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Shakespeare and the Emblem Writers / an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616 cover

Shakespeare and the Emblem Writers / an exposition of their similarities of throught and expression, preceded by a view of emblem-literature down to A.D. 1616

Chapter 26: General Index
By Henry Green
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About This Book

A scholarly survey traces emblem literature and demonstrates recurrent imagery, mottos, and descriptive motifs shared with the plays and poems of the great dramatist. The author provides a historical overview of emblem books, close textual comparisons and translations of mottoes, and numerous emblematic devices reproduced as woodcuts and plates. Organized to aid collectors and students, the work catalogues authors and editions, annotates parallel passages and illustrative devices, and shows how emblematic thought and visual symbols supply memorable images and thematic echoes within the dramatic and poetic texts.

GENERAL INDEX,

ARRANGED ACCORDING TO FOUR SUBJECTS:
1. EMBLEM WRITERS PREVIOUS TO A.D. 1616.
2. PROVERBS, SAYINGS, AND MOTTOES.
3. WORKS QUOTED OR REFERRED TO.
4. MISCELLANEOUS REFERENCES.
A.
  • A, O. L. Linacre’s Galen, Paris, 1538, p. 105;
  • O. L. Nef des folz, f. xvi., Paris, 1499, p. 188;
  • O. L. Alciat’s Emblems, 2, Paris, 1534, p. 377.
  • 1. A. Bruck, Emb. mor. et bellica, 1615, p. 95;
    • Emb. politica, 1618, pp. 34, 97.
  • Æsop, Fables, Latin and German, 1473; Italian, 1479; Greek, 1480; French and English, 1484; Spanish, 1489; thirty other editions before 1500, p. 51.
  • Aesticampianus, Tabula Cebetis, 1507, pp. 12.
  • A. Ganda, Spiegel van vrouwen, 1606, p. 98;
    • Emblemata amatoria nova, 1613, p. 98.
  • Alberti, Ecatonphyla, 1491; French, 1536, p. 55.
  • Alciat, Andrew, Emblematum libellus, 1522, p. 69;
    • Emb. liber, 1531, its size compared with ed. 1621, p. 69;
    • in the interval above 130 editions; French, 1536; German, 1542; Spanish and Italian, 1549; English (?), 1551, p. 70;
    • Commentators, 70;
    • arms or device, 211.
  • Aleander, Explicatio antiq. fabulæ, &c., 1611, pp. 95, 97.
  • Altorfinæ, Emb. anniversaria, 1597, p. 94.
  • Amman, Biblical figures, Heraldry, &c., 1564, p. 85.
  • Ammirato, Il rota overo dell’ imprese, 1562, pp. 79, 81.
  • Aneau, French Alciat, 1549, p. 70;
    • Picta poesis, and L’imagination poetique, 1552, p. 76.
  • Angeli, Astrolabium planum, 1488, p. 42.
  • Anjou, La joyeuse et mag. entrée, 1582, p. 87.
  • Apocalypse, a block-book, 48, 49.
  • Arias Montanus, Hum. salutis monum., 1572, pp. 88, 89.
  • Ars memorandi, a block-book, about 1410, p. 45.
  • Astronomical MS., about 1330, Chetham Library, 41.
  • Austria, Don John of, On Sambucus, 1572, p. 86.
  • 2. Aliamque moratur, 124;
  • Altera securitas, 124;
  • Amicitia etiam post mortem durans, and Amicitiæ immortali, 307;
  • Amor certus in re incerta cernitur, 179;
  • Amoris jusjurandum pœnam non habet, 328;
  • Amor vincit omnia, 7;
  • Anchora speme, 185;
  • Armat spina rosas, mella tegunt apes, 333;
  • Ars naturam adjuvans, 255;
  • Ars rhetor triplex movet, &c., 141;
  • Au navire agité semble le jour de l’homme, 437;
  • Auri sacra fames quid non? 480;
  • Auxilio divino, 413;
  • Ave gratiâ plena, dominus tecum, 46;
  • A vous entier: j’en suis contente, 45.
  • 3. Æschylus, on Symbol, p. 2;
  • Æsop’s Fables, low estimate of by Shakespeare, 302;
    • Antwerp, ed. 1593, p. 313;
    • Jackdaw and fine feathers, 312.
  • Aikin’s General Biography: Champier, 63;
    • Joachim, 67;
    • Pierius, 80.
  • Alciat, characterised, 69;
    • quoted, Janus, 139–40;
    • Hope, 182;
    • Æneas and Anchises, 191;
    • Medea and Progne, 191;
    • Brutus 201;
    • Zisca, 206;
    • Swan, 213;
    • Insignia of poets, 218;
    • Phrixus, 229;
    • Sirens, 253;
    • Mercury and Fortune, 255;
    • Occasion, 259;
    • Prometheus bound, 266;
    • Dog and moon, 270;
    • Actæon, 275;
    • Arion, 280;
    • Phaeton, 285;
    • Icarus, 288;
    • Niobe, 292;
    • Narcissus, 295;
    • Pegasus, 299;
    • Several fables, 303;
    • Friendship after death, 307;
    • Bees, 360;
    • Cupid and death, 401;
    • Envy, 431;
    • Ship-sailing, 435;
    • Student entangled in love, 440.
  • Amboise, 1620, named by Menestrier, 79.
  • Ames’ Antiquities of printing names an English version of Alciat, 70.
  • Anacreon, the swan, 214.
  • Aneau, or Anulus quoted: Progne, 193;
  • Animals, artistic books of, 1560–1586, p. 85.
  • Archæologia, lottery, 208;
    • Ages of man, 406.
  • Aristotle, the head an index of the mind, 129;
    • Halcyon’s nest, 391.
  • Arundel MS., ages of man, 406.
  • Athenæ (Cantab. ii. p. 258), Spenser, 87.
  • Augustine, S., Confessions, 426.
  • Aulus Gellius, Androcles and lion, 281.
  • Ayscough, 461.
  • 4. Achilles, shield of, 20.
  • Actæon, referred to by Alciat, 275;
    • Shakespeare, Aneau, Sambucus, 276;
    • Palæphatus, Ovid, Whitney, 278;
    • and Shakespeare, 279.
  • Adam hiding, by Shakespeare, Whitney, 416;
    • Montenay and Stamm Buch, 416.
  • Adam’s apple, reference to Milton, Plate X., 132.
  • Adamant, indestructibility: Le Bey de Batilly and Pliny, 347;
    • Shakespeare, 348.
  • Æneas, his shield, 20;
    • and Anchises, by Alciat and Whitney, 191;
    • Shakespeare, 193.
  • Albret, Madame, Queen of Navarre, 88.
  • Aldi, 1490–1563, device, 16;
    • Horapollo, 1505, p. 64.
  • Alphonso V., ancestor of Don Juan Manuel, 1575, p. 90.
  • America and West Indies ignored, 350, 352.
  • Androcles and the lion, 281.
  • Antefixæ, of Etruscan art, 19.
  • Ants and grasshopper, by Freitag, 148;
    • and Whitney, 148.
  • Ape and miser’s gold, by Cullum, 128;
    • Paradin, Whitney, and Symeoni, 486;
    • Shakespeare, 488.
  • Apollo and the Christian muse, Le Bey de Batilly, 379;
    • Shakespeare, 380.
  • Appendices, I. 497, II. 515, III. 531–542.
  • Architecture and statuary excluded, 11.
  • Argonauts and Jason, 229;
    • Shakespeare, 230.
  • Arion, by Alciat, 280;
    •   Whitney, &c., 281;
    • Shakespeare and Microcosm, 282, 283.
  • Arms on Queen Mary’s bed, 123, 124.
  • Arran, earl of, 1549; patron of Aneau, 108, 121.
  • Arrow wreathed on a tomb, Paradin, 183.
  • Art, Shakespeare’s exquisite judgment of, 108–117.
  • Ascencian printing press, 1511, p. 63.
  • Ass and wolf, 53, 54.
  • Astronomer and magnet, Sambucus, 335;
    • Whitney, 335;
    • Shakespeare, 336.
  • Athenian coin, 8.
  • Atkinson’s gem, Picta Poesis, 76.
  • Atlas, by Giovio and Shakespeare, 245.
  • Augustus, his emblem, 15.
B.
  • 1. Badius, Stultif. navic. fatuarum mul., 1500, 1502, p. 61;
    • Nef des folles, &c., 1501, p. 62;
    • Account of, 63.
  • Balsat, Nef des princes, &c., 1502, p. 63.
  • Barclay, Shyp of folys of the worlde, 1509, 1570, pp. 57, 65, 91, 119;
    • Mirrour of good maners, 1570, p. 58.
  • Bargagli, 79;
    • Dell’ Imprese, 1589, p. 87.
  • Bedford Missal, MS., 1425, p. 44.
  • Beham’s Bible figures, 1536, p. 72.
  • Bellerophon, of Lust tot wysheyd, 1614, p. 98.
  • Belloni, Discorso, 1601, p. 92.
  • Bernardetti, Giornata prima, &c., 1592, pp. 79, 92.
  • Beza, Icones, accedunt emb., 1581, p. 88.
  • Bible figures, 1503, p. 63;
    • 1536, p. 72.
  • Biblia pauperum, 1410–1420, p. 45;
  • Biblische historien, 1551, p. 73.
  • Billyng, Five wounds of Christ, MS., 1400, ed. 1814, p. 41.
  • Block-books: Biblia pauperum, Plate VI., 45–47;
    • Book of Canticles and the Apocalypse of S. John, 48;
    • Ars memorandi, 45, 48;
    • Historia S. Joan. Evangelist., sold for 415l., not for 45l., Plates VII. and VIII., 49;
    • Print, Plate XV., 407.
  • Bocchius, Symbol. Quest., libri v. 1555, p. 77.
  • Boissard, Theatrum vitæ humanæ, 1596, p. 31;
    • Shawspiel Menschliches lebens, 1597, p. 97;
    • Fall of Satan, Plate XI., 133;
    • Human life a theatre, Plate XIV., 405.
  • Boissart, Mascarades recueillies, 93, 94.
  • Bol, Emb. evang. ad XII. signa, 1585, p. 88.
  • Boner, German fables, about 1400, ed. 1461, p. 50.
  • Borcht, Ovid’s Metamorphoses, 1591, p. 94.
  • Boria, Emprese morales, 1581, p. 90.
  • Brandt, Narren schyff, 1494; Stult. navis, before 1500, Plate IX., ed. 1497, p. 57;
    • Nef des fols, 57;
    • Flemish version, 1504, Two English, 1509, p. 57;
    • Hortulus animæ, MS., ed. 1498, p. 58.
  • Broecmer, Embl. moralia et œconomica, 1609, pp. 95, 97.
  • Brosamer, Biblische historien, 1551, p. 73.
  • Bynneman, Van der Noot’s theatre, 1569, p. 91.
  • 2. Beaulté compaigne de bonté, 418;
  • Bella Maria, 125;
  • Bona terra, mala gens, 139;
  • Breue gioia, 152;
  • Brevis et damnosa voluptas, 152.
  • 3. Bacon’s Adv. of learning, 1.
  • Bateman’s ed. Five wounds of Christ, 40.
  • Bellay’s Cupid and death, 1569, p. 400;
    • Dog, 482;
    • Emblem writing, 136.
  • Berjeau’s Biblia pauperum, ed. 1859, pp. 45, 48.
  • Beza, quoted, Phrixus, 230;
    • Dog and moon, 270;
    • Engineer and petard, 344.
  • Biographie Universelle, Boner, 50;
    • Zainer, 55;
    • Badius, 63;
    • Shoeufflein, 67;
    • Manuel, 90;
    • Dinet, 94;
    • Van Visscher, 98.
  • Blanchet’s Apologues orientaux, 17.
  • Blandford, Catalogue of emblem books, 35, 55.
  • Blomfield’s Norfolk, Lottery, 208.
  • Bohn’s Holbein, ed. 1858, Lottery, 207;
    • Edward VI., 121.
  • Boissard quoted, Satan’s fall, 132, 133;
    • Bacchus, 247;
    • Bear and whelp and Cupid, 349;
    • Human life, 405.
    • See Messin, Emblemes.
  • Brucioli’s Trattato della sphera, 1543, Zodiac, Plate XIII., 353.
  • Brunet’s Manuel du libraire, 39;
    • Speculum humanæ salvationis, 43;
    • Dyalogus Creaturarum, 51;
    • Ecatonphyla, 55;
    • Todtentanz, 56;
    • Figures du vieil Test., 63;
    • Turnierbuch, 68;
    • Figures of the Bible, 73;
    • Giovio, &c., 78;
    • Spelen van sinne, 81;
    • Hoffer, 81; &c.
  • Bryan’s Dict. of Engravers, Zainer, 56;
    • Boissart, 94;
    • Van Veen, 96.
  • Brydges, Egerton, Res literariæ, 78, 100.
  • 4. Bacchus, by Boissard, and Microcosme, 247;
    • Alciat, Whitney, 248;
    • Shakespeare, 249.
  • Badges, traced by Giovio, 14;
    • Of ancient usage, 14;
    • Augustus, 15;
    • Titus, 16.
  • Ban-dog, Sir T. More, Spenser, 481;
    • Sambucus, 482;
    • Whitney, 483;
    • Shakespeare, 484.
  • Barrel with holes, Paradin, Whitney, 332.
  • Bear and ragged staff, Whitney, 236, 239;
    • traced to the Earls of Warwick, 237, 239;
    • Shakespeare, 239.
  • Bear and cub, Boissard, 349;
    • Tronus Cupidinis, 348;
    • Shakespeare, 350.
  • Beauchamp, Thos. and Richd., their monuments, 237.
  • Beccafumi’s designs for seven ages, 407.
  • Bed of state, with emblems by Mary Stuart, 123, 126;
    • at Hinckley, 126.
  • Bees, types of good government, Horapollo, 358;
    • Alciat, 360;
    • King bee, Plato, Xenophon, Virgil, 359;
    • Types of love for native land, Whitney, 361;
    • Commonwealth, Shakespeare, 362-364.
  • Bellerophon and Chimæra, Alciat and Shakespeare, 299, 300.
  • Bird caught by an oyster, 130;
    • In a cage, and hawk, 124.
  • Black Ethiope reaching at the sun, 123, 160–162;
    • No exact resemblance found, Reusner, 160, 161.
  • Blount’s crest, an armed foot in the sun, 166;
    • Families of Blounts, 160.
  • Bodily signs emblematical, 17.
  • Bodleian library, its block-books, 49.
  • Bona of Savoy, the Phœnix her device, 234.
  • Brasidas and shield, Aneau and Whitney, 194, 195.
  • Bridgewater gallery, Diana bathing, 111.
  • Britain, emblem literature known in, 119–137.
  • Brutus, death of, Alciat and Whitney, 201, 202;
    • Shakespeare, 203, 204;
    • Characteristics of Brutus and Cassius, Shakespeare, 204, 205.
  • Bullogne, Godfrey of, his impresa, 123.
  • Butterfly and candle, Paradin, 151;
    • Corrozet, Camerarius, Vænius, 152;
    • Symeoni, 153;
    • Shakespeare, 153;
    • Boissard, 152.