- 1. Joachim, Abbot, died 1201;
- editions 1475, 1515, Prophetia dello Abbate Joachimo circa le Pontefici & Re, 67.
- Joan. S., Euangelist., block-book. See Historia.
- Jodelle, Recueil, 1558;
- Austriacis gentis imagines, 1558, 1569, 1573, p. 80.
- John, Don, of Austria, Notes on Alciat, 1572, p. 86.
- Joseph, Daniel, Judith and Esther.
- Jovius. See Giovio.
- Junius, Emblemata, 1565;
- 2. Jam satis, 128;
- Jus hospitalitatis violatum, 357;
- Juvenilia studia cum provectiori ætate permutata, 381.
- 3. Jode, Gerard de, 89, 282, 298, 313.
- Johnson and Steevens’ Shakspeare, 483.
- Johnson, Dr., 426.
- Jones, Mr., Chetham Library, on Joachim, 67, 123.
- Jonson’s testimony to Shakespeare, 496.
- Junius, quoted:—
- Fame armed with a pen, 446;
- Oak and reed, 314;
- Pelican and young, 395;
- The caged cat and the rats; The crocodile and her eggs, 303.
- 4. Jackdaw in fine feathers, Camerarius, Æsop, Microcosme, Shakespeare, 313.
- James VI. of Scotland, Beza’s emblems, 122;
- Janus, two-headed, Alciat, Whitney, 139, 140;
- Jar, with Emblems, named by Pliny, 5.
- Jason, 229, 230.
- Jove laughs at lovers’ perjuries, Shakespeare, 327;
- Van Veen, Callimachus, Tibullus, 328;
- Shakespeare, 328.
- June, illustration from Spenser, ed. 1616, p. 136.
- Jupiter and Io, Symeoni, Ovid, Shakespeare, 245, 246.
- K, O. L., Plato’s Works (p. 153), Francfort, 1602, p. 212.
- 1.Kalendrier des Bergers, MS., 1330, p. 42;
- Kindred works in Latin, Italian, and German, 1475, p. 42.
- 3. Kenrick’s Anc. Egypt, p. 21.
- King’s Vale Royal, 211.
- Knight’s Pictorial Shakspere, 156;
- Acknowledging Shakespeare’s acquaintance with Whitney, 396.
- Kugler’s Handbuch de geschichte der malerei, Berlin, 1847, pp. 110, 111, 114.
- 4. Katherine, Queen of France, her emblem, 128.
- Keir, near Dunblane, N. B., its library:
- —Astrolabium planum, 1488, p. 42;
- Alciat’s Emblems, 1531, p. 69;
- Entry of Philip of Spain into Antwerp, 1549, p. 75;
- Gueroult’s Premier livre des emblemes, 1550, p. 75;
- Doni’s Emblem Works, 1552, 1553, p. 76;
- Remark, 86;
- Guillim’s Heraldry, 100;
- Thirty-five original Emblem Drawings by Crispin de Passe, 177.
- King-emperor, or master-bee, 359–363.
- Kingfisher, Halcyon-days, Ovid, Aristotle, and Pliny, 391;
- Giovio, Shakespeare, 392.
- Knowledge of Emblem-books in Britain, 119–137.
- Koster of Haarlem, about 1430, p. 43;
- Earliest engraver of block-books, 1410–1420, p. 45.
- L, O. L., Camerarius (i. 35), Norimberg, 1605, p. #383;
- O. L., David’s Veridicus Christianus (70), Antverpiæ, 1606, p. 60.
- 1. L’Anglois, Discours des hierog. Égyptiens, 1583, p. 87.
- Le Bey de Batilly, Emblemata, 1596, p. 94.
- Leemans, Horapollinis Niloi Hierogl., 1835, examples from, pp. 24, 25.
- Lefevre, Emblemes de Maistre A. Alciat, 1536, p. 70.
- Le Vasseur, Devises des Emp. Rom., 1608, p. 93;
- Devises des Rois de France, 1609, p. 93.
- Libri cronicarum, 1493, p. 56.
- Locher, Stultifera navis, before 1500, Plate IX., 57.
- Lonicer, J. A., Stand und Orden, 1585, p. 90;
- Venatus et aucupium icon., 1582, p. 88.
- Lonicer, Ph., Insignia sacræ Cæsaræ maj., 1579, p. 88.
- Lydgate’s Dance of Macaber, about 1430, p. 56;
- Hollar’s account, 1790, quoted, 56.
- 2. La fin couronne les œuvres, 139, 320, 322;
- La fin nous faict tous egaulx, 321;
- La force d’eloquence, 273;
- La guerre doulce aux inexperimentez, 152;
- Latet anguis in herba, 340;
- La vie de Memoire, 444;
- Le chien est retourné à son propre vomissement, et la truie lavée au bourbier, 144;
- Loues triall, 179;
- Lucet et ignescit, sed non rubus igne calescit, 64;
- Lux tua vita mea, 160;
- Lux tua vita mihi, 160;
- L’ymage de Fortune, 261.
- 3. Langhorne’s Plutarch, Timon, 430.
- Le Bey de Batilly, quoted:—Adamant on anvil, 347;
- Apollo and Christian Muse, 379;
- Milo caught in a tree, 344;
- Life like a game of dice, 322.
- Lindsay, Lord, Christian Art, 293;
- 4. Labour in vain:—Cupid and sieve, Perriere, 329;
- Shakespeare, 330;
- A tun with holes, Paradin, Whitney, 331, 332.
- Laing, D., letter, 1867, Queen Mary’s bed, 123, note.
- Lamp-burning, Horapollo, Shakespeare, 456.
- Land-jewels of the Netherlands, what, 83.
- Languages, snatches of, by Shakespeare, 163.
- Laurel, safety against lightning, Sambucus, 422;
- Whitney, Camerarius, 423;
- Shakespeare, 424, 425.
- Life, its seven ages, Plate XV., 407.
- Life, evils of, Holbein’s Simulachres, Shakespeare, 471.
- Limbert, Stephen, of Norwich School, 461.
- Limner’s art in Emblems, 38.
- Loft, Capel, his opinion of Shakespeare, 106, 107.
- Logomaniacs, reproved by Cudworth, 103.
- Lorrain, Card. of, his impresa, 124.
- Lottery of 1569, Whitney, 208;
- Louis XI., Order of St. Michael in 1469, p. 227;
- Louis XIV., history of, in medals, &c., 13.
- Love, its transforming power, Shakespeare, 349.
- M, O. L., Linacre’s Galen, f. 35, Paris, 1538, p. 119.
- 1. Macaber, Dance of, 14th century, p. 39;
- ed. 1484, p. 39;
- La Danse Macabre, 1485, and several other editions, 56.
- Mansion, Dialogue des creatures moralizie, 1482, p. 52.
- Manuel, El conde Lucanor, 1575, p. 90.
- Marquale, Diverse imprese, 1547, p. 70.
- Martin, Orus Apollo de Ægypte, 1543, p. 22.
- Mercerius, Emblemata, 1592, p. 94.
- Mercier, Horapollo, 1551, p. 22.
- Messin, Boissard’s Emblêmes, 1588, pp. 87, 164, 307, 320, 383, 444.
- Microcosme, le, 1562, p. 247.
- Mignault, or Minos, Emblemes d’Alciat, 1583, p. 70;
- Omnia Andreæ Alciati Emblemata. Adj. comm., 1573 and 1581, pp. 71, 79.
- ΜΙΚΡΟΚΟΣΜΟΣ, Parvus mundus, 1579 and 1592, pp. 88, 267.
- Modius, Liber ordinis eccl. origo, 1585, and Pandectæ triumphales, 1586, pp. 88, 89.
- Moerman, Apologi creaturarum, 1584, pp. 53, 88;
- Montenay. See De Montenay.
- More’s “pageauntes,” 1496, p. 120.
- Murner, Chartiludium logicæ, 1507, p. 64;
- Narren Beschwörung, 1512, 1518, p. 65.
- 2. Maleficio beneficium compensatum, 197;
- Malè parta, malè dilabuntur, 128, 502;
- Manie droppes pierce the stone, 324;
- Materiam superabat opus, 124;
- Maulvaise nourriture, 175;
- Mea sic mihi prosunt, 124;
- Medio occidet die, 124;
- Mediis tranquillus in undis, 125, note;
- Mens immota manet, 335;
- Me pompæ provexit apex, 158, 168;
- Merces anguina, 198;
- ΜΙΚΡΟΝ ΦΡΟΝΤΙΣΑΝΤΕΣ ΣΩΚΡΑΤΟΥΣ, 155;
- Moderata vis impotenti violentia potior, 166;
- Mort vivifiante, 185;
- Much rain wears the marble, 324;
- Multiplication de proces, 374;
- Mulier umbra viri, 468;
- Murus æneus, sana conscientia, 423.
- 3. Magnat, On flower signs, 1855, p. 18.
- Martin, Shakespeare’s seven ages, 1848, p. 407.
- Menestrier, Philosophia and Judicium, 1595, pp. 78, 79.
- Microcosm, quoted:—Fortune, 263;
- Mignault, quoted:—Symbols, Coats of Arms, and Emblems, ed. 1581, or 1608, p. 2;
- Narcissus, 295;
- Hares and dead lion, 304, 305.
- Milton, Emblem, 9;
- Paradise Lost, curiously portrayed in Adams appel, 1642, p. 132;
- in Boissard’s Theatrum, The fall of Satan, Plate XI., 133.
- Moerman quoted, Wolf and ass, 53, 54.
- Moine’s Devises, Roy des abeilles, 363.
- Montalde, P. Horatius, 79.
- More, Sir T., quoted, 120, 461, 481.
- Motley, Dutch Republic, 81, 82.
- Mulgrave, Voyage to the North Sea, 348.
- 4. Maidens, Hindoo and Persian, and flowers, 18.
- Manchester Free Library, Faerno’s Fables, 1565, p. 85.
- Man, like a wolf, 281;
- Man measuring his forehead, 129.
- Man swimming with a burden, from Perriere, 480;
- Whitney, 480;
- Shakespeare, 481.
- Man’s greatness, Coustau, 283;
- Reusner and Shakespeare, 283, 284.
- Manuscript Emblem-books, Macaber, 39;
- Astronomical, 41;
- Speculum humanæ salvationis, 42, 44;
- Bedford Missal, 44;
- Hortulus animæ, 58;
- Crosse, 100;
- Eng. Alciat, 101.
- Map of the world, Sambucus, 351;
- Marble, writings on, 457–462.
- Marcus Curtius, 5.
- Marquetry or mosaic work, in Emblems, 4.
- Mary of Lorrain, her impresa, 123.
- Mary, queen of Scotland, educated in France, 1548, p. 121;
- Bed of state wrought by her with many emblems, 123;
- Account of it, 123–125.
- Matthias, emperor, 96, 97.
- Maximilian I., Tewrdannckh attributed to him, 1517, p. 67;
- Ehrenpforte and Triumphwagen in his honour, 67.
- Maximilian II., patron of Sambucus, 85.
- Maxwell. See Stirling-Maxwell.
- Mead, Dr., his copy of the Dance of Death, 40.
- Medeia and the swallows, as shown by Alciat, 190;
- Whitney, 190;
- Shakespeare, 192.
- Mercury and fortune, Alciat, 255;
- Mercury charming Argus, Drummond, 123;
- Mercury mending a lute, Sambucus, Whitney, 256;
- Shakespeare, 257, 258.
- Metrical renderings or translations:
- Diana, 3;
- the Fool, 34;
- Wolf and ass, 54;
- Oarsman’s cry, 61, 62;
- Epigram on James I., 122;
- Janus, 140;
- Diligence, 145;
- Sun of the soul, 161;
- Sun and wind, 165;
- Inverted torch, 171;
- Money, 178;
- Hope, 184;
- Snake, 198;
- Drums, 206;
- Wreaths, 222;
- Porcupine, 232;
- Courage, 233;
- Lady Bona, 235;
- Wine, 249;
- Sloth, 251;
- Fortune, 255, 262;
- Prometheus, 266;
- Dog and moon, 271;
- Eloquence, 272;
- Assassin, 276;
- Actæon, 277;
- Arion, 280;
- Man to man a god, 283;
- Phaeton, 285;
- Daphne, 297;
- Pegasus, 299;
- Insult to Hector, 304;
- Dead lion, 306;
- Elm and vine, 308;
- False feathers, 312;
- Ash and reed, 314;
- Cupid and the sieve, 330;
- Mind unmoved, 335;
- Adamant, 348;
- Wasps, 360;
- Falcon, 367;
- Renewed youth, 369;
- Unicorn, 372;
- Law’s delay, 374;
- Glory of poets, 380;
- Phœnix, 383;
- Alcyone, 391;
- King-fisher, 392;
- Pelican, 394, 395;
- Wounded stag, 398;
- Theatre, 405;
- State of man, 408;
- The hen, 411;
- Beauty, 419;
- Integer vitæ, 421;
- Laurel, 422;
- Timon, 428;
- Constancy, 436;
- Cupid and a ship, 437;
- Chaos, 448, 449;
- Wrongs on marble, 457;
- We flee what we follow, 467;
- Ban-dogs, 482;
- Riches and poverty, 489.
- Michael, St., order of, 1469, p. 227.
- Milo, in a tree, De Batilly, 344;
- Bull-bearing, Shakespeare;
- Microcosm, 296.
- Minerva superintending the Argo, 20.
- Minnesingers, or troubadours, remains of, 1461, p. 50.
- Miscellaneous Emblems:
- Words and forms of thought, Paris and Helen, 463;
- D. O. M., 464, 465;
- Time flying, &c., 466–468;
- Shadows fled and pursued, 468;
- Death and sleep, 469–471;
- Death’s fool, 471;
- Old time, 473, 474;
- Similarity of dedications, 475;
- Pine-trees in a storm, 475–477;
- Correspondencies in words, 477–479;
- Man swimming with a burden, 480;
- Ban-dogs, 481–483;
- Child and motley fool, 484;
- Ape and miser’s gold, 487;
- Hands of Providence, 489;
- Time leading the seasons, 491;
- Eternity, 491.
- Montgomerie, Earl of, Shakespeare’s dedication to, 122.
- Moral and æsthetic Emblems, allusions to, Corrozet, Montenay, Le Bey de Batilly, Shakespeare, 411–462:
- —Things at our feet, 411–413;
- Drake’s ship, 413–415;
- Adam in the garden, 415, 416;
- Gem in a ring of gold, 417–420;
- Conscience, 420–422;
- Laurel, safety of, against lightning, 422–425;
- Pleasant vices, 425;
- Timon of Athens, 426–431;
- Envy, 431–433;
- Ship tossed on the sea, 434–440;
- Student in love, 440–442;
- Ruins and writings, 443–445;
- Fame armed with a pen, 446;
- Good out of evil, 447;
- Il Caos, 448;
- Chaos, 449–454;
- Thread of life, 454, 455;
- Lamp burning, 456;
- Wrongs on marble, 457–461;
- Write in dust, 461;
- Higher morality, 462.
- Moth and candle, 151–153. See Butterfly.
- Motley fool and child, 499.
- Mouse caught in an oyster, Alciat, Whitney, Freitag, 130.
- Mulcaster, of Merchant Tailors’ school, 1561, p. 100.
- Music, Shakespeare’s appreciation of, 116.
- Mythological characters, Emblems for, 241–301:
- —Instances, 243, 244;
- Milo, 244;
- Cupid’s wings, 245;
- Cadmus, 245;
- Atlas, 245;
- Jupiter and Io, 245;
- Bacchus, 246–248;
- Circe, 250;
- Sirens, 253;
- Mercury and Fortune, 255;
- Mercury and the lute, 256;
- Mercury, 257, 258;
- Fortune, or occasion, and opportunity, 258–260;
- Fortune, 261;
- Fortune on the rolling stone, 263;
- Occasion, 263–265;
- Prometheus bound, 265–269;
- The dog baying at the moon, 270;
- Orpheus, 271–274;
- Actæon and the hounds, 274–279;
- Arion, 279–281;
- The contrary sentiment, 281–283;
- Phaeton, 284–287;
- Dædalus and Icarus, 287–291;
- Niobe, 291–294;
- Narcissus, 294–296;
- Daphne, 296, 297;
- Milo, 297;
- Pegasus, 298–300.
- Mythology, a fruitful source of illustrations, 241;
- Open to every one, 242;
- Ovid the chief storehouse, 242.