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Geofroy Tory / Painter and engraver; first royal printer; reformer of orthography and typography under François I. cover

Geofroy Tory / Painter and engraver; first royal printer; reformer of orthography and typography under François I.

Chapter 25: INDEX
By Auguste Bernard
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About This Book

A detailed scholarly biography and study of a sixteenth-century French painter-engraver who served as royal printer, documenting his life, artistic production, and efforts to reform orthography and typography under François I. The text surveys his engraved decorations, typographic ornaments, borders, letterforms, and printed editions, and includes a systematic bibliography and an extensive iconography with reproductions and commentary on attributions. It also discusses contemporary printing practices and methods used to reproduce the illustrations, and combines descriptive biography, critical analysis, and cataloguing to reassess the artisan's contributions to early modern French book design and print culture.

Ergo hinc ergo procul manus profanæ
Vulgi chalcographon inauspicati,
Impuræque operæ procul facessant,
Ne interdicto aditu improbaque fronte
Res spurcetur et inquinetur alma.
Ne quis nesciat: hoc sacrum est volumen.
Heu chalcographi mali et miselli,
Nullas ne scholicas quidem aut aniles
Nugellas dare formulis periti,
Quid sanctas male taminatis artes,
Incestaque manu novem Sororum
Funestatis opes laboriosas?
Quid non promitis ita ab officina
Illuc projicier fodique dignum
Quo ventris retrimenta deferuntur?
Ergo hinc ergo procul profani abite,
Vos, o chalcographi mali et miselli!
Sit dictum satis: hoc sacrum est volumen
Quod noster Godofredus, ille noster,
Ille, inquam, Biturix, Pii misertus,
Lethæa carie eruit sepultum,
Ductu Longuolii sui atque ope usus.

V

Torinus lectori felicitatem.

Hasce plusculas recognitiones, lector optime, oro non admirare. Sic eas ab exemplari vetere diversas collegi, ut tibi non pigra manu librum emendare possis. Errores chalcographis imponerem; sed ars ipsa prelaria suopte more hoc in se habet, ut ne libellus quidem sine aliqua menda prorsus imprimi possit. Vale.

Ad studiosum Epigramma per Torinum.

Oppida si centum, centum si sedulus urbes
Certo cum spacio, lector, adire paras,
Centena portus si cum statione marinos
Excupis, et recta doctior ire via,
Hunc tibi comprimis habilem studiose libellum
In dextra gratus semper habeto manu.

W

Torinus ad Librum.

I, Liber, ad vatum penetralia sacra piorum;
Es facilis, tersus, candidus, atque probus.
Exornatus habes nardosque, rosasque, crocosque,
Cum Phœbo et latias numina grata Deas.
Ne vereare Deos tecum vectare faventes,
Spirantem lauros te super astra ferent.

Agnes Torina, virguncularum modestissima suavissimaque, de tumulo viatorem alloquitur.

Qui levibus transis pedibus, dilecte viator,
Siste parum; ecce, tibi dicere pauca libet.
Vive memor leti, viciis abstersus, et illam
Spem tibi vivendi, si sapis, abjicito.
Ore nites hodie pulchro, sed stamine secto
Protinus in nihilum te impia Parca rapit.
Hoc experta scio, quoniam virguncula nuper
Annos nata decem rapta repente fui.
Ut rosa florebam sociis virtutibus illis
Quæ cerni in tenera virginitate solent.
Sed tamen interii crudelibus obruta fatis,
Iam data carnivoris vermibus esca meis.
Vermibus esca meis iaceo data, non tamen usque
Usque adeo exanguis quin tibi vera loquar.
Ore loquor latio, nec mirum, candide amice,
Filia nam vatis sum memoranda pii.
Imbutam ausonia cupiens me reddere lingua
Artibus et pariter me decorare bonis,
Nocte dieque docens, pater ut charissimus, ipse
Fundamenta mihi dulcia et ampla dabat.
Docta forem celebres nimirum amplexa camænas,
Et canerem blandis carmina pulchra modis.
Oscula chara mihi genitor meus inde dedisset,
Imponens capiti laurea serta meo.
O miseras hominum sortes! O vota caduca!
In terris nihil est quod solidum esse queat.
Non solum miseris mortalibus obvia mors est,
Sed tacito insidians clam subit ilia pede.
Ah! caveas igitur, caveas moriture, profecto
Omnia sub modico tempore lapsa ruunt.
Tu dum vivis adhuc, magnos dum quæris honores,
Instabili[558] et rapide pergis obire gradu.
Si contentus abis hoc uno denique certo
Consilio, et tu me dicere vera putas,
Sparge mihi flores, violas et lilia, nardos;
Funde preces etiam, si placet, et lachrymas.
Me facies superum precibus conscendere ad axem,
Lux ubi perpetua est, pax et amœna quies.
Hoc erat exiguum quod ego te scire volebam,
Vive memor leti, mox periture. Vale.
Obiit ubi erat nata, Parisiis, xxv augusti,
anno Do[mini] M.D.XXII.

Vixit annos novem, menses undecim, dies fere triginta. Horas scit nemo. Momenta solus novit Deus.

PATER et FILIA collocutores.

P. Vermibus esca iaces, charissima filia! tu me
Linquis in assiduis fletibus et lachrymis.
F. Chare pater! lachrymis parcas et fletibus, actum
Est de me. Iuvenes mors rapit atque senes.
P. Parcere non possum diris nec planctibus. Eia!
Debueram in mortem iustius ire prior.
F. Sic fore non placuit fatis cœlestibus. Ad me,
Crede mihi, certo funere tu venies.
P. Interea manibus violas et lilia plenis
Ad tua demissa fronte sepulchra feram.
F. Adde preces, precibus supera ad convexa volabo:
Astra piæ faciunt scandere celsa preces.
P. Est ut ais, tu gnata etiam pro patre precare,
Scilicet ut tecum sidera læta petat.
F. Sidera læta petes curis exemptus amaris,
Omnibus et mentis sordibus expositis.
P. Vera mones, et sic faciam. Deus optimus ad se
Te vocet in cœlum. Filia chara, vale.
P. Eia, mea dulcis anima, defuncta es.
F. Euge, pater. Nemo immortalis.

Disticha duodecim urnæ faciebus separatim inscribenda.

In prima facie.

Vis flores! violas! Vis lilia! serta! cyperos!
Hæc tibi, sume libens, fictilis urna dabit.

In secunda.

Hac Agnes defuncta iacet virguncula in urna,
In cuius medio spirat amœnus odos.

In III.

Hic locus, hic et Amor, Ludus, Virtus quoque, et ipsæ
Cum Musis Charites suntque sedentque Deæ.

In IIII.

Hac amaracus inest urna, redolensque cyperus,
Insunt et violæ, lilia, serta, rosæ.

In V.

Non iacet hic Agnes virguncula sola, sed ipsæ
Cum Phœbo Clariæ suntque sedentque Deæ.

In VI.

Bracteolas gemmis iunctas viridesque lapillos
Hæc cum perpetuis floribus urna fovet.

In VII.

Vis et amas urnam Agnetis cognoscere? Cerne,
Laurus ubi excellens alta sub astra viret.

In VIII.

Hic defuncta iacet virgo memorabilis Agnes,
Quæ faciles tenero iam dabat ore modos.

In IX.

Annos nata decem iacet hic virguncula vates,
Carminis ingenui et virginitatis honor.

In X.

Si petis Agnetis cineres cognoscere certos,
Hic sunt, ne dubita credere, certus habes.

In XI.

Vis Phœbum et Musas modulis cum dulcibus ipsas?
Hanc subeas urnam, protinus invenies.

In XII.

Succrescens vates, teneris defuncta sub annis,
Hic cum laurigera virginitate iacet.

MONITOR et AGNES collocutores.

M. Dic mihi pauca, precor, vates virguncula?
A.  Dicam.
Dummodo pauca roges.
M.  Pauca rogabo.
A.  Roga.
M. Quæ tibi defunctæ mens?
A.  Aurea.
M.  Quid tibi corpus?
A. Pulvereum.
M.  Quisnam spiritus?
A.  Æthereus.
M. Sufficit, alma quies tibi sit cum pace perennis.
A.  Et tibi viventi dulcis et ampla salus.

Disticha de lauro prope tumulum et urnam Agnetis in tabellis scriptis pendentia.

In prima tabella.

Hic iacet eximiæ vates virtutis imago,
Naturæ specimen nobile et egregium.

In secunda.

Hic confracta iacent pharetris languentibus arma,
Quæ quondam ingenuus ferre solebat Amor.

In III.

Unio, chrystallus, magnes, viridisque smaragdus,
Hic cum virginea vate iacente nitent.

In IIII.

Hic ver perpetuum vario cum flore virescet,
Dum carpenta micans aurea Phœbus aget.

In V.

Hic Decor et Ludus, Risusque, Iocusque, quiescunt,
Hic cum laurigera est virgine inermis Amor.

In VI.

Hac conclusus inest media thesaurus in urna;
Ne tangas, gemmæ sunt simul innumeræ.

In VII.

Dum radiis Phœbus cœlestia templa replebit,
Hic violæ et flores, his et anetus erunt.

In VIII.

Hic Amor, et Ludus, Risusque, Iocusque, Leposque,
Hic Musæ et Charites, hic et Apollo sedent.

In IX.

Hic cum mellifluis habitat virguncula Musis,
Acceptura decus perpetuumque melos.

In X.

Sponte sua tellus amaracina secta refundens
Hic viret, et verno rore benigna madet.

In XI.

Hic violæ, hic flores, hic lilia, serta, coronæ,
Sponte sua increscunt, sponte suaque virent.

In XII.

Hic sua signa manu Genius difringit acerba,
Naturæ specimen dum periisse videt.

MONITOR et VIRGINITAS collocutores.

M. Heus tu quæ roseo es virgo spectabilis ore,
Quid facis hic lachrymans anxia tota?
V.  Gemo.
M. Quæ causa est gemitus?
V.  Agnes virguncula, cuius
Hæc prope me cineres fictilis urna tenet.
M. Unde meis tam suavis odos est naribus?
V.  Urna
De media, Charites quem posuere Deæ.
M. Quid posuere?
V.  Rosas et cinnama, balsama, nardos,
Flores et violas, lilia, serta, crocos.
M. An amaracus inest etiam cum stacte cyperus?
V.  Omnis inest redolens herba et amænus odor.
M. Urna gerit viridem pulchre insignita coronam?
V.  Ut decet et par est, laurea serta gerit.
M. Quæ ratio?
V.  Musas in se comprendit ovantes,
Quæ teneræ cantant virginis exequias.
M. An solæ recinunt?
V.  Solæ non. Phœbus Apollo
In medio modulans mystica sacra fovet.
M. Quid tibi vis igitur, virgo suavissima, tanto
Cum gemitu, et superi te prope dulce canunt?
V. Vera tibi dicam, nequeo non flere libenter,
Tam fuit egregio nobilis ingenio.
Annos nata decem, patris præcepta secuta,
Iam facilis vates carmen ab ore dabat.
M. Tu mihi naturæ miracula grandia narras!
V.  Hisce nihil terris verius esse potest.
M. Qui sunt quos video stantes?
V.  Ludus, locus, inde
Gestus, Honor, Virtus et genialis Amor.
M. Arma iacent urnam circum quamplurima fracta?
V.  Ipsi gestabant integriora Dei.
M. Quid facient fractis olim sic omnibus illis?
V.  Cum planctu et lachrymis assiduos gemitus.
M. Tune etiam flebis?
V.  Flebo mœstissima semper.
M. Nomen habes?
V.  Habeo.
M.  Quid tibi?
V.  Virginitas.
M. Chara, vale.
V.  Valeas, Monitor charissime, et huius
Egregiæ quondam virginis esto memor.

MONITOR et AGNES collocutores.

M. Parva iacens vates celebri dignissima laude,
Sum potis his tecum dicere pauca?
A.  Potis.
M. Hanc tibi quis struxit gemmis insignibus urnam?
A.  Quis? Meus in tali nobilis arte pater.
M. Excellens certe est figulus genitor tuus.
A.  Artes
Quottidie tractat sedulus ingenuas.
M. Anne etiam scribit modulos et carmina?
A.   Scribit.
Dulcibus et verbis hæc mea fata beat.
M. Ipsius est nimirum hominis solertia mira?
A.  Tam celebrem regio vix tulit ulla virum.
M. O tali virgo felix genitore!
A.  Profecto.
Ipse etiam nomen tollit inastra meum.
M. Audio concentus.
A.  Clariæ modulamina Musæ
Cum Phœbo hic mecum nocte dieque canunt.
M. Te prope conspicio Charites?
A.  Mihi serta ministrant.
M. Unde legunt violas?
A.  Collibus Elysiis.
M. Sunt alii tecum?
A.  Sunt et tria numina.
M.  Quænam?
A.  Ludus, Amor, Monitor candide, et inde Iocus.
M. Quid faciunt?
A.  Holocausta mihi divina reponunt,
Et solitos implent fomite et igne focos.
M. Es Dea de superis iamdudum sedibus una?
A.  De superis fio sedibus una Dea.
M. Si Dea, cur charos in cœlica regna parentes
Scandere non curas?
A.  Scandet uterque parens.
M. Sed quando?
A.  Quando certe sua fata videbunt
Esse opus. Ex fatis stat sua cuique dies.
M. Stat sua cuique dies ergo certissima?
A.  Cuique
Eveniunt certo fata suprema die.
M. Interea genitor tuus et tua mater in hisce
Quid facient terris?
A.  Quid? Pia, sacra, preces.
M. Postea quid fiet?
A.  Cœlestia templa beati,
Æthereo et supero patre favente, petent.
M. In mea iam redeo tractanda negocia.
A.  Quando
Nempe voles; felix vive, et amice vale.
M. Tu quoque cum superis habita cœlestibus ut mens
Ætherea, ut sidus nobile, ut alma Dea.

GENIUS et VIATOR collocutores.

G. Siste parum, ulterius, quæso, nec tende viator,
Hanc urnam et tumulum quin prius aspicias.
V. Quis tu?
G.  Sum Genius.
V.  Quid vis tibi?
G.  Pauca vicissim
Hic cupio tecum dicere, amice.
V.  Placet.
G. Virgineam vatem fatis crudelibus haustam
Aspice ut hæc in se fictilis urna tenet!
V. Annos quot vixit?
G.  Bis quinque.
V.  Canebat et ilia
Docta modos?
G.  Sic est.
V.  Tu mihi mira canis.
G. Scribebat dulci genialia carmina versu,
Sponte sua modulans, sponte suapte canens.
V. Naturae o rarum decus! o manifesta Deorum
Gloria, quod vates ilia tenella foret?
G. Carmen erat quicquid casu proferre volebat,
Quicquid et optabat dicere carmen erat.
V. Unde illi tantæ frugis veniebat origo?
G.  Sedibus a superis, unde venire solet.
V. Ut divina igitur versus faciebat amœnos?
G.  Ut divina, sui et iussa secuta patris.
V. Illius an etiam genitor modulamina tractat?
G.  Tractat, et est vates candidus atque probus.
Est probus et facilis, tersus, florensque, decensque.
Est quem divino carmine Musa beat.
V. Mecenate aliquo certe dignissimus ille est.
G.  Mecenas Franco rarus in orbe viget.
Nemo hodie ingenuas donis conformibus artes
Aut fovet, aut ulla sorte fovere parat.
Non est in pretio probitas, nec candida virtus.
Infelix adeo regnat Avaricia.
Fraus, dolus et vitium prestant; virtutibus omne
Postpositis miserum serpit ubique nephas.
V. Quid facit ille igitur Musis excultus amœnis?
G.  In propria gaudet vivere posse domo.
V. Ad reges alacri deberet tendere passu.
G.  Non curat, quoniam libera corda gerit.
Isti nonnunquam gaudent spectare potentes
Carmina, sed quid tum: nictibus illa beant.
Deberent gemmis auroque rependere puro
Aurea de superis carmina ducta polis.
Sed potius fatuis, nebulonibus atque prophanis
Contribuunt stulti grandia dona leves.
V. Ille suam natam studiis ornabat honestis?
G.  Ornabat studiis, artibus atque bonis,
V. An quoque et illa libens patris præcepta tenebat?
G.  Nil magis optabat quam patris ora sequi.
V. O quam grandis honor patriæque patrique fuisset
Integra si vitæ munia adepta foret!
G. Nimirum Francis in sedibus illa puellas
Ante omneis alias gloria prima foret.
Insignis facie, vultu formosa modesto,
Moribus et dictis aurea tota bonis.
Ad se corda hominum, iuvenumque, senumque trahebat
In sua constanti vota sequenda fide.
V. Mira mihi dicis?
G.  Dico tibi vera, viator.
Ingenuæ speculum nobilitatis erat.
V. O nimis immensus dolor! o dolor asper et angor!
Tam rapido talem posse perire gradu!
Quid pater interea faciet?
G.  Mœstissimus ipse
Cordolium et lachrymas perferet assiduas.
V. Ille preces melius superis cœlestibus amplas
Funderet et precibus iungeret exequias.
G. Exequias precibus iungitque fovetque perennes,
Implet et assuetos fomite et ignefocos.
V. O tam plausibili virguncula digna parente!
O etiam tali stirpe beate pater!
G. Illa modo lætis in nubibus alma refulget,
Ut jubar exortum, sidus ut aureolum.
V. Æthereis fulgens in sedibus illa triumphet,
Et patrem secum filia grata trahat.
G. In rem vade tuam, si vis modo abire, viator:
Hæc sunt quæ volui dicere. Amice, vale.
V. Sis felix tumuli custos, urnæque retector;
In rem vado meam sedulus et properus.

Impressum Parrhisiis, e regione scholæ Decretorum, anno Do[mini] M.D.XXIII, die xv mensis febr.

X

Godofredus Torinus Biturigicus lectori candido s(alutem).

Egregii quidam sunt felici hoc seculo pictores, lector humanissime, qui suis lineamentis, picturis et variis coloribus deos gentilitios et homines, itemque alias res quascunque adeo exacte depingunt, ut illis vox et anima deesse tantummodo videatur; sed ecce, lector humanissime, ego iam tibi illorum propemodum more, domum offero, non solum suis lineamentis et partibus elegantem et absolutam, sed etiam pulchre loquentem et encomio sese particulatim describentem. Offero etiam tibi septem Epitaphia antiquo more et sermone veterrimo conficta et conscripta, varios miserorum hominum amantum affectus pervio quodam modo ostendentia. Ipsa tibi (inquam) lubens offero, non ut ita verbis obsitis loquaris aut scribas, sed ut antiquitatem ipsam tibi ante oculos tuos faciles et iucundissimos habeas, et te a me benemonitum intelligas, ut in amoris insani laqueos et angustias devenire caveas. Vale.

Y

Gotofredus Torinus Biturigicus ad reginam Leonoram.

Pergimus hunc, Leonora, tuum celebrare triumphum,
Quem tibi Parrhisii contribuere tui.
Tam pia tu nobis extas regina quod omnes
Dicere te veram possumus esse DEAM.
Esse DEAM sane te dicere possumus almam,
Quum nos optata denique pace beas.
Pace beas omneis qui Gallica regna frequentant,
Fata adeo nutu te statuere bono.
Ut proba, sancta etiam, clemens, et vera beatrix,
Adduxti patriæ Lilla nostra suæ.
Vis dicam paucis, et verum proloquar, in te
Omnibus est nobis publica et ampla salus.

Idem ad eandem.

Di, Leonora, tibi felicia Fata perennent;
Lætitia es nobis, Pax, et amœna Quies.

Idem Torinus ad Gentem Gallicam.

Exulta et lætare simul, gens Gallica, cernis
Quas tibi delicias iam Leonora facit.
Ipsa, Dei (credas) manifesto numine missa,
Te facit egregia denique pace frui.
Sparge rosas, lauros, violas, nardumque, crocumque,
Et genio indulge tota iocosa tuo.
Sed videas etiam ne tu gens optima cesses
Ante Deum laudes accumulare pias;
Si canis usque Deo laudes, et phana frequentas,
(Crede mihi), pacis commoda longa feres;
Aurea sub facili spectabis secula cœlo,
De terra et felix aurea farra metes.
Adde quod et pariter fies gens aurea tota.
Perge igitur summo sacra iterare Deo.

Z

Ludovica, regia mater, suam Galliam alloquitur et consolatur, Go. Torino Bit. scribente.

Gallia, quid de me luges mæstissima? nescis
Quod genus omne hominum morte perire solet?
Respira, et tecum expende ut te provida ab atris
Hostibus et diris casibus eripui.
Linquo tibi gnatum cœlesti numine regem,
In pulchra qui te, me duce, pace fovet.
Te penes in gremio lætus sua pignora cernit,
Orbem quæ totum sub tua sceptra dabunt.
Reginam virtutis habes et pacis alumnam,
Sidere felici quæ tua fata beat.
Altera et una tibi est etiam regina sacrati
Quæ soror est regis et benesuada tui.
Principibus tantis non est tibi, chara, gemendum,
Gallia! tu felix talibus es ducibus.
Ipsa ego te prorsus moriens non desero, nanque
Immortale meum tu modo nomen habes.
Semper apud superum pro te devota Tonantem
Orabo, ut victrix et generosa regas.
Sparge mihi lauros, violas, nardosque crocosque;
Stracte (sic) etiam flores, lilia, serta, rosas;
His super adiungas summiscum laudibus hymnos,
Exequias, modulos, thura sabea, preces.
Aras ne dubita mihi tendere. Nam, Dea ut alma
In cœlos pergo ianque volare. Vale.

INDEX

  • ABBATIA, Bernard, 'Prognostication touchant le mariage du tres honoré et tres aimé Henry,' etc., 282.
  • Abrégé des Meditations de la vie de Jésus-Christ, 229.
  • Accents. See Orthographic marks.
  • Adolescence Clementine. See Marot, Clement.
  • Adriani Behotii diluvium, 280 note 2.
  • ÆDILOQUIUM, etc., 29-30, 31, 92-93, 201-202.
  • Agricola, Rodolphe, 'De inventione dialectica,' 267.
  • Alard, Guillaume, his mark, 273.
  • Alphabetum hebraicum, 274-275.
  • Amman, Jost, 251.
  • Anciens bois de l'imprimerie Fick, 260 note 3.
  • Ange Bologninus, 'De la curation des ulceres exterieurs,' 41.
  • Annius of Viterbo, 3, 61.
  • Antistitis incomparabilis Michaelis Bodeti, 137.
  • Apollonius Alexandrinus, De constructione, 276.
  • Apologie pour la foi chrestienne contre les erreurs contenues en un petit livre de Messire Georges Halevin, 138.
  • Apostrophe. See Orthographic marks.
  • Aristophanes, 197, 274.
  • Artificialis introductio Jacobi Fabri Stapulensis, 268 note 4.
  • Asselin, Pierre, 273.
  • Assier, Alexandre. See Socard, Alexis.
  • Aumale, Duc d', 144, 154, 163, 164 note 1.
  • Aumont, Blanche d', arms of, 171.
  • Avaricum. See Bourges.
  • BABOU, Philibert, 2, 3, 4 5, 6, 10, 51-53, 60-61 65, 68, 69, 72.
  • Bade, Conrad, 232, 233;
  • his mark, 266.
  • Bade, Josse, 57, 145, 200, 201.
  • Baïf, Lazarus, 'Annotationes,' etc., 208-209.
  • Baker, David, 293.
  • Barbier, Olivier, 208 note 2.
  • Baron Collection, 254 and note 2.
  • Barra, Jean, 148.
  • Bassentin, Jacques, 'L'astronomique discours,' 262, note 4.
  • Basset, Denis, 230 note 2.
  • Beaupré, M., 'Notice bibliographique sur les livres liturgiques ... de Toul et de Verdun,' 150 note 4.
  • Beauvoys. See Delaigue, Étienne.
  • Beckford, William, 167.
  • Bellay, Jean du, 214, 215 note 1, 280.
  • Belon, Pierre, 'Histoire de la nature des oiseaux,' 250;
  • 'Les observations' etc., 250.
  • Bernard, Auguste, 'Les Etiennes, et les types grecs de François I,' 197 note 4, 199 note 1, 271 note 1.
  • Bernard, Salomon ('Le Petit Bernard'), 258, 261 and note 4.
  • Beroaldo, Filippo, 2.
  • BEROSUS BABILONENSIS, Tory's edition of, 3, 60-64.
  • Bertaud, Jean, 'Encomium,' etc., 200-201.
  • Berthelin, André, 284.
  • Bertrand, Jean, Cardinal of Sens, 250, 251.
  • Berty, Adolphe, 'Les trois îlots de la cité,' 35 and note 3.
  • Bessault, Thibault, 285.
  • Bèze, Theodore de, 'Poemata,' 232-235, 266.
  • Bible in French, Antwerp, 1530, 254.
  • Bible in Latin, 1532, 204.
  • Bible in Saxon, Lubeck, 1533, 254.
  • Bible in Latin, 1538-1540, 215.
  • Bible in Latin, 1543, 254.
  • Bible after Holbein, 1547, 258.
  • Bible in Flemish, Antwerp, 1556, 254.
  • Bibliothèque de l'amateur champenois, 279.
  • Binet, Denis, 257.
  • Blazon des heretiques, 180.
  • Blés de Beauce, Halle aux, Tory's removal to, 35, 37, 38, 40 and note 4, 41, 97, 295.
  • Bonfons, Jean, his mark, 266.
  • Bonhomme, Iolande, widow of Thielman Kerver I, 149, 204, 214, 215 and note 1, 221, 230, 241, 242, 280.
  • Bonnemere, Anthoine, 276.
  • Boorluut, M., 199.
  • Bouchet, Jean, 'Les angoisses et remedes damour du Traverseur,' etc., 212-213, 279;
  • 'Le jugement poetic de l'honneur feminin,...par le Traverseur,' 213.
  • Bouchetel, Guillaume, 'Le Sacre ... de la Royne,' 34;
  • 'Lentree de la Royne,' etc., 34.
  • Boudet, Michael de, 137.
  • And see 'Antistitis incomparabilis.'
  • Bouillon, M. le duc de, 'Ordonnances,' 245 note 2.
  • Boullé, Guillaume, 98, 99.
  • Bouquet des fleurs de Sénèque, Le, 273.
  • Bourges, 1, 2, 4, 66-67;
  • coat-of-arms of, 129.
  • Bourgogne, Collège de, 6, 7, 295.
  • Boursette, Madeleine, widow of François Regnault, 228, 243, 246, 284, 285.
  • Boyer, Hippolyte, 'Histoire des imprimeurs et libraires de Bourges,' 91, 222, 289 and note 1.
  • Breviarium ad ritum diocesis Eduensis, 241.
  • Briçonnet, Guillaume, Bishop of Meaux, 176.
  • Bridier, Jean, 232.
  • Brie, Jehan de, 230 note 3, 231.
  • Brie, widow of Jehan de, 149, 229, 231.
  • Brucherius, Joannes, 'Epitome of the Adages of Erasmus,' 174, 176.
  • Brulefer, Étienne, 'Identitatum et distinctionum,' etc., 284.
  • Brunet, Jacques-Charles, 'Manuel du Libraire,' 64, 119, 120, 124, 139 note 1, 140, 149 note 2, 150, 170 note 1, 181 note 2, 208 note 1, 231, 260 note 2.
  • 'Bulletin du bouquiniste,' 1860, 174 note 2.
  • Bunel, P., 'Epîtres familières,' 272.
  • Buon, Gabriel, 215 note 4, 249;
  • his mark, 284.
  • Buon, Nicolas, 249.
  • CÆSAR, 'Commentaries,' translation of, 178.
  • See also 'César, Les Commentaires de.'
  • Calcar, 225.
  • Calvarin, Prigent, his mark, 267.
  • Calvarin, Simon, his marks, 267.
  • Catherine de Medici, 122.
  • Catherinot, Nicolas, his epitaph of Tory, 43, 44, 55 note 2.
  • Cavellat, Guillaume, 250.
  • 'CEBES, TABLE OF,' Tory's translation of, 27, 28, 85-87, 201.
  • 'Cebes, Tableau de,' 1543, 262.
  • Cedilla. See Orthographic marks.
  • 'César, Les Commentaires de,' manuscript (author unknown), 143-144, 153;
  • Comte Léon de Laborde's description of, 154-164.
  • Chabouillet, M., Notice du Cabinet des médailles, 255.
  • 'CHAMP FLEURY,' first conceived by Tory, 9, 12;
  • the first book of, 14 and note 3;
  • the second book of, 15-17;
  • the third book of, 17-20;
  • published (1529), 26;
  • effect of publication of, 32-33;
  • orthographic system of, first applied, 37 and note 1, 295-299;
  • second edition of (1549), 42, 43, 84;
  • bibliographical description of, 81-84;
  • description of engravings in, 189-196;
  • M. Renouvier on engravings in, 262;
  • quoted, 1 note 2, 2 note 3, 5, 7 note 8, 9, 12-14, 15-16, 17, 18, 19-20, 21-22, 23, 26, 29 note 1, 141, 145.
  • 'Chants royaux.' See Gringoire.
  • Charles IX, 144.
  • Chaudière, Claude, 238.
  • Chaudière, Guillaume, 229.
  • Chaudière, Regnault, 238, 273;
  • his mark, 267, 268, 269.
  • Cheradam, Jean, editor of Aristophanes, 197.
  • Chevallon, Claude, 231, 278.
  • 'Chiromancy and Physiognomy,' 259, 261.
  • Chrestien, Nicolas, 41.
  • Choquet, Louis, 'Mystère de l'Apocalypse,' 217-218.
  • 'Chronique du tres vaillant et redouté Dom Flores de Grece,' 249.
  • Chrysostom, Saint, 'Homeliæ Duæ,' 281;
  • 'Liber contra gentiles,' 120.
  • Cicero, 'Orator,' 42;
  • works of, 244-246, 272.
  • 'Civis,' Tory's first device, 2;
  • monogram of, 6.
  • Claude de France, queen of François I, 127.
  • Colines, Simon de, 24, 25, 29, 33, 72, 101-116, 120-122, 146, 174, 175, 185, 189, 197, 201, 203, 223, 239, 258;
  • his marks, 174, 267-269.
  • 'Compendium grammaticæ græcæ,' 189.
  • 'Conférence accordée entre les predicateurs, La,' etc., 257.
  • 'Copie de l'arrest du grand conseil,' etc., 38.
  • 'Copie d'une lettre de Constantinople,' etc., 38.
  • Coqueret, Collège, 5, 295.
  • Corrozet, Gilles, 148, 250, 263;
  • 'Les Fables d'Esopes mises en rithme françois,' 207;
  • his mark, 269-270.
  • Corrozet, Gilles II, 'Trésor des histoires de France,' 270.
  • Corrozet, Jean, 270.
  • COSMOGRAPHIE DU PAPE PIE II. See Pius II.
  • Cottereau (also Cotereau), Philippe, 41, 47.
  • Cottereau, Richard, 41, 47.
  • Cousin, Jean, 237, 238, 254, 263.
  • Cousteau, Nicolas, 204.
  • 'Coustumier de la baronnye,' etc., 41.
  • 'Coutumes générales d'Orléans,' 266 note 1, 274.
  • Coxe, Leonard, 34, 293.
  • Crescens, Pierre des, 'Bon Mesnager,' 204.
  • DALLIER, Jean, 237.
  • Danois, Jean Blaccus, translation of Isocrates, 273 and note 2.
  • David Matthæus, 244;
  • his mark, 270.
  • 'De judiciis urinarum,' etc., 39.
  • Debure, M., and 'Les Commentaires de César,' 161.
  • Delaigue, Étienne, 178.
  • Delange, MM., 151.
  • 'Description de la prinse de Calais,' etc., 284.
  • Devéria, Achille, 150 note 2, 230 note 3, 254.
  • Dibdin, Thomas F., 'Bibliographical Decameron,' 110, 123, 279 notes 4 and 6.
  • 'Dictionarium latino-gallicum,' 189 note 1.
  • Didot, Ambroise Firmin, 28, 47, 91, 96, 98, 136 note 3;
  • 'Essai sur la gravure,' 150, 151, 225, 259.
  • Didot, Firmin, père, 144, 166.
  • Dietz, Ludowich, 254.
  • Diodorus Siculus, Macault's translation of first three books of, 47, 136, 205-207;
  • manuscript of, 144, 166-168.
  • Dives. See Ricke, Guillaume de.
  • 'Divi Joannis Chrisostomi liber contra gentiles,' 120.
  • Dolet, Étienne, 117.
  • Doré, Pìerre, 'Dyalogue instructoire des chrestiens,' 222.
  • Dubois, Simon, 25, 196, 197.
  • Dupré, Galliot, 135 note 1, 178, 196, 204.
  • Dupuy, J., 273.
  • Duradier, Dreux, 'Les Récréations historiques,' 170.
  • Durand, M., 259 note 1.
  • Dure (Duræus), Robert, 5 and note 3.
  • Dürer, Albrecht, 16 and note 2, 252.
  • See also Meigret.
  • Duverdier, M., 98.
  • 'ECONOMIC XENOPHON,' Tory's translation of, 30-31, 93-97.
  • EGNASIO, J. B., SUMMAIRE DE CHRONIQUES, Tory's translation, 28, 42, 88-91, 222.
  • 'Elegia ... ad Joach. Bellaium,' etc., 278.
  • Eleonora of Austria, queen of François I, 'LE SACRE ET CORONNEMENT DE,' 34, 130-131, 202;
  • 'ENTRÉE DE, EN SA VILLE ET CITÉ DE PARIS,' 34, 131-133, 202;
  • Tory's verses to, 35, 132-133.
  • 'Empereurs de Turquie, Histoire des,' 138.
  • 'Enchiridion, preclare ecclesie Sarum,' etc., 199-200.
  • English booksellers, idiosyncrasies of, 199 note 2.
  • 'Entrée de la Royne,' etc. See Eleonora.
  • 'EPITAPHIA LATINA ET GALLICA' (on Louise de Savoie), 35.
  • 'Epitomæ singularum distinctionum,' etc., 282.
  • Estienne, Charles, 235, 244-245;
  • 'De dissectione partium corporis humani,' 223-226;
  • 'De nutrimentis,' 271;
  • his marks, 272.
  • Estienne, Henri I, 174.
  • Estienne, Henri II, 17, 69, 268, 269, 271.
  • Estienne, Robert, 33, 146, 175, 185, 189 and notes 2 and 3, 204, 208, 215, 216, 235, 244, 245, 258, 269, 286;
  • king's printer, 39, 40;
  • his marks, 270-272.
  • Eusebius, 'Ecclesiastical history,' 135, 189.
  • 'Exemplaria litterarum,' etc., 189 note 1.
  • FANTE, Sigismunde, 'Thesauro de' scrittori,' 15 and note 3.
  • 'Faulcheur, Le.' See Roffet, Jacques.
  • Féret, Martin, 37.
  • Fezandat, Michel, his mark, 272-273.
  • Fick Press, Geneva, 260 note 3.
  • 'Fifteen Effusions of the Blood of our Saviour,' 228, 229.
  • 'Figure de l'ancienne et de la nouvelle alliance,' 253-255.
  • 'Figures et portraicts des parties du corps humain, Les,' 252.
  • Fortunatus, Robertus. See Dure, Robert.
  • Fouquet, Jean, 171.
  • France, Collège de, 39.
  • François I, 29, note 1;
  • appoints Tory king's printer, 32-34;
  • and extra bookseller to the University, 36, 294;
  • remodels institution of king's printers, 39-40;
  • ordinances of, 134-135;
  • in 'Les Commentaires de César,' 157-163;
  • and in Macault's translation of Diodorus, 167-168.
  • François de Valois, Dauphin of France, 31, 38, 97-98.
  • Frellon, Jean, 258.
  • GAGUIN, Robert, 178.
  • Galen, 'De anatomicis administrationibus,' 203.
  • 'Gallic Hercules, The,' 141.
  • Gannay, Germain de, 3 and note 2, 54.
  • Garamond, Claude, 33, 145.
  • Génin, M., 'Introduction to Palsgrave's Lesclaircissement de la langue françoise,' 14, 292 note 1, 293-294.
  • 'Gerard d'Euphrate,' 241.
  • Gérard de Vercel, verses of, 6, 71.
  • Gering, Ulric, 277.
  • Gerou, Dom, 'Bibliothèque historique des auteurs orléanais,' 273.
  • Ghisy, Georges, 244 note 2.
  • Gibier, Eloi, 266 and note 1;
  • his mark, 273-274.
  • Gillot, Jean, 'De juridictione et imperio,' etc., 39;
  • 'Isagoge in juris civilis sanctionem,' 39.
  • Girault, François, 239.
  • Godefroy, miniaturist, identity of with Tory discussed, 142-144, 153-166.
  • Gourmont, Benoît de, his mark, 276.
  • Gourmont, François de, 197 note 4, 271.
  • Gourmont, Gilles de, 3, 26, 28, 50 and note 3, 54, 64, 197;
  • the first printer of Greek in Paris, 26;
  • his marks, 274-276.
  • Gourmont, Jean de, 197 note 4, 271.
  • Gourmont, Jérôme de, 275;
  • his mark, 276.
  • Gourmont arms, 275 note 1.
  • Gourmont family, 275 note 1.
  • 'Gradual,' 177.
  • Grævius, J. C., 'Thesaurus antiquitatum romanarum,' 208 and note 2.
  • Graf, Urs, 179.
  • Grandin, Louis, his marks, 277.
  • Greban, Simon de, 'Catholiques œuvres et actes des Apostres,' 217-218.
  • Greek, Tory's unfamiliarity with, 27 note.
  • Greek alphabet, 189, 280 note 2.
  • Gringoire, Pierre, 'Chants royaux,' 180-181, 183, 184;
  • Hours in rhyme, 180;
  • 'Notables enseignemens,' etc., 196.
  • Grolier (Groslier), Jean, 12, 45, 145.
  • Groulleau, Estienne, 241, 249.
  • Gryphe, François, 207 and note 1.
  • Gualtherot, Vivant, 43.
  • Gueroult, Guillaume, 'Hymnes du temps,' 261 and note 4.
  • Gueullard, Jean, his marks, 277.
  • Guillard, Charlotte, her mark, 277-278.
  • HAIENEUVE, Simon, 16.
  • Halevin, Georges, 138.
  • Harleian MSS., 158.
  • Harley, Robert, Earl of Oxford, 158.
  • Harsy, Olivier de, 278.
  • Henon, Jean, 38.
  • Henri II, 169;
  • Entrée de, 235-238.
  • Herverus de Berna, 2, 3, 57, 58.
  • 'Hexastichorum moralium,' etc., 277.
  • 'Histoire du Saint Graal,' 178.
  • 'Histoire paladine,' 249.
  • Hongont, Jean, 57 and note 1.
  • Honorat, Sébastien, 215 note 4.
  • Hopyl, Wolfgang, 150, 268 note 4.
  • Hornken, Louis, 5, 68, 69.
  • Hotot, Fabian, 266.
  • Houic, Antoine, 285.
  • HOURS OF 1524-25, quarto, 24, 45, 47, 101-119;
  • sales of, 119 note 1.
  • HOURS OF 1527, octavo, Colines, 25, 45, 47, 120-122.
  • HOURS OF 1527, quarto, Dubois, 25, 45, 47, 122-124.
  • HOURS OF 1529, 16mo, 29, 125-126.
  • HOURS OF 1531, quarto, 25, 126-128.
  • HOURS OF (?), octavo, 25, 128-129.
  • Hours of 1515, Simon Vostre, 172.
  • Hours of 1536, octavo, 208.
  • Hours of 1541, Mallard, 40, 218.
  • Hours of 1542, Bonhomme, 220-221.
  • Hours of 1542, Lecoq, 221-222.
  • Hours of 1542, Mallard, 40, 219-220.
  • Hours of 1543, Colines, quarto, 209-212.
  • Hours of 1543, Colines, octavo, 212.
  • Hours of 1547 (?), Regnault, 227-229.
  • Hours of 1547 (?), Brie, 229-231.
  • Hours of 1548, Merlin, 231-232.
  • Hours of 1549, Chaudière, 238-239.
  • Hours of 1550, Boursette, 16mo, 243.
  • Hours of 1550, Kerver, octavo, 218-219, 243-244.
  • Hours of 1550, Roigny, 16mo, 241.
  • Hours of 1552, Kerver, 246.
  • Hours of 1556, Kerver, 251-252.
  • Hours of 1574, Kerver, 226-227.
  • Hours in rhyme. See Gringoire.
  • 'INSIGNIUM aliquot virorum icones,' 260.
  • 'Institutionum civilium,' etc., 278.
  • 'ITINERARIVM PROVINCIARUM OMNIUM ANTONINI AUGUSTI,' etc., Tory's edition of, 5, 69-72.
  • JANOT, Denys, 222, 263;
  • appointed king's printer, 302-303.
  • Joly, Abbé de, 55 note 2.
  • Jollat, Mercure, 223, 224.
  • 'Jours moralisez, Les,' 228.
  • Justel, Christophe, 158.
  • Justel, Henri, 158.
  • Justin Martyr, Works of, 189 note 3.
  • KERVER, Jacques, 149, 224-226, 230, 239, 252.
  • Kerver, Jean, 41.
  • Kerver, Thielman I, 41, 149, 199, 230.
  • And see Bonhomme.
  • Kerver, Thielman II, 218, 226, 243, 246, 251, 279.
  • King's binders, 308-311.
  • King's librarians, 308-311.
  • King's printer, Institution of office of, 32, 34 and note 2;
  • title bestowed on Tory, 34-36;
  • institution of, remodeled, 39;
  • list of holders of the office, 303-308.
  • LA BARRE, Jean de, 34 note 3, 35 note 1.
  • Laborde, Comte Léon de, 24 note 1, 143; his description of the MSS. of 'Les Commentaires de César' and 'Les Triomphes de Pétrarque,' illustrated by 'Godefroy,' 154-166.
  • 'Labours of Hercules, The,' 182, 184.
  • La Caille, 'Histoire de l'imprimerie,' 6, 24 note 1, 28, 40, 43, 44, 99, 175, 284, 285.
  • La Croix du Maine, 143, 145.
  • La Guierche, Michel de, 42.
  • Lallemand, Jean, 3, 4, 65, 68.
  • Lallemand, Jeanne, 4.
  • Lancelot, M., 170.
  • La Porte, Heirs of Maurice de, 250.
  • La Porte, Widow of Maurice de, 249;
  • her mark, 283-284.
  • La Sapienza (college at Rome), 2.
  • La Thaumassière, 'Histoire du Berry,' 290.
  • Latini, Brunetto, 'Le Trésor,' 17 and note 3.
  • Laulne, Étienne de, 163.
  • 'Laurentii Vallæ de linguæ latinæ elegantia,' etc., 120 and note 1.
  • Le Bas, Jacques, 273.
  • Lecoq, Jean, 177, 196, 221, 258, 279.
  • Le Duaren, François, 'De sacris ecclesiæ ministeriis ac beneficiis,' etc., 244.
  • Lefèvre d'Etaples, Jacques, 'Commentarii initiatorii in quatuor Evangelia,' 174-176.
  • See also 'Artificialis introductio.'
  • Le Hullin, Perrette, wife of Tory, 6, 37;
  • and his successor, 38, 42, 144, 150.
  • L'Empereur, Martin, 254.
  • Le Noir, Philippe, 178, 180;
  • his marks, 279.
  • LEO BAPTISTA ALBERTUS, Tory's edition of, 5, 68-69.
  • Leonardo da Vinci, 15.
  • Le Petit, Pierre, 36.
  • Le Preux, Poncet, 178.
  • Le Prince, 'Essai historique sur la bibliothèque du roi,' 169 note 2.
  • Le Riche. See Ricke, Guillaume de.
  • Les Angeliers, Arnould, 216, 217.
  • Les Angeliers, Charles, 216, 217, 222.
  • Letellier, Pasquier, 241, 242.
  • 'Liber de opificio dei,' 189.
  • Libraires jurés. See Paris, University of.
  • Livy, translation of, MS., 171.
  • Longis, Jean, 241, 249.
  • Longueil, Christophe de, 6, 70, 72 note 1.
  • Lorraine, Duchesse Regnee de Bourbon, 180.
  • Lorraine cross, The, 47, 91, 178;
  • how far a guide to Tory's work, 147-152;
  • in the 18th century, 208;
  • at Orléans, Chartres, Poitiers and Lyon, 258.
  • Lottin, 'Catalogue des libraires,' 99, 270 note 1, 273, 281.
  • LOUISE DE SAVOIE, MOTHER OF FRANÇOIS I, EPITAPHS ON, 35, 133-134, 202-203.
  • Lucas Paciol, 'Divina proportione,' 15.
  • LUCIAN, DIALOGUES OF, Tory's translation of, 27, 85-87.
  • LUCIAN, 'LA MOUCHE,' Tory's translation of, 32, 99-100.
  • Lud, Gauthier, 150.
  • Luther, 'Enarrationes' (on the Bible), Nuremberg, 1555, 254.
  • MACAULT, Antoine. See Diodorus Siculus.
  • Maittaire, M., 'Annales Typographiques,' 176, 268 note 3.
  • Mallard, Olivier, Tory's successor at the sign of the Pot Cassé, 38-39;
  • king's printer, 39, 40, 41, 43, 128, 129, 218.
  • Marchand, J., 60.
  • Marcorelle, Jean, 'Book of Thermes,' 261 note 4.
  • Marguerite d'Angoulême, Queen of Navarre (sister of François I), 123, 124 note 1, 244.
  • Marnef, Geofroy de, 60, 64.
  • Marnef Frères, 3, 213;
  • their mark, 279-280.
  • Marot, Clément, 'Ladolescence Clementine,' 36-37, 138-140, 296;
  • 'Psalms,' 1557, 260.
  • Marot, Jan (father of Clément), 'Sur les deux heureux voyages de Genes & Venise,' etc., 140.
  • 'Marques Typographiques.' See Silvestre.
  • Massé, René, 33.
  • Mauroy, Nicolas, 'Les hymnes communes de l'annee,' 196.
  • Mazochi, 'Epigrammata,' etc., 7 and notes 8 and 9.
  • Meigret, Louys, 'Les quatre livres d'Albert Durer' (translation), 252, 283.
  • 'Mémoires de la société des antiquaires de Morinie,' 255.
  • 'Menagiana,' 55 note 2, 93.
  • Menier, Maurice, his mark, 280.
  • Merlin, Guillaume, 215, 217, 231, 232;
  • his mark, 280.
  • Mesviere, Estienne, 243, 246.
  • 'Meubles et armes du moyen âge,' 254.
  • Milan, Paulus Jovius's Lives of the Dukes of. See Paulus Jovius.
  • Millæus, Johannes, 'Praxis criminis persequendi,' etc., 216-217.
  • Missal (Toul), 1508, 150.
  • Missal (Paris), 1539, 148, 214-215, 242.
  • Missal (Paris), folio, no date, 280.
  • Missal (Cluny), 1550, 242.
  • Missal (Paris), 1559, 149.
  • 'Monstre d'abus contre Nostradamus,' 284.
  • Montaiglon, A. de, 'Archives de l'art français,' 132 note 1;
  • Recueil des poésies, etc., 281.
  • Montenay, Georgette de, 'Emblesmes et devises chrestiennes,' 148.
  • Monteux, Hieronime, 'Conservation de santé,' etc., 267.
  • Montpellier, 137.
  • Morante, Marquis de, 73.
  • Morel, Guillaume, his mark, 280.
  • Moréri, Historical Dictionary, 290-291.
  • Muret, Marc-Antoine, 'Juvenilia,' 249, 283.
  • NÉOBAR, Conrad, king's printer for Greek, 36, 39, 40;
  • letters patent of, 299-302.
  • New Testament and Apocalypse (Boursette), 246.
  • New Testament in Greek and Latin, 1549, 273.
  • Nivelle, Sébastien, 215 note 4;
  • his mark, 280-281.
  • 'Notice sur les graveurs' (1807), 261, note 4.
  • Nyverd, Guillaume, his mark, 281.
  • Nyverd, Guillaume de, his mark, 282.
  • OPORIN (Basle), 225.
  • 'ORDONNANCES DU ROY,' published by Tory, 134-135.
  • Orthographic marks, 19-20, 100, 140, 295-299.
  • ORUS APOLLO, HIEROGLYPHS OF, translated by Tory, 25, 100.
  • Ovid, 'Metamorphoses,' 260, 261 and note 4.
  • PALATINO, Giovanbattista, 42 note 2.
  • Pallier, Jean, his mark, 282.
  • Palsgrave, 'Lesclaircissement de la langue françoise,' 14 note 1, 34, 292-294.
  • Panzer, M., 176.
  • Papillon, 'Traité de la gravure sur bois,' 127, 145, 189 note 4.
  • Paradin, Claude, 'Devises héroïques,' 261 note 4;
  • 'Quadrins historiques,' 261 note 1.
  • Paris, Nicole, his mark, 283.
  • Paris, University of, libraires jurés of, 32 note 2, 36.
  • PASSION, THE, G. de Ricke's Latin poem on, edited by Tory, 3, 57-59.
  • Paulus Belmisserus Pontremulanus, 'Opera poetica,' 205.
  • Paulus Jovius Novocomensis, 'Vitæ duodecim vicecomitum Mediolani,' MS. of, 168-169, 235.
  • Paulus Paradisus, 'De modo legendi hebraice dialogus,' 276.
  • Perier, Charles, 252;
  • his mark, 283.
  • Perier, Thomas, 283.
  • Périers, Bonaventure des, 291 note 2.
  • Perot, 159 and note 2.
  • Perreal, Jean, Tory's instructor in drawing, 7, 15, 23 and note 1, 24, 123.
  • Petit, Guillaume, Bishop of Senlis, 203.
  • Petit, Jean, 2, 50, 85.
  • Petit, Oudin, his mark, 283.
  • Petit dictionnaire français-latin, 272.
  • 'Petit Jehan de Saintré, Le,' 267.
  • Petrarch, 259, 261.
  • Petrarque, 'Les Triumphes' de, MS., 144;
  • described by M. de Laborde, 164-166.
  • 'Petri Ruffi Druydæ dialectica,' etc., 277.
  • Piccolomini, Enea Silvio. See Pius II.
  • PIUS II (POPE), COSMOGRAPHY OF, Tory's edition of, 3 and note 1, 54-57.
  • Plantin, Christophe, 251.
  • Plato, Dialogues of, 41.
  • Plessis, Collège of, 3, 295.
  • Pliny, 'Letters,' 285.
  • PLUTARCH, POLITICS, Tory's translation of, 31, 97, 99.
  • POMPONIUS MELA, Tory's translation of, 2, 50-54.
  • Porcium, J., 'Pugna porcorum,' 276.
  • Pot Cassé, Tory's first use of, 11;
  • explanation of, 12;
  • modifications of, 20;
  • interpreted by Tory in 'Champ fleury,' 21-22, 35, 38, 39, 41, 42, 45-47, 72.
  • 'Pourtraictz divers,' 260 note 2.
  • Prevost, Benoît, 250.
  • Prevosteau, Estienne, his mark, 280.
  • Printers' marks signed with the Lorraine cross, 65-287.
  • 'Procession de Soissons, Le,' etc., 91-92.
  • 'Psalterium Davidicum Græcolatinum,' 252.
  • 'Psalterium Quincuplex,' 55 note 2.
  • 'Purgatoire, Le,' 'prouvé par la parole de Dieu,' 230 note 2.
  • Puys, Jean du, 255.
  • QUINTILIAN, 'INSTITUTIONES,' Tory's edition of, 4, 67.
  • RABELAIS, 'Pantagruel,' 14 and note 3.
  • 'Recueil de plusieurs secrets très-utiles pour la santé,' 287.
  • 'Recueil des rimes,' etc., 287.
  • 'Recueil des Rois de France.' See Tillet, Jean du.
  • 'Reformation, La, des tavernes et destruction de gourmandise,' 281.
  • 'Régime de vivre,' etc., 287.
  • 'Reglement pour l'instruction des proces,' etc., 41.
  • Regnault, Barbe, 228;
  • her mark, 284-285.
  • Regnault, François, 178, 228, 284.
  • Regnault, Widow of François. See Boursette, Madeleine.
  • 'REIGLES GENERALES DE LORTHOGRAPHE DU LANGAIGE FRANÇOIS,' a lost work of Tory, 29, 100, 297.
  • Rembolt, Berthold, 5, 68, 69, 277, 278.
  • Renouard, M., 'Annales des Estienne,' 215.
  • Renouvier, Jules, 'Des types et des manières des maîtres-graveurs,' 16, 119, 145, 146, 147 note 2, 149-150, 172, 184-185, 223, 237-238, 262-263;
  • in 'Revue Universelle des Arts,' 153-154, 179, 205-207.
  • 'Repertorium Bibliographicum,' 167-168.
  • Rexmond, Pierre, 254.
  • Ricke, Guillaume de, Tory's teacher at Bourges, 1, 2;
  • Latin poem of on THE PASSION, Tory's edition of, 3, 57-59;
  • Jules de Saint-Genois on, 59.
  • Rivard, Claude, 148.
  • Riviere, Estienne, 223.
  • Robert-Dumesnil, M., 'Le peintre-graveur français,' 138 note 2, 147, 148, 149, 228.
  • Robinot, Gilles I, 287;
  • his mark, 285.
  • Robinot, Gilles II, 285.
  • Rochechouart, François de, arms of, 171.
  • Rodolphi Agricolæ Phrisii, 'De inventione dialectica,' 120, 211.
  • Roffet, Jacques, called 'Le Faulcheur,' 235, 237.
  • Roffet, Pierre, 138;
  • his mark, 285.
  • Roigny, Jean de, 241;
  • his marks, 285-286.
  • Ronsard, 'Les amours,' 249.
  • Rothschild, Solomon de, 120, 126 note 1, 127-128.
  • Rousselet, Jean, Seigneur de la Part-Dieu, 4, 67.
  • Royer, Louis, 230 note 3, 231.
  • 'Rozier historial de France,' 178.
  • Ruan, Jean du, 258.
  • Ruccelli. See Rousselet.
  • SACRE ET CORONNEMENT DE LA ROYNE, LE. See Eleonora of Austria.
  • Saint-Amand, Chevalier de, biographer of Tory, 138.
  • Saint-Genois, Jules de, 59.
  • Saint-Victor, Adam de, translation of the 'Grand Marial de la mère de vie,' 287.
  • Sainte-Marguerite, Life of, 219.
  • Saix, Antoine du, 33.
  • Salomon, Jean, 'Briefve doctrine pour deuement escripre selon la propriete du langaige francoys,' 296-298.
  • Savigny, Christophe de, 'Tableaux des arts libéraux,' 197 note 4, 276.
  • Schoiffer, Pierre, 109.
  • 'Sermones Iudoci Clichtovei Neoportuen,' 204-205.
  • Sertenas, Vincent, 239, 241, 242;
  • his mark, 287.
  • Seve, J., 'Supplication aux rois,' etc., 284.
  • Seve, Maurice de, 'Saulsaye,' 261.
  • Seyssel, Claude de, translation of Eusebius, 135.
  • Silvestre, 'Marques Typographiques,' 45, 46, 47, 265, 271, 279 and note 4.
  • Sirand, Alexandre, 'Courses archéologiques,' 24 note 1.
  • Socard, Alexis, and Alexandre Assier, 'Livres liturgiques du diocèse de Troyes,' 173 note 2, 257-258.
  • 'SUMMAIRE DE CHRONIQUES.' See Egnasio.
  • 'TEMPLE de Chasteté, La,' 272.
  • Terence, Comedies of, 1546, 267.
  • Terentianus Maurus, 'De literis,' etc., 203.
  • Textor, Ravisius, 'Epistolæ a mendis repurgata,' 270.
  • 'Thesaurus amicorum,' 259 and note 1, 260.
  • 'Thesaurus latinæ linguæ,' 189 note 1.
  • 'Theses, Les, qui ont esté affigées dans la ville de Geneve,' 257.
  • Thevet, F. André, 'Les Singularitez de la France antarctique,' etc., 250-251;
  • 'Cosmographie universelle,' 251.
  • Thiboust, Jacques, 297.
  • Thory. See Tory.
  • Thucydides, 30.
  • Tillet, Jean du, 'Recueil des portraits des rois de France,' manuscript of, 144, 169-170, 255-257.
  • 'Topica Marci Tullii Ciceronis,' 282.
  • Toret, symbolic use of, in modified form of the Pot Cassé, 22.
  • Torinus, Bonaventure, 291 and note 1, 292.
  • Tory, divers spellings of the name, 1 note 1.
  • Tory, Agnes, daughter of Geofroy, birth of, 6, 73;
  • death of, 10, 73;
  • and the Pot Cassé, 21.
  • TORY, AGNES, LATIN POEM ON THE DEATH OF, 10-11, 46, 73-81.
  • Tory, Geofroy, birth, 1;
  • ancestry, 1;
  • early life, 1-2;
  • first journey to Italy, 2;
  • settles in Paris, 2;
  • his first device, 2;
  • at the Collège of Plessis, 3;
  • at the Collège Coqueret, 5;
  • his marriage, 6, 73;
  • birth of his daughter Agnes, 6, 73;
  • at the College de Bourgogne, 6, 7;
  • first steps in art, 7;
  • second journey to Italy, 7, 8;
  • returns to Paris, 8;
  • becomes an engraver, 8;
  • and a bookseller, 8;
  • employed by Simon de Colines, 8;
  • his study of the French language, 9;
  • 'Champ fleury' conceived, 9, 12;
  • death of Agnes, 10, 73;
  • adopts the Pot Cassé and the device 'non plus,' 11;
  • and Rabelais, 14 and note 3;
  • his scheme of orthographic marks, 20, 55 and note 2;
  • elucidation of the Pot Cassé, 21-22;
  • 'Champ fleury' completed, 24;
  • first books of Hours, 24-25;
  • begins translator, 25;
  • 'Champ fleury' published, 26;
  • removes to the Petit Pont, 26, 119;
  • first book printed by, 27;
  • is made 'libraire juré' of the University, 32, 36, 100, 294-295;
  • and king's printer, 34, 35, 36;
  • Latin verses of, 35, 91;
  • removes to the Halle aux Blés de Beauce, 35;
  • last book printed by, 37;
  • probable date of death of, 37, 43;
  • epitaph on, 44;
  • autograph of, 45;
  • his work as a binder, 47;
  • scope of artistic acquirements of, 141-152;
  • identity of, with 'Godefroy,' discussed, 142-144;
  • was he an engraver?, 144-147;
  • how far the Lorraine cross is a reliable guide to the work of, 147-152;
  • M. Renouvier on identity of, with 'Godefroy,' 153;
  • and Simon Vostre's Hours, 172;
  • and Simon de Colines, 174;
  • engravings marked 'G. T.' attributed to, 173;
  • monogram of, 179;
  • and the 'Labours of Hercules' plates, 184;
  • vogue of, among printers, 258;
  • as an engraver on metal and of printers' marks, 262, 265;
  • domiciles of, in Paris, 295;
  • brothers and sisters of, 289-290;
  • descendants of, 290-292.
  • See also, 'Ædiloquium,' Antoninus, Berosus Babilonensis, Cebes, 'Champ fleury,' 'Economic Xenophon,' Egnasio, Eleonora of Austria, Hours of 1524-25, 1527, 1529, 1531, Leo Baptista Albertus, Louise de Savoie, Lucian, Marot (Clement), Pope Pius II, Plutarch ('Politics'), Pomponius Mela, Pot Cassé, Quintilian, Guillaume de Ricke, Valerius Probus, Volaterran.
  • Tory, Jean, father of Geofroy, 289, 290.
  • Tory, Madame Geofroy. See Le Hullin, Perrette.
  • Tory, Philippe, mother of Geofroy, 289, 290.
  • Toubeau, Jean, 43, 44, 290-291.
  • Tournes, Jean de, 211, 258, 259, 260, 261 and note 4.
  • 'Traverseur, Le.' See Bouchet, Jean.
  • 'Triumphes, Les de Pétrarque.' See Pétrarque.
  • Trois Couronnes, Les, 26.
  • Types used by Tory, 35.
  • VALEMBERT, Simon de, translation of Plato's Dialogues, 41.
  • VALERIUS PROBUS, Tory's edition of, 3, 59, 64-67.
  • Van Praët, M., and the MS. of 'Les Commentaires de César,' 161.
  • Varlot, M., 'Illustration de l'ancienne imprimerie troyenne,' 173, 197, 257-258.
  • Vascosan, Michel de, 286.
  • Vaudemont. See Gringoire.
  • Verdier, Antoine du, 143.
  • Vernassal, M., 'Histoire de Primaleon de Grèce' (translation), 241.
  • Vésale's Anatomy, 225.
  • Vidoue, Pierre, 178, 179, 197, 274, 275.
  • Vincentino, Ludovico, 16 and note 1.
  • Virgil, Æneid in French, 261 note 4; (1549) 271.
  • Viriville, Vallet de, 171 note 1.
  • Vivian, Mathieu, 273.
  • Vivian, Thielman, his mark, 287.
  • VOLATERRAN, LA MANIERE DE PARLER ET SE TAIRE, Tory's translation of, 32, 99-100.
  • Volcyr, Nicole, de Serouville, 'Histoire de la glorieuse victoire,' etc., 181-182, 184.
  • Vostre, Simon, Hours published by, 172.
  • WASSEBOURG, Richard de, 'Antiquités de la Gaule belgique,' etc., 239-240.
  • Wey, Francis, 295-296.
  • Willemin, 'Monuments français inédits,' 114.
  • Woeiriot, 127, 147, 189 note 4, 244 note 2.
  • XENOPHON, 'Œconomicus.' See 'Economic Xenophon.'
  • ZANI, 145.