- G, O. L., an altered C, from Linacre’s Galen, Paris, 1538, p. 543.
- 1. Ganda. See À Ganda.
- German Emblem-books, passim, and, 90, 97.
- Geschlechtes Buch, editions 1550, 1580. p. 75.
- Geyler, Navicula sive speculum fatuorum, 1511, and Navicula penitentiæ, 1511, several reprints before 1520, —the first book with the imperial privilege, 66;
- Two German translations, 66;
- Latin version of Narren Schyf, 1498, p. 66.
- Giovio, Dialogo dell’ imprese, or Ragionamento, 1555, p. 77;
- 1574, pp. 14, 15, 16;
- English version, 1585, p. 77;
- Menestrier, 79.
- Giovio, Symeoni, and Domenichi, Dialogo dell’ imprese, &c., 1574, p. 78;
- Twenty-seven editions between 1553 and 1585, p. 78.
- Glissenti, Discorsi morali, &c., 1609, pp. 92, 93.
- Golding, Ovid’s Metamorphoses, 1565, p. 243.
- Goulart, Les vrais pourtraits, 1581, p. 87.
- Grapheus, Entry of Philip of Spain, 1550, p. 75.
- Grevin, Emblemes d’ Adrian la Jeune, 1568, p. 87.
- Guazzo, Dialoghi piacevoli, 1585, p. 87.
- Gueroult, Premier livre des emblemes, 1550, p. 75.
- Guillim, A display of heraldry, 1611, pp. 99, 120.
- Gulden, Den gulden winckel, 1613, p. 98.
- Guzman, Triumphas morales, 1557, p. 90.
- 2. Gang forward; I am ready, 14;
- Giuramento sparso al vento, 328.
- 3. Gale’s Opus mythol., 13.
- Gentleman’s Magazine, 126, 208.
- German book—the first in pure German,—a book of fables printed in 1461, p. 50.
- Giovio, quoted from,—
- Alciat’s device, 211;
- Atlas, 245;
- Crescent moon, 125, 127;
- Dolphin and anchor, 16;
- Falconry, 365;
- Kingfisher, 392;
- Ostrich and iron, 233;
- Phœnix, 235;
- Salamander, 125, 126.
- Giovio and Symeoni, quoted,—Porcupine, 231;
- Wrongs on marble, 457.
- Golding’s Ovid, 1567, p. 243;
- Shakespeare indebted to it, 243;
- The epithet golden, 400.
- Gough, on the Bedford missal, 1794, p. 44.
- Gower’s Conf. am.—pur reposer, 7.
- Green’s Never too late, 1610, p. 128.
- 4. Gem in a ring of gold, by Corrozet, 418;
- Gemini, 355.
- Geography, 350–353;
- Glance only, at times, to emblem subjects by Shakespeare, 269, 317.
- Glyptic art as exemplified in hieroglyphics, 21–26.
- Gold on the touchstone, by Paradin, 175;
- Golden, the epithet, Douce, Sidney, Golding’s Ovid, 400;
- Bellay, Alciat, 400;
- Whitney, 401;
- Peacham, Whitney, 403;
- Shakespeare, 404.
- Golden fleece, order of, 228.
- Gonsaga, Hanibal, saying on surrendering his sword and himself, 138.
- Good out of evil, Shakespeare and Montenay, 447.
- Gravella, Cardinal, his impresa, 125, note.
- Greatest out of least, from Anulus, 337;
- Grecian coins, 13.
- H, O. L., Nef des folz, xv., Paris, 1499, p. 187;
- Monogram, H. G., a construction, preface, xii.
- 1. Haller, Chartiludium logicæ, 1507, p. 64.
- Held, Alciat in German, 1542, p. 70.
- Hesius, Emblemata sacra, 1581, p. 88.
- Hillaire, Speculum Heroicum ... Homeri, 1613, pp. 36, 95.
- Historia S. Joan. Euangelist., block-book, 1420, p. 49;
- MS. of, belonged to Henry II., 49.
- Histories of Joseph, Daniel, Judith, and Esther, earliest printed book with text and engravings, 1461, p. 45.
- Hoffer’s Icones catecheseos, 1560, p. 81.
- Holbein, Les simulachres & Historiees faces de la mort, 1538, pp. 72, 350, 487;
- Previous to 1600 at least fifteen editions, 72;
- Historiarum veteris instrumenti icones, 1538, p. 72;
- Spanish, ed. 1543, English, ed. 1549, within the century twelve other editions, 73;
- The canoness or nun, 469;
- Sleep and death compared, 469, 470;
- Wrong done to the soul, 433;
- Praises of death, evils of life, 470, 471;
- The last judgment, and escutcheon of death, 470.
- Hollar, Dance of death, 1790, p. 56.
- Homeri, Speculum heroicum. See Hillaire.
- Horapollo, account of, 22;
- De sacris notis et sculpturis, 1551, example, the Phœnix, 22, 23;
- Other examples from Leemans and Cory, 24–26 (see Leemans and Cory);
- First printed edition by Aldus, 1505, Latin, French, Italian, and German, before 1535;
- sixteen other editions before 1616, p. 64.
- Horatii Emblemata, 1607 and 1612, p. 36.
- Horozco, Emblemas morales, 1589, Symbolæ sacræ, 1601, p. 90.
- Hortinus, Icones, 1585, p. 88;
- Emblemata sacra, 1589, p. 89.
- Hortulus rosarum, 1499, p. 58.
- Hunger, Alciat, Cum rhythmis Germanicis versus, 1542, p. 70.
- 2. Heart of Jesus the well of everlasting life, 40;
- Homines voluptatibus transformantur, 250;
- Homo homini Deus, 283;
- Homo homini lupus, 280, 283;
- His ornari aut mori, 222.
- 3. Haechtan’s Parvus mundus, 1579, p. 400.
- Hallam, on Pericles, 157.
- Halliwell, on Astron., MS., Chetham Library, 42.
- Haslewood, reprint Dialogues of Creatures, 1816, p. 303.
- Hawkins’ Η ΠΑΡΘΕΝΟΣ, 1633, p. 383.
- Heraldry, ornamental, 16th century, 1868, p. 14.
- Herodotus, the Scythian arrow, mouse, &c., 18;
- Hesiod, shield of Hercules, 20.
- Hessells on Spelen van sinnen, 81, 82.
- Hippocrates, Seven ages of man, 406.
- Holbein’s Simulachres, the canoness, 469;
- Heath and sleep, 469;
- Death and fool, 472.
- Holland’s Pliny, a work of art by Pytheus, to be put on or taken off,—a literal Emblem, 5;
- Hardnesse of a diamant, 348;
- The phœnix, 382;
- Halcyones, 391.
- Homer, Iliad, shield of Achilles, 20;
- Word Emblem illustrated, 4;
- Death not unbecoming the defender of his country, 222;
- Insults to Hector’s dead body, 304;
- Odyssey, Circe, 250.
- Hood’s Miss Kilmansegg, to illustrate “golden,” 403.
- Horace, conscience, 420, 421;
- Circe and Sirens, 251;
- Pine-trees in a storm, 490;
- The swan, 214;
- Time leading the seasons, 490.
- Horapollo, quoted, Bees, 358;
- Hawk on mummy case, 26;
- Lamp burning, 456;
- Phœnix, 23;
- Star, 25;
- Swan, 213;
- Thread of life, 454.
- Humphrey’s Hist. of art of printing, 1867, p. 43;
- Plates from block-books, Biblia pauperum, 43, 46;
- Ars memorandi, 45;
- Dance of death, 469.
- 4. Halcyon. See Kingfisher.
- Hands of Providence, by Furmer and Coornhert, Plate XVI., 489;
- “Happe some goulden honie brings,” Whitney, 364;
- Hares biting a dead lion, Iliad, Alciat, Shakespeare, 304;
- Alciat, Whitney, 305;
- Reusner, 306;
- Shakespeare, 306.
- Harpocrates, Silence, Whitney, 208;
- Hawk on a mummy case, its meaning, 26.
- Hawsted and Hardwick, emblems there, 127–130.
- Hen eating her own eggs, Whitney, Sambucus, 411;
- Henry II. of England, 50.
- Henry II. of France, his impresa, 123, 125, 127.
- Henry VIII., collection of pictures, 111, 114;
- Heraldic Emblems, 212–240;
- in three divisions;—
- I. Poetic Heraldry, 212–221:—
- The swan singing at death, Horapollo, 213;
- Virgil, Horace, Pindar, Anacreon, 214;
- On death poets take the form of swans, Ovid, Plato, 214;
- type of old age eloquent, Aneau, 215;
- of the simplicity of truth, Reusner, 215;
- fine thought by Camerarius, 217;
- insignia of poets, Alciat and Whitney, 218;
- Shakespeare combines various of these emblems, or of their spirit, 219–221;
- Shakespeare’s beautiful comparison of heraldry, 221.
- II. Heraldry of Reward for heroic achievements, 221–230:—
- Wreath of chivalry, Whitney, Camerarius, 222;
- Shakespeare, 223;
- Victors’ crowns, Paradin, 224;
- Eschenburg, 224;
- Shakespeare, 225–227;
- Honours from sovereign princes, Shakespeare, Talbot, 226;
- Order of St. Michael, Paradin, 227;
- Order of the golden fleece, Paradin, 228;
- Argonauts, Whitney, 229;
- Phrixus, Alciat, 229;
- Whitney, 230;
- Beza, 230;
- Shakespeare, 230.
- III. Imaginative Devices, 231–240:—
- Porcupine, Giovio, 231;
- Camerarius, 232;
- Shakespeare, 232;
- Ostrich and iron, Giovio, 233;
- Camerarius, 234;
- Shakespeare, 234;
- Phœnix, Lady Bona of Savoy, Paradin, 234;
- Giovio, 235;
- Shakespeare, 236;
- Bear and ragged staff, Whitney, 236;
- Dugdale, 237;
- Dudley, 238;
- Shakespeare, 239.
- Heraldry, Emblems its language, 14, 17, 82;
- Its close connection with Emblems, 212;
- Beautiful comparison from, 220.
- Heraldry of poetry, 212–221.
- Heraldry of heroic achievements, 221–230.
- Heraldry of imaginative devices, 231.
- Hercules, his shield, 20.
- Hieroglyphics, their emblem character, 21, 25;
- Subjects, 21, 26;
- Examples, 24, 26;
- Meanings of several, 26.
- Hinckley, bed at, with emblems, 126, 127.
- Historical Emblems, 188—211:—
- Medeia, Alciat, Whitney, 189, 190;
- Æneas and Anchises, Alciat and Whitney, 191, 192;
- Shakespeare, 192;
- Progne, Aneau, Shakespeare, 193, 194;
- Sinon, illustrated from Brasidas and his shield, Aneau, 194;
- Whitney, 195;
- The elephant and undermined tree, Sambucus, 196;
- Countryman and viper, Freitag, 197;
- Shakespeare, 198;
- Siege of Antwerp, Whitney, 199;
- Sinon often alluded to by Shakespeare, 200;
- Coriolanus, 201;
- Death of Brutus, Alciat, Whitney, 201;
- Shakespeare, 203, 204;
- Characteristics of Brutus and Cassius, 204, 205;
- Formidable after death, Alciat, Whitney, 205;
- Shakespeare, 207;
- The lottery, video et taceo, Whitney, 208;
- Costalius, 209;
- Shakespeare, 209–211.
- Hives of bees, 371. See Bees.
- Homo homini lupus, Whitney, Chrysostom, 281;
- Androclus and the lion, 281;
- Shakespeare, 282.
- Homo homini Deus, Coustau, 283;
- Reusner, 283;
- Shakespeare, “in apprehension how like a god,” 284.
- Honours from sovereign princes, 226.
- Hope, illustrated by Alciat, Paradin, Whitney, and Sambucus, 182–185;
- Camerarius, 184;
- Spenser, 185.
- Human life a theatre, Plate XIV., 405.
- Hunterian Museum, Glasgow, the Tewrdannckh, 67.
- Hydra slain by Hercules, Corrozet, 374;
- I, O. L., Giovio’s Ragionamento, Venetia, 1556, p. 30;
- O. L., Alciat’s Diverse Imprese (p. 2), Lyons, 1551, p. 84.
- 1. Ieucht, Den nieuwen Ieucht spieghel, 1610, p. 98.
- Italian emblem-books, passim, and, 86, 92.
- 2. Iddio, perche é vecchio, fa suoi al suo essempio, 136;
- Il caos, 448;
- Il fine corona l’opere, 437;
- Illicitum non sperandum, 182;
- Il mal me preme et mi spaventa Peggio, 124;
- Immensi tremor oceani, 227;
- Importunitas evitanda, 327;
- Impotentis vindictæ fœmina, 193;
- Improba siren desidia, 252;
- In astrologos, 288;
- In avaros vel quibus melior conditio ab extraneis offertur, 280;
- In divitem indoctum, 229;
- Industria naturam corrigit, 256;
- Ingenio superat vires, 126;
- In hac spe vivo, 159, 181, 185;
- In morte vita, 185;
- In occasionem, 259;
- In receptatores sicariorum, 275;
- In sinu alere serpentem, 199;
- Insonti qui insidias struit, ipse perit, 54;
- In spe fortitude, 182;
- In statuam Bacchi, 248;
- In studiosum captum amore, 441;
- In temerarios, 285;
- Invidiæ descriptio, 432;
- Ipsa sibi lumen quod invidet aufort, 124;
- Isaac portat ligna sua, 43.
- 3. Image or symbol of St. Matthew, 48.
- 4. Icarus and ill-fortune, Alciat, 288;
- Whitney, 288;
- Corrozet, 289;
- Shakespeare, 291.
- Idiot-fool and death, Holbein and Shakespeare, 472.
- Index, General, 543–571.
- Indian hieroglyphics, 18.
- Industry. See Diligence and Idleness, 145.
- Introductory lines,—
- Whitney, D. O. M., 464;
- Shakespeare, 464.
- Inverted torch,—
- Shakespeare, Symeoni, 171;
- Paradin, Whitney, 173;
- Shakespeare, 170;
- Vænius, 171;
- Corrozet, 175.
- Io, 245. See Jupiter.