(b) THE WHOLE OF THE I.F. MSS.


NOTE.

On these Notes and Illustrations, their sources and arrangement, &c., see our Preface, Vol. I. The star [*] marks those that belong to the I.F. MSS. G.




1. *Prefatory Lines.

'If thou indeed derive thy light from Heaven,
Then to the measure of that heaven-born light,
Shine, POET, in thy place, and be content:'—

'Like an untended watch-fire,' &c. (l. 10): These Verses were written some time after we had become resident at Rydal Mount; and I will take occasion from them to observe upon the beauty of that situation, as being backed and flanked by lofty fells, which bring the heavenly bodies to touch, as it were, the earth upon the mountain-tops, while the prospect in front lies open to a length of level valley, the extended lake, and a terminating ridge of low hills; so that it gives an opportunity to the inhabitants of the place of noticing the stars in both the positions here alluded to, namely, on the tops of the mountains, and as winter-lamps at a distance among the leafless trees.


2. *Prelude to the Last Volume. [As supra.]

These Verses were begun while I was on a visit to my son John at Brigham, and finished at Rydal. As the contents of this Volume to which they are now prefixed will be assigned to their respective classes when my Poems shall be collected in one Vol., I should be at a loss where with propriety to place this Prelude, being too restricted in its bearing to serve as a Preface for the whole. The lines towards the conclusion allude to the discontents then fomented thro' the country by the Agitators of the Anti-Corn-Law League: the particular causes of such troubles are transitory, but disposition to excite and liability to be excited, are nevertheless permanent and therefore proper objects of the Poet's regard.




I. POEMS WRITTEN IN YOUTH.


3. *Extract from the Conclusion of a Poem, composed in anticipation of leaving School. [I.]

'Dear native regions,' &c. 1786. Hawkshead. The beautiful image with which this poem concludes suggested itself to me while I was resting in a boat along with my companions under the shade of a magnificent row of sycamores, which then extended their branches from the shore of the promontory upon which stands the ancient and at that time the more picturesque Hall of Coniston, the Seat of the Le Flemings from very early times. The Poem of which it was the conclusion was of many hundred lines, and contained thoughts and images most of which have been dispersed through my other writings.


4. Of the Poems in this class, 'The Evening Walk' and 'Descriptive Sketches' were first published in 1793. They are reprinted with some alterations that were chiefly made very soon after their publication.


This notice, which was written some time ago, scarcely applies to the Poem, 'Descriptive Sketches,' as it now stands. The corrections, though numerous, are not, however, such as to prevent its retaining with propriety a place in the class of Juvenile Pieces.


5. *An Evening Walk. Addressed to a Young Lady. [III.]

The young lady to whom this was addressed was my sister. It was composed at School and during my first two college vacations. There is not an image in it which I have not observed; and, now in my seventy-third year, I recollect the time and place where most of them were noticed. I will confine myself to one instance.

'Waving his hat, the shepherd from the vale
Directs his wandering dog the cliffs to scale;
The dog bounds barking mid the glittering rocks,
Hunts where his master points, the intercepted flocks.'

I was an eye-witness of this for the first time while crossing the pass of Dunmail Raise. Upon second thought, I will mention another image:

'And fronting the bright west, yon oak entwines
Its darkening boughs and leaves in stronger lines.'

This is feebly and imperfectly exprest; but I recollect distinctly the very spot where this first struck me. It was on the way between Hawkshead and Ambleside, and gave me extreme pleasure. The moment was important in my poetical history; for I date from it my consciousness of the infinite variety of natural appearances which had been unnoticed by the poets of any age or country, so far as I was acquainted with them; and I made a resolution to supply in some degree the deficiency. I could not have been at that time above fourteen years of age. The description of the swans that follows, was taken from the daily opportunities I had of observing their habits, not as confined to the gentleman's park, but in a state of nature. There were two pairs of them that divided the lake of Esthwaite and its in-and-out-flowing streams between them, never trespassing a single yard upon each other's separate domain. They were of the old magnificent species, bearing in beauty and majesty about the same relation to the Thames swan which that does to a goose. It was from the remembrance of these noble creatures I took, thirty years after, the picture of the swan which I have discarded from the poem of 'Dion.' While I was a school-boy, the late Mr. Curwen introduced a little fleet of these birds, but of the inferior species, to the Lake of Windermere. Their principal home was about his own islands; but they sailed about into remote parts of the lake, and either from real or imagined injury done to the adjoining fields, they were got rid of at the request of the farmers and proprietors, but to the great regret of all who had become attached to them from noticing their beauty and quiet habits. I will conclude my notice of this poem by observing that the plan of it has not been confined to a particular walk, or an individual place; a proof (of which I was unconscious at the time) of my unwillingness to submit the poetic spirit to the chains of fact and real circumstance. The country is idealized rather than described in any one of its local aspects.

FOOT-NOTES.


5a. Intake (l. 49).

'When horses in the sunburnt intake stood.'

The word intake is local, and signifies a mountain-enclosure.


6. Ghyll (l. 54).

'Brightens with water-brooks the hollow ghyll.'

Ghyll is also, I believe, a term confined to this country; ghyll and dingle have the same meaning.


7. Line 191.

'Gives one bright glance, and drops behind the hill.'

From Thomson.


8. *Lines written while sailing in a Boat at Evening. [IV.]

1789. This title is scarcely correct. It was during a solitary walk on the banks of the Cam that I was first struck with this appearance, and applied it to my own feelings in the manner here expressed, changing the scene to the Thames, near Windsor. This, and the three stanzas of the following poem, 'Remembrance of Collins,' formed one piece; but upon the recommendation of Coleridge, the three last stanzas were separated from the other.


9. Descriptive Sketches taken during a Pedestrian Tour among the Alps.

DEDICATION. TO THE REV. ROBERT JONES, FELLOW OF ST. JOHN'S COLLEGE, CAMBRIDGE.

DEAR SIR,—However desirous I might have been of giving you proofs of the high place you hold in my esteem, I should have been cautious of wounding your delicacy by thus publicly addressing you, had not the circumstance of our having been companions among the Alps seemed to give this dedication a propriety sufficient to do away any scruples which your modesty might otherwise have suggested.

In inscribing this little work to you, I consult my heart. You know well how great is the difference between two companions lolling in a post-chaise, and two travellers plodding slowly along the road, side by side, each with his little knapsack of necessaries upon his shoulders. How much more of heart between the two latter!

I am happy in being conscious that I shall have one reader who will approach the conclusion of these few pages with regret. You they must certainly interest, in reminding you of moments to which you can hardly look back without a pleasure not the less dear from a shade of melancholy. You will meet with few images without recollecting the spot where we observed them together; consequently, whatever is feeble in my design, or spiritless in my colouring, will be amply supplied by your own memory.

With still greater propriety I might have inscribed to you a description of some of the features of your native mountains, through which we have wandered together, in the same manner, with so much pleasure. But the sea-sunsets, which give such splendour to the vale of Clwyd, Snowdon, the chair of Idris, the quiet village of Bethgelert, Menai and her Druids, the Alpine steeps of the Conway, and the still more interesting windings of the wizard stream of the Dee, remain yet untouched. Apprehensive that my pencil may never be exercised on these subjects, I cannot let slip this opportunity of thus publicly assuring you with how much affection and esteem

I am, dear Sir,
Most sincerely yours,
W. WORDSWORTH.

London, 1793.


10. *Descriptive Sketches.

1791-2. Much the greatest part of this poem was composed during my walks upon the banks of the Loire, in the years 1791, 1792. I will only notice that the description of the valley filled with mist, beginning 'In solemn shapes,' &c. was taken from that beautiful region, of which the principal features are Lungarn and Sarnen. Nothing that I ever saw in Nature left a more delightful impression on my mind than that which I have attempted, alas how feebly! to convey to others in these lines. Those two lakes have always interested me, especially from bearing, in their size and other features, a resemblance to those of the North of England. It is much to be deplored that a district so beautiful should be so unhealthy as it is.

FOOT-NOTES.


11. The Cross.

'The Cross, by angels planted on the aerial rock' (I.70)

Alluding to the crosses seen on the spiry rocks of Chartreuse.


12. Rivers.

'Along the mystic streams of Life and Death' (I. 71).

Names of rivers at the Chartreuse.


13. Vallombre.

'Vallombre, 'mid her falling fanes' (I. 74).

Name of one of the valleys of Chartreuse.


14. Sugh.

'Beneath the cliffs, and pine-wood's steady sugh' (I. 358).

Sugh, a Scotch word expresssive of the sound of the wind through the trees.


15. Pikes.