- 1. Quadrins historiques de la Bible, 1553–1583, twenty-two editions in various languages73.
- Quadrins historiques du Genèse, 1553, p. 73.
- Quadrins historiques de l’Exode, 1553, p. 73.
- 2. Quæ ante pedes? 411;
- Quæ sequimur fugimus, nosque fugiunt, 466;
- Quæ supra nos, nihil ad nos, 260;
- Quel che nutre, estingue, 175;
- Que mas puede la eloquençia que la fortaliza, 164;
- Quem nulla pericula terrent, 347;
- Quibus rebus confidimus, iis maxime evertimus, 344;
- Quid nisi victis dolor, 124;
- Qui me alit, me extinguit, 171–173;
- Quis contra nos? 126, 342;
- Quod in te est, prome, 395;
- Quod me alit, me extinguit, 170, 174;
- Quod nutrit extinguit, 174;
- Quod sis esse velis, 312;
- Quo modo vitam? 456;
- Quo pacto mortem seu hominis exitum? 454;
- Quo tendis? 128.
- 3. Quarles, definition of Emblem, 1.
- Quinctilian, use of the word Emblem, 5.
- 4. Qui or quod, variations in the reading, 174.
- R, O. L., Nef des folz, xlix., Paris, 1499, p. 411;
- O. L., of uncertain origin, p. 531.
- 1. Rabelais, Les songes drolatiques de Pantagruel, 1565, p. 86.
- Rastall, Dialogue of creatures, 1520, p. 51.
- Regiomontanus, or Muller, 1476, p. 42.
- Regiselmus. See Joachim.
- Reusner, Emblemata 1581, Aureolorum Emblem., 1591, pp. 88, 89, 251.
- Rime de gli academici occulti, 1568, p. 86.
- Rinaldi, Il mostruosissimo, 1588, p. 87.
- Ripa, Iconologia, &c., 1603, 1613, p. 92.
- Riviere, Nef des folz du monde, before 1500, p. 57.
- Rollenhagen, Les emblemes, 1611, p. 95;
- Nucleus Emblematum, 1613, p. 97.
- Ruscelli, Discorso, 1556, p. 77;
- Imprese illustri, 1566, p. 78.
- Rüxner, Turnier-buch, 1530, p. 68.
- 2. Rabie succensa, 356;
- Remember still thy ende, 320;
- Renovata juventus, 369;
- Res humanæ in summo declinant, 435;
- Respice et prospice, 139;
- Rompe ch’ il percote, 125;
- Rore madet vellus, Permansit arida tellus, 47;
- Rota vite que septima notatur, 407.
- 3. Rapin, History of England, 1724, p. 122.
- Real museo Borbonico, 1824, p. 19.
- Reusner, quoted:—
- Circe, 251;
- Hares and dead lion, 306;
- Man a god to man, 283;
- Orpheus and harp, 272;
- Pegasus, 143;
- Pelican and young, 394;
- Phœnix, 385;
- Prometheus, 268;
- Serpent and countryman, 197;
- Sirens, 252;
- Swan, 215, 216;
- Unicorn, 371.
- Roscoe, Leo X., 303.
- 4. Recapitulation and conclusions, 492–495.
- References and coincidences not purely accidental, 494.
- References to passages from Shakespeare, in the order of the plays and poems, and to the corresponding devices and subjects of the Emblems, Appendix iii., 531–542.
- Rhetoric, chambers of, their pursuits and amusements, 81, 82;
- Rich and poor, Plate XVI., 489.
- Rock in waves, Drummond, 125, note.
- Romano, Julio, works known to Shakespeare, 110;
- Where there are now works of his, 110, 111.
- Romano, Capitano Girolamo Mattei, 233.
- Rose and thorn, Whitney, Perriere, 333;
- Vænius, 333;
- Shakespeare, 334.
- Rubens, desciple of Vænius, 96.
- Rudolph II, 85, 89, 96.
- Ruins and writings, Whitney and Costalius, 444;
- S, O. L., Giovio’s Sent. Imp. 3, Lyons, 1562, pp. 156, 515;
- O. L., Sambucus (Emb. 232), Antverp., 1564, p. 302.
- 1. Sadeler, Symbola divina et humana, 1600, 1601, p. 95;
- Theatrum morum, 1608, pp. 95, 96, 97.
- Sambigucius, Interpretatio, 1556, p. 77.
- Sambucus, Emblemata, 1564, and Emblêmes de Jehan Sambucus, 1567, p. 85;
- Notes by Don John of Austria, 1572, p. 86.
- Sanctius, or Sanchez, on Alciat, 1573, pp. 71, 88.
- Sassus, referred to by Menestrier, 79.
- Sceve, Delie, 1544, p. 75.
- Schopperus, Πανοπλία, 1568, and De omnibus illiberalibus sive mechanicis artibus, 1574, p. 88.
- Schrot, Wappenbuch, 1581, p. 90.
- Scribonius, 1550. See Graphæus.
- Sevus, referred to by Menestrier, 79.
- Shyp of fooles. See Watson and Barclay.
- Sicile, Le blason de toutes armes, and Le blason des couleurs, 1495, p. 58.
- Simulachres & historiees faces de la mort, 1538, p. 71;
- Fifteen editions, 72, 471.
- Soto. See De Soto.
- S. (P.), Heroical devices, 1591, pp. 75, 120.
- Spanish Emblem-books, passim, and, 70, 90, 99.
- Speculum humanæ salvationis, MS., printed about 1430 by Koster, 43;
- Description of his edition, 43;
- Many editions and kindred works before 1500, p. 43;
- Plates IV. and V., 44.
- Spelen van sinne, allegorical plays, 1539, p. 81.
- Stam und wapenbuch, 1579, p. 31.
- Stimmer, Neue kunstliche figuren Biblischen, 1576, p. 90.
- Stockhamer, commentariola to Alciat, 1556, p. 70.
- Stultifera navis, previous to 1500, Locher, Riviere, Plate IX., 57;
- Other versions, 57;
- Badius, 61.
- Symeoni, Vita et Met. d’Ovid., 1559, pp. 3, 35, 79;
- Devises ou emblemes heroiques et morales, 1561, pp. 15, 16;
- Imprese, 1574, p. 17;
- Imprese heroiche et morale, 1562, p. 78;
- Sententiose imprese, 1562, p. 78.
- 2. Sa virtu m’attire, 123;
- Scelesti hominis imago & exitus, 53;
- Scribit in marmore læsus, 457, 458;
- Scripta manent, 443;
- Servati gratia ciuis, 224;
- Sibi canit et orbi, 217;
- Sic majora cedunt, 366;
- Sic spectanda fides, 159, 175, 178;
- Si Deus nobiscum, quis contra nos?, 342;
- Si fortuna me tormenta, il sperare me contenta, 137, 138;
- Si fortune me tourmente, l’esperance me contente, 138;
- Silentium, 208;
- Sine justitia confusio, 449, 450;
- Sola facta, solum Deum sequor, 234;
- Sol animi virtus, 161;
- Sola vivit in illo, 126;
- Speravi et perii, 130;
- Spes altera vitæ, 1833, #184;
- Spes aulica, 182;
- Spes certa, 182;
- Spiritus durissima coquit, 233;
- Stultitia sua seipsum saginari, 310;
- Stultorum infinitus est, 66;
- Superbia, 292;
- Superbiæ vltio, 293.
- 3. Sadeler, Zodiacus christianus, 1618, p. 353.
- Sambucus, quoted:
- —Actæon, 277;
- Astronomer, 335;
- Ban-dog, 482;
- Child and motley fool, 484;
- Elephant, 196;
- Forehead, 129;
- Hen eating her own eggs, 411;
- Laurel, 422;
- Mercury and lute, 256;
- Pine-trees in a storm, 475;
- Ship on the waves, 435;
- Time flying, 466;
- Timon, 427;
- World, map of, 351.
- Schiller, Werke, 199.
- Schlegel, on Pericles, 157.
- Shakespeare quoted, by way of allusion, or of reference to:
- —Æsop’s Fables, 303;
- Actæon, 276, 279;
- Adam hiding, 416;
- Adamant, 348;
- Æneas and Anchises, 191;
- Ape and miser’s gold, 488;
- Apollo and the Christian muse, 379;
- Argonauts and Jason, 230;
- Arion, 283;
- Astronomer and magnet, 356;
- Atlas, 245;
- Bacchus, 249;
- Ban-dog, 484;
- Bear and ragged staff, 237–240;
- Bear and cub, 349, 350;
- Bees, 361–365;
- Bellerophon and chimæra, 300;
- Brutus, 201–205;
- Butterfly and candle, 153;
- Cadmus, 245;
- Cannon bursting, 345;
- Casket scenes, 149–154, 186;
- Cassius and Cæsar, 193;
- Chaos, 451–453;
- Child and motley fool, 485;
- Chivalry, wreath of, 168;
- Circe, 252;
- Cliffords, 192;
- Clip the anvil of my sword, 327;
- Commonwealth of Bees, 362–365;
- Conscience, power of, 421;
- Coriolanus, 201;
- and his civic crowns, 226;
- Coronation scene, 9;
- Countryman and serpent, 197;
- Cupid blinded, 331;
- Cupid in mid-air, 404;
- Daphne, 297;
- Death, 469;
- Dog baying the moon, 269;
- Dogs not praised, 145, 483;
- D. O. M., 464, 465;
- Drake’s ship, 415;
- Drinking bout of Antony and his friends, 246;
- Drops pierce the stone, 324;
- Dust, to write in, 461;
- Eagle renewing its youth, 369;
- Elizabeth, queen, 404;
- Elm and vine, 309;
- Emblem defined, 9;
- Emblems without device, 149–151;
- End crowns all, 320, 323;
- Engineer hoist, 345;
- Envy, 433;
- Estridge, 371;
- Eternity, 491, 492;
- Falconry, 367, 368;
- Fame armed with a pen, 445, 446;
- Fin couronne les œuvres, 320–323;
- Fortune, 262;
- Fox and grapes, 311;
- Frosty Caucasus, 346;
- Gem in a ring, 419;
- Golden, 400, 404;
- Gold on the touchstone, 175, 180;
- Golden Fleece, 227;
- Good out of evil, 447;
- Greatest out of least, 337–339;
- Hands of Providence, 489, 490;
- Happe some goulden honie bringes, 365;
- Hares and dead lion, 304;
- Hen eating her own eggs, 412;
- Heraldry, 222, 223;
- Homo homini lupus, 280, 283;
- Homo homini Deus, 283, 284;
- Hydra, 375;
- Icarus, 291;
- Inverted torch, 170;
- Jackdaw in fine feathers, 313;
- Janus, two-headed, 140;
- Jupiter and Io, 246;
- Jove laughs at lovers’ perjuries, 328;
- King-fisher, 392;
- Labour in vain, 331, 332;
- Lamp burning, 456;
- Laurel, 422–425;
- Lottery, 209–211;
- Love’s transforming power, 349;
- Man with a fardel or burden, 481;
- Man’s greatness, 284;
- Map of the world, 351, 352;
- Medeia, 192;
- Mercury, 257, 258;
- Michael, order of St., 227;
- Milo, 297;
- Narcissus, 296;
- Niobe, 293, 294;
- Oak and reed, 315, 316;
- Occasion, or opportunity, 260, 264, 265;
- Old Time, 473;
- Orpheus, 273, 274;
- Ostrich, 234, 371;
- Pegasus, 299, 300;
- Pelican, 394–397;
- Pen, its eternal glory, 447;
- Pericles,—the triumph scene, 158, 160–186;
- Phaeton, 286, 287;
- Phœnix, 236, 381–390;
- Pine-trees, 477;
- Poet’s badge, 218, 219;
- Poet’s glory, 379, 380;
- Porcupine, 232;
- Powers granted for noble purposes, 412;
- Progne, 194;
- Prometheus bound, 268;
- Romano, Julio, 110;
- Ruins and writings, 443–445;
- Rose and thorn, 333, 334;
- Serpent in the breast, 198;
- Seven ages of man, 407–410;
- Shadows fled and pursued, 468;
- Ship in storm and calm, 435–440;
- Sirens, 254;
- Skull, human, 337–339;
- Snake in the grass, 341;
- Snake on the finger, 343;
- Stag wounded, 397–400;
- Student entangled in love, 441;
- Sun and wind, 160;
- The setting sun, 323;
- The swan, 219;
- Sword on an anvil, 327;
- Sword with a motto, 138;
- Testing of gold, 175, 180, 181;
- Theatre of life, 405, 406;
- Things at our feet, 411, 412;
- Thread of life, 454;
- Time leading the seasons, 491;
- Timon, 427–431;
- Turkey and cock, 357, 358;
- Unicorn, 371, 372;
- Vine and olive, 249;
- Whitney’s dedication lines, 464;
- Wreath of chivalry, 168;
- Wreaths, 222;
- Wreath of oak, 225;
- Wrongs on marble, 457–462;
- Zodiac, signs of, 353.
- Shakespeare, acquainted with languages, 106, 107, 168;
- with the works of Julio Romano, 110;
- and of Titian, 115;
- with Emblems, 137, 158, 186.
- —Attainments, 106–116;
- sufficient for cultivating Emblem literature, 107, 108.
- —Dramatic career, 1590–1615, pp. 91, 92;
- Judgment in works of art,—sculpture, 109, 110;
- ornament, 111;
- painting, 112–115;
- melody and song, 115, 116.
- —Knowledge of ancient history and customs, 105, 106, 225, 226;
- Marks of reading and thought, 242;
- Tendency to depreciate his attainments, 105;
- Use of term Symbol, 2;
- Device, 8;
- Emblem, 9.
- Shepheards calender, Spenser, 134–137, 186.
- Siegenbeek, Geschiedenis der Nederlandsche letterkunde, 82.
- Smith, Dictionary of Greek and Roman Antiquities, 10.
- Sotheby, Principia typographica, 1858, pp. 48, 49.
- Spenser, ideas of devices, 8;
- Stamm Buch, 1619, Adam hiding, 416.
- Statius, badges, 47.
- Suetonius, Tiber. Cæsaris vita, 5.
- Symbola divina et humana, 1652, p. 176.
- Symeoni, quoted:—Ape and miser’s gold, 486;
- Butterfly and candle, 153;
- Chaos, 448;
- Creation and confusion, 35;
- Diana, 3;
- Dolphin and anchor, 16;
- Forehead shows the man, 129;
- Inverted torch, 171;
- Phaeton, 284;
- Serpent’s teeth, 245;
- Wounded stag, 398;
- Wrongs on marble, 457.
- Syntagma de symbolis, 2.
- 4. Saint Germain, fair at, imprese, 124, note.
- Salamander, impresa of Francis I., 123, 125.
- Satan, fall of, Boissard, 1596, Plate XI., 132, 133.
- Satire in Emblems, 33.
- Saviour’s adoption of a human soul, Vænius, Plate II., 32.
- Savoy, duke of, his impresa, 124;
- Madame Bona of, her device, 235.
- Sepulchre and cross, Diana of Poitiers, 183.
- Serpent and countryman, Freitag, Reusner, 197;
- Serpent in the bosom, Shakespeare, 198.
- Seven ages of man, Arundel MS., 406;
- Hippocrates, Proclus, Antonio Federighi, Martin, Lady Calcott, 407;
- Block-print described, Plate XV., 407, 408;
- Shakespeare, 409, 410.
- Shadow, fled and pursued, Whitney, 467;
- Shield untrustworthy. See Brasidas.
- Shields of Achilles, Hercules, Æneas, &c., 20.
- Ship, with mast overboard, Drummond, 124;
- Ship on the sea, Drummond, 125;
- Ship tossed by the waves, Sambucus, Whitney, 435;
- Ship sailing forward, Whitney, Alciat, 436;
- Boissard, 437;
- Shakespeare, 438–440.
- Sieve held by Cupid, 340. See Cupid.
- Silent academy at Hamadan, 17.
- Silversmiths, their craft and emblems, 20.
- Similitudes and identities in literature, 302.
- Sinon, 194–200;
- Sirens,—Alciat, 253;
- Whitney, 254;
- Shakespeare, 254.
- Six direct references to Emblems in the Pericles of Shakespeare, 156–186.
- Skiff of foolish tasting, Badius, 1502, p. 61.
- Skull, human, Aneau, Whitney, 337;
- Snake in the grass, Paradin, Whitney, 340;
- Snake on the finger, Paradin, 342;
- Whitney, Shakespeare, 343.
- Soul, its hieroglyphic sign, 25, 26.
- Spanish motto, 162, 164, 167.
- Speculum humanæ salvationis, Plates IV. and V., 44.
- Stag wounded, Giovio and Symeoni, 398;
- Paradin, Camerarius, Virgil, Ovid, Vænius, 399;
- Shakespeare, 399, 400.
- Stage, the world a, 409. See Seven ages.
- Star, its hieroglyphic meaning, 25.
- Statuary and architecture excluded, 11.
- Stirling-Maxwell, Bart., of Keir, De Bry’s Stam und wapenbuch, 1593, p. 32;
- ΜΙΚΡΟΚΟΣΜΟΣ, by Costerius, 98. See also Keir.
- Stork, emblem of filial piety, &c., 28;
- Epiphanius and Alciat, 28.
- Student in love, Alciat, Whitney, 441;
- Subjects of the Emblem Imprese, &c., 515–530.
- Sun and moon, in dialogue, 52.
- Sun of York, 223;
- Sun in eclipse, 124;
- Sun setting, Whitney, 323;
- Sun, wind, and traveller, Corrozet, 165;
- Freitag, Shakespeare, 166.
- Swan singing at death, Æschylus, Horapollo, 213;
- Virgil, Horace, 214;
- Old age eloquent, Aneau, 215;
- Pure truth, Reusner, 216;
- Camerarius, 217;
- Insignia of Poets, Alciat, Whitney, 218;
- Shakespeare, 219, 220.
- Sword with motto, 138.
- Sword on anvil, Perriere, 326;
- Sword to weigh gold, Drummond, 124.
- Symbol, more exact use, Pindar, Æschylus, Cudworth, Shakespeare, 2.
- Symbols and Emblems, almost convertible terms, 1;
- Symbolic properties of animals, 28.
- Symbolical imagery, fine example of, 377.