| I. | THE THEORY OF ART | PAGE |
| On German Architecture | 3 | |
| Introduction to the Propylæa | 15 | |
| Upon the Laocoon | 22 | |
| The Collector and his Friends | 36 | |
| On Truth and Probability in Works of Art | 51 | |
| Simple Imitation of Nature, Manner, Style | 59 | |
| Ancient and Modern | 65 | |
| Notes on Dilettantism | 71 | |
| II. | THE THEORY OF LITERATURE | |
| The Production of a National Classic | 83 | |
| Goethe’s Theory of a World Literature | 89 | |
| On Epic and Dramatic Poetry | 100 | |
| Supplement to Aristotle’s Poetics | 104 | |
| On the German Theatre | 109 | |
| Ludwig Tieck’s Dramaturgic Fragments | 126 | |
| On Didactic Poetry | 130 | |
| Superstition and Poetry | 133 | |
| The Methods of French Criticism | 134 | |
| On Criticism | 140 | |
| III. | ON SHAKESPEARE | |
| Wilhelm Meister’s Critique of Hamlet | 145 | |
| Shakespeare ad Infinitum | 174 | |
| The First Edition of Hamlet | 190 | |
| Troilus and Cressida | 195 | |
| IV. | ON OTHER WRITERS | |
| Goethe as a Young Reviewer | 199 | |
| Byron’s Manfred | 202 | |
| Byron’s Don Juan | 205 | |
| Calderon’s Daughter of the Air | 208 | |
| Molière’s Misanthrope | 212 | |
| Old German Folksongs | 213 | |
| Folksongs again Commended | 220 | |
| Laurence Sterne | 222 | |
| The English Reviewers | 224 | |
| German Literature in Goethe’s Youth | 226 | |
| V. | EXTRACTS FROM THE CONVERSATIONS WITH ECKERMANN | |
| The Universality of Poetry, 249; Poetry and Patriotism, 251; Poetry and History, 253; Originality, 255; Personality in Art, 258; Subject-Matter of Poetry, 259; The Influence of Environment, 261; Culture and Morals, 263; Classic and Romantic, 263; Taste, 264; Style, 265; Intellect and Imagination, 266; Definition of Poetry, 266; Definition of Beauty, 266; Architecture and Music, 267; Primitive Poetry, 267; Weltliteratur, 267; French Critics, 268; The Construction of a Good Play, 268; Dramatic Unities 270; The Theatre, 271; Acting, 271; Dramatic Situations, 272; Management of the Theatre, 272; Menander, 273; Calderon, 273; Molière, 273; Shakespeare, 275; A. W. Schlegel’s Lectures on Dramatic Art and Literature, 276; The French Romanticists, 277; Victor Hugo, 279; The “Idea” of Tasso and Faust, 280; Schiller, 282; Edinburgh Review, 283; Byron, 283; Scott, 286. |
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| APPENDIX | ||
| I. On the Selection and Translation of the Essays in this Volume | 291 | |
| II. On the Chronology of Goethe’s Critical Studies | 295 | |
| INDEX | 301 |