The method of playing the Warwick, Fernham, and Louth versions is practically the same. The children stand in half-circle beginning with the two tallest at either end. All clasp hands. The two at one end question those at the other end alternately (fig. 1). At the last line the two that have been answering hold their hands up to form a bridge, and all the others thread through, still holding hands (the bridge advancing slowly) (fig. 2). The Louth version is also sometimes played as “Oranges and Lemons.” This is also the case with the Belfast, South Shields, Ellesmere, and Dublin versions. Miss Burne also gives a second method of playing this game at Ellesmere: she says, “The whole number of players stand in two rows facing each other, each player joining hands with the one opposite. The pair at the lower end parley with the pair at the top, and then run under the extended arms of the others, receiving thumps on the back as they go, till they reach the upper end, and become the top couple in their turn.” The Hanbury version is played in a similar way. Two lines stand close together holding handkerchiefs across. The questions are asked and answered by the top and bottom players. Then two children run under the line of handkerchiefs. The Dorset version is played by as many as like standing, two and two, opposite each other, each of them taking with the right hand the right hand of the other; then the two that are the King and Queen say or sing the first question, to which the others reply, and the dialogue ends in this manner. Then all the other pairs hold up their hands as high as they can, and the King and Queen run through the archway and back again, and so on with the next pair, and other pairs in turn. The Isle of Man version is played, Mr. Moore says, the same as other “Thread the Needle” games.
(c) The game is evidently dramatic in form, and perhaps is illustrative of some fact of history, such as the toll upon merchandise entering a walled town. The changes in the words of the different versions are not very great, but they show the influence of modern history upon the game. The appearance of King George evidently points to the date when it was frequently played, though the older versions are doubtless those in which his Majesty does not do duty. Mactaggart has the following quaint note which perhaps may supply the origin, though it seems a far cry to the Crusaders:—“This sport has something methinks of antiquity in it; it seemeth to be a pantomime of some scenes played off in the time of the Crusades. ‘King and Queen o’ Cantilon’ evidently must be King and Queen of Caledon, but slightly changed by time. Then Babylon in the rhyme, the way they had to wander and hazard being caught by the infidels, all speak as to the foundation of the game” (Mactaggart’s Gallovidian Encyclopædia).
In the Gentleman’s Magazine for December 1849, in a review of the Life of Shirley, it is stated that in many parts of England the old game of “Thread the Needle” is played to the following words, which refer to the gate of the city of Hebron, known as the “needle’s eye.”
The game is also described in Notes and Queries, iv. 141, as played in the same way as above, and the writer adds there are subsequent evolutions by which each couple becomes in succession the eye of the needle.
A street game played by boys in a town, one of them hiding behind a wall or house-end, and crying “Howly” to the seekers.—Atkinson’s Cleveland Glossary.
See “Hide and Seek.”
Children in Lothian have a sport in which they slide down a hill, sitting on their hunkers (Jamieson). The well-known custom at Greenwich is probably the same game, and there are examples at Tumbling Hill, a few miles from Exeter, at May Pole Hill, near Gloucester, and other places.
Holloway (Dict. of Provincialisms) says that the game is called “Huckle-bones” in East Sussex and “Dibs” in West Sussex. Parish (Dict. of Sussex Dialect) mentions that huckle-bones, the small bone found in the joint of the knee of a sheep, are used by children for playing the game of “Dibs;” also Peacock’s Manley and Corringham Glossary. Barnes (Dorset Glossary) says, “A game of toss and catch, played mostly by two with five dibs or huckle-bones of a leg of mutton, or round pieces of tile or slate.” Halliwell’s description is clearly wrong. He says it was a game formerly played by throwing up the hip-bone of some animal, on one side of which was a head of Venus and on the other that of a dog. He who turned up the former was the winner (Dictionary). Miss J. Barker writes that “Huckle-bones” is played in Hexham; and Professor Attwell (Barnes) played the game as a boy, and is still a proficient in it; he played it recently for my benefit with his set of real huckle-bones (A. B. Gomme); and see Notes and Queries, 9th ser., iv. 378, 379.
The figures or sets are practically the same as those described under “Fivestones.” The game is very ancient. In the Sanctuarie of Salvation, &c., translated from the Latin of Levinus Lemnius by Henry Kinder (8vo, London, printed by H. Singleton), p. 144, we read, “These bones are called ‘huckle-bones’ or ‘coytes.’” For further information relating to this game, as played by the ancients, the reader may consult Joannis Meursii Ludibunda, sive de Ludis Græcorum, Liber singularis (8vo, Lugd. Bat. 1625), p. 7, and Dan. Souterii Palamedes, p. 81; but more particularly, I Tali ed altri Strumenti lusori degli antichi Romani, discritti da Francesco de ’Ficoroni, 4to, Rom. 1734. Against the suggestion that the modern game is derived directly from the Romans, is the fact that it is known in countries never traversed or occupied by the Romans. Thus Dr. Clarke, in his Travels in Russia, 1810, p. 106, says: “In all the villages and towns from Moscow to Woronetz, as in other parts of Russia, are seen boys, girls, and sometimes even old men, playing with the joint-bones of sheep. This game is called ‘Dibbs’ by the English. It is of very remote antiquity; for I have seen it very beautifully represented on Grecian vases; particularly on a vase in the collection of the late Sir William Hamilton, where a female figure appeared most gracefully delineated kneeling upon one knee, with her right arm extended, the palm downwards, and the bones ranged along the back of her hand and arm. In this manner the Russians play the game.”
See “Dalies,” “Fivestones.”[Addendum]
The game otherwise called “Shinty.” The shinty or hummie is played by a set of boys in two divisions who attempt to drive with curved sticks a ball, or what is more common, part of the vertebral bone of a sheep, in opposite directions (Blackwood’s Magazine, August 1821, p. 36). If one of the adverse party happens to stand or run among his opponents, they call out “Hummie, keep on your own side.”—Jamieson.
A game at marbles, which is carried on until one of the players scores 100 or some other high number agreed upon. Any number can play, but it is best described for two players, A. and B. First the players taw up to a hole; if both get in, they repeat the process until one is left out, say B.; then A. counts 10. Should both fail, the nearest goes first. He may now lay his taw about the hole or fire at the other, on hitting which he counts another 10. He now goes for the hole again, and failing, lies where he happens to stop. If he misses, B. from his present position tries to get into the hole, and failing, lies still; but if he reaches the hole, he counts 10, and proceeds as A. had done. The one who first gets the 100 (or other number) now goes in for his “pizings,” which performance takes place thus:—The loser, so far, is lying about, and the winner goes back to “drakes,” and again tries to lodge in the hole; and if he succeeds, the game is up. If not, he lies still, and the loser tries for the hole; if he gets in he counts another 10, or if he should succeed in hitting the winner he scores his adversary’s 100 to his own number, and then goes on for his “pizings” as the other had done. In failure of either securing the game thus, the process is repeated at “drakes.” When, however, the one who is on for his “pizings” manages to taw into the hole, the game is concluded.—Easther’s Almondbury and Huddersfield Glossary.
A game among children, played on the ice as well as in the fields (Brockett’s North Country Words). Strutt (Sports, p. 381) says “Hunt the Hare” is the same game as “Hunt the Fox.” In this game one boy is permitted to run out, and having law given to him—that is, being permitted to go to a certain distance from his comrades before they pursue him—their object is to take him, if possible, before he can return home.
See “Hare and Hounds.”
[Play]
—Lancashire (Mrs. Harley).
All the players but one sit on the floor in a circle with their legs crossed (Turkish fashion), one acting as Chief, all pretending to work at making or mending shoes. The other player brings a slipper to the Chief Cobbler, and desires it to be mended, saying—
The child walks away, and returns in a few moments and asks whether the shoe is ready. The Cobbler says, “Not quite; call again in an hour’s time,” or makes any other excuse which occurs to him. When the child calls again, she is told it has been sent home. After several pretences the child declares an intention to search for it. The Cobblers in the ring then all place their hands under their knees, and pass the slipper secretly from one to another in such a way as to prevent the owner of the shoe getting it for some time. The Cobbler from whom the slipper is taken becomes the owner next time (Barnes, A. B. Gomme). In the Nottinghamshire version (Miss Peacock) the rhyme is—
Versions from Wakefield, Liphook, Ellesmere, and other places are practically the same as the Barnes game, but Mr. Udal gives an elaboration of the Dorsetshire game in the Folk-lore Journal, vii. 238. One Lancashire version (Miss Dendy) reverses the characters by making the Cobbler run round the ring, and the children requiring the shoe to be mended, call out, “Blackie, come mend my slipper.” Mrs. Harley, in another Lancashire version, gives the words sung to the tune printed as—
Holloway (Dict. of Provincialisms) says this game was well known in Somerset, Hants, Sussex, but now is almost out of fashion. He describes it as being played without words. The child who has to find the shoe stands in the centre of the circle. The chief amusement arises from the one in the circle who has the slipper striking the one who stands up (the searcher) while he or she is steadily looking for it in an opposite direction. Strutt (Sports, p. 387) also describes this game.[Addendum]
A boys’ game. One is chosen to be the Staigie (little stallion). The other players scatter themselves over the playground. The Staigie locks his fingers into each other. He then repeats the words—
and rushes off with his hands locked, and tries to touch one of the players. He must not unlock his hands till he has caught one. When he has captured one, the two join hands and hunt for another. When another is caught, he joins the two. This goes on till all are hunted down.—Keith (Rev. W. Gregor).
See “Chickidy Hand,” “Whiddy.”
[Play]
—Earls Heaton (Herbert Hardy).
[Play]
—Epworth (C. C. Bell).
—Bath (Miss Large).
—Horncastle, North Kelsey, Lincoln (Miss Peacock).
—Epworth, Doncaster (C. C. Bell).
(b) The players march two by two, all singing. The first pair let go hands, separate, and skip widely apart, still singing. Gradually, in this manner, two separate lines are formed, until, following each other and singing, the pairs come together again, join hands, and march and sing in couplets linked.
The Bath game is played by the children standing in two rows facing each other, and clapping hands and singing the verse. At the same time the two children facing each other at the top of the lines join hands and trip down and up between the lines. Their hands are unclasped, and the two children run down the outside of the lines, one running on each side, and meet at the bottom of the lines, where they stand. The two children now standing at the top proceed in the same way: this is continued until all the children have done the same. A ring is then formed, when the children again clap and sing. Any number can play at this game.
In the Epworth version the children range themselves in double rank at one end of the room or playground, and march down to the other end hand in hand. At the bottom they loose hands and divide, the first rank turning right, the second left, and march back in two single files to the other end again, where they re-form as at first, and repeat their manœuvre, singing the verses alternately.
The Lincolnshire game is played by the children walking two and two in a circle round one of their companions, singing. The players then stand facing the child in the centre, and place their hands on their partners’ shoulders. After the lines are sung the centre child cries out, “Halt! Shoulder arms! Fire!” at which words each child kisses his partner. If the commander sees any one hesitate, or avoid kissing, he runs forward and takes the defaulter’s place, leaving him to fill the middle position.
Similar versions are played at Earls Heaton (Mr. Hardy), Forest of Dean (Miss Matthews), Ellesmere (Burne, Shropshire Folk-lore, p. 574), Derbyshire (Folk-lore Journal, i. 386).
A game played with a ball. The players are divided into two equal parties, each of which tries to secure and keep the ball in their possession. The prize is a ball made of cork, covered with silver.—Courtney’s West Cornwall Glossary.
In Taylor’s Antiquitates Curiosæ, p. 144, it is stated:—“The game of hurling consisted in throwing or hurling a ball of wood about three inches in diameter, and covered with plated silver, sometimes gilt. On the ball was frequently a Cornish motto allusive to the game, and signifying that fair play was best. Success depended on catching the ball dexterously when dealt, and conveying it away through all the opposition of the adverse party, or, if that was impossible, to throw it into the hands of a partner, who, in his turn, was to exert his utmost efforts to convey it to his own goal, which was often three or four miles distant from that of his adversaries.”
T. Durfey’s Collin’s Walk through London, 1690, p. 192, says: “Hurling is an ancient sport us’d to this day in the countys of Cornwall and Devon, when once a year the hardy young fellows of each county meet; and a cork ball thinly plated with silver being thrown up between ’em, they run, bustle, and fight for it, to the witty dislocating of many a shrew’d neck, or for the sport of telling how bravely their arms or legs came to be broke, when they got home.” It is fully described by Carew in his Survey of Cornwall, 1602, p. 73.
It is also a very ancient Irish game, and Mr. Kinahan says: “Many places are called after it: such as, Killahurla, the hurlers’ church; Gortnahurla, the field of the hurlers; Greenanahurla, the sunny place of the hurlers; this, however, is now generally corrupted into hurling-green. The hurling-green where the famous match was played by the people of Wexford against those of Cather (now divided into the counties of Carlow and Wicklow), and where the former got the name of yellow bellies, from the colour of the scarfs they wore round their waist, is a sunny flat on the western side of North Wicklow Gap, on the road from Gorey to Trinnahely. There are also many other different names that record the game.”—Folk-lore Journal, ii. 266.
See “Bandy,” “Camp,” “Football,” “Hockey,” “Hood,” “Shinty.”
An undescribed boys’ game. In it the following rhyme is used—
—Patterson’s Antrim and Down Glossary.
For a similar rhyme see “Hot Cockles.”
Children play a game which is accompanied by a song beginning—
—Parish’s Dictionary of the Sussex Dialect.
A boys’ game, played by tossing up halfpence. It is mentioned in Peregrine Pickle, cap. xvi. Cope (Hampshire Glossary) says, “Halfpence are placed in a cap and thrown up, a sort of ‘pitch-and-toss.’”
A peculiar game at marbles, sometimes called “Hyssy-pyssy,” played in some parts of Devon and Somerset. A hole of some extent was made in an uneven piece of ground, and the game was to shoot the marbles at some object beyond the hole without letting them tumble into it. The game occasionally commenced by a ceremony of no very delicate description, which sufficed to render the fallen marble still more ignominious.—Halliwell’s Dictionary.
[Play]
[Play]
[Play]
—Enborne, Newbury (M. Kimber).
—Ogbourne, Wilts (H. S. May).
—Southampton (Mrs. W. R. Carse).
—West Grinstead, Sussex (Notes and Queries, 8th Series, i. 249, Miss Busk).
—Platt School, near Wrotham, Kent (Miss Burne).
—From a London nursemaid, 1878 (A. B. Gomme).
—Fernham and Longcot (Miss I. Barclay).
—Hanbury, Staffs. (Miss E. Hollis).
—Earls Heaton (Herbert Hardy).
—Winterton, Nottinghamshire and Yorkshire (Miss Peacock).
—Long Eaton, Nottinghamshire (Miss Youngman).
—Liphook, Hants (Miss Fowler).
—North Derbyshire (S. O. Addy).
(b) In the Enborne, Newbury, version (Miss Kimber) a ring is formed by the children (boys and girls) joining hands. Another child stands in the centre. The ring of children walk round while singing the verses. The singing is confined to the ring. When the centre child is told to “choose,” she selects a boy from the ring, who goes into the centre and they stand together. At the next verse these two children walk out of the ring arm-in-arm. When the next verse is sung they return, and again stand in the centre. At the next verse the boy pretends to put a ring on the girl’s finger. They walk out of the ring when told to go to church (two children in the ring unclasping hands to let them walk out, and again clasping hands after they return), and kiss each other and shake hands when the two next verses are sung. The child who was first in the centre then joins the ring, and the game proceeds in the same way with the second child, who chooses in his turn. All the other versions follow the same rules, suiting their actions to the words, except Ogbourne, Wilts, in which the two children in the centre sing the verse, “roast beef and plum pudding.” They stand face to face, take hold of each other’s hands, and sway their arms from side to side. The ring then sing the concluding verse. In those versions where “say your prayers” and “kneel down” occur, the two centre children kneel, and hold their open hands together in front of them to imitate a book. In the London version (A. B. Gomme) a handkerchief was laid on the ground, and the two children stood on each side of it and clasped hands across it. In the Fernham and Longcot version the one child leads the other out of the ring at “go to church,” with a graceful half-dancing motion, and back again in the same way. The first child joins the ring while the refrain is sung. In the Hanbury version the centre child pretends to be weeping; another child stands outside the ring and goes into it; when the two meet they kiss. In the North Derbyshire version (Mr. S. O. Addy) a ring is formed of young men and women, a young man being in the centre. He chooses a young woman at the singing of the fifth line, and then joins the ring, the girl remaining in the centre.
(c) The tunes of all versions are very similar. The tune of the Newbury game (Miss Kimber) is the same as the first part of the Ogbourne tune printed (Mr. H. S. May); that from Nottingham (Miss Youngman) is the same as the first part of the London version. This is also the case with the Hanbury, Staffs. (Miss E. Hollis) and Fernham and Longcot game. What difference there is is very slight. The Platt, Kent, game (Miss Burne), is sung to the same tune as “Green Gravel,” given ante, p. 170. The first portion only of the tune is repeated for all verses sung after the first verse. The Barnes game is sung to the same tune as the Earls Heaton (Mr. Hardy), which is printed ante. A version played at Barnes is almost identical with the Southampton version, and another collected by Miss Thoyts in Berkshire (Antiquary, vol. xxvii. p. 193) is similar to the Hanbury version. The first lines run—Choose your lover; Open the gates; Go to church, love; Kneel down, love; Say your prayers, love; Put on the ring; Stand up, love; In the ring, love; Kiss together, love.
(d) The words of all the versions are sufficiently similar to analyse without a special form. The game appears to be purely a love and marriage game, and has probably had its origin in a ballad, and this idea is strengthened by the fact that only one version (London) has the marriage formula sung at the end, and this is probably an arbitrary addition. The lover is represented as lonely and disconsolate, and the remedy suggested is to choose a sweetheart. The marriage ceremony is of the simplest description—the clasping of hands and the kissing within the circle probably implying the betrothal at a spot sacred to such functions, similar to the Standing Stones of Stenness. Whatever may have been the original intention of these stones, they came in more recent times to be the resort of lovers, who joined their right hands through the hole in the altar stones in the belief that this ceremony would add additional solemnity to the betrothal. Miss Gordon Cumming, in her Tour in the Hebrides, mentions the fact of the marriage ceremony being of the simplest—a man and woman standing facing each other and clasping hands over a particular stone. Walking arm-in-arm is a sign in Dorsetshire that a couple are married. The mention of the “roast beef and plum pudding” for dinner has probably had its origin in the wedding dinner or breakfast, and the inviting of friends to assemble for the wedding dinner. The word “Isabella” may have been originally something quite different from the name of a girl. I am inclined to think the word was not the name of a person at all; possibly it was something addressed to a particular person in words the sense of which are now lost, and the nearest idea to it was this name. The same thing may also apply to the word “farewell,” and hence the incongruity of the first few lines in nearly all versions.[Addendum]
A number of people sit in a row, or on chairs round a parlour. A lighted wooden spill or taper is handed to the first, who says—