- E, O. L. of uncertain origin, 241;
- O. L. from Plato’s works, 710; Francfort, 1602, p. 346;
- O. L., Dial. of Creatures, 62, ed. 1520, p. 463.
- 1. Ecatonphyla, 1491, centiesme amour, 1536. p. 55.
- Ehrenpforte, or triumphal arch, about 1515, p. 67.
- Emb. Amat., Afbeeldinghen, 1611, p. 98.
- Emblemata Evang. ad XII. signa, 1585, p. 88.
- Emblesmes sur les actions—du Segnor Espagnol, 1608, p. 93.
- Emblematum Philomilæ Thiloniæ Epidigma, 1603, p. 95.
- Emblem-books, in the tabulated forms, 86–99:—
- Dutch or Flemish, 1585, p. 90;
- English, 1569–1586, p. 91;
- French, 1568–1588, p. 87;
- German, 1576–1590, p. 90;
- Italian, 1566–1589, pp. 86, 87;
- Latin, 1568–1590, pp. 88, 89;
- Spanish, 1575–1589, p. 90;
- Emblem-books, in Greek; Tablet of Cebes, B.C. 390, pp. 12, 68;
- Clemens of Alexandria, about A.D. 300, Stromata, 21;
- Epiphanius, A.D. 367, p. 28;
- Horapollo, originally Egyptian, about A.D. 400, p. 22;
- translated into Greek by Philip, about A.D. 550, p. 22.
- English Emblem-books down to Willet, 1598, p. 119;
- Epiphanius, A.D. 367, Physiologus, 1587, p. 28.
- Estienne, Henri, Anthologia gnomica, 1579, pp. 88, 89.
- 2. Eadem inter se, 384;
- Ecce, ancilla domini, fiat mihi, 46;
- Ecce ascendimus Hierosolimam, 66;
- Ecce virgo concipiet et pariet filium, 46;
- Ei qui semel sua prodegerit, aliena credi non oportere, 189;
- Εἴξας νικᾶ, 314;
- Eloquentia fortitudine præstantior, 164;
- Eloquium tot lumina clausit, 123;
- En ma fin git mon commencement, 123;
- Erant signa in sole et luna, 48;
- Esto tiene su remedio y non yo, 398;
- Ex domino servus, 276;
- Ex malo bonum, 447;
- Ex maximo minimum, 337.
- 3. Engravers, named, and referred to:—
- Amman, Jost, 1564, pp. 74, 85.
- Avibus, Gaspar ab, 1558, p. 80.
- Bernard, Solomon, 1560, pp. 36, 73.
- Bewick, Thomas, 1789, p. 71.
- Boissart, Robert, 1590, p. 94.
- Bonasone, Giulio, 1555, p. 77.
- De Bry, Theodore, 1592, pp. 96, 348.
- ” John Theod., p. 96.
- ” John Israel, p. 96.
- De Hondt, Jost, 1606, p. 98.
- De Hooghe, Romyn, 1670, p. 13.
- De Jode, Gerard, 1584, p. 53.
- De Passe, Crispin, 1611, pp. 95, 97, also pp. 57, 177.
- Durer, Albert, 1509, pp. 65, 67, 73.
- Duvet, John, 1561, p. 81.
- Feyrabend, Sigismund, about 1581, p. 90.
- Fortoul, 1832, p. 71.
- Holbein, Hans, 1538, pp. 71, 72.
- Koster, Laurens, 1410, p. 46.
- Lützenberge, Hans, 1538, p. 72.
- Marcolini, Ant. Franc., 1552, p. 76.
- Pytheus, named by Pliny, 5.
- Raimondi, Marc Ant., 1516, p. 67.
- Sadeler, Ægidius, 1600, pp. 96, 98.
- Sadeler, John, 96.
- Sadeler, Raphael, 96.
- Schlotthauer (Dance of Death), 1832, p. 71.
- Shaeufflein, Hans, 1517, p. 67.
- Solis, Virgil, 1555, p. 77;
- Stimmer, Tobias, 1576, p. 90.
- Stimmer, John Chr., 1591, p. 90.
- Van der Borcht, 1591, p. 95.
- Van Veen, or Vænius, Otho, 1607, p. 96.
- Van Veen, Gilbert, 1607, p. 96.
- Veneziano, Zoan And., 1500, p. 55.
- Eschenburg’s Manual class. lit., 1844, pp. 7, 224.
- 4. Eagle renewing its youth, Camerarius, 368;
- Edward VI., Emblem-books belonging to him, 121.
- Egerton, Lord Chancellor, and Thomas Wilbraham, 467.
- Elephant and undermined tree, Sambucus and Whitney, 196.
- Elizabeth, Queen, devices, 124;
- prayer-book, 137;
- lottery, 208;
- phœnix, 390;
- flattered by Shakespeare, 404.
- Elm and vine, Alciat and Boissard, 307;
- Whitney and Camerarius, 308;
- Vænius and Shakespeare, 309.
- Ἔμβλεμα, ἐνβαλλεῖν, pp. 4, 5, 6.
- Emblem defined, Cotgrave, Quarles, and Bacon, 1;
- Whitney, 6;
- Shakespeare, 9;
- origin, 9;
- definition seldom strictly observed, 30.
- Emblems, original meaning, 4;
- Chaucer, 7;
- kept by Shakespeare and Milton, 9;
- changes of meaning, 4;
- classical and modern meaning, 4, 5, 11.
- Emblem and Symbol, confounded, 1;
- difference, 2;
- united, 2, 3;
- affinity of, 6.
- Emblem, the word introduced into Latin, 5;
- opposed by Tiberius, 5;
- used by Cicero and Quinctilian, 5.
- Emblema nudum, or bare, without a device or picture, 13, 51;
- Emblem Artists and Artificers, 5, 20. See also Engravers.
- Emblem Authors, number before 1616, p. 102;
- men of literature and mental power, 102;
- estimate in which they were held, 103;
- introduce fables, 303.
- Emblem-books our theme, 11;
- preceded by writings, 119;
- three large collections, accessible for this work, at Keir, Stand, and Thingwall, 86;
- number composed from 1564 to 1590, pp. 91, 92;
- number of original texts and versions, 770, before 1616, p. 102;
- illuminated MS., 38–45, 50;
- block books, 46–50.
- Emblem Literature,—applied with great latitude; what appears essential to it, 31;
- Instances: proverbs and witty sayings, scenes from history, armorial bearings, 31;
- celebration of events, devotion and satire, 32, 33;
- politics, 34;
- classic poets, 34–36;
- great latitude in using the phrase, Emblem Literature, custom the general guide, 37;
- includes ornamental devices in books, 38;
- architecture, sculpture, and painting too extensive to be included, 38;
- known in Britain, 119–137;
- bed of state, with emblems wrought by Mary, Queen of Scots, 123–125;
- ancient bed at Hinckley, 126;
- painted closet at Hawsted, 127–130;
- ancient hall at Lower Tabley, 131;
- Drayton’s testimony, 1598, p. 132.
- Emblems,—raised or carved figures and designs, a crust or framework, a mosaic, figured ornaments, 9, 10;
- devices on smooth surfaces; any drawing representative of thought, character, &c.; a species of hieroglyphics, 11;
- coins and medals, 13;
- heraldry, 14–17;
- signs, 17–19;
- fictile ornamentation, 19, 20;
- works by the silversmith, 20;
- hieroglyphics, 21–26;
- Christian art, 26, 27.
- Emblems classified—by Whitney into three kinds, 187;
- for this work into eight divisions, 188:
- —historical, 188–211;
- heraldic, 212–240;
- mythological, 241–301;
- for fables, 302–317;
- for proverbs, 318–345;
- for objects in nature, 346–376;
- for poetic ideas, 377–410;
- moral and æsthetic, 411–462;
- miscellaneous, 463–496.
- Emperors:—Maximilian I., 1517, pp. 67, 68;
- Charles V., 1517, p. 68;
- Maximilian II., 1564, p. 85;
- Rodolph II., 1576, pp. 85, 89, 96;
- Matthias, and Ferdinand II., 96.
- End crowns all; or the end makes all equal, Shakespeare, Messin, Whitney, Perriere, 320;
- Illustrated by chess, Perriere, 320;
- Corrozet, 321, 322;
- Whitney and Shakespeare, 323.
- Engineer hoist with his own petar, from Beza and Le Bey de Batilly, 344;
- Envy, from Whitney, Alciat, 431, 432;
- Estridge, ostrich, or falcon? Paradin, 370;
- Eternity, emblem of, 37;
- in Plate XVII., 491;
- Horapollo, 491;
- Shakespeare, 492.
- F, O. L., Nef des folz, Paris, 1499, xxv., p. vii.
- 1. Fables, German, about 1400, p. 50. See Boner.
- Fabrici, Delle allusioni, imprese & emblemi, 1588, p. 87.
- Faerno, Fabvlæ centvm, 1565, pp. 85, 303, 310, 311;
- quoted, Fox and grapes, 311.
- Farra, Settenario dell’ humana riduttione, 1571, pp. 79, 86.
- Feyrabend, Stam und wapenbuch, 1579, p. 90.
- Figures du vieil Test. & du nouuel, 1503, p. 63.
- Figures of the Bible, 73.
- Fiorino, Opera nuova, &c., 1577, p. 86.
- Flemish books of emblems, passim, and, 90, 97.
- Franceschino, Hori Apollinis selecta hieroglyphica, 1597, p. 94.
- Fraunce, Insignium armorum emblematum, &c., 1588, p. 89.
- Freitag, Mythologia ethica, 1579, p. 88;
- Viridiarium mor. phil. per fabulas, 1594, p. 94.
- Frellonius, Holbein’s Historiarum veteris instrumenti, 1547, p. 72.
- French Emblem-books, passim, and, 87, 93.
- Furmerus, De rerum usu et abusu, 1575, p. 88;
- Hands of Providence, Plate XVI., 489.
- 2. Facunda senectus, 215;
- Faire tout par moyen, 289;
- Fatuis levia commitito, 484;
- Feriunt summos fulgura montes, 475;
- Festina lente, 15;
- Ficta ejus quod haberi nequit recusatio, 310;
- Finis coronat opus, 437;
- Fortiter et feliciter, 221;
- Fortitudo ejus Rhodum tenuit, 124;
- Fortuna virtutem superans, 202;
- Fortunæ comites, 124;
- Frons hominem præfert, 129;
- Fronte nulla fides, 129;
- Fructus calcata dat amplos, 124;
- Frustra, 329, 331.
- 3. Farmer, Dr., on Pericles, 156.
- Flintner, Nebulo nebulonum, 1620, p. 65.
- Freitag, quoted for,—
- Mouse caught by an oyster, 130;
- Ants and grasshopper, 148;
- Countryman and serpent, 197;
- Fox and grapes, 309;
- Phœnix, 381;
- Sun, wind, and traveller, 166;
- Turkeycock and cock, 356.
- 4. Fables: doubtful if strictly emblems, 51;
- The best emblem writers introduce them, 303;
- A floating literature, interchanged throughout the world, 302;
- Shakespeare’s estimation of them, 303;
- Early editions, 303.
- Fables, emblems illustrative of, 302–317;
- Fly and candle, 151–153;
- Sun, wind, and traveller, 164–167;
- Elephant and tree, 196;
- Countryman and serpent, 197;
- Hares biting the dead lion, 304–306;
- Elm and vine, or elm and ivy, 307–309;
- Fox and grapes, 309–312;
- Jackdaw in fine feathers, 312–314;
- Oak and reed, 314–316.
- Facts in Nature, emblems from, and from the properties of animals, 346–376:
- —Frosty Caucasus, 346;
- Adamant on the anvil indestructible, 347;
- Bear, cub, and Cupid—natural affection, 348–350;
- The inhabited, or three-cornered world, 351–353;
- Signs of the zodiac, 353–356;
- The cock and turkeycock, 356–358;
- The vulture, 358;
- Bees, types of a well governed people, and of love for our native land, 358–365;
- Falconry, 365–368;
- Eagle renewing its feathers, 368;
- Ostrich with outspread wings, 370;
- Unicorn, type of faith undefiled, 371–373;
- Hydra slain by Hercules, 373–375;
- Various animals named, 375, 376.
- Falconry, from Dr. Drake, 365;
- Camerarius and Giovio, 366;
- Shakespeare, 367, 368.
- Fame armed with a pen, from Junius and Whitney, 445, 446;
- Fardel on a swimmer, 480, 481.
- Ferdinand II., emperor, 96.
- Fictile ornamentation, 19, 20.
- Fin couronne les œuvres, from Shakespeare, 320–323.
- Firmin Didot, 40.
- Flower language, emblematical, 18.
- Fly and candle. See Butterfly.
- Forehead, index of the mind, 129.
- Fortune, from Corrozet, 261. See Occasion.
- Fox and grapes, from Freitag, 310;
- Francis I., impresa, 123, 125, 126.
- Friendship after death, 307.
- Frosty Caucasus, 346.